Knowledge (XXG)

Urban Interventionism

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is a name sometimes given to a number of different kinds of activist design and art practices, art that typically responds to the social community, locational identity, the built environment, and public places. The goals are often to create new awareness of social issues, and to stimulate community
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Urban Interventionism has been associated with a changed understanding of the relationship between the social and the spatial, called the "spatial turn" of the arts and sciences in the 1980s. In this turn a new viewpoint was taken on public and urban spaces "...whereby urban spaces are seen not
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Much of the work is multidisciplinary and intermedial, combining art forms or creating works that are hard to classify. Artists working in this international vein often utilize outdoor video projection, found objects, sculptural artifacts, posters, and performance events that might include and
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Urban interventionism often target local communities as their targets. There are different strands of activity within urban interventionism. While mostly activistic, many artists have different focus points. George Yúdice, Professor of American Studies Program and of Spanish and Portuguese at
109:"(urban interventions)...are typically concerned less with representing political issues than with intervening in urban spaces so as to question, refunction and contest prevailing norms and ideologies, and to create new meanings, experiences, understandings, relationships and situations. 146:
To put art at the service of the urban does not mean to prettify urban space with works of art. This parody of the possible is a caricature. Rather, this means that time-spaces become works of art and that former art reconsiders itself as source and model of appropriation of space and
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involve passersby on the street. Urban interventions are not first objects to pursue the creation of meaning in urban space through the combination of art forms, and they have been linked to artists and philosophers of the 1960s. In 1968 philosopher and sociologist
82:]." According to this train of thought the spatial sights of a city have the power to shape interactions and create new experiences. This power is utilized by urban interventions through the works created by the artists. 95:, defines the term as referring to "public or participatory art through which publics constitute themselves and experience something extraordinary in the process. The famous street artist 119:. The project consists of a large inflatable red ball that has been set up at many different sites worldwide, providing a new engaging space for people to interact with. 76:
merely as containers for or outcomes of social processes, but as a medium through which they unfold and as having constitutive significance themselve [
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Pinder, David. Urban Interventions: Art, Politics and Pedagogy. International Journal of Urban and Regional Research. Volume 32.3, September 2008.
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Lefebvre, H. Right to the city. In H. Lefebvre, Writings on cities, E. Kofman and E. Lebas (trans. and eds.), Blackwell, Oxford . 1996 (1968)
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of a girl using balloons filled with helium to float over the wall between Palestine and Israel. Professor David Pinder of the
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Soja, E. Postmodern geographies: the reassertion of space in critical social theory. Verso, London and New York. 1989
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stated that urban interventions are often specifically directed towards the urban space that it is situated in:
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involvement. Such practices have a history that includes certain street artists of the 1960s, such as The
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from introduction to "Urban Interventions: A Symposium on Art and the City," York University, 2005.
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Andersson, Ake E., and Andersson, David Emanuel: "Urban Interventionism and Local Knowledge",
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This also echoes other art forms that are connected to urban interventionalism like the 1960s
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Contemporary artists often associated with urban interventionist practices are
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The Heuristics of Contemporary Urban Art Interventions Dimension,
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by Johannes H. Birringer, Indiana University Press, 1991. p 38.
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Interventions: Advances in Art and Urban Futures, Volume 4.
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The Economics of Experiences, the Arts and Entertainment.
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Accidental audience: Urban interventions by artists.
970: 892: 731: 671: 662: 544: 344: 284:Dawson, Jessica. "A New Movement in Public Art," 321: 8: 668: 328: 314: 306: 233: 231: 206: 7: 295:Intellect Books, Bristol, UK, 2005. 291:Hall, Tim, and Malcom, Miles. eds. 302:Offsite Collective, Toronto, 1999. 14: 28:of Amsterdam, among many others. 277:, 17(2/3): 247-64. Reprinted in 274:The Review of Austrian Economics 288:, September 16, 2006; Page C05. 214:Theatre, Theory, Postmodernism, 281:Edward Elgar Publishing, 2006. 190:The Situationist International 1: 140:), in which he states that: 1153: 1127:Contemporary art movements 1074:Situationist International 24:of San Francisco, or the 584:Experimental literature 850:Second Viennese School 481:Neue Slowenische Kunst 352:Abstract expressionism 41:Mierle Laderman Ukeles 957:Theatre of the Absurd 880:Twelve-tone technique 759:Electroacoustic music 17:Urban Interventionism 942:Postdramatic theatre 927:Experimental theatre 464:Multidimensional art 105:University of London 444:Lyrical Abstraction 286:The Washington Post 134:Le Droit à la ville 93:New York University 1057:Postmodernist film 962:Theatre of Cruelty 845:Rock in Opposition 786:Free improvisation 429:Post-Impressionism 362:Art & Language 298:Pruesse, Kym, ed. 71:Social and spatial 45:Krzysztof Wodiczko 37:Gordon Matta-Clark 1109: 1108: 1099:Russian symbolism 1084:Socialist realism 922:Experimental film 888: 887: 594:Hungry generation 569:Conceptual poetry 424:Neo-Impressionism 138:Right to the City 67:and many others. 49:Thomas Hirschhorn 1144: 1003:Russian Futurism 947:Remodernist film 865:Stochastic music 820:Musique concrète 798:Microtonal music 776:Experimental pop 769:Industrial music 764:Electronic music 669: 491:Nouveau réalisme 399:Grosvenor School 330: 323: 316: 307: 259: 256: 250: 244: 238: 235: 226: 223: 217: 211: 185:Intervention art 57:Harrell Fletcher 1152: 1151: 1147: 1146: 1145: 1143: 1142: 1141: 1112: 1111: 1110: 1105: 966: 952:Structural film 894: 884: 739:Aleatoric music 727: 658: 546: 540: 501:Performance art 340: 334: 268: 263: 262: 257: 253: 245: 241: 236: 229: 224: 220: 212: 208: 203: 171: 163:Gesamtkunstwerk 125: 113:RedBall project 88: 73: 12: 11: 5: 1150: 1148: 1140: 1139: 1134: 1129: 1124: 1114: 1113: 1107: 1106: 1104: 1103: 1102: 1101: 1091: 1086: 1081: 1079:Social realism 1076: 1071: 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music 639:Slam poetry 526:Suprematism 511:Process art 439:Incoherents 434:Color Field 409:Divisionism 357:Art Nouveau 337:Avant-garde 123:Disciplines 1137:Street art 1122:Modern art 1116:Categories 1089:Surrealism 1027:Minimalism 902:Cinéma pur 547:and poetry 545:Literature 454:Minimalism 345:Visual art 266:References 155:Happenings 132:wrote the 1094:Symbolism 1022:Modernism 855:Serialism 840:Post-rock 781:Free jazz 689:Free funk 644:Ultraísmo 599:Imaginism 574:Cyberpunk 536:Vorticism 339:movements 195:Urban art 1042:Neo-Dada 1017:Lettrism 998:Futurism 912:Drop Art 907:Dogme 95 875:Totalism 793:Futurism 744:Ars nova 672:By style 619:Neoteric 521:Rayonism 474:De Stijl 449:Mail art 404:Devětsil 169:See also 86:Ideology 971:General 830:No wave 604:Imagism 554:Acmeism 506:Pop art 496:Orphism 414:Fauvism 392:Bauhaus 101:stencil 63:group, 22:Diggers 1047:Neoism 993:Fluxus 893:Cinema 732:Others 634:Oulipo 629:Oberiu 516:Purism 382:Cubism 175:Fluxus 97:Banksy 65:Banksy 59:, the 26:Provos 721:Metal 664:Music 201:Notes 147:time. 983:Dada 716:Punk 711:Prog 706:Rock 694:Yass 684:Jazz 679:Funk 654:Zaum 157:and 701:Pop 161:'s 115:by 79:sic 1118:: 230:^ 55:, 51:, 47:, 43:, 39:, 35:, 329:e 322:t 315:v 149:" 144:" 136:(

Index

Diggers
Provos
Daniel Buren
Gordon Matta-Clark
Mierle Laderman Ukeles
Krzysztof Wodiczko
Thomas Hirschhorn
Francis Alÿs
Harrell Fletcher
Red Peristyle
Banksy
sic
New York University
Banksy
stencil
University of London
RedBall project
Kurt Perschke
Henri Lefebvre
Right to the City
Happenings
Richard Wagner
Gesamtkunstwerk
Fluxus
Guerrilla art
Intervention art
The Situationist International
Urban art

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