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346:, the city commissioned Cogliatti to redesign the wall in 1998. With the help of a flat painter and over a period of approximately 140 hours, the artist implemented “her own sculptural and color visions”. One of Cogliatti's artistic goals, among others, was to use painterly means to give the impression of a third dimension. She therefore gave her work the name
276:) and thus brings the sunken row of houses to new life. "The colorful reflections from the wall to the ceiling and to the floor create an aquarium feeling on hot days ..." The sequence of colors is also reminiscent of the course of the day, from
642:
Setz, Annemarie (1998-07-23). "Zuger
Katastrophenbucht: Maria Bettina Cogliatti gestaltet wieder die Quaimauer" [Zug's Disaster Bay: Maria Bettina Cogliatti is Designing the Quay Wall Again].
262:. Cogliatti arranged the colored surfaces in order to create illusionistic interruptions, niches and windows in the wall and thus create an imaginary living space, a “colorful city”.
284:. "The large open areas on the mural form an ideal platform for various messages." "There is a place in Zug that leads directly into the soul of young people. A kind of physical
605:"Offizielle Einweihung der Wandmalereien unter der Vorstadtbrücke: Vernissage für 55 junge Künstler" [Official Inauguration of the Wall Paintings Under the Suburban Bridge:
526:
Cervetto, Renata (2016). "Einige
Gedanken zu Zugs Kunst im öffentlichen Raum" [Some Thoughts on Zug's Art in Public Space]. In Moser, Brigitte (ed.).
339:. The wall painting was inaugurated on July 6, 1995, one day after the complete renovation of the Rigiplatz above, which is reminiscent of the same disaster.
352:, which means "eye delusion"; for this, the dominance of the window hatches in the wall had to be broken. Cogliatti completed the work in early August 1998.
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662:"Vorstadtbrücke: Maria Bettina Cogliatti war am Werk" [Suburban Bridge: Maria Bettina Cogliatti Work is Complete].
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627:(1995-07-05). "Vorstadt–Malerei: Wo bleibt die Spontanität?" [Suburban Painting: Where is the Spontaneity?].
242:(or vice versa). 21 color tones are set in contrast to one another in such a way that the colors run from warm
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In 1995, Cogliatti instructed 55 children to paint the same concrete wall on behalf of the
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Lucerne: Nine forays through Central Switzerland for women
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mis lozärn: Neun
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created in 1998 by Maria
Bettina Cogliatti. It overlooks the
414:: Hochparterre (for Zug: Office for Culture). p. 172.
540:: Hochparterre (for Zug: Office for Culture). p. 48.
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into a cool blue. Thus, they simulate a colored sky, from
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Moser, Brigitte, ed. (2016). "Maria
Bettina Cogliatti,
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to rich purple, green and red, and finally towards the
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on the concrete wall of the Zug
Vorstadtbrücke bridge.
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342:After the painting had been repeatedly covered in
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370:"Cogliatti, Maria Bettina: Trompe-l'œil (1998)"
272:houses that are still standing (since the 1887
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316:bridge with the assistance of children; but
312:painted the 112-meter concrete wall of the
577:"Jugendgeflüster in der Katastrophenbucht"
534:Art in the public space of the city of Zug
408:Art in the public space of the city of Zug
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104:On behalf of the municipal government of
529:Kunst Im öffentlichen Raum der Stadt Zug
403:Kunst Im öffentlichen Raum der Stadt Zug
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320:destroyed the painting during decades.
688:on the website of the municipality of
268:complements the color of the colorful
231:In this artwork, she juxtaposed three
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502:[A Day's Lesson in Colour].
579:[Subtle Sounds of Youth in the
16:Artwork by Maria Bettina Cogliatti
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498:Faessler, Andreas (2018-07-04).
463:: Xanthippe. pp. 106–107.
449:Bühlmann, Cécile, ed. (2019).
331:", the painting was mainly in
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325:Zuger Schul– und Stadtbauamt
609:for 55 young artists].
575:Meyer, Falco (2015-07-16).
500:"Ein Tagesverlauf in Farbe"
19:For the artistic term, see
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715:Paintings in Switzerland
668:(in German). 1998-08-13.
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710:Vandalized works of art
40:The mural in April 2019
730:Trompe-l'œil paintings
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187:("disaster bay") in
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274:Vorstadtkatastrophe
246:on the side of the
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587:(in German)
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195:Description
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132:Coordinates
101:Designation
95:Color field
699:Categories
607:Vernissage
591:2020-08-18
561:2020-08-18
512:2020-08-18
484:2020-08-18
479:1108275863
435:2020-08-18
382:2020-08-18
356:References
237:cold color
143:47°10′11″N
556:962106163
430:962106163
252:Alpenquai
146:8°30′50″E
115:Renovated
112:Condition
344:graffiti
318:graffiti
286:Facebook
270:Vorstadt
235:and two
214:Rigiecke
206:and the
120:Location
90:Movement
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292:History
212:, from
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725:Murals
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538:Zürich
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240:fields
79:Medium
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532:[
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73:Mural
683:The
552:OCLC
542:ISBN
475:OCLC
465:ISBN
426:OCLC
416:ISBN
282:dawn
278:dusk
260:dawn
256:dusk
233:warm
216:park
69:Type
61:1998
57:1998
54:Year
690:Zug
400:".
376:Zug
280:to
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189:Zug
124:Zug
106:Zug
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