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Touki Bouki

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285:. Alienated and tired of life in Senegal, they dream of going to Paris and come up with different schemes to raise money for the trip. Mory eventually succeeds in stealing the money, and a large amount of clothing, from the household of a wealthy homosexual while the latter is taking a shower. Anta and Mory can finally buy tickets for the ship to France. But their wealthy victim phones the police who begin to tail the duo, and when Anta and Mory board the ship in the Port of Dakar, the loudspeaker summons Mory to see the captain. Upon hearing this, Mory leaves Anta and runs away madly to find his bull-horned motorcycle, only to see that it has been ruined in a crash that nearly killed the rider who had taken it. The ship sails away with Anta but not Mory, who sits next to his hat on the ground, staring disconsolately at his wrecked motorcycle. 492:"inspired by the band's recent soundtrack for cult 70s Senegalese road movie Touki Bouki, the first independent African film which was recently restored by Martin Scorcese and which is first and foremost an afro-funk odyssey in itself. Have toured with the film for a year, playing the soundtrack live to audiences across Europe; themes from the score have been developed and extended to form Hyena." 353:
in contrast, was made without any French financial assistance, allowing Mambéty relatively significant autonomy in production of the film. Mambéty's ready adoption of French New Wave techniques was to a degree motivated by meagre financial resources, circumstances similar to those of the film-makers
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and radical spatial shifts of the film are inspired by African oral traditions. The word "Bouki" in the title refers to a popular folk character, known for causing mischief and cheating his way to what he wants. Through jump cuts, colliding montage, dissonant sonic accompaniment, and the
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displays a style all its own. Its camerawork and soundtrack have a frenetic rhythm uncharacteristic of most African films – known for their often deliberately slow-paced, linearly evolving narratives. However, it has been asserted that the
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was primarily financed and distributed by the French Ministry of Cooperation's Bureau du Cinema, which ensured that scripts had to conform to cinematographic standards acceptable to the French Government.
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genre (known for dehumanizing depictions of Native Americans and minorities) were also subversively utilized by Mambéty in the production of the film.
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of premodern, pastoral and modern sounds and visual elements, Touki Bouki conveys and grapples with the hybridization of
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box set. In 2021, the Criterion Collection re-issued the film on DVD and Blu-ray as a standalone release.
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with a budget of $ 30,000 – obtained in part from the Senegalese government. Though influenced by
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Mory, a cowherd who drives a motorcycle mounted with a bull-horned skull, and Anta, a student, meet in
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Wynchank, Anny (January 1998). "Touki-Bouki: The New Wave on the cinematic shores of Africa".
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of the early French New Wave. Narrative and cinematographic techniques associated with the
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was restored in 2008 at Cineteca di Bologna / L'Immagine Ritrovata Laboratory by the
914: 378: 117: 805: 668: 759: 744:"Toward 'a giving and a receiving': teaching Djibril Diop Mambéty's Touki Bouki" 30: 1080: 1027: 972: 944: 743: 1091: 434: 112: 878: 813: 767: 1172: 854: 711: 870: 1200: 1064: 1058: 977: 949: 691: 329: 226: 1069: 457: 338: 528:"Movie Review - Touki-Bouki - Review/Film; A Dream Of Escape To Paris" 365:, Mambéty was arrested for participating in anti-racist protests in 1028:"The Hyena's Last Laugh - A conversation with Djibril Diop Mambety" 282: 366: 1125: 456:. In 2013, the restoration of the film was released on DVD and 266:. It was selected as the 93rd greatest film of all time by the 430: 315:
Based on his own story and script, Djibril Diop Mambéty made
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magazine's "The 100 Best Films Of World Cinema" in 2010.
893:"The 100 Best Films Of World Cinema – 52. Touki Bouki" 206: 198: 190: 180: 157: 149: 126: 100: 83: 75: 58: 50: 40: 23: 1003:(Press release sticker on promotional album cover) 609:"8th Moscow International Film Festival (1973)" 829:"Touki Bouki: The greatest African film ever?" 1137: 8: 639:"World Cinema Foundation Â» Touki Bouki" 603: 601: 724:: CS1 maint: numeric names: authors list ( 553: 551: 488:and featuring a cover image from the film. 1144: 1130: 1122: 29: 20: 344:West African cinema contemporaneous with 1240:1970s avant-garde and experimental films 945:"Martin Scorsese's World Cinema Project" 519: 1255:Films directed by Djibril Diop MambĂ©ty 717: 466:Martin Scorsese's World Cinema Project 254:8th Moscow International Film Festival 1105:African Film Festival of Cordoba-FCAT 369:, and bailed out by lawyers from the 225: 7: 787: 785: 737: 735: 696:. Westport, Conn.: Greenwood Press. 973:"Touki bouki: Criterion Collection" 748:Journal of African Cultural Studies 559:"Biography of Djibril DIOP MAMBĂ©TY" 373:after appeals from friends such as 1115:an essay by Richard Porton at the 1112:Touki bouki: MambĂ©ty and Modernity 943:Remer, Justin (12 December 2013). 690:Russell, 1941-, Sharon A. (1998). 440:In 2008, the film was restored in 14: 581:"Festival de Cannes: Touki Bouki" 853:Bakupa-Kanyinda, Balufu (1998). 561:. African Success. 25 June 2007 395:International Critics Award at 1: 971:Remer, Justin (13 May 2021). 806:10.1080/10137548.1998.9687665 794:South African Theatre Journal 1208:La Petite Vendeuse de Soleil 760:10.1080/13696815.2013.849194 401:Special Jury Award at 1973 1291: 503:List of Afrofuturist films 421:Home media and restoration 1270:African independent films 1160: 641:. World Cinema Foundation 397:1973 Cannes Film Festival 361:During the production of 300:Ousseynou Diop as Charlie 250:1973 Cannes Film Festival 248:. It was screened at the 28: 923:The Criterion Collection 462:The Criterion Collection 244:written and directed by 237:The Journey of the Hyena 1046:. African Film Festival 742:Snell, Heather (2014). 693:Guide to African cinema 484:, an album inspired by 371:Italian Communist Party 264:World Cinema Foundation 240:) is a 1973 Senegalese 153:World Cinema Foundation 1245:Senegalese drama films 1235:1973 independent films 1107:(license CC BY-SA-3.0) 871:10.3917/presa.158.0173 665:British Film Institute 494: 476:In 2014, British band 1260:Films shot in Senegal 1030:. California Newsreel 1000:"Red Snapper – Hyena" 490: 1265:Films set in Senegal 1250:Wolof-language films 1154:Djibril Diop MambĂ©ty 1117:Criterion Collection 454:World Cinema Project 403:Moscow Film Festival 306:Mareme Niang as Anta 303:Magaye Niang as Mory 246:Djibril Diop MambĂ©ty 227:[tukkibukki] 54:Djibril Diop MambĂ©ty 45:Djibril Diop MambĂ©ty 16:1973 Senegalese film 1044:"new wave/old wave" 903:on 7 February 2012. 671:on 2 September 2012 585:festival-cannes.com 446:Cineteca di Bologna 375:Bernardo Bertolucci 1275:Afrofuturist films 1187:Parlons Grand-mère 1152:Films directed by 1098:TCM Movie Database 859:PrĂ©sence Africaine 619:on 16 January 2013 536:. 15 February 1991 533:The New York Times 1217: 1216: 703:978-1-4294-7633-1 508:Cinema of Senegal 464:, as part of the 214: 213: 141:Studio Kankourama 1282: 1146: 1139: 1132: 1123: 1055: 1053: 1051: 1039: 1037: 1035: 1014: 1013: 1011: 1009: 1004: 996: 990: 989: 987: 985: 968: 962: 961: 959: 957: 940: 934: 933: 931: 929: 911: 905: 904: 899:. 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Index


Djibril Diop Mambéty
Josephine Baker
Mado Robin
Aminata Fall
[tukkibukki]
Wolof
drama film
Djibril Diop Mambéty
1973 Cannes Film Festival
8th Moscow International Film Festival
World Cinema Foundation
Sight and Sound Critic's Poll
Dakar
Aminata Fall
French New Wave
jump cuts
juxtaposition
Senegal
Western
Rome
Italian Communist Party
Bernardo Bertolucci
Sophia Loren
Hyènes.
1973 Cannes Film Festival
Moscow Film Festival
Empire
DVD
Kino Video

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