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344:, but there are also unusual evocations of eerie rain-forest weirdness and great thundering percussive romps. The massive solo part, fearlessly played by Sergio Tiempo, ranges from hauntingly jazzy bits to great bursts of keyboard color that the Venezuelan pianist seemed born to reveal." of
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similarly remarked, "The concerto's chugging rhythms make
Ginastera's lively atonal idiom feel accessible, understandable. Splatters of activity in the piano (...) fall over ethereal whispers in the strings."
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The electronic drum sound during the middle section of the track was achieved by placing a microphone in each of the drums to trigger a small synthesizer each time the drum was struck.
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called the concerto "a work of brutalist, magical realism" and wrote, "There are atmospheric and percussive moments when the score sounds slightly too much like
Argentine
203:, on April 22, 1961. The concerto was Ginastera's first composition for piano since his Piano Sonata No. 1, Op. 22, written in 1952. It is dedicated to the memory of
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522:, called it "as cacophonous a piece of rock music as existed at the time", particularly citing its effectively deranged use of electronics.
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187:. The work was commissioned by the Koussevitzky Foundation and was completed in 1961. It was first performed by the pianist
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An arrangement for rock band of the 4th movement, titled "Toccata", appears on the album
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Music commissioned by Serge
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magazine called their arrangement "brash and playful". Paul Stump, in his
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The concerto has a duration of roughly 25 minutes and is composed in four
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628:"Review: Los Angeles Philharmonic Makes the Familiar Feel Fresh"
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The Music's All that
Matters: A History of Progressive Rock
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683:"Emerson, Lake and Palmer: 10 Essential Songs"
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326:Reviewing a 2016 performance by the pianist
661:. Quartet Books Limited. pp. 169–170.
573:GINASTERA, A.: Piano Concertos Nos. 1 and 2
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250:and a large orchestra consisting of two
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816:Cinco canciones populares argentinas
824:Lamentaciones de Jeremias Propheta
626:Woolfe, Zachary (March 15, 2016).
570:De Marinis, Dora (February 2001).
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598:Swed, Mark (February 26, 2016).
885:Concertos by Alberto Ginastera
503:and classical crossover group
246:The work is scored for a solo
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183:by the Argentinian composer
520:History of Progressive Rock
505:Emerson, Lake, & Palmer
391:November 19, 1973
193:National Symphony Orchestra
159:National Symphony Orchestra
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372:Emerson, Lake & Palmer
207:and Natalie Koussevitzky.
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900:Twelve-tone compositions
332:Los Angeles Philharmonic
123:April 22, 1961
87:and Natalie Koussevitzky
306:, five percussionists,
179:, Op. 28, is the first
546:"Piano Concerto No. 1"
469:, percussion movement
61:Fondation Koussevitzky
790:Piano Concerto No. 2
784:Piano Concerto No. 1
657:Stump, Paul (1997).
177:Piano Concerto No. 1
550:Boosey & Hawkes
496:Brain Salad Surgery
381:Brain Salad Surgery
334:, Mark Swed of the
231:Scherzo allucinante
189:João Carlos Martins
163:João Carlos Martins
800:Other compositions
633:The New York Times
542:Ginastera, Alberto
355:In popular culture
347:The New York Times
237:Toccata concertata
228:Cadenza e varianti
890:1961 compositions
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839:Sonata for guitar
808:Danzas Argentinas
729:Alberto Ginastera
605:Los Angeles Times
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463:Alberto Ginastera
337:Los Angeles Times
185:Alberto Ginastera
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42:Alberto Ginastera
16:(Redirected from
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378:from the album
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272:E-flat clarinet
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242:Instrumentation
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197:Howard Mitchell
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149:Howard Mitchell
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688:Rolling Stone
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668:0-7043-8036-6
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467:Keith Emerson
465:(arranged by
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637:. Retrieved
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581:. Retrieved
576:(CD liner).
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553:. Retrieved
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368:Instrumental
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176:
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744:Don Rodrigo
480:Producer(s)
471:Carl Palmer
457:Composer(s)
264:cor anglais
211:Composition
99: : 50
879:Categories
639:August 27,
611:August 27,
583:August 27,
555:August 27,
526:References
395:1973-11-19
234:Adagissimo
155:Performers
127:1961-04-22
81:Dedication
846:Popol Vuh
499:by 1970s
486:Greg Lake
449:Manticore
421:hard rock
362:"Toccata"
322:Reception
296:trombones
268:clarinets
222:movements
216:Structure
145:Conductor
107:Movements
865:Category
832:Ollantay
771:Concerto
544:(1961).
403:Recorded
388:Released
330:and the
294:, three
292:trumpets
290:, three
280:bassoons
191:and the
135:Location
115:Premiere
92:Duration
66:Composed
752:Bomarzo
393: (
316:strings
312:celesta
304:timpani
286:, four
256:piccolo
167:pianist
125: (
71: (
849:(1983)
841:(1976)
835:(1947)
827:(1946)
819:(1943)
811:(1937)
792:(1972)
786:(1961)
780:(1956)
763:(1971)
755:(1967)
747:(1964)
665:
427:Length
342:Bartók
314:, and
278:, two
266:, two
258:, two
252:flutes
736:Opera
444:Label
412:Genre
288:horns
260:oboes
248:piano
205:Serge
85:Serge
35:No. 1
663:ISBN
641:2016
613:2016
585:2016
557:2016
406:1973
308:harp
300:tuba
175:The
120:Date
110:four
73:1961
69:1961
49:Opus
370:by
199:in
97:min
95:23
40:by
881::
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649:^
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436:23
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53:28
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432:7
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165:(
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101:s
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