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new audience for a writer is a cause that can be helped with well-developed
Knowledge (XXG) pages, and organizations such as the Melville Society can do no better than to encourage their members to participate in developing them. My aim is to help develop the Herman Melville content on Knowledge (XXG). Melvilleans who are not familiar enough with Knowledge (XXG) to know what it aspires to may be pleased to find out that a serious encyclopedic format exists for articles on books:
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69:(1993) was published a few Melville letters were newly discovered. These letters, with transcriptions, were published in Melville Society Extracts, now online for all to see. So if you have that volume, simply access the links below, print out the pages and put them somewhere in your volume to assemble a complete edition of all letters yet known.
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In recent years
Knowledge (XXG) has developed into a resource so ubiquitous as to be everybody's first tool of orientation in whatever field of knowledge. Readers new to a writer will see the Knowledge (XXG) pages about that author before encountering his writings themselves. Therefore, attracting a
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This guideline shows that for
Melville it should not be difficult to develop the pages, since topics required by the manual such as composition, publication history, reception and later critical history of a work are covered in each of the volumes of the Northwestern-Newberry Melville edition.
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Lest I should take this too seriously, let me remind myself of
Melville's use of humor. In chapter 17 of
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122:. A fourth note, co-authored with Sealts's successor on the subject, Steven Olsen-Smith, appeared in
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Direct links for the three supplementary notes Sealts wrote in 1990, 1995, and 1998 are provided at
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154:, "Young America in Literature," the Complete Works of Pierre Glendinnig are summed up:
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This painting is from 1628, but
Rembrandt's model looks like Melville, don't you think?
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September 1995, Hershel Parker and Steven-Olsen Smith, "Three New
Melville Letters."
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Illustration to Ch. 87, "The Grand Armada." The environmental dimensions of
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Or why not a tribute to
Melvilleans with a pun on their contributions?
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Coincidentally, this last issue of
Leviathan contains the review of
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March 1998, Richard Colles
Johnson, "A New Melville Letter."
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In 1849, and again in 1856,Melville applied for a passport:
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This user page should be of service to those interested in
20:. In March 2016 I contributed thousands of bytes to the
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John Bryant: an
Inkstand; or, How Fluid Can a Text Be
211:? More titles of this type may be thought of:
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177:The late Reverend Mark Graceman: an Obituary
77:June 1995, Lynn Horth, "Lost Letter Found."
110:Books found after publication of Sealts's
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65:Not long after the Northwestern-Newberry
58:Letters found after the publication of
51:Knowledge (XXG):Manual_of_Style/Novels
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320:Stanley T. Williams: a Dissertation
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284:Steven Olsen-Smith: an Annotation
207:Is Edgar meant as an allusion to
146:Melvillean Titles for Melvilleans
308:G. Thomas Tanselle: a Copy-Text
32:Knowledge (XXG) Melville pages
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314:Robert K. Wallace: an Etching
159:The Tropical Summer: a Sonnet
138:Melville explicating his work
130:Melville painted by Rembrandt
239:Walker Cowen: an Underlining
302:William Reese: a Collection
152:Pierre: or, The Ambiguities
44:has yet to make its impact.
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296:Jay Leyda: a Documentation
263:Hershel Parker: an Archive
257:Eleanor Metcalf: a Memoir
245:Brian Higgins: a Summary
222:The Scholar: a Footnote
201:The Pippin: a Paragraph
165:The Weather: a Thought
139:
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290:Mary Bercaw: a Source
270:Merton M. Sealts, Jr.
216:Contract: a Signature
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120:Merton M. Sealts, Jr.
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278:Lynn Horth: a Letter
251:Wilson Heflin: a Log
99:A letter from 1847:
72:A letter from 1890:
189:Beauty: an Acrostic
171:Life: an Impromptu
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112:Melville's Reading
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195:Edgar: an Anagram
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26:The Piazza Tales
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209:Edgar Allan Poe
183:Honor: a Stanza
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
