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724:, which come from an undisclosed alien world. In this version the tripods were long ago brought to Earth, having been buried underground sometime in the past. The aliens instead travel in capsules to their buried machines, which transport them underground to the Tripods. The fighting machines in this movie also have the roles of the Martian handling machines with the fighting machines capturing humans and placing them into two containers where they are harvested one-by-one. Rather than burning humans, the fighting machines' weapons can disintegrate humans into ash leaving their clothing intact. In a published interview screenwriter
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subtlety, and with an altogether misleading monotony of effect. The pamphlet containing these renderings had a considerable vogue, and I mention them here simply to warn the reader against the impression they may have created. They were no more like the
Martians I saw in action than a Dutch doll is like a human being. To my mind, the pamphlet would have been much better without them.
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700:(1988–1990) television series was established as a sequel to the 1953 film with much of the alien technology in the first season cued with visual references to the design of those in the aforementioned film. An older model of the 1953 film's craft is shown to have physical legs more similar to the novel version.
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weapons, the first having pulsing wingtip ray emitters that cause subatomic disintegration to whatever they shoot, while the second type of death ray each
Martian machine uses is a visible, reddish heat-ray, atop a swiveling goose-neck, mounted in a cobra-like head. The film's war machines move about
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the tripods have a large, free-moving head atop the smaller main body, giving its sole
Martian occupant a panoramic view. It has three thick, metallic tentacles, which are held on high, made up of boxy-looking segments, making them appear like large bicycle chains rather than slim and whip-like, as
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The fighting machines are armed with a heat-ray, which is fired by a camera-like device held by an articulated arm, and a chemical weapon known as "the black smoke", a poisonous gas which is deployed from gun tubes. The fighting machines can also discharge steam through nozzles that dissipates the
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by remote control. A heat-ray is attached to the walkers, as well as a kind of ray that teleports humans directly to the alien mothership, where humans are then drained of their blood to feed the invaders. Whereas Wells' fighting machines carried cages to hold captured humans, these tripods place
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novel. The novel's fighting machines are 10-story tall tripods and carry the heat-ray projector on an articulated arm connected to the front of the machine's main body, as well as possessing the poison black smoke canisters fired from gun-like tubes. In the film version, the war machines instead
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I recall particularly the illustration of one of the first pamphlets to give a consecutive account of the war. The artist had evidently made a hasty study of one of the fighting-machines, and there his knowledge ended. He presented them as tilted, stiff tripods, without either flexibility or
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The fighting machines walk on three tall, articulated legs and have a grouping of long, whip-like metallic tentacles hanging beneath the central body, a single flexible appendage holding the heat-ray projector. Atop the main body a hood-like head houses a sole
Martian operator.
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The metallic tentacles, which hang below the main fighting machine body, are used as probes and for grasping objects. The height of the fighting machines is unclear; in the novel, a newspaper article describes them to be more than 100 feet (30 m) tall.
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described in Wells' novel; they are used mainly to capture humans during the film. The tripods have three long, ridged, and stilt-like legs, which occasionally stride with the right and rear leg moving forward together in a clumsy, unconvincing manner.
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humans directly into the tripods' interiors. These appear organic, with no windows or controls, and the walls absorb anyone unlucky enough to touch them, sending them to an unknown destination.
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that kills everything. It is the primary machine the
Martians use when they invade Earth, along with the handling machine, the flying machine, and the embankment machine.
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stated his belief that they were planted by these extraterrestrials as a part of some kind of alien "contingency plan" (said plan never being revealed to the audience).
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While the
Tripods don't arrive to Earth in cylinders, before they emerge, the ground cracks and then rotates in a similar fashion to the cylinder's lid from the novel.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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The fighting machines are described in Jeff Wayne's
Musical Version of The War of the Worlds and depicted on the album artwork painted by
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on three invisible legs of energy, which are only briefly visible when moving on the ground upon leaving their initial landing site.
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minted in tribute to H.G. Wells. The coins bear an image of a
Martian Fighting Machine with four instead of three legs, and
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reported to be 100 feet (30 meters) tall with multiple, whip-like tentacles used for grasping, and two lethal weapons: the
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Creatures and machines similar to the fighting machines are featured in video games, such as the
Annihilator Tripods from
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In the Fox Series, the fighting machines' roles are taken by small robotic dogs inspired by the military robot dogs.
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There are several differences between the fighting machines as described in Wells' novel and those in
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walking upon three legs with spiked feet, and fire their heat rays from the rims of their bodies.
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is eventually destroyed by the
Martian heat-ray, but not before taking out two fighting machines.
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wearing the wrong style hat, resulting in derision from fans and collectors of Wells' work.
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in 1897. Wells criticized the illustrations, writing in later editions of the story:
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961:"The War of the Worlds: Book 2, Chapter 2, What We Saw from the Ruined House"
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Vol I: 1950–1957. Jefferson, North Carolina: McFarland & Company, 1982.
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635:'s unmade 1950s War of the Worlds movie, the fighting machines are based on
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and a gun-like tube used for discharging canisters of a poisonous chemical
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explain the fiction more clearly and provide non-fictional perspective
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The original conceptual drawings for the fighting machines, drawn by
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This article is about the fictional invasion machine from the novel,
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black smoke, which then settles as an inert, powdery substance.
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Please help to demonstrate the notability of the topic by citing
1206:"HG Wells Fans spot Numerous Errors on Royal Mint's New £2 Coin"
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are presented with spider-like elements such as multiple eyes.
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H. G. Wells' The War of the Worlds (Pendragon Pictures film)
1042:"George Pal's 'War Of The Worlds' TV Series (Circa 1975)."
1278:. New York: Wallflower Press, Columbia University, 2007.
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describes a work or element of fiction in a primarily
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Jeff Wayne's Musical Version of The War of the Worlds
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the Martians use two types of tripods, the ones from
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Jeff Wayne's Musical Version of The War of the Worlds
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Jeff Wayne's Musical Version of The War of the Worlds
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in 1897. These were disliked and criticized by Wells.
1162:. Valve Corp. Roseville, Calif.: Prima Games. 2004.
985:"Chapter 10: 'The War of the Worlds' by H.G. Wells."
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530:. In the novel, it is a fast-moving three-legged
1639:The League of Extraordinary Gentlemen, Volume II
1142:"Command & Conquer 3: Tiberium Wars Review".
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512:") is one of the fictional machines used by the
1276:The Cinema of Steven Spielberg: Empire of Light
1246:Steven Spielberg: Director of Blockbuster Films
614:Chapter 19, "What We Saw from the Ruined House"
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1231:The Golden Age of Children's Book Illustration
760:War of the Worlds 2: The Next Wave (2008 film)
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294:"Fighting machine" The War of the Worlds
133:"Fighting machine" The War of the Worlds
8:
1147:, 26 March 2007. Retrieved: 31 January 2015.
655:The Martian fighting machines, designed by
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1884:Fictional elements introduced in the 1890s
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1300:Steven Spielberg: Groundbreaking Director
670:barely resemble the same machines in the
363:Learn how and when to remove this message
345:Learn how and when to remove this message
243:Learn how and when to remove this message
184:Learn how and when to remove this message
596:, accompanied the initial appearance of
1289:Rubin, Steve. "The War of the Worlds."
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870:and a smaller, "overseer" variant. In
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1117:"The War of the Worlds: The Martians"
1072:Hagerty and Rogers 2008, pp. 118–119.
748:In Pendragon Pictures' direct-to-DVD
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1248:. New York: Publishers, Inc., 2008.
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283:adding citations to reliable sources
1560:The War of the Worlds: Next Century
1472:Sherlock Holmes's War of the Worlds
873:Sherlock Holmes's War of the Worlds
34:. For other fighting machines, see
1774:Jeff Wayne's The War of the Worlds
1653:H. G. Wells' The War of the Worlds
1592:War of the Worlds 2: The Next Wave
1568:H. G. Wells' The War of the Worlds
1159:Half-life 2 : raising the bar
1009:(2005 ed.). London, England:
919:announced a new version of the UK
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767:War of the Worlds 2: The Next Wave
690:War of the Worlds (1988 TV series)
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1233:. New York: Gallery Books, 1991,
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815:BBC War of the Worlds Mini-Series
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651:The War of the Worlds (1953 film)
644:The War of the Worlds (1953 film)
56:This article has multiple issues.
1824:The Soul Selects Her Own Society
1302:. Edina, Minnesota: ABDO, 2009.
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1717:The Great Martian War 1913–1917
1552:The Night That Panicked America
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64:or discuss these issues on the
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836:War of the Worlds: The Attack
834:The Tripods in the 2023 film
829:War of the Worlds: The Attack
712:War of the Worlds (2005 film)
626:Ray Harryhausen's unmade film
1711:"The Night America Trembled"
1032:Rubin 1977, pp. 4–16, 34–47.
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1743:(2019–2022, Fox/Canal+)
1727:(1988–1990, syndicated)
1500:The Massacre of Mankind
1318:Keep Watching The Skies
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843:Fox's War of the Worlds
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1810:Mars: The Home Front
1244:Edge, Laura Bufano.
1047:3 March 2016 at the
822:2019 BBC Mini-Series
279:improve this article
1052:war-ofthe-worlds.co
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377:Fictional character
1692:The New Generation
1579:(2005, The Asylum)
1555:(1975, television)
1458:Fighters from Mars
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