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Todo modo

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278:. The retreat acts as an atonement for their past crimes of corruption and unethical practices, and a renewal of the party's structure, leaders, and interests in order to maintain power in the country. The religious exercises are practiced under the guidance of priest Don Gaetano, who dominates all those at the retreat. Over the course of the next three days, one by one the leading figures of the party fall victim to a murder series, despite investigations by the police. In the last scene, M., the sole survivor of the party, walks through the terrain outside of the hotel, where the corpses of the murdered have been piled up. Reciting Loyola's spiritual exercises, he asks his chauffeur to kill him. 515:
film, in the sense that the trial that Pasolini wanted and was unable to bring against the Christian Democratic ruling class is now done by Petri. And it is a process that sounds like an execution... There is no better Christian Democracy that distinguishes itself from the worst one, a Moro that
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at the time. As Elio Petri wrote in his diary, Volonté was so dedicated to his role that he took on the movements and intonation of Moro throughout the filming. Petri noted that the first two days of filming had to be scrapped by mutual agreement because the resemblance between the two "was
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partner, listened to the soundtrack. Arbore claimed that the score was a "dump", that it was material discarded by Mingus from previous works and recycled for the occasion, and that it did not suit the atmosphere of the film. Petri at that point decided to ask
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I also forced Sciascia's hands in the tone of the film (...), and it seemed to me, not only to follow an indication from Sciascia (...), but to evoke that climate of very black farce that was breathed and continues still breathing in Italy.
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argued that the film was driven solely by its "hatred against the ruling group currently in power in Italy". Leonardo Sciascia, author of the novel which the film was based on, defended Petri's adaptation, stating,
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distinguishes himself as better than a Fanfani. There is only one Christian Democracy with which the Italian people must decide radically come to terms." Two years later, after the
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The title refers to Ignatius de Loyola's quotation "Todo modo para buscar la voluntad divina", English translation "Use all means in the search for the divine will".
274:, arrive in a hotel called Zafer. With the party's central figure, president M., in their midst, they have gathered for an annual three-day retreat, inspired by the 1304: 1115: 489: 367: 683: 1339: 1309: 1329: 536: 480:. Petri argued that, as a result of this, communists largely criticised and shunned the film in public discourse, while praising him in private. 1294: 399:
Petri biographers Federico Bacci, Nicola Guarneri and Stefano Leone write that the film is a portrait of the "deviant" mental structure of the
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During a mysterious epidemic in Italy, numerous political leaders, industrialists, bankers, and business leaders of the ruling party, the
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Bianchi, Filippo (October 2004). "Mingus e Todo Modo: storia di un fallimento" [Mingus and Todo Modo: the story of a failure].
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assassination of Aldo Moro, the film, depending on the source, was either withdrawn from screening or outright banned.
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building resembling a prison, serves to create a parody of the political-managerial class of the Christian Democrats.
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government, a period marked by the emerging discussion of a compromise between Christian Democrats and the
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decided not to release it in the United States, despite the Petri-Senatore duo's previous success with
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Volonté's character, "M." (who was not in Sciascia's book but invented by Petri) was modeled after
275: 271: 122: 539:. It saw a theatrical re-release the following year. The original film reel is currently missing. 1174: 1166: 688: 992: 937: 877: 784: 656: 559: 449: 382: 300: 259: 102: 73: 1190: 1004: 569: 458: 448:. Petri decided to discard Mingus' music after, in the initial editing phase, Renzo Arbore, 324: 306: 1091: 1083: 503: 472:
met with much controversy during its initial screenings. It was released during the fifth
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who, within a few days, provided him with a score inspired by the compositions of
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Petri, Elio; Bacci, Federico; Guarneri, Nicola; Leone, Stefano (2006).
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The film marked the end of the Petri-Volontè partnership and
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Passion and Defiance: Italian Film from 1942 to the Present
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critique of political corruption and the greed for power.
856:(in Italian). Vol. 60, no. 10. pp. 48–49. 258:. It is loosely based on the novel of the same name by 807:, p. 155, a cura di J.A.Gili, Bulzoni editore, 2007. 1158: 1051: 217: 209: 199: 160: 152: 138: 128: 118: 108: 90: 82: 60: 50: 40: 23: 933:Italian Political Cinema: Figures of the Long '68 684:"Screen: Two Vehicles For Mastroianni at Thalia" 232:(lit. "By all means"), also known in English as 783:(in Italian). Feltrinelli Editore. p. 11. 655:. University of California Press. p. 354. 620: 618: 616: 614: 612: 610: 608: 606: 419: 674: 672: 1028: 381:, inspired by the novel of the same title by 8: 1116:Investigation of a Citizen Above Suspicion 1035: 1021: 1013: 817: 815: 813: 490:Investigation of a Citizen Above Suspicion 444:The soundtrack was initially entrusted to 368:Investigation of a Citizen Above Suspicion 29: 20: 1300:Films based on works by Leonardo Sciascia 780:Un amore lungo: tre inediti di Elio Petri 714:"Todo Modo. 1976. Directed by Elio Petri" 276:Spiritual Exercises of Ignatius of Loyola 1087:(segment "Peccato nel pomeriggio", 1964) 743: 741: 739: 737: 441:embarrassing, it was stomach-churning". 602: 582: 537:71st Venice International Film Festival 876:(in Italian). Edizioni Nuova Cultura. 873:Il Cinema Civile di Gian Maria VolontĂ© 708: 706: 1305:Films critical of the Catholic Church 955: 953: 865: 863: 748:Giubilei, Franco (1 September 2014). 7: 523:In 2014, the film, restored by the 870:Gaudio, Carlo (14 November 2014). 14: 936:. University of Minnesota Press. 1124:The Working Class Goes to Heaven 962:Todo modo (1976) - Awards - IMDb 374:The Working Class Goes to Heaven 1340:Depictions of Aldo Moro on film 1310:Films scored by Ennio Morricone 1330:Italian political satire films 998:Moliterno, Gino (March 2013). 905:"Todo modo: antologia critica" 558:Globo d'oro for Best Actress ( 1: 1295:Films based on Italian novels 1132:Property Is No Longer a Theft 1325:1970s Italian-language films 1315:Films directed by Elio Petri 1108:A Quiet Place in the Country 805:Scritti di cinema e di vita 568:for Best Supporting Actor ( 461:, as he himself requested. 339:as Arras, Vice Commissioner 327:as Dr. Scalambri, the judge 1361: 1320:Italian comedy-drama films 1280:Italian black comedy films 385:, is often described as a 1215:Train Without a Timetable 1100:We Still Kill the Old Way 1076:The Teacher from Vigevano 972:– via www.imdb.com. 529:National Museum of Cinema 28: 1285:Films about politicians 1275:1976 comedy-drama films 930:Resmini, Mauro (2023). 535:, was presented at the 438:prime minister of Italy 343:Adriano Amidei Migliano 180:13 April 2015 169:30 April 1976 424: 303:as Giacinta, M.'s wife 1068:His Days Are Numbered 485:Warner Communications 465:Release and reception 357:Background and themes 351:as television speaker 345:as Hon. Capra Porfiri 291:as M. (The President) 1207:The Road a Year Long 719:Museum of Modern Art 682:(14 December 1979). 651:Liehm, Mira (1984). 553:Marcello Mastroianni 295:Marcello Mastroianni 256:Marcello Mastroianni 238:, is a 1976 Italian 99:Marcello Mastroianni 1345:1970s Italian films 909:Il Cinema ritrovato 525:Cineteca di Bologna 450:Mariangela Melato's 427:— Elio Petri (1979) 401:Christian Democrats 272:Christian Democrats 123:Ruggero Mastroianni 1175:Angels of Darkness 1167:A Husband for Anna 689:The New York Times 496:In his review for 361:Filmed during the 289:Gian Maria VolontĂ© 252:Gian Maria VolontĂ© 235:One Way or Another 95:Gian Maria VolontĂ© 1257: 1256: 560:Mariangela Melato 383:Leonardo Sciascia 349:Guerrino Crivello 315:as M.'s chauffeur 301:Mariangela Melato 260:Leonardo Sciascia 225: 224: 190:Italy, re-release 103:Mariangela Melato 74:Leonardo Sciascia 16:1976 Italian film 1352: 1191:Sunset in Naples 1037: 1030: 1023: 1014: 1009: 1005:Senses of Cinema 974: 973: 971: 969: 957: 948: 947: 927: 921: 920: 918: 916: 901: 895: 894: 892: 890: 867: 858: 857: 847: 841: 840: 838: 836: 819: 808: 801: 795: 794: 774: 768: 767: 765: 763: 745: 732: 731: 729: 727: 710: 701: 700: 698: 696: 676: 667: 666: 648: 642: 641: 639: 637: 622: 590: 587: 570:Ciccio Ingrassia 566:Nastro d'argento 551:for Best Actor ( 459:Olivier Messiaen 428: 325:Renato Salvatori 307:Ciccio Ingrassia 191: 187: 185: 176: 174: 86:Daniele Senatore 33: 21: 1360: 1359: 1355: 1354: 1353: 1351: 1350: 1349: 1260: 1259: 1258: 1253: 1154: 1092:The 10th Victim 1084:High Infidelity 1047: 1041: 997: 983: 978: 977: 967: 965: 959: 958: 951: 944: 929: 928: 924: 914: 912: 903: 902: 898: 888: 886: 884: 869: 868: 861: 849: 848: 844: 834: 832: 821: 820: 811: 802: 798: 791: 776: 775: 771: 761: 759: 747: 746: 735: 725: 723: 712: 711: 704: 694: 692: 678: 677: 670: 663: 650: 649: 645: 635: 633: 624: 623: 604: 599: 594: 593: 588: 584: 579: 545: 504:Alberto Moravia 467: 455:Ennio Morricone 430: 426: 417: 409:expressionistic 359: 354: 284: 268: 202: 195: 189: 183: 181: 172: 170: 163: 148: 143: 141: 133:Ennio Morricone 113:Luigi Kuveiller 101: 97: 78: 55: 36: 17: 12: 11: 5: 1358: 1356: 1348: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1307: 1302: 1297: 1292: 1287: 1282: 1277: 1272: 1262: 1261: 1255: 1254: 1252: 1251: 1243: 1239:La garçonnière 1235: 1227: 1219: 1211: 1203: 1195: 1187: 1179: 1171: 1162: 1160: 1156: 1155: 1153: 1152: 1144: 1136: 1128: 1120: 1112: 1104: 1096: 1088: 1080: 1072: 1064: 1055: 1053: 1052:Films directed 1049: 1048: 1042: 1040: 1039: 1032: 1025: 1017: 1011: 1010: 1008:. 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It is an 371:(1970) and 321:as the cook 319:Tino Scotti 309:as Voltrano 205:130 minutes 83:Produced by 41:Directed by 35:Film poster 1270:1976 films 1264:Categories 1199:The Wolves 1044:Elio Petri 597:References 499:L'espresso 415:Production 248:Elio Petri 244:drama film 242:political 184:2015-04-13 173:1976-04-30 140:Production 56:Elio Petri 45:Elio Petri 1148:Good News 1140:Todo modo 988:Todo modo 755:La Stampa 509:Todo modo 470:Todo modo 434:Aldo Moro 394:brutalist 387:grotesque 379:Todo Modo 250:starring 240:satirical 229:Todo modo 119:Edited by 68:Todo modo 24:Todo modo 1247:I mostri 828:Treccani 762:14 March 527:and the 513:Pasolini 377:(1971), 218:Language 147:Cinevera 129:Music by 91:Starring 61:Based on 968:23 June 221:Italian 210:Country 182: ( 171: ( 142:company 1250:(1963) 1242:(1960) 1234:(1960) 1226:(1960) 1218:(1959) 1210:(1958) 1202:(1957) 1194:(1955) 1186:(1954) 1178:(1954) 1170:(1953) 1151:(1979) 1143:(1976) 1135:(1973) 1127:(1971) 1119:(1970) 1111:(1968) 1103:(1967) 1095:(1965) 1079:(1963) 1071:(1962) 1063:(1961) 940:  889:18 May 880:  787:  722:. 2014 659:  543:Awards 436:, the 188: ( 577:Notes 533:Turin 511:is a 390:farce 333:as He 213:Italy 993:IMDb 970:2024 938:ISBN 917:2023 891:2017 878:ISBN 837:2023 785:ISBN 764:2018 728:2023 697:2023 657:ISBN 638:2023 474:Moro 407:and 282:Cast 266:Plot 254:and 991:at 478:PCI 156:PIC 72:by 1266:: 1002:. 952:^ 907:. 862:^ 825:. 812:^ 752:. 736:^ 716:. 705:^ 686:. 671:^ 628:. 605:^ 531:, 502:, 493:. 262:. 1036:e 1029:t 1022:v 946:. 919:. 893:. 839:. 793:. 766:. 730:. 699:. 665:. 640:. 572:) 562:) 555:) 507:" 192:) 186:) 175:)

Index


Elio Petri
Leonardo Sciascia
Gian Maria Volonté
Marcello Mastroianni
Mariangela Melato
Luigi Kuveiller
Ruggero Mastroianni
Ennio Morricone
satirical
drama film
Elio Petri
Gian Maria Volonté
Marcello Mastroianni
Leonardo Sciascia
Christian Democrats
Spiritual Exercises of Ignatius of Loyola
Gian Maria Volonté
Marcello Mastroianni
Mariangela Melato
Ciccio Ingrassia
Franco Citti
Tino Scotti
Renato Salvatori
Michel Piccoli
Cesare Gelli
Adriano Amidei Migliano
Guerrino Crivello
Years of Lead
Investigation of a Citizen Above Suspicion

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