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library books. Eckersley also continued to complete commissioned work, adding The United
Nations Children's Fund, the World Wide Fund for Nature, the National Business Calendar Design Awards and Cooks to his list of clients. Therefore, Eckersley was both a practitioner and a teacher, thus allowing his designs and teaching to remain relevant to changing audiences. Notable graduates who benefitted from Eckersley's tutelage include illustrator
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286:) and logos. His designs often employ an abstract like quality and collage to convey their message but whatever the technique Eckersley's designs have one common factor: they bring together text and pictures to relate complex messages in a direct way. The range of companies who commissioned both the Eckersley-Lombers partnership and Eckersley individually reflects the wide appeal of their/his striking designs:
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In addition to retaining examples of his published posters
Eckersley also produced and retained posters that he had designed purely for personal enjoyment, such as a series of film posters that depicted the faces of Hollywood movie greats that were only published on a small scale for events like exhibitions of his work.
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Eckersley developed a style that emphasised geometric forms, flat graphic designs emphasising shape rather than depth of perspective, and a strong use of contrast by several means, including varying the size of elements, or using stark lines and shadowing with gradients. Eckersley's style was similar
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in 1939 effectively marked the end of
Eckersley's partnership with Lombers, as they joined different military services and there was a decline in demand for commercial advertising. This led Eckersley to create posters for the Royal Society for the Prevention of Accidents (RoSPA), aimed at workers in
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Tom
Eckersley retained copies of many of his posters and examples of his original artwork; these form the equivalent of sketches for the working poster maker. Eckersley used these when teaching, as well as a personal reference. The posters were kept at his home and as such formed a working archive.
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to teach undergraduates. Here he established the first undergraduate courses in graphic design in
Britain. He was Head of Graphic Design at the College from 1957 until 1977. Whilst at the college he designed posters to inform staff and students, for example one reminds students to return overdue
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Eckersley-Lombers posters were both aesthetic and functional, thereby perfectly fulfilling advertisers' criteria. Eckersley-Lombers always supplied full size artwork with hand drawn lettering for their poster designs. Eckersley was involved not only in graphic design but in its teaching: he and
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factories and industrial settings that often supported the military in someway. These posters are striking in their bluntness; with little text it is the illustration that catches the eye. Most use block colours and cut out shapes to form the designs. Having originally joined the
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Eckersley was one of the foremost poster designers and graphic communicators of the last century, who combined practice with education. In addition to poster making and book illustration he also produced magazine covers (for example for
226:(OBE) for services to poster design. During the war the realisation of the posters ability to communicate complex messages was recognised, as propaganda messages were successfully conveyed by posters and mass media was developed.
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graphic designers in France and
Germany during the same period. His bold, simple style was well-suited for the workplace safety posters he produced for the Royal Society for the Prevention of Accidents throughout his career.
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After the war commissions for government posters reduced and, due to rationing and financial strain, commercial advertising was still restricted. However, Eckersley was able to gain commissions from new sources such as
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and advertising agency WS Crawford. He also designed posters for events and seasons for example, one for a seminar
Eckersley gave at the Grafiska Institute,
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includes posters from throughout his career, magazine covers and original artwork. The
University has made the posters available online on
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and old sources such as the
General Post Office. He also did some work as a book illustrator, for example illustrating his wife's book
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University of the Arts London, Archive and
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Eckersley died in 1997, two years after a retrospective of his work was exhibited at the
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See the digitised collection of the Eckersley Archive at University of the Arts London
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Examples of posters by Eckersley for the Royal Society the Prevention of Accidents
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1942 poster for the United Kingdom's Ministry of Labour and National Service.
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The Illustration Handbook: A Guide to the World's Greatest Illustrators
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Visual database of Eckerlsey work commissioned by Transport for London
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work, Eckersley was transferred to the Publicity Section of the
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Wildscreen International Wildlife Film and Television Festival
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Imperial War Museum Collections Search – Posters by Eckersley
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160:. His artistic training began in 1930 when he enrolled at
531:(25th anniversary ed.). Köln: Taschen. p. 236.
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Lombers worked as visiting lectures in poster design at
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Online exhibit from Eckersley's archival collection
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638:1997 deaths
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312:Austin Reed
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438:(his son)
356:Stockholm
283:The Queen
238:in 1946.
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