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Triangle (musical instrument)

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beater, giving a high-pitched, ringing tone. For complex, rapid rhythms, the instrument may be suspended from a stand using two clips, and played with two beaters, although this makes it more difficult to control. Most difficulties in playing the triangle come from the complex rhythms which are sometimes written for it, and it can also be quite difficult to control the level of volume. Very quiet notes can be obtained by using a much lighter beater; knitting needles are sometimes used as well. Composers sometimes call for wooden beaters to be used instead of a metal one, producing a unique tone. A
293: 496: 191:. From that time forward, the triangle is seen in iconography through the centuries, in a variety of sizes, and sometimes having jingling rings hanging from its rungs. Triangles are depicted as having an open corner with the ends not touching, and also as having with fully closed corners; the sides are sometimes slightly curved. Triangles are also in shapes that are not quite triangular, such as trapezoids and stirrup shapes. The first known use of the 383: 485: 38: 164:. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. Like the sistrum, the triangle, as seen in iconography, has its origins in religious settings. The triangle is used as a liturgical instrument in the rites of the 360:
The triangle is typically suspended from a triangle clip that suspends the triangle so that it is free to vibrate. When the instrument is played with one beater, the hand that holds the triangle clip can also be used to damp or slightly modify the sound. The triangle is usually struck with a metal
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the rhythmic section. It provides usually an ongoing pulse, damping the tone on the first second and fourth while opening the hand on the third beat to let most frequencies sound. It can be used extensively for breaks, to improvise, and to vary the rhythm.
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is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian
323:, leaving it free to vibrate. Early examples of triangles include ornamental work at the open end, often in a scroll pattern. In modern times, the scroll pattern has been abandoned and triangles are made from either steel or brass. 131:
with one open end. The instrument is usually held by a loop of some form of thread or wire at the top curve, to enable the triangle to vibrate and it is struck with a metal rod called a "beater". The triangle theoretically has
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a triangle is often held directly in the hand so that one side can be damped by the fingers to vary the tone. The sound can also be changed slightly by varying the area struck, and by subtle damping.
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Around the eighteenth century, the use of the triangle began to expand; its sound started to bring about new musical connotations and associations. Influenced by ambassadorship, diplomacy, “
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composers began to seek new colors, and explored the sustaining qualities of the triangle. Preference was given towards a long, sustaining sound that only triangles
1658: 308:, though one of the angles is left open with the ends of the bar not quite touching. This opening is used to keep the instrument from having a definite 1673: 1493: 353: 1183: 905: 212:” and the new sounds of their own military bands, European operatic and orchestral composers began to incorporate the triangle as a means of 187:
and others, although recent scholarship does not share this view. In the 14th century, early depictions of the triangle emerge from Western
514: 252:. The early use of the triangle in an operatic/orchestral setting was often not notated, and simply performed by ear. When a triangle part 1653: 1547: 1154: 751: 1678: 1663: 513: 1024: 52: 1523: 1554: 1290: 1147: 1200: 1179: 685: 440:, where it is used as a solo instrument in the third movement, giving this concerto the nickname of "triangle concerto". In 188: 1528: 1518: 1191: 179:
For decades, it was thought that the first iconographic witness of a triangle came from a 9th-century manuscript held at
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rings could provide. Thus, the jingling rings associated with the triangle for five centuries prior, fell out of use.
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Mordden, Ethan (1986). A Guide to Orchestral Music: The Handbook for Non-musicians. Oxford University Press. p. 183.
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instrument in Europe for composers to write rhythmically, and with a metallic color. However, the triangle was
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in 1589, over two hundred years after the iconographic emergence of the triangle in the fourteenth century.
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notated, it was in steady, repetitive figures providing a march-like character. The triangle was the
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The triangle is struck with a metal rod called a "beater". Pictured are Chaklin brand metal beaters.
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term “triangle” occurs in an inventory list of the musical instruments owned by the kapelle in
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Beck, J. H. (2013). Encyclopedia of Percussion. United States: Taylor & Francis. (pg. 397)
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is an example). However, triangle parts in classical music can be very demanding, and
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A percussionist in a popular music group plays a large, low-pitched bass triangle.
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A triangle played Latin style, opening and closing the hand for rhythmic effect.
433: 156: 136:, and produces a plurality of overtones when struck with an appropriate beater. 17: 1119:"Baru Tau Ada Biola Gandrung, Serupa Biola Umum Tapi Tak Sama Cara Memainkanny" 1597: 1539: 1498: 1378: 1368: 1303: 1238: 939: 655: 550: 538: 529: 366: 344: 776: 1632: 1627: 1358: 1323: 1298: 1243: 1228: 695: 580: 415: 399: 269: 208: 104: 92: 61: 484: 929: 645: 37: 1447: 1393: 1318: 1266: 1256: 1213: 1208: 1139: 771:. Vol. 1, 2, 3. Bowling Green, Kentucky: Living Sound Publications. 766: 595: 572: 542: 313: 305: 128: 568:
where it serves as the strong beat, especially if no drums are present.
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writes that "the triangle is by no means a simple instrument to play".
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uses the triangle to a particular effect in the third movement of his
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music, triangle is used together with gamelan. It is locally called
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while providing music for battle. In the early nineteenth century,
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classification system. Triangles are made from a variety of
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bands. The earliest writing for the triangle is found in
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all used it, though sparingly, usually in imitation of
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Percussion instruments played with specialised beaters
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to mimic the sound of hammers in a blacksmith's shop.
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The first piece to use the triangle prominently was
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(2023-07-23). 957:. European Amer Music Dist Corp. 528:Problems playing this file? See 510: 438:Piano Concerto No. 1 in E♭ major 36: 865:Grover, Neil, Whaley, Garwood. 792:"Syro Malabar Christian Melody" 564:, "little iron") is popular in 69:Hornbostel–Sachs classification 1180:List of percussion instruments 1060:(Under definition for Tit-fer) 1: 1529:List of timpani manufacturers 1519:List of marimba manufacturers 650:. Living Sound Publications. 647:Index of Triangle Iconography 583:. It forms together with the 575:it is used together with the 571:In the Brazilian music style 1509:List of cymbal manufacturers 1100:"Banyuwangi Gandrung - Java" 222:—the metallic sounds of the 1654:Stick percussion idiophones 1057:"Louisiana Voices Glossary" 900:. Time Home Entertainment. 152:depicts a musical triangle. 127:. The metal is bent into a 1700: 1514:List of drum manufacturers 1463:Indoor percussion ensemble 420:Cristoph Willibald Gluck's 268:music, nor was it used by 1679:Early musical instruments 1664:Cajun musical instruments 1578: 1252: 1177: 1007:The Triangle Research Hub 988:The Triangle Research Hub 815:The Triangle Research Hub 796:The Triangle Research Hub 288:Shaping and manufacturing 199:The list was compiled by 91:family, classified as an 35: 1106:. Mark Berry, publisher. 1087:. Mark Berry, publisher. 1045:. Mark Berry, publisher. 1009:. Mark Berry, publisher. 990:. Mark Berry, publisher. 817:. Mark Berry, publisher. 798:. Mark Berry, publisher. 396:European classical music 579:(a larger drum) and an 556:The triangle (known in 404:Wolfgang Amadeus Mozart 300:The modern triangle is 168:based in Egypt and the 1171:Percussion instruments 1039:"Ti fer - Cajun music" 768:The Triangle in Images 672:James, Blades (1992). 499: 489: 480:Folk and popular music 391: 297: 153: 1572:percussion idiophones 1414:Electronic percussion 1104:Triangle Research Hub 1085:Triangle Research Hub 1043:Triangle Research Hub 498: 487: 385: 312:, creating many rich 295: 197:Wurttemberg, Germany. 189:Christian iconography 181:Emmeram of Regensburg 147: 46:Percussion instrument 27:Percussion instrument 1441:Percussion groupings 1291:Unpitched percussion 984:"Der betrogene Kadi" 928:Berry, Mark (2013). 867:"About the Triangle" 765:Berry, Mark (2015). 750:Berry, Mark (2016). 644:Berry, Mark (2017). 560:as a ‘tit-fer, from 506:Latin style triangle 412:Ludwig van Beethoven 1473:Percussion ensemble 1453:Marching percussion 1201:Keyboard percussion 425:La Cythère Assiégée 264:used in functional 170:Syro-Malabar Church 148:A 1614 painting by 32: 1468:Percussion section 1192:Pitched percussion 845:Philharmonia.co.uk 500: 490: 442:Romantic era music 392: 298: 216:the sounds of the 154: 85:musical instrument 1641: 1640: 1537: 1536: 1504:Percussion mallet 1285: 1284: 907:978-1-5478-5505-6 515: 473:Der Waffenschmied 77: 76: 16:(Redirected from 1691: 1608:Kulintang a kayo 1593:Gandingan a Kayo 1564: 1557: 1550: 1541: 1197: 1164: 1157: 1150: 1141: 1134: 1133: 1131: 1130: 1123:Radar Banyuwangi 1114: 1108: 1107: 1095: 1089: 1088: 1076: 1070: 1069: 1067: 1066: 1061: 1053: 1047: 1046: 1034: 1028: 1017: 1011: 1010: 998: 992: 991: 979: 973: 972: 966: 958: 950: 944: 943: 925: 919: 918: 916: 914: 891: 885: 884: 878: 870: 862: 856: 855: 853: 851: 837: 831: 828: 819: 818: 806: 800: 799: 787: 781: 780: 762: 756: 755: 747: 700: 699: 679: 669: 660: 659: 641: 632: 631: 620: 517: 516: 497: 304:named after the 134:indefinite pitch 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Index

Triangle (music)

Percussion instrument
Classification
Hand percussion
idiophone
Hornbostel–Sachs classification
musical instrument
percussion
idiophone
Hornbostel-Sachs
metals
aluminum
beryllium copper
brass
bronze
iron
steel
triangular shape
indefinite pitch

Pieter Lastman
Iconography
sistrum
Coptic Church
Syro-Malabar Church
Kerala, India
Emmeram of Regensburg
James Blades
Christian iconography

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