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Tower Records (record label)

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albums. The stripe label lasted until Tower ceased operations sometime around 1970. Tower releases have numerous many small variations of label type for stereo and mono releases and re-pressings. Minor label variations also sometimes make it possible to determine which of the three Capitol Records factories manufactured each copy.
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Tower record labels from 1964 to approximately 1968 had a solid brownish-orange color. This design was used for both singles and albums. Starting sometime around late 1968 or early 1969 the design was changed to a multicolored stripe label, and again, the stripe design was used for both singles and
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in the USA). Tower released three Pink Floyd albums. The five Pink Floyd singles on Tower have become the most valuable (fetching three figures in mint condition) and sought-after of the label's recordings. Tower released the single
649:. At some point during Curless' tenure with Tower, they also acquired Curless' earliest recordings, which he had made for the Event and Tiffany labels, and re-issued them in a string of Compilation LP's. 411:
in 2012, UMG now owns and handles the Tower Records catalog through Capitol, with the exception of the Pink Floyd catalogue, which is owned by the band and currently licensed in the UK and Europe by
255:(only 6 songs recorded in 1963, that were released by Tower on the strength of his hit "It's Not Unusual" two years later in 1965, much to the dismay of the singer, who was actually signed to 359:" (Tower 440) are especially rare and were not released at all in the U.K. After the Tower label was dissolved the Pink Floyd albums were re-issued on another Capitol/EMI subsidiary, 871: 237:
Named after Capitol's headquarters building, Tower was formed as a subsidiary to Capitol in 1964. In its early years, it released recordings by British invasion artists like
978: 968: 53: 423:. Other Tower releases by British Invasion acts such as Freddie and the Dreamers, which Tower/Capitol acquired from EMI, are property of Parlophone today. 313:. While not releasing recordings from this genre exclusively, it seemed their greatest chart successes came from garage bands, such as "Blues' Theme" from 973: 963: 958: 221:, Tower often released music by artists who were relatively low-profile in compared to those released on the parent label, including artists—such as 399:
Capitol shut down Tower Records in 1970. In 1992, the original label was used as part of EMI's "Legends Of Rock And Roll" series of CDs for their
872:"Sony Corporation of America: Pink Floyd: For The First Time In Over Two Decades The Complete Pink Floyd Catalog To Be Available On Vinyl" 689:
Her one and only single on Tower, "What's A Girl To Do"/"When You Get What You Want" (Tower 326), shows her name misspelled as "Annettte"
145: 100: 351:" (Tower 356) three times between July 1967 and late 1968, but each time it failed to reach the top 40. Two other Pink Floyd singles, " 72: 294:, a song that was considered racy by some. It became Whitcomb's biggest hit (and Tower's only other Top 10 record, peaking at #8 on 119: 79: 229:—later recognized as "garage bands". For this reason Tower is often associated with the garage rock phenomenon of the 1960s. 587: 57: 86: 822: 568: 335: 68: 608: 948: 676: 556:
Features only two tracks by Freddie & The Dreamers; the other 10 tracks are by other British artists and groups
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Recorded for Tower Records between c. 1965 until 1970, when he was moved to the roster of Tower's parent label,
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joined the label in 1968. Curb had a hand in releasing several soundtracks on the Tower label, most notably,
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1968–1970: Multi-color striped label with Tower logo on left side (album labels feature the logo at the top)
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were released also in 1967. Today these are very collectible. Mississippi "sunshine pop" group
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Where Did Robinson Crusoe Go With Friday On Saturday Night—Ian Whitcomb—Tower 274—US #101, 11/66
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in the 70's) placed Tower back on the charts with "Mrs. Bluebird" in the summer of 1968.
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his first national releases. Tower's first single (#101) was "Car Party/Outta Gas" by
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In 1966, the label became one of the premiere purveyors of what would later be called
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The Wild Angels (Soundtrack) -- Davie Allan & The Arrows—Tower 5043—US #17, 10/66
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Devil's Angels (Soundtrack) -- Davie Allan & The Arrows—Tower 5074—US #165, 8/67
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Best Of The Soundtracks (Compilation) -- Various artists—Tower 5148—US #198, 2/69
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Theme From "The Wild Angels"—Davie Allan & The Arrows—Tower 267—US #99, 11/66
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The Wild Angels, Volume II—Davie Allan & The Arrows—Tower 5056—US #94, 4/67
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This article is about the 1960s record label. For the retail music chain, see
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Shape Of Things To Come—Max Frost & The Troopers—Tower 419—US #22, 9/68
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Sometimes Good Guys Don't Wear White—The Standells—Tower 257—US #43, 8/66
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This Sporting Life—Ian Whitcomb & Bluesville—Tower 120—US #100, 3/65
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Fifty-Two Percent—Max Frost & The Troopers—Tower 452—US #123, 12/68
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Send A Letter To Me—Freddie & The Dreamers—Tower 163—US #123, 10/65
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Rare garage single with an even rarer promotional color picture sleeve
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I'm Telling You Now—Freddie & The Dreamers—Tower 5003—US #86, 5/65
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You Were Made For Me—Freddie & The Dreamers—Tower 127—US #21, 5/65
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Blue's Theme—The Arrows featuring Davie Allan—Tower 295—US #37, 4/67
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in the U.S. in 1967 without success after acquiring the rights from
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Devil's Angels—Davie Allan & The Arrows—Tower 341—US #97, 7/67
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Apache '65—The Arrows featuring Davie Allan—Tower 116—US #64, 2/65
298:). Other Tower hits that year included "I Live For The Sun" by 404: 339: 331: 29: 537:
Sunshine Among Us—Eternity's Children—Tower 439—US #117, 9/68
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Can't Help But Love You—The Standells—Tower 348—US #78, 11/67
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1964–1968: Brownish orange label with Tower logo on left side
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Riot On Sunset Strip—The Standells—Tower 314—US #133, 3/67
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Mrs. Bluebird—Eternity's Children—Tower 416—US #69, 7/68
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Winchester Cathedral—Dana Rollin—Tower 283—US #71, 11/66
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In 1965, Tower made a bit of a risky move by releasing "
768:"Little Tommy's Letter"/"Ruth From Duluth" (Tower 187) 593:
Wild In The Streets—Soundtrack—Tower 5099—US #12, 7/68
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N-E-R-V-O-U-S! -- Ian Whitcomb—Tower 155—US #59, 9/65
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I Live For The Sun—The Sunrays—Tower 148—US #51, 9/65
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from the original on 2021-12-22 – via YouTube.
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You Turn Me On—Ian Whitcomb—Tower 5004—US #125, 7/65
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Why Pick On Me—The Standells—Tower 282—US #54, 10/66
474:—Ian Whitcomb & Bluesville—Tower 134—US #8, 5/65 23:. For the building also known as Tower Records, see 889:Freddie and the Dreamers - Topic (18 August 2014). 489:
Chills And Fever—Tom Jones—Tower 190—US #125, 12/65
200: 192: 177: 169: 161: 151: 137: 60:. Unsourced material may be challenged and removed. 465:Little Lonely One—Tom Jones—Tower 126—US #42, 5/65 462:"—Freddie & The Dreamers—Tower 125—US #1, 3/65 823:"Tom Jones' Visual Discography: Pre-Decca Period" 565:Dirty Water—The Standells—Tower 5027—US #52, 7/66 528:See Emily Play—Pink Floyd—Tower 356—US #134, 9/67 271:, a California pop group produced and managed by 486:Dirty Water—The Standells—Tower 185—US #11, 4/66 419:unit and in the US and the rest of the world by 854:"Pink Floyd Archives-Tower Records Discography" 827:Tom Jones' Visual Discography (txhighlands.com) 829:. BJ Spencer. January 16, 2005. Archived from 8: 519:Edelweiss—Vince Hill—Tower 323—US #119, 4/67 217:active from 1964 to 1970. A subsidiary of 134: 492:Andrea—The Sunrays—Tower 191—US #41, 1/66 120:Learn how and when to remove this message 16:American record label active 1964 to 1970 909:"Label: Tower Records - Rate Your Music" 495:Still—The Sunrays—Tower 224—US #93, 5/66 814: 326:Tower released the first recordings by 403:compilation. With the sale of most of 590:—Pink Floyd—Tower 5093—US #131, 12/67 7: 979:1970 disestablishments in California 969:Record labels disestablished in 1970 392:, featuring Tower's last major hit: 58:adding citations to reliable sources 14: 974:1964 establishments in California 964:Record labels established in 1964 959:Record labels based in California 396:' "The Shape of Things To Come". 69:"Tower Records" record label 407:'s recorded music operations to 401:Best Of Freddie And The Dreamers 338:label (a different company than 245:" became Tower's only #1 hit on 143: 34: 188:(Pink Floyd catalog in the USA) 45:needs additional citations for 588:The Piper at the Gates of Dawn 1: 472:You Turn Me On (Turn On Song) 930:Tower Records (record label) 609:Davie Allan & the Arrows 363:and later Capitol Records. 1000: 852:Archives, The Pink Floyd. 677:Max Frost and the Troopers 672:Freddie & The Dreamers 394:Max Frost and the Troopers 18: 891:"What Have I Done To You" 603:Other Tower label artists 575:—Tower 5028—US #116, 7/66 449:—Tower 107—US #113, 11/64 142: 633:The Chocolate Watch Band 421:Sony Music Entertainment 368:The Chocolate Watch Band 279:Brian, Dennis and Carl. 239:Freddie and the Dreamers 186:Sony Music Entertainment 357:Let There Be More Light 227:The Chocolate Watchband 784:Teddy & The Pandas 302:and "Dirty Water", by 858:pinkfloydarchives.com 409:Universal Music Group 156:Universal Music Group 696:Brother Dave Gardner 54:improve this article 742:Darlene McCrea (of 667:Eternity's Children 460:I'm Telling You Now 390:Wild in the Streets 372:Eternity's Children 366:Several singles by 355:" (Tower 378) and " 243:I'm Telling You Now 413:Warner Music Group 374:(who evolved into 323:& the Arrows. 25:360 Newbury Street 949:Pop record labels 913:rateyourmusic.com 833:on April 28, 2012 682:Annette Funicello 208: 207: 201:Country of origin 130: 129: 122: 104: 991: 917: 916: 905: 899: 898: 886: 880: 879: 868: 862: 861: 849: 843: 842: 840: 838: 819: 762:Shuggy Ray Smith 614:Laurindo Almeida 427:Label variations 344:Columbia Records 263:). It also gave 213:was an American 147: 135: 125: 118: 114: 111: 105: 103: 62: 38: 30: 999: 998: 994: 993: 992: 990: 989: 988: 954:Capitol Records 939: 938: 932:discography at 926: 921: 920: 907: 906: 902: 888: 887: 883: 870: 869: 865: 851: 850: 846: 836: 834: 821: 820: 816: 811: 700:The Green Beans 605: 547: 442: 440:Charted singles 429: 361:Harvest Records 316:The Wild Angels 235: 219:Capitol Records 184: 182:Capitol Records 133: 126: 115: 109: 106: 63: 61: 51: 39: 28: 17: 12: 11: 5: 997: 995: 987: 986: 984:Warner Records 981: 976: 971: 966: 961: 956: 951: 941: 940: 937: 936: 925: 924:External links 922: 919: 918: 900: 881: 863: 844: 813: 812: 810: 807: 806: 805: 800: 795: 790: 785: 782: 777: 771: 770: 764: 763: 760: 757: 752: 747: 740: 735: 730: 725: 720: 715: 709: 708: 702: 701: 698: 692: 691: 685: 684: 679: 674: 669: 664: 661: 658: 652: 651: 641: 640: 635: 630: 627: 616: 611: 604: 601: 598: 597: 594: 591: 585: 582: 579: 576: 566: 563: 559: 558: 552: 551: 546: 545:Charted albums 543: 542: 541: 538: 535: 532: 529: 526: 523: 520: 517: 514: 511: 508: 505: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 469: 466: 463: 456: 453: 450: 441: 438: 437: 436: 433: 428: 425: 349:See Emily Play 288:You Turn Me On 234: 231: 206: 205: 202: 198: 197: 194: 190: 189: 179: 178:Distributor(s) 175: 174: 171: 167: 166: 163: 159: 158: 153: 152:Parent company 149: 148: 140: 139: 131: 128: 127: 110:September 2014 42: 40: 33: 15: 13: 10: 9: 6: 4: 3: 2: 996: 985: 982: 980: 977: 975: 972: 970: 967: 965: 962: 960: 957: 955: 952: 950: 947: 946: 944: 935: 931: 928: 927: 923: 914: 910: 904: 901: 896: 892: 885: 882: 877: 873: 867: 864: 859: 855: 848: 845: 832: 828: 824: 818: 815: 808: 804: 803:Justin Wilson 801: 799: 796: 794: 791: 789: 786: 783: 781: 778: 776: 775:The Standells 773: 772: 769: 766: 765: 761: 758: 756: 753: 751: 750:Harry Nilsson 748: 745: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 710: 707: 704: 703: 699: 697: 694: 693: 690: 687: 686: 683: 680: 678: 675: 673: 670: 668: 665: 663:Gini Eastwood 662: 659: 657: 654: 653: 650: 648: 643: 642: 639: 636: 634: 631: 628: 625: 621: 617: 615: 612: 610: 607: 606: 602: 600: 595: 592: 589: 586: 583: 580: 577: 574: 570: 567: 564: 561: 560: 557: 554: 553: 549: 548: 544: 539: 536: 533: 530: 527: 524: 521: 518: 515: 512: 509: 506: 503: 500: 497: 494: 491: 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 457: 454: 451: 448: 444: 443: 439: 434: 431: 430: 426: 424: 422: 418: 414: 410: 406: 402: 397: 395: 391: 387: 383: 379: 377: 373: 369: 364: 362: 358: 354: 350: 345: 341: 337: 333: 329: 324: 322: 318: 317: 312: 307: 305: 304:The Standells 301: 297: 293: 289: 284: 280: 278: 274: 270: 266: 262: 258: 254: 250: 249: 244: 240: 232: 230: 228: 224: 223:The Standells 220: 216: 212: 211:Tower Records 204:United States 203: 199: 195: 191: 187: 183: 180: 176: 172: 168: 164: 160: 157: 154: 150: 146: 141: 138:Tower Records 136: 124: 121: 113: 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: â€“  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 26: 22: 21:Tower Records 912: 903: 884: 876:www.sony.com 875: 866: 857: 847: 835:. Retrieved 831:the original 826: 817: 798:Ian Whitcomb 767: 705: 688: 644: 638:Dick Curless 624:The Tornados 599: 569:Way Out West 555: 400: 398: 389: 380: 365: 325: 314: 308: 295: 292:Ian Whitcomb 285: 281: 275:, father of 273:Murry Wilson 259:subsidiary, 246: 236: 215:record label 210: 209: 132:Record label 116: 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 780:The Sunrays 759:Dana Rollin 744:The Cookies 738:Dean Martin 728:Gus Jenkins 723:Jake Holmes 660:The E-Types 447:Gus Jenkins 321:Davie Allan 311:garage rock 300:The Sunrays 269:The Sunrays 943:Categories 809:References 755:Pink Floyd 718:Vince Hill 713:Susan Hart 656:Mac Curtis 629:Ray Chafin 620:Heinz Burt 445:Chittlins— 417:Parlophone 328:Pink Floyd 277:Beach Boys 241:, (whose " 80:newspapers 733:Tom Jones 386:Mike Curb 296:Billboard 253:Tom Jones 248:Billboard 895:Archived 837:July 13, 793:Mae West 573:Mae West 376:Starbuck 336:Columbia 233:Overview 934:Discogs 647:Capitol 618:Heinz ( 382:A&R 353:Flaming 342:-owned 265:Nilsson 196:Various 170:Defunct 162:Founded 94:scholar 334:'s UK 261:Parrot 257:London 251:) and 96:  89:  82:  75:  67:  290:" by 193:Genre 101:JSTOR 87:books 839:2014 788:Them 384:man 225:and 173:1970 165:1964 73:news 622:of 415:'s 405:EMI 340:CBS 332:EMI 319:by 56:by 945:: 911:. 893:. 874:. 856:. 825:. 306:. 915:. 878:. 860:. 841:. 746:) 626:) 571:— 458:" 347:" 123:) 117:( 112:) 108:( 98:· 91:· 84:· 77:· 50:. 27:.

Index

Tower Records
360 Newbury Street

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Universal Music Group
Capitol Records
Sony Music Entertainment
record label
Capitol Records
The Standells
The Chocolate Watchband
Freddie and the Dreamers
I'm Telling You Now
Billboard
Tom Jones
London
Parrot
Nilsson
The Sunrays
Murry Wilson

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