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year, people gathered for a ceremony with mask performances. 30 musicians who were drafted in the navy from small islands practiced starting the 28th of the twelfth month of the lunar year. They marched in procession in the office district and then private houses from New Year's Eve until the 15th of
January. The performance was a kind of ceremony to exorcise evil spirits. The name of the mask Junggwandae leads the procession chanting
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ridicules seven noblemen and argues that he is the only noble. The third story is about
Youngno-tal, who is a monster. He eats everything and says he has eaten 99 noblemen and will become a dragon if he eats one more nobleman. The nobleman claims that he is not a noble but Youngno finds him. The fourth story is about Nongchang-tal. Two monks dance for
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was started 90 years ago by
Uiheunggye. Later, old people called Nansagye maintained it and Jang jae-bong who was in the group of Chunheunggye succeeded and restored it when he was 29 years old. With its origin in the 16th century in Yongyouung, the navy force was established; on the last day of the
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and
Malttuki's dancing is an active sword dance but becomes more calm. The first story is about Mundung-tal. Mundung comes out with instruments and dances with lamentation. He says that his incurable illness is due to his ancestors. The second story is about Pungja-tal. Malttuki comes out and
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to exorcise ghosts. The performance portrays the lives of ordinary people, satirizes the landed gentry, and ridicules the problem of wives. The most serious satire is the performance of
Malttugi mocking noblemen. Currently
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in 1964. At that time, the holders were designated Jang jae-bong, Oh Jung-du, Kim jin-su, Gu sam-bong, Go young-su, Mun Chang-seob, Kim sam sung, and Yoo ding-ju.
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is similar to other five-story mask dances in Korea but the percussion accompaniment has the characteristic style of the province.
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and are thrown out by the grandmother. The last story is about Posu-tal. A
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comes out and is eaten by the lion and it dies by the
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