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By the late 1980s, Bash's approach changed radically, moving further and further into avant-garde territory. Often shattering the conventions of traditional theatre, and featuring dream-like imagery, his current style recalls the experiments of the Paris
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Bash has worked with theatre companies in Los
Angeles, New York and Philadelphia, as well as collaborations with artists from around the world. His writing has appeared in numerous periodicals, including
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He has written more than twenty works for the theatre, many performed and published, as well as prose, poetry and film projects. He is also the creator of numerous
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125:Σουρεαλισμ ανδ δρεαμσ December 2011; Cyprus Centre Theatre Institute κυπριακο κεντρο ινστιτουτου Θεατρου (in Greek).
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His early writing features a gritty, realistic style, and includes
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Sanctus
Fumigaci: Collected Works of Todd Bash, Volume 2
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during the 1920s. Among his plays from this period are
180:The Knowledge Bank Ohio State University Libraries
227:20th-century American dramatists and playwrights
112:Doollee.com - The Internet Playwrights Database
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170:from The Rare Books and Manuscripts Library.
75:was set to music by Japanese born composer
69:The Final Thoughts Of Stanislaw Bashkiewicz
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65:Das Nachtgespenst, Goldring, Nachthunde
44:, art objects and musical experiments.
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156:IMSLP - Petrucci Music Library
85:Lost and Found Times, Neotrope
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71:. His short opera libretto
49:The Winning Number, Concrete
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186:featuring works by Bash).
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168:THE JIM LEFTWICH PAPERS
95:was published in 2007.
123:Surrealism and Dreams
184:Lost and Found Times
158:(Lieder from Opera).
182:(List of issues of
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217:1965 births
61:Surrealists
31:Los Angeles
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211:Categories
99:References
35:California
27:playwright
89:Gestalten
53:Blackouts
20:Todd Bash
73:Seehunde
42:collages
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