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216:). In this book, he defines the tololoche as “Name that the Indians gave to the musical instrument called « Contrabass » when they saw its rounded shapes, and that it looked like an irregular spheroid". He considered that this name derived from the words, in the
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Cecilio Agustín Robelo, a
Mexican philologist from the beginning of the 19th century, was one of the first to be interested in the origin of this name, and had published the results of his research in his "Diccionario De Aztequismos" (Dictionary of
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because one playing technique produces a whip-like sound. Some players play the chicote note along with two strokes of the palms to produce a drum beat, while others prefer to strike the body as one would the
280:, unlike the viol. The four-string tuning is A-D-G-C (La-Re-Sol-Do), a fourth higher than the standard double bass. Strings were traditionally made of gut, giving way to nylon and steel-wrapped nylon.
323:(Tololo Tic: redondo, esférico) Nombre que dieron los indios al instrumento músico llamado « Contrabajo » cuando vieran sus formas redondas, y que era semejante a un esféroide irregular
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playing traditional songs for callejoneadas. The tololoche became established in the north of Mexico as indispensable to the interpretation of regional music and less awkward than the classical
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Cecilio Agustín Robelo's explanation is difficult to impose, because from that time on, botanists used the word "tololonchi" to designate the spherical fruits of various species of
139:. Its name comes from "tolo loch", from the Mayan language: tolo (bull) and loch (embraced), which would later become tololoche. It is a variant of the European
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Diccionario De
Aztequismos, Ó Sea Catálogo De Las Palabras Del Idioma Nahuatl, Azteca Ó Mexicano, Introducidas Al Idioma Castellano Bajo Diversas Formas
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and tololoche, respectively. However, musicians and composers have returned to the tololoche for consistency within the field of traditional music.
143:, though sightly smaller, and is still large enough to produce low-pitched sounds. It has three or four strings, and is plucked with the fingers (
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The instrument is purely acoustic, and its role has gradually been replaced by electric instruments such as the
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of Peru, creating percussive rhythms when there is no drum available.
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language, “Tololo Tic”, which he interpreted as “round or spherical”.
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The neck of a tololoche is usually made of pine and the body of
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Music in Latin
American culture: regional traditions
147:). It is purely a folk instrument, and not used in
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135:is a traditional musical instrument from southern
16:Traditional musical instrument of southern Mexico
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376:. Victoria College Press. 1997. p. 117.
109:Learn how and when to remove this message
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247:, as well as in the American state of
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162:music. These styles include the
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231:that grows in Mexican states of
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411:Mexican musical instruments
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406:Contrabass instruments
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373:South Texas studies
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41:Please help
36:verification
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255:Terminology
229:Passifloras
188:double-bass
141:double bass
58:"Tololoche"
400:Categories
331:References
245:Guanajuato
214:Aztequisms
184:Guanajuato
180:bajo sexto
168:snare drum
99:April 2011
69:newspapers
237:Chihuahua
207:Etymology
172:saxophone
164:accordion
156:Fara Fara
145:pizzicato
133:tololoche
278:caobilla
284:Sources
261:chicote
249:Arizona
241:Sinaloa
218:Nahuatl
160:norteño
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233:Sonora
176:guitar
137:Mexico
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