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fashionably double breasted, while the singer/front man wore an alternative to offset him/her from the rest of the group. Their musical talents were primarily showcased in the form of cover versions of the popular R&B songs of the day. Instruments included drums, lead, bass, and rhythm guitars, organ, often a
Hammond B3, a two to five piece horn section all showcasing a front man/soul singer. These non-union performers were as important, if not more important, than union bands in exposing Toronto youth under the age of majority to what developed into the Toronto sound.
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Many of these bands played purely for the love of the music and for very little money. The
Corlaines, for example, was formed mainly from Alderwood Collegiate Institute music students. They appeared at a variety of venues across southern Ontario (specifically Toronto and Mississauga). They started as
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Since the musicians were very young, often high school students, and lacked finances, the basics were simplified somewhat. Instrumentation was largely singer, lead guitar, sax, drums, bass and piano. Very few could afford a B3 organ -the Blue Notes were the first in the west end to be able to have
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Also popular were "Battle of the Bands" events where non-union musicians gathered to compete for top honors at venues such as The
Pavilion in Oshawa, Ontario. Their shows included both black lights and strobes for special effect. Usually all backup band members dressed in identical suits, often
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this sound - most used the piano provided amplified with a contact microphone. Sets were influenced by bands such as Robbie Lane and Little Caeser and the
Consuls and were heavy on Ray Charles, James Brown, Jimmy Reed, Sam Cooke and other major US R&B performers.
456:(June 19, 1968, Page 17A), and many others such as the Blue Notes and the Corlaines, entertained Toronto audiences in various venues across the city and Southern Ontario.
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sound in the 1960s, heavily influenced by
American R&B. Musically, its components typically consisted of heavy electric bass, New Orleans-style drumming, a dominant
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This article is about the 1960s R&B style. For the modern hip hop style, sometimes termed the new
Toronto sound, see
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labels, and customized according to the will of the given bandleader. This sound came to influence many performers.
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The Marc Tymes, cited by Jay
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A list of predominant groups of the era included Little Caesar and the
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between King St. and Bloor which was more rock and roll, blues oriented.
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245:Learn how and when to remove this message
227:Learn how and when to remove this message
157:Learn how and when to remove this message
345:, the Marcatos (also known as "David"),
341:, George Oliver and the Soul Children,
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95:adding citations to reliable sources
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565:The Scarborough Mirror
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498:The Penny Farthing
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369:(including
355:Steppenwolf
313:Originators
271:James Brown
217:August 2015
209:introducing
581:Categories
549:References
447:El Mocambo
415:Rhinoceros
375:Rick James
371:Neil Young
363:Rick James
273:& the
117:newspapers
46:improve it
516:The Flick
481:Yorkville
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52:talk page
495:El Patio
395:the Band
510:Boris's
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308:History
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