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down his weapons and sings his death song before the Apache scout kills him. A corporal suggests that Ulzana, or at least his head, should be taken back to the fort. However, DeBuin, now hardened by what he has witnessed during the mission, sternly orders him to be buried. Ke-Ni-Tay insists on carrying out the task himself. The surviving troopers led by DeBuin pack up to leave but McIntosh knows that he will not survive the journey back to the fort, so chooses to stay behind to die alone.
322:, the commanding officer sends riders out to alert the local settlers. However, both troopers are ambushed separately; one is dragged away while the other kills the European woman he is escorting and then himself. The Apaches play catch with his liver. The woman's husband, who stayed behind to protect his farm, is captured and tortured to death. McIntosh, an ageing
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I am not intent on presenting a reasoned analysis of the relationship between the aboriginie and the colonizer. The events described in the film are accurate in the sense they have factual equivalents, but the final consideration was to present an allegory in whose enlarged features we might perceive
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by her experiences. Ke-Ni-Tay scatters the captured horses just as bugle calls from the cavalry ineptly alert the
Apaches to DeBuin's approach. Ulzana flees on foot as the remnants of his band are killed. Ke-Ni-Tay confronts him and shows him the Army bugle taken from the body of his son. Ulzana puts
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The war party attack another farm, burning the homesteader to death and seizing two horses. McIntosh realizes that the remaining
Apaches physically and psychologically need horses and will try to obtain them by raiding the troop. A woman at the burned-out farm, instead of being murdered following her
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The cavalry troop soon discover the brutal activities of the Apache war party. The soldiers know they are facing a merciless enemy with far better local skills. DeBuin is shocked by the cruelty and harshness he sees because it conflicts strongly with his
Christian morality and view of humanity. After
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gang rape, was left alive but injured so that the cavalry will be forced to send her to the fort with an escort. By splitting the troop, Ulzana hopes to successfully attack the escort and seize its horses. McIntosh suggests a decoy plan to make Ulzana falsely believe that his tactics are successful.
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Aldrich later claimed "From the time we started to the time we finished the picture, I'd say fifty, sixty percent of it was changed. Alan Sharp, the writer, was very amenable and terribly helpful. And terribly prolific. He can write twenty-five pages a day. He couldn't agree more with my political
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Apart from being my sincere homage to Ford an attempt to express allegorically the malevolence of the world and the terror mortals feel in the face of it. We all have our own notions of what constitutes the ultimate in fear, from personal phobias to periods in history. Three historical landscapes
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Ulzana and his warriors decide to continue on foot to tire out the pursuing cavalry while their horses are circuitously led back the other way. However, after Ke-Ni-Tay notices that the tracks are of unladen ponies, McIntosh leads an ambush that kills the horses and their two Apache escorts; one of
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The scenes that
Lancaster cut include a pre-credits sequence showing Ulzana and his men leaving the reservation in the middle of the night. The major deletions relate to the character of McIntosh (Lancaster)'s Indian lover, played by Aimee Eccles, who has been completely removed from the European
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There are two cuts of the film because Burt
Lancaster helped to produce the movie. The American release was edited under the supervision of Aldrich while the European version was overseen by Lancaster. Although the overall running times are similar, there are enough differences between the 2 cuts,
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called it "hands down
Aldrich’s best film of the seventies, as well as being one of the greatest westerns of the seventies. One of the things that makes the movie so remarkable is it isn’t just a western; it combines the two genres that Aldrich was most known for, westerns and
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Ulzana's warriors ambush the small escort detachment obtaining all of its horses and killing the sergeant and his soldiers before DeBuin can arrive with the rest of his force. McIntosh is left mortally wounded. Only the woman survives unharmed though now apparently
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viewpoint—so that was no problem. And fortunately, Lancaster and I felt pretty much the same about the picture. It was good that I had support from Sharp and
Lancaster, because I don't have the highest regard for Carter DeHaven, the producer."
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is not the
Chiricahua Apache of history, whose raid was more protracted and ruthless and daring than the one I had written about. He is the expression of my idea of the Apache as the spirit of the land, the manifestation of its hostility and
657:, it is not through the sympathetic portrayal of Native Americans that is so common in this genre; it is because of its allegorical message about America's conduct in the war in Vietnam at that time. American film critic and professor
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including several complete scenes found in only one of the versions. A non-authorized version compiled by a German TV station in 1986 combined all scenes from both versions, with a runtime of 111 min.
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failing to find Ulzana, McIntosh and Ke-Ni-Tay consider how to outwit their enemy. But DeBuin remains cautious and mistrustful of Ke-Ni-Tay because Ulzana did not let him join his war party.
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one of the best
Westerns of the 1970s saying it "is also one of the most underestimated pictures of vet director Robert Aldrich, better known for his sci-fi and horror flicks, such as
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Siskel, Gene (December 31, 1972). "Movies: Gene Siskel picks top 10 films of 1972 Chicago's best films ... the pick of 1972's pack".
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he directed in 1954. It was an "inside joke ... I'm not sure that Alan Sharp ever knew just why we did that."
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whom was Ulzana's son. Despite angry protestations, DeBuin forbids his men from mutilating the dead boy.
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the lineaments of our own drama, caricatured, but not falsified. The Ulzana of the
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Aldrich, Robert (March–April 1977). ""I CAN'T GET JIMMY CARTER TO SEE MY MOVIE!"".
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because he regarded it as "the best film I have ever seen". Sharp later described
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Sharp, Alan (May 13, 1972). "Movies: White Man Unforks Tongue for 'Ulzana'".
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568:(1954). Aldrich said Lancaster's character, John McIntosh, was named after
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Otto Reichow as 'Dutch' Steegmeyer (Indian Agent, San Carlos Reservation)
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and other westerns in the context of the then-current US-Vietnam war.
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of U.S. troops chasing an elusive merciless enemy has been seen as
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Malcolm, Derek (August 4, 1972). "Interview with Burt Lancaster".
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Murphy, Mary (November 27, 1971). "Aldrich, Lancaster Reunited".
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1102:"In Ulzana's Raid, the Vietnam War's in the Arizona desert"
833:"In Ulzana's Raid, the Vietnam War's in the Arizona desert"
935:"Variant versions of Robert Aldrich's films: a case study"
344:. Ke-Ni-Tay knows Ulzana because their wives are sisters.
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Still in the Saddle: The Hollywood Western, 1969–1980
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Body and soul: the cinematic vision of Robert Aldrich
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wrote that the film was one of the ten best of 1972.
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Following mistreatment by Indian agency authorities,
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also said it was one of the best films of the year.
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259:. The film, which was filmed on location in
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442:Margaret Fairchild as Mrs. Abbie Ginsford
1037:Tarantino, Quentin (December 22, 2019).
997:. University of Oklahoma Press. p.
653:Although the film is considered to be a
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516:that I shudder most to consider are the
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1598:English-language Western (genre) films
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493:The film is an original screenplay by
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775:Whatever Happened to Robert Aldrich?
152:The Associates & Aldrich Company
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427:as Maj. Cartwright (CO, Ft. Lowell)
275:against European settlers in 1880s
1092:Encyclopedia entry that discusses
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1543:Revisionist Western (genre) films
522:Turkey during the First World War
1573:Films directed by Robert Aldrich
1339:What Ever Happened to Baby Jane?
1022:Levy, Emanuel (April 12, 2008).
982:. December 31, 1972. p. D1.
1080:. Intellect Books. p. 59.
993:Nelson, Andrew Patrick (2015).
773:Alain Silver and James Ursini,
671:What Ever Happened to Baby Jane
439:Gladys Holland as Mrs. Rukeyser
271:. It portrays a brutal raid by
1533:American Western (genre) films
1100:Sachs, Ben (August 14, 2013).
1076:. In Geraghty, Lincoln (ed.).
528:during the years 1860–86. In
497:, who said he was inspired by
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1538:Western (genre) cavalry films
430:Dran Hamilton as Mrs. Riordan
309:San Carlos Indian Reservation
1588:1970s English-language films
1568:Films scored by Frank De Vol
1399:The Killing of Sister George
1359:Hush...Hush, Sweet Charlotte
807:. Scarecrow Press. pp.
333:, Garnett DeBuin, a veteran
421:as Willy Rukeyser (settler)
289:United States participation
228:414,559 admissions (France)
16:1972 film by Robert Aldrich
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1528:1972 Western (genre) films
448:as McIntosh's Indian woman
176:October 27, 1972
1439:Emperor of the North Pole
1389:The Legend of Lylah Clare
1369:The Flight of the Phoenix
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608:Valley of Fire State Park
472:Larry Randles as Mulkearn
403:as Ke-Ni-Tay (army scout)
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1578:Universal Pictures films
1469:Twilight's Last Gleaming
600:Coronado National Forest
1593:San Carlos Apache Tribe
799:Williams, Tony (2004).
777:, Limelight, 1995 p 284
1563:Films set in the 1880s
1110:An extended review of
1072:Lusted, David (2011).
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415:as Capt. Charles Gates
1553:Films shot in Arizona
904:(2). New York: 46–52.
837:www.chicagoreader.com
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454:as Ginsford (settler)
390:as Lt. Garnett DeBuin
267:based on a script by
1583:1970s American films
1558:Films set in Arizona
939:screeningthepast.com
698:, a 1965 western by
606:, as well as in the
318:. When news reaches
150:De Haven Productions
1299:Ten Seconds to Hell
789:at Box Office Story
736:a 1974 East German
727:Revisionist Western
655:revisionist Western
544:Birdman of Alcatraz
241:revisionist Western
239:is a 1972 American
1499:...All the Marbles
1329:Sodom and Gomorrah
1204:Films directed by
1153:TCM Movie Database
1106:The Chicago Reader
725:, a 1970 American
526:American Southwest
340:and Ke-Ni-Tay, an
307:breaks out of the
273:Chiricahua Apaches
263:, was directed by
162:Universal Pictures
1548:Apache Wars films
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1409:Too Late the Hero
1159:Ulzana's Raid
1137:Ulzana's Raid
1049:on March 23, 2020
933:(June 30, 2000).
917:Los Angeles Times
863:Los Angeles Times
839:. August 14, 2013
818:978-0-8108-4993-8
714:The Stalking Moon
677:Quentin Tarantino
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1051:. Retrieved
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192:Running time
169:Release date
126:Frank De Vol
106:Joseph Biroc
18:
1349:4 for Texas
1219:Big Leaguer
1043:New Beverly
661:has called
633:Gene Siskel
518:Third Reich
476:Nick Cravat
469:as Horowitz
436:as Corporal
434:John Pearce
409:as Sergeant
397: [
384:as McIntosh
320:Fort Lowell
293:Vietnam War
196:103 minutes
136:Technicolor
88: [
61:Produced by
41:Directed by
35:Film poster
1523:1972 films
1517:Categories
1164:Letterboxd
750:Uzbekistan
538:harshness.
524:, and the
495:Alan Sharp
484:Production
478:as Trooper
467:Dean Smith
394:Jorge Luke
331:lieutenant
313:Chiricahua
269:Alan Sharp
225:Box office
180:1972-10-27
143:Production
85:Jorge Luke
55:Alan Sharp
51:Written by
1249:Vera Cruz
1053:March 23,
944:March 10,
761:Citations
682:war films
627:Reception
598:, at the
574:Al Sieber
565:Vera Cruz
499:John Ford
378:as Ulzana
324:U.S. Army
316:war party
145:companies
112:Edited by
744:shot in
688:See also
618:Versions
338:sergeant
285:allegory
209:Language
122:Music by
69:Starring
1151:at the
951:edition
809:181–185
746:Romania
639:of the
604:Nogales
602:and in
596:Arizona
586:Filming
558:Casting
489:Writing
335:Cavalry
291:in the
287:to the
277:Arizona
261:Arizona
212:English
201:Country
178: (
1502:(1981)
1492:(1979)
1482:(1977)
1472:(1977)
1462:(1975)
1459:Hustle
1452:(1974)
1442:(1973)
1432:(1972)
1422:(1971)
1412:(1970)
1402:(1968)
1392:(1968)
1382:(1967)
1372:(1965)
1362:(1964)
1352:(1963)
1342:(1962)
1332:(1962)
1322:(1961)
1312:(1959)
1302:(1959)
1292:(1956)
1289:Attack
1282:(1956)
1272:(1955)
1262:(1955)
1252:(1954)
1242:(1954)
1239:Apache
1232:(1954)
1222:(1953)
1084:
1005:
815:
742:Ulzana
740:about
612:Nevada
592:Tucson
579:Apache
362:crazed
305:Ulzana
217:Budget
756:Notes
401:]
327:scout
92:]
1131:IMDb
1082:ISBN
1055:2020
1003:ISBN
946:2019
845:2020
813:ISBN
748:and
706:and
684:. "
669:and
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511:as:
369:Cast
299:Plot
255:and
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673:."
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182:)
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