615:, at an estimated cost of over $ 3 million. The RainbowRibbon™ uses Trans-Lux' unique XFS scaling, which allows precise control of video images and improves image quality at the lower resolutions typical of LED displays. The three hundred feet of display in the Reds' installation featured over 273,500 pixels in an 8.6 billion color LED matrix, and has caught the attention of many professional sports teams due to its ability to optimize advertising space on arena and stadium tier fascias. The displays smoothly transition between video, advertising, animations, scoring/statistic layouts, and up to six lines of text around the interior of the facility. The system also featured a 3.5' x 33.5' SpectraLens™ pitch count board and a giant 24' x 164' SpectraLens scoreboard, which in 2003, when the park opened, was possibly the largest incandescent scoreboard ever constructed for a professional sports facility to date. The scoreboard, located in the left outfield, is capable of displaying game scores, graphics, animations, player statistics, advertising and general information.
534:, named for the jets of air that controlled character formation in the sign. It was the highest quality, real-time, continuous flow wall display yet produced, and a new method of viewing up-to-the-minute stock market sales information. Its ten-foot size made it perfect for brokerage offices, but perhaps the best news for Trans-Lux was that it no longer needed to rely on the Western Union ticker. U.S. and Canadian brokerage houses ordered more than 1,000 Trans-Lux Jets in the first six months, and Trans-Lux opened an international office in Zurich, Switzerland to deal with overseas orders. By mid-1969, about 3,000 Jets were in use. Shortly after introducing the Jet, Trans-Lux applied the same innovations to closed-circuit television.
361:. Along with other theater-related businesses, it initially suffered during the postwar movie slump. Returning veterans were attending college on the GI Bill, marrying, and starting families. Newlyweds and young families with babies were usually on a budget and put the purchase of a home, a car, and new appliances ahead of going to the movies. The company's declining newsreel movie business quickly recovered when it switched to showing first-run feature films in 1949, but weekly theater attendance still experienced a dramatic drop: from 78.2 million in 1946 to 58 million by 1950, when the American public chose to sit at home in front of their new television sets rather than go out to the movies.
297:, with the brokers closest to the printer having the advantage. Prior to this invention, any stock information was hand-written, usually on a chalk board. Although the results were less immediate, they were better displayed. Furber combined the best aspects of both methods, by enlarging the stock quotations from the running ticker tape and displaying them onto a rear projection screen. In 1923, the company installed the first "Movie ticker" ticker tape projection system at the New York Stock Exchange. Like every ticker of the time it was a mechanical format, but by using yellow dots on a black background it gave the illusion of electronically generated green letters and numbers.
650:, in addition to their satellite offices throughout the U.S. and Canada. Subsidiary companies are located in Iowa, Utah, Canada, and Australia. Trans-Lux's International Division maintains a distributor network throughout the world, including most major financial centers as well as in many newly developing countries. In recent years, company headquarters have returned to New York, with the Norwalk and Atlanta sales and services centers merged into the New York office. As a further consequence, the Chicago office closed, while the Torrance, California office moved to
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steadily replacing Trans-Lux tickers for several years, the New York Stock
Exchange installation was cause for concern, as Trans-Lux had enjoyed a long-standing business relationship with the exchange. The company made a deal with REI: since Trans-Lux needed Recognition's technology, and they needed Trans-Lux's knowledge of how to market stock-ticker equipment, they formed a joint venture to create a much smaller version of the Recognition system.
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much too small for the crowd it attracted. The rear projection technology allowed the house lights to remain low so patrons could read their programs and easily locate their seats, and also eliminated the distraction of a beam of light slicing down through the crowd from an overhead projection booth. In accordance with its news "heritage" the theatre featured a program made up exclusively of "
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558:, which could be programmed to monitor up to 40 stocks on a single exchange. By 1969, Trans-Lux began installing the product for private investors, portfolio managers, pension fund administrators, investment advisors, and individual brokers. That same year the strong growing market abruptly ended, drastically impacting installations of all types of Trans-Lux equipment.
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their single theaters into twins. Three screen and four screen theaters began appearing, and when
Richard Brandt replaced Percy Furber as chairman of the board in 1974, the multiplex trend (with as many as 12 screens) was in full swing. Some of the company's theaters were split into two and three screen houses, and others were sold off entirely.
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474:, for domestic television. Trans-Lux retained the series until 1969, when it sold off its animated television holdings in order to concentrate on manufacturing illuminated stock market tickers. Trans-Lux's film catalog was purchased by independent distributor Alan Gleitsman, whose Alan Enterprises continued to syndicate
388:, a 29-projector, seven-screen spectacular with 30 special effects inspired the company to hire its creators to develop a nearly $ 1 million budget multimedia entertainment film about New York City. The September 28, 1973, opening of the 45-projector, 16-screen film was called "bedazzling and breathtaking" by
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By 2002, annual revenues had reached $ 70.1 million in three divisions: outdoor displays, indoor displays, and entertainment/real estate. While the company headquarters still remain in
Norwalk, manufacturing operations were moved to Stratford, Connecticut in 2008. Trans-Lux now has major U.S. sales
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Early in 1995, Trans-Lux acquired
Integrated Systems Engineering, Inc., a full-service electronic sign manufacturing company, to broaden its outdoor signage capabilities, such as those found on billboards, or outside truck stops, banks, and sports arenas. The company's capacity to produce electronic
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firms were inundated with new, advanced techniques for gathering and projecting information. The company's fortunes were tied to its old system's two-step process: the information it relied on began with prices from the ticker tape, then a delay was required as the ticker tape shifted away from the
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In 1931, Percy Furber turned over company operations to his son, Percy. By this time, Trans-Lux had 4,000 stockholders, over 100 employees, and was valued at $ 2 million. In 1934, the company opened two more newsreel theaters in
Brooklyn, New York and one in Philadelphia. Three more locations were
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As stated in SEC paperwork, on March 28, 2003, a wholly owned subsidiary, Trans-Lux
Corporation, sold its custom sports division, including licensing of intellectual property and its facility located in Logan, Utah to Barco, Inc., for a cash price of approximately $ 3.7 million, plus assumption of
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The Jet's popularity required Trans-Lux to find a larger production facility. In 1970, the company moved to
Norwalk, Connecticut. Demand for Jets continued to grow. Longer versions of 15, 25, and 43 feet (13 m) were produced. In 1969, Trans-Lux had succeeded in reducing the size of the Jet to
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By the end of the 1960s, the theater building boom was over as well. In 1973 Trans-Lux lost money on its theaters for the first time in years. The boom had aggravated the newly independent industry's problem of a shortage of quality movies. Bidding on films became fierce, and many companies split
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By 1981, Trans-Lux's theater holdings were reduced to 28 screens, concentrated in the
Northeast, particularly Connecticut. By the mid-1990s, the theater division invested in building new theaters in the western US, bringing the company's total to 65 screens. In 2000, the firm opened its own Los
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as its trade name, it began a theater-building program. The first Trans-Lux theater at 58th Street and
Madison Avenue in New York City was actually converted from retail space, and featured larger seats, more legroom, and wider aisles than the average theater of the day. Seating only 158, it was
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In 1965, the company was shocked by the introduction of a new 45-foot (14 m)-long electronic display installed on the trading floor of the New York Stock
Exchange by a competitor, Recognition Equipment Inc. (REI), of Dallas. Even though the Ultronic Letrascan electronic wall device had been
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Following the market decline, Trans-Lux management learned that their electronic display sales should not be overly dependent on a single industry, and decided to diversify. The company formed an industrial sales department in 1970 under the leadership of Louis Credidio, who went after the
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As successful as the Jet was, it failed to address one important segment of the stock market: large portfolio holders and active traders had no way to automatically focus on their market objectives and private individual stock holdings. When a Chicago-based company, Quotemaster (later
591:. The indoor display division remained a major supplier of communications tools for the banking and financial community, but now theaters, museums, hotels, corporations, and military hospitals were customers. The division experienced a growth spurt in 2000 when the Australian
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Trans-Lux also announced that it received a letter dated November 10, 2010, from NYSE Amex informing it that the Listings Qualifications Panel of the Exchange's Committee on Securities has affirmed the determination to delist Trans-Lux's common stock as of November 17, 2010.
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designing the theater in Washington, D.C.. Offering 600 seats covered in blue leather, its lobby decorated with sports murals by New York artist Andre Hudiakoff, it was one of the first public buildings in the city to have air conditioning. Located one block away from the
515:. By 1948 it was supplying electrical traveling message signs to advertisers, radio stations, and publishers throughout the country. At the same time, Trans-Lux had 1,400 stock-ticker projectors and 80 news projectors in the United States, plus another 200 in Canada.
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As for the Trans-Lux library, Gleitsman left the syndication business in 1986 and sold his assets to a colorization company called Color Systems Technology, which in turn sold the library (which includes the Alan Enterprises/Trans-Lux library, the rights to
406:, became the longest-running commercial multimedia show in history. The show featured panoramic movie screens, slide projections, extensive light and sound systems, and a mannequin that dropped out of the ceiling to recreate the hanging of
311:. Until being delisted in 2011, Trans-Lux stock was the oldest company to be listed on the American Stock Exchange. In 1925, the company had 41 installations on stock exchange floors and brokerage house boardrooms throughout the country.
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By 1950, television had become America's most popular form of entertainment. In 1940, there were only 3,785 television sets in the US, with stations in only five cities. Two decades later, nine out of ten homes had at least one set.
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Trans-Lux soon began developing specialized rear-projection equipment for television studios, greatly expanded its engineering capacity and started supplying the studios with "Teleprocess" screens and projectors. When
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approved Trans-Lux's serial slot controller for sale in their country. That decision also boosted sales of the LED jackpot meter displays that work hand in hand with the slot controllers. Trans-Lux also entered the
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Three years later, using a fine high-quality natural silk American Lux Products managed to create its first successful screen, with initial sales going mostly to schools and churches. It was only after a visit to the
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In 1940, Trans-Lux purchased a patent for a remote-control signaling system that enabled small rounded pellets to form letters and numbers and travel around outdoor message signs. It also joined forces with the
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Mall in Baltimore. By 1969, the company had brought large, modern theaters to five more suburban shopping centers, nearly doubling the size of its theater holdings, and by 1965 had 37 theaters in ten states.
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By 1927 the company had created a much larger, commercial-sized theater screen and took it, along with its rear projector system and a new wide-angle lens, to the motion picture industry. In partnership with
431:(CCTV) appeared in the late 1940s, Trans-Lux adapted that technology for viewing stock market information and formed an electronics division to develop and sell CCTV systems in 1959. They also developed a
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print head to a viewing position for projecting or televising. With an electronic ticker display, Trans-Lux could bypass the printing stage, creating a real-time, immediate information system.
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in Mexico. Furber was interested in developing a projection system that could be used in a lighted room. To help with this he enlisted the aid of a friend, Arthur Payne, a former employee of
236:. These indoor and outdoor displays are used worldwide in many industries, including banking, gaming, corporate, retail, healthcare, sports, transportation and in the financial industry.
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terminal sales boomed, it contracted Trans-Lux to manufacture keyboards and way-station selectors, which led to Trans-Lux's entry into the teleprinter market. Credidio studied the
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terminal field and by 1974 Trans-Lux began marketing a telex terminal, the Trans-Lux Teleprinter (TLT), to several industries. More than 700 terminals were installed by 1975.
260:; projecting an image through a screen rather than on it. However, this concept required a finer and more translucent screen-material than what was available at that time.
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installed the company's new RainbowRibbon™ fascia displays as well as a baseball scoreboard, pitcher's board and out-of-town game board in their new 42,000-seat stadium,
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451:. The expanded business required Trans-Lux to move from its Brooklyn headquarters to a larger, five-story building in Long Island City. They also produced
368:, shopping complexes to support them proliferated, and theaters followed. In 1964 Trans-Lux built its first shopping center theater, an 850-seat facility in
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for a selective read-out device, Trans-Lux approached them. The company soon began to develop and then manufacturing the device, now called the
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337:. When the company's third theater opened two blocks away on 60th and Madison on November 10, 1933, it was turned back into retail space.
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622:. In addition to professional baseball, Trans-Lux has provided displays and equipment to other professional sports teams, such as the
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Trans-Lux continued to supply LED/incandescent displays and scoring systems to major and minor league baseball teams, such as the
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to independent TV stations throughout the 1970s. That same year the company moved its headquarters again, this time relocating to
570:. Soon Trans-Lux completed sales to many other commodity exchanges, capturing a small but significant new market. When Extel's
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Financing this new operation required more capital, so Furber took his company public on August 26, 1925. It was listed on the
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large-screen electronic information displays, but is primarily known as a major supplier of national stock ticker displays for
1024:"PERSONAL TICKER – Reviews & Brand Information – Trans-Lux Corporation Norwalk, Connecticut – Serial Number: 72304024"
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two Industrial Revenue Bonds totaling approximately $ 4.2 million, for an approximate total sale price of $ 7.9 million.
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713:"NYSE, New York Stock Exchange > About Us > News & Events > News Releases > Press Release 03-15-2011"
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464:, a New York City recording company that provided English translations for foreign movies, to "Americanize" the new
324:(Radio-Keith-Orpheum) Studios, the Trans-Lux Movies Corporation was created to penetrate the market further. Using
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248:, an Englishman, who moved to the United States in October 1918, after a time spent drilling for oil and mining
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By the early '60s, Trans-Lux began to see a need for greater investment in electronics as stock exchanges and
293:'s telegraph and/or wire service. The machine printed the results onto a long thin piece of paper known as a
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Sign Corporation, which was the first signage corporation to first illuminate the "Great White Way" of
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It is this stock ticker that provided the company's name: "Trans-Lux" meaning "moving light".
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displays increased in 2000 when it opened a modern outdoor display manufacturing facility in
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that Furber saw a truly profitable application for rear projection screens. At that time,
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738:"Trans – Lux Corporation – Professional Sport Scoreboards – Oldest AMEX Listing"
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one-fifth of the original. Ten years later, by developing a powerful miniature
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chip, the company reduced the Jet to one-twenty-fifth of its original size.
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and in 1971 sold an adaptation of the Personal Ticker, the T-900, to the
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482:. Starting in the 1990s, all current airings and home media releases of
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no longer use the opening "Trans-Lux television presents" caption.
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theater in the capital, up until its untimely demolition in 1975.
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with products designed for hospitals, pharmacies, and outpatient
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As this postwar middle-class began moving from the cities to the
831:"About New York; An Experience? Sure. Timeless? Not in New York"
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In the midst of this, Trans-Lux went into the business of
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obtained the latest stock quotes from a glass dome-topped
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US Securities and Exchange Commission, April 3, 2003
1079:
International Directory of Company Histories Vol. 51
681:, a provider of Digital LEDs for the OOH marketplace
410:. Escalating rent costs forced its closure in 1989.
53:, and by adding encyclopedic content written from a
494:, and the Adventure Cartoon Productions series) to
333:" (usually comedy routines or musical numbers) and
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439:produced the popular animated children's series:
1077:, Norwalk, Conn.: Trans-Lux Corporation, 1982.
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341:added over the next three years, with architect
974:Fred Ladd; Harvey Deneroff (December 4, 2008).
1106:Manufacturing companies based in New York City
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457:at the Hempstead Studios in Long Island City.
357:In 1937 the company shortened its name to the
8:
398:, which was housed in a sub-basement of the
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1101:Manufacturing companies established in 1920
604:by offering critical information displays.
350:, it was considered to be the most elegant
638:and service centers in Norwalk; New York;
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86:
73:Learn how and when to remove this message
16:American electronic manufacturing company
977:Astro Boy and Anime Come to the Americas
786:"Lost Washington: the Trans-Lux Theater"
1111:1920 establishments in New York (state)
1084:New York Stock Exchange, March 15, 2011
852:. Digitalhistory.uh.edu. Archived from
808:"Trans-Lux Theatre in Washington, D.C."
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662:Trans-Lux also has three subsidiaries:
34:contains content that is written like
1075:Trans-Lux, Biography of a Corporation
7:
530:Two years later, they announced the
763:"Trans-Lux 60th Street in New York"
414:Angeles-based film booking office.
289:. This information was provided by
14:
829:Barron, James (January 4, 1989).
435:service, and in association with
384:shows. The 1970 premiere of the
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920:"Trans-Lux Television Presents"
433:television program syndication
175:See complete products listing.
1:
675:, a provider of LED lighting.
437:Adventure Cartoon Productions
788:. Greater Greater Washington
784:Boese, Kent (July 9, 2009).
550:) developed an experimental
498:in 1989 due to bankruptcy.
460:In 1967, they commissioned
244:The company was created by
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980:. McFarland. p. 106.
955:. Toycollectormagazine.com
876:"History of Felix The Cat"
941:Alan Enterprises [us]
429:closed circuit television
307:, which later became the
189:$ 23.5 million USD (2015)
92:
1081:. St. James Press, 2003.
613:Great American Ball Park
502:Stock quotes and signage
386:San Francisco Experience
256:. Payne had the idea of
396:The New York Experience
370:Reisterstown Road Plaza
309:American Stock Exchange
279:New York Stock Exchange
268:In 1920, Furber formed
1002:"Speed Racer is Born!"
568:Chicago Board of Trade
454:Mack and Myer for Hire
305:New York Curb Exchange
166:, CEO as of April 2020
953:"Go! Speed Racer Go!"
898:"The Mighty Hercules"
667:Fair Play Scoreboards
652:Camarillo, California
359:Trans-Lux Corporation
88:Trans-Lux Corporation
55:neutral point of view
856:on November 29, 2010
648:Torrance, California
620:San Francisco Giants
598:health care industry
593:Gaming Control Board
480:Norwalk, Connecticut
272:(Latin for "light")
448:The Mighty Hercules
246:Percy Norman Furber
195:Number of employees
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47:promotional content
1073:Grenz, Christine,
835:The New York Times
765:. Cinema Treasures
404:Rockefeller Center
391:The New York Times
49:and inappropriate
1026:. Trademarkia.com
900:. Toontracker.com
878:. Felixthecat.com
850:"Digital History"
740:. Scripophily.net
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45:by removing
41:Please help
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1051:. Trans-Lux
572:teleprinter
492:Speed Racer
484:Speed Racer
476:Speed Racer
471:Speed Racer
408:Nathan Hale
400:McGraw-Hill
348:White House
295:ticker tape
250:quicksilver
1095:Categories
1068:References
1049:"About Us"
922:. Udel.edu
715:. Nyse.com
418:Television
382:multimedia
211:.trans-lux
199:100 (2016)
159:Key people
43:improve it
673:TL Energy
552:prototype
520:brokerage
335:newsreels
326:Trans-Lux
274:Products.
222:Trans-Lux
112:Traded as
513:Broadway
468:series,
352:Art Deco
171:Products
128:Industry
118:OTC Pink
63:May 2012
1055:May 10,
1030:May 10,
959:May 10,
926:May 10,
904:May 10,
882:May 10,
860:May 10,
814:May 10,
792:May 10,
769:May 10,
744:May 10,
719:May 10,
644:Chicago
640:Atlanta
602:clinics
366:suburbs
283:brokers
204:Website
181:Revenue
142:Founded
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331:shorts
287:ticker
699:Notes
576:telex
548:Extel
466:anime
1057:2012
1032:2012
1010:2016
982:ISBN
961:2012
928:2012
906:2012
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816:2012
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771:2012
746:2012
721:2012
630:and
589:Utah
445:and
228:and
213:.com
145:1920
122:TNLX
626:'s
624:NBA
322:RKO
230:LED
209:www
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