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42:, Spain), was a Spanish art and architecture historian, museum director, curator, university professor, and art critic renowned for his work on art and architecture theory and aesthetics, especially regarding the 19th and early 20th centuries. He was director of the
172:. On October 23, 2020, Llorens was declared the “Favorite Son of Almassora”, his hometown, by unanimous vote of the people. Llorens died in Dénia on June 10, 2021. The president of the Valencian Government,
129:. On his return to Spain, Llorens was behind the modernisation of many Spanish museums, particularly after he was appointed National Director of Fine Arts in 1986 by the then Spanish Minister of Culture,
137:(IVAM), of which he was its very first director between 1986 and 1988 – his contribution being crucial for the Julio González collection to be installed permanently in the museum. He was director of the
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in Madrid from 1988 to 1990: under his direction the museum built up a rich permanent collection of 20th century art by acquiring works by the great
Spanish masters such as
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153:, who were until then, and for historical reasons, under-represented. From the mid-eighties Llorens was part of the Spanish Ministry of Culture team that negotiated with
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Arquitectura, historia y teoria de los signos: Symposium organizado por la
Comision de Cultura del Colegio de Arquitectos de Cataluna y Baleares
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176:, announced the news during a session at the Valencian Courts and defined Llorens as "a great intellectual and a great Valencian".
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Tomás
Llorens, "Notes for a Definition of Aesthetic Semiosis", in Seymour Chatman, Umberto Eco and Jean M. Klinkenberg (eds.),
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86:. He remained at Portsmouth as a senior lecturer until 1986. At Broadbent’s instigation, the school taught architectural
90:
under
Llorens and his colleague Richard Bunt, resulting in various publications, notably the book they edited together,
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in 1972. That same year he left Spain with his family to live in
England, where he was appointed a Research Fellow at
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by the
Spanish Ministry of Education, Culture and Sports. In 2013 he was named Doctor Honoris Causa by the
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342:"Muere el historiador del arte Tomás Llorens, el primer director del IVAM, del Reina Sofía y del Thyssen"
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in 1996-98. Llorens was a member of the editorial board of the
Barcelona-based architectural journal
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in the transfer of his artistic collection to Madrid. In 1991 he was appointed director of the
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154:
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Tomàs
Llorens, “Manfredo Tafuri: Neo-avant-garde and history”, in Demetri Porphyrios (ed),
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Tomás
Llorens, “Manfredo Tafuri: Neo-avant-garde and history”, in Demetri Porphyrios (ed),
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371:"Tomás LLorens: Quiero dar dignidad a la presencia de Picasso en la colección permanente"
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in 1979-1980, as well as a visiting lecturer in the history of art at the
94:(1980). While still at Portsmouth, Llorens was a visiting lecturer at the
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475:"Dol oficial per la mort de Tomàs Llorens, Fill Predilecte d'Almassora"
238:. Laura Suffield (trans.) (2nd ed.). Madrid: Lunwerg editores SA, 1998.
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Oihana
Robador Ausejo, “Forma. El ideal clásico en el arte moderno”.
125:, where he took over as general director of Artistic Heritage at the
82:
School of Architecture, at the invitation of its head of Department,
192:
Tomás Llorens, “Domestic characters and leap into the avant-garde”,
283:
Yolande Clergue, Dominique Serena-Allier and Tomás Llorens (eds),
15:
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Paris: Ouvrage collectif, éditeur Association Paris-Musées, 2007.
422:"Fallece a los 85 años Tomás Llorens, primer director del IVAM"
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Paris: D.A.P./Réunion des Musées Nationaux - Grand Palais, 2012
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Valeriano Bozal, Tomás Llorens and José Francisco Yvars (eds),
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Nacimiento y desintegración del cubismo: Apollinaire y Picasso.
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Tomás Llorens, Juan Manuel Bonet, and Marilena Pasquali (eds),
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Llorens returned permanently to Spain in 1984, settling in the
394:"An Interview with G. Broadbent on Meaning in Architecture",
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in 1964. From 1969 to 1972 he lectured on aesthetics at the
206:
Tomás Llorens, “Architecture as representation of nature”,
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Geoffrey Broadbent, Richard Bunt and Tomás Llorens (eds),
411:, London: Architectural Design Profile, 51 6/7, 1981, 83.
523:
This biographical article about a Spanish academic is a
528:
252:. Madrid: Fundación Colección Thyssen-Bornemisza, 1998.
203:. Berlin, Boston: De Gruyter Mouton, 1979, pp. 313-317.
227:
Tomás Llorens, “Making History”, in Joan Ockman (ed),
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Abigail McEwen, Tomás Llorens, Frederic Tuten (eds),
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Madrid: Fundacion Coleccion Thyssen-Bornemisza, 2005.
224:, London: Architectural Design Profile, 51 6/7, 1981.
250:Kupka: Localización de móviles gráficos, 1912-1913
285:Pablo Picasso: Portraits d'Arlésiennes 1912-1958.
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231:. New York: Princeton Architectural Press, 1985.
215:Meaning and Behaviour in the Built Environment
92:Meaning and Behaviour in the Built Environment
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66:in 1958 and a degree in philosophy from the
50:in Madrid in 1988-1990, and director of the
409:On the Methodology of Architectural History
396:METU Journal of the Faculty of Architecture
271:Forma. El ideal clásico en el Arte Moderno.
222:On the Methodology of Architectural History
74:. He was imprisoned and expelled under the
555:
541:
297:Tomás Llorens and Didier Ottinger (eds),
243:Fortuny e la pittura preziosista Spagnola.
62:Llorens received a degree in law from the
46:in Valencia in 1986-1988, director of the
594:Academics of the University of Portsmouth
292:Peintres de la lumière Sargent / Sorolla.
201:A Semiotic Landscape. Panorama sémiotique
332:
273:Madrid: Museo Thyssen-Bornemisza, 2001.
266:Pamplona: Universidad de Navarra, 2001.
259:Madrid: Museo Thyssen-Bornemisza, 1999.
245:Madrid: Museo Thyssen-Bornemisza, 1998.
241:Tomás Llorens and Felipe Garín (eds),
236:Guide to the Thyssen-Bornemisza Museum
96:Barcelona School of Architecture (UPC)
133:. He was one of the promoters of the
7:
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449:"Relación de premiados del año 2006"
278:Mimesis, realismos modernos 1918-45.
166:Gold Medal of Merit in the Fine Arts
447:Ministerio di Cultura, ed. (2006).
306:The Worlds of Joaquín Torres-García
287:Ouvrage collectif, Actes Sud, 2005.
196:, No. 23, New York: Rizzoli, 1979.
180:Selected edited books and writings
72:School of Architecture of Valencia
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369:Garciá, Ángeles (April 7, 1988).
161:, a position he held until 2005.
609:Spanish academic biography stubs
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189:, Barcelona: Gaya Ciencia, 1972.
257:Morandi: exposición antológica.
229:Architecture Criticism Ideology
104:Central University of Venezuela
164:In 2006, Llorens received the
135:Institut Valencià d'Art Modern
44:Institut Valencià d'Art Modern
34:, Spain, died 10 June 2021 in
1:
340:Bono, Ferrán (10 June 2021).
599:Spanish architecture writers
527:. You can help Knowledge by
589:Architectural theoreticians
398:, Vol.6, No.1, Spring 1980.
118:, until it closed in 1985.
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322:, núm. 01, Pamplona, 2005.
217:. Chichester: Wiley, 1980.
308:. New York: Rizzoli, 2018
159:Thyssen-Bornemisza Museum
102:in 1977-1981, and at the
100:University College London
52:Thyssen-Bornemisza Museum
155:Baron Thyssen-Bornemizsa
54:in Madrid in 1991-2005.
26:(born 4 October 1936 in
604:Spanish art historians
170:University of Alicante
127:Generalitat Valenciana
80:Portsmouth Polytechnic
68:University of Valencia
20:
290:Tomás Llorens (ed.),
276:Tomás Llorens (ed.),
262:Tomás Llorens (ed.),
248:Tomás Llorens (ed.),
185:Tomás Llorens (ed.),
76:Franco fascist regime
24:Tomás Llorens i Serra
19:
426:Comunidad Valenciana
112:University of Girona
64:University of Madrid
313:Studies on his work
210:, 1980, pp. 307-317
194:Lotus International
32:Valencian Community
139:Reina Sofía Museum
84:Geoffrey Broadbent
48:Reina Sofía Museum
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123:Valencian Country
116:Arquitecturas Bis
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584:Semioticians
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483:. Retrieved
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454:(in Spanish)
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430:. Retrieved
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579:2021 deaths
574:1936 births
40:Marina Alta
568:Categories
327:References
320:Revisiones
479:Almassora
380:April 27,
208:Semiotics
174:Ximo Puig
151:Joan Miró
147:Juan Gris
88:semiotics
28:Almassora
485:27 April
458:27 April
432:28 April
351:27 April
375:El País
346:El País
108:Caracas
452:(PDF)
36:Dénia
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487:2024
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