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In 1886, he was awarded a stipend from the provincial government in Oviedo, to help finance further studies in Rome. Later, thanks to critical praise for several of his works, the stipend was extended, allowing him to tour Italy and France, and spend his summers at home with his group. With "At the
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Ill and out of money, he returned home in 1892 and settled in his native village, although he continued to travel; visiting Madrid, Barcelona and Paris for extended periods. In 1897, his entry at the
Exposición Nacional,
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In the summer of 1884, he invited
Plasencia and several other members of the Círculo, to visit his family's farm. This resulted in the creation of what came to be known as the "
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in 1876, to study pharmacology, and received his license to practice in 1880. That same year, he published his first drawings in
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to a rural, peasant family. After attending a religious school there, he received his advanced degree at a private school in
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in 1890. It was acquired by the
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There, he enrolled at the "Escuela
Especial de Pintura, Escultura y Grabado" (a division of the
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114:(17 May 1860 – 1937) was a Spanish painter; primarily of landscapes and rural scenes, in
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Juan Fernández de la Llana Granda, "Tomás García
Sampedro e Ignacio Suárez Llanos", in:
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Fall of
Evening", painted in Rome in 1889, he was awarded a third-class medal at the
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184:". Its original members, in addition to Plasencia, included
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Real
Academia de Bellas Artes de San Fernando alumni
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308:. Museo de Bellas Artes de Asturias. Oviedo, 2007
46:but its sources remain unclear because it lacks
279:He died at his combination home and studio in
156:Real Academia de Bellas Artes de San Fernando
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77:Learn how and when to remove this message
272:in 1905. That same year, he was named a
260:, as a child, for the Casino Español in
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315:. vol. IX; Oviedo, Banco Herrero, 1979.
256:. He also created a portrait of King
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242:Exposición Nacional de Bellas Artes
141:La Ilustración Gallega y Asturiana
126:Tomás García Sampedro was born in
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276:of the Academia de San Fernando.
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306:Pintura asturiana del siglo XIX
170:, who would become his mentor.
295:Diccionario biográfico español
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339:Biblioteca Nacional de España
283:in 1937, aged seventy-seven.
300:Real Academia de la Historia
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304:Javier Barón Thaidigsmann,
16:Spanish painter (1860–1937)
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175:Colonia artística de Muros
32:This article includes a
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250:The Banks of the Nalón
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208:José Robles Martínez
313:Pintores asturianos
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293:Biography in the
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106:The Bonnet
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