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159:, and suggesting that sacred figures such as a resurrected Christ or a representation of Virtue could be possible placements. The gap in the central medallion of the funerary chest, originally meant to house a decorative round, was more evident: a coloured spherical marble or a figurative or heraldic relief that could also be in bronze.
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The funeral monument is conceived and built on lines of austere elegance, with sober and very dense decorative motifs underlined by the gilding. Here the sculptor demonstrates and re-elaborates the typology of the mural funeral monument, of
Venetian origin, inserting decorative details such as the
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In 1494, Gasparo
Cairano received a commission to work on the chapel of the Magdalene in the church of St Francis, Brescia, from the prior of its convent, Francesco Sanson. That same year, some embellishment began to the chapel (today dedicated to the Sacred Heart) as part of a wider renovation of
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of identity between two eponymous sculptors in the sixteenth century. In 1954, however, Tonolini and
Monegatti identified the sculptor as Gasparo Cairano, an attribution that has been accepted by subsequent historiography and reiterated by Vito Zani in 2010.
128:. The date 1500 is engraved on the tomb, making it likely that Guerrini's document constituted the contract for execution. While Guerrini does not mention the client's name, it is likely it is the Gaspare Brunelli who died on 10 April 1497.
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the entire church promoted by Sanson. (In 1499, Sanson's last will decreed the construction of the monumental cross of St
Francis, one of the major masterpieces of Brescian jewellery of the time.)
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Zani hypothesized the original presence of further sculptures to decorate the sepulchre, later lost, observing how the upper pedestal
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The monument has never changed its location over the centuries, but it has lost its central medallion and probably also sculptural
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angular leonine legs that emerge from a helmet. This detail can be found in the contemporary tomb of
Melchiorre Trevisan in the
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Tonolini, Maria; Monegatti, Vittorina (1954). "Storia e arte nel complesso monumentale di san
Francesco".
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Guerrini, Paolo (1926). "Iscrizioni delle chiese di
Brescia. Chiesa e chiostri di San Francesco".
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At the beginning of the twentieth century, Paolo
Guerrini found in the Brunelli family archive in
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147:, the creator of the tomb, as Gaspare Pedoni. This was caused by a historic confusion by
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Begni Redona, Pier
Virgilio (1997). "Croce processionale di San Francesco".
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Begni Redona, Pier
Virgilio (1994). "Pitture e sculture in San Francesco".
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it appears that the mausoleum was completed in 1496 by M. Gaspare of Milan
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Settimo centenario del complesso monumentale di San Francesco d'Assisi
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100:, dating to 1500, and situated in the Sacred Heart chapel of the
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La chiesa e il convento di San Francesco in Brescia
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La chiesa e il convento di San Francesco in Brescia
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329:Prestini, Rossana (1994). "Documenti e regesto".
322:Commentari dell'Ateneo di Brescia per l'Anno 1925
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124:some unspecified documents, according to which
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143:Guerrini, in 1926, identified the document's
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385:Buildings and structures completed in 1500
352:: CS1 maint: location missing publisher (
165:Basilica of Santa Maria Gloriosa dei Frari
157:appears today as an unused support surface
96:in partially painted and gilded marble by
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365:. Roccafranca: La Compagnia della Stampa.
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315:. Brescia: Museo Diocesano di Brescia.
135:that was to adorn the upper pedestal.
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405:Renaissance architecture in Brescia
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102:Church of St Francis of Assisi
77:Church of St Francis of Assisi
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286:Tonolini & Monegatti 1954
380:1500 establishments in Italy
19:The Tomb of Gaspare Brunelli
333:. Brescia: Banca San Paolo.
306:. Brescia: Banca San Paolo.
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400:Marble sculptures in Italy
313:Nel lume del Rinascimento
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90:Tomb of Gaspare Brunelli
410:Renaissance sculptures
139:Description and style
361:Zani, Vito (2010).
145:M. Gaspare of Milan
348:cite encyclopedia
276:, pp. 41–88.
243:Begni Redona 1994
216:Begni Redona 1997
122:Bassano Bresciano
94:funerary monument
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67:Renaissance
374:Categories
342:. Brescia.
191:References
274:Zani 2010
262:Zani 2010
179:See also
133:cymatium
73:Location
62:Movement
112:History
106:Brescia
81:Brescia
169:Venice
55:Marble
51:Medium
33:Artist
92:is a
354:link
88:The
46:1500
167:in
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