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falls on the elegance of the music first and foremost, and the tracks evoke warmth as they evolve in sequence." He added, "Dosh pays particular attention to the delicate balance of the instruments on each track, making sure that no one sound overpowers another." M. R. Newmark of
29:
465:
gave the album 7 stars out of 10, saying: "This is Dosh taking a step back, slowing down, freaking out a little (check the snarling ending of album finale 'Gare de Lyon'), and making the most personal music of his career."
445:, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 76% based on 11 reviews, indicating "generally favorable reviews".
861:
1051:
640:– backing vocals (1, 3), saxophone (1, 4, 8), synthesizer (2), piano (3, 5, 6, 7), bass guitar (5, 8, 10), glockenspiel (5)
986:
748:
710:
637:
550:
425:
contributed vocals on "Number 41" and "Nevermet". "Airlift" contains a sample of Dosh and his friend covering "
646:– electric guitar (2, 3, 4, 5, 6), backing vocals (3), synthesizer (3), slide guitar (8), feedback guitar (10)
1103:
1019:
958:
330:
743:
1098:
1093:
1024:
73:
871:
649:
Ryan
Francesconi – accordion (7), guitar (7, 8, 9, 10), bass guitar (7, 9), banjo (10), tambura (10)
899:
255:
925:
121:
953:
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866:
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243:
108:
41:
991:
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1087:
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28:
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524:
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64:
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778:
773:
609:
461:
442:
430:
267:
171:
996:
69:
810:
194:
1072:
1077:
715:
416:
101:
720:
36:
411:
is the fifth solo studio album by
American multi-insturmentalist
454:
gave the album 4 stars out of 5, saying, "Dosh's focus on
433:. The album is named after and dedicated to Tom Cesario.
1052:"People Said It Was Impossible: An Interview with Dosh"
652:
Mike Sopko – acoustic guitar (1), electric guitar (1)
492:
484:
107:
95:
79:
63:
48:
35:
21:
273:
8:
919:
917:
768:
766:
374:
336:
199:
661:Jon Davis – microphone (3), bass sample (3)
151:
27:
18:
705:
703:
701:
699:
655:Chris Morrissey – electric bass (1, 4, 6)
575:"Country Road X" (Dosh, Ryan Francesconi)
481:
695:
980:
978:
976:
658:Todd Sickafoose – acoustic bass (2, 9)
1020:"Dosh to blow minds with album, tour"
1018:Cosores, Philip (February 25, 2010).
664:Paul Niehaus – pedal steel guitar (3)
180:
157:
7:
893:Fitzmaurice, Larry (April 9, 2010).
679:Freddy Votel – percussion (5, 8, 10)
1050:Kelly, Jennifer (April 14, 2010).
952:Hamilton, Billy (March 29, 2010).
627:Credits adapted from liner notes.
275:
14:
924:Newmark, M. R. (April 13, 2010).
376:
338:
201:
832:Gordon, Scott (April 13, 2010).
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685:Tim Glenn – prepared piano (7)
670:– vocals (3, 9), lyrics (3, 9)
485:
1:
985:Cole, Zach (April 13, 2010).
16:2010 studio album by Dosh
860:Marsh, Calum (May 8, 2010).
742:Segal, Dave (May 6, 2010).
1120:
676:Derek Phillips – drums (4)
475:All tracks are written by
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497:
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188:
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673:Bryan Olson – guitar (4)
52:April 13, 2010
987:"Dosh – Tommy (Review)"
682:J.T. Bates – cymbal (6)
612:, Everest, Bryan Olson)
597:"Nevermet" (Dosh, Bird)
608:"Gare de Lyon" (Dosh,
415:. It was released on
1025:Consequence of Sound
479:, except where noted
153:Professional ratings
74:instrumental hip hop
523:"Number 41" (Dosh,
419:on April 13, 2010.
154:
1080:(list of releases)
437:Critical reception
152:
999:on April 16, 2010
634:– everything else
619:
618:
586:"Call the Kettle"
404:
403:
150:
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122:Wolves and Wishes
1111:
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995:. Archived from
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870:. Archived from
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723:on June 23, 2015
719:. Archived from
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644:Jeremy Ylvisaker
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158:Aggregate scores
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1118:
1114:
1113:
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1083:
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1049:
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1044:Further reading
1041:
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874:on May 13, 2012
867:Cokemachineglow
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844:
842:
831:
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784:CBS Interactive
774:"Tommy by Dosh"
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244:Cokemachineglow
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55:
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44:
17:
12:
11:
5:
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1115:
1107:
1106:
1104:Anticon albums
1101:
1096:
1086:
1085:
1082:
1081:
1067:
1066:External links
1064:
1063:
1062:
1045:
1042:
1039:
1038:
1010:
972:
954:"Dosh - Tommy"
944:
913:
885:
852:
824:
806:"Tommy - Dosh"
796:
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744:"Data Breaker"
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501:"Subtractions"
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933:
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927:
926:"Dosh: Tommy"
920:
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896:
895:"Dosh: Tommy"
889:
886:
873:
869:
868:
863:
862:"Dosh: Tommy"
856:
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841:
840:
839:The A.V. Club
835:
834:"Dosh: Tommy"
828:
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610:Andrew Broder
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470:Track listing
469:
467:
464:
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457:
453:
452:
448:Zach Cole of
446:
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436:
434:
432:
428:
427:Run Like Hell
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232:The A.V. Club
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181:Review scores
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1071:
1055:
1029:. Retrieved
1023:
1013:
1001:. Retrieved
997:the original
990:
963:. Retrieved
957:
947:
935:. Retrieved
929:
904:. Retrieved
898:
888:
876:. Retrieved
872:the original
865:
855:
843:. Retrieved
837:
827:
815:. Retrieved
809:
799:
787:. Retrieved
777:
753:. Retrieved
749:The Stranger
747:
737:
725:. Retrieved
721:the original
714:
626:
538:"Town Mouse"
474:
460:
455:
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407:
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367:
329:
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37:Studio album
1099:Dosh albums
1094:2010 albums
668:Andrew Bird
632:Martin Dosh
525:Andrew Bird
477:Martin Dosh
423:Andrew Bird
1088:Categories
1057:PopMatters
959:The Skinny
931:PopMatters
779:Metacritic
690:References
638:Mike Lewis
551:Mike Lewis
512:"Yer Face"
462:PopMatters
443:Metacritic
431:Pink Floyd
331:The Skinny
268:PopMatters
172:Metacritic
139:Milk Money
111:chronology
56:2010-04-13
900:Pitchfork
804:J. Poet.
623:Personnel
564:"Airlift"
256:Pitchfork
70:Post-rock
811:AllMusic
549:"Loud" (
195:AllMusic
49:Released
39: by
1078:Discogs
1031:July 1,
1003:July 1,
965:July 1,
937:July 1,
906:July 1,
878:July 1,
845:July 1,
817:July 1,
789:July 1,
755:July 1,
727:July 1,
716:Anticon
711:"Tommy"
417:Anticon
142:(2013)
135:(2010)
126:(2008)
102:Anticon
54: (
493:Length
261:6.9/10
249:78/100
189:Rating
186:Source
176:76/100
166:Rating
163:Source
80:Length
1073:Tommy
490:Title
456:Tommy
429:" by
408:Tommy
131:Tommy
97:Label
65:Genre
22:Tommy
1033:2018
1005:2018
967:2018
939:2018
908:2018
880:2018
847:2018
819:2018
791:2018
757:2018
729:2018
615:8:29
600:3:23
589:5:38
578:5:05
567:3:58
556:3:31
541:3:09
530:3:04
515:3:22
504:4:18
413:Dosh
109:Dosh
42:Dosh
1076:at
992:URB
605:10.
486:No.
451:URB
441:At
369:URB
1090::
1054:.
1022:.
989:.
975:^
956:.
928:.
916:^
897:.
864:.
836:.
808:.
782:.
776:.
765:^
746:.
713:.
698:^
594:9.
583:8.
572:7.
561:6.
546:5.
535:4.
520:3.
509:2.
498:1.
237:A−
89:57
85:43
72:,
1060:.
1035:.
1007:.
969:.
941:.
910:.
882:.
849:.
821:.
793:.
759:.
731:.
553:)
527:)
87::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
