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705:, writing "Carmichael, who later moved to Guinea and took the name Kwame Ture, is remembered for the militancy of his views and his confrontational, often slashingly witty speeches, but the Swedish cameras captured another side of him. In the most touching and arresting scene in 'Mixtape,' he interviews his mother, Mable, gently prodding her to talk about the effects of poverty and discrimination on her family". The film does the same with
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delusions and the documentary’s uncritical attitude towards the idea that the Nation of Islam offers a disciplined lifestyle heralds the arrival of a number of bizarre conspiracy theories including the somewhat inconsistent view that the authorities both turned a blind-eye to the drug trade in Black areas and cracked down on the drug trade in Black areas in a way that damaged the community and undermined the pursuit of civil rights".
681:. King, as the leader of the Civil Rights Movement, promoted political cooperation and nonviolence, and the 1967 and 1968 recaps within the film offer a display, explanation, and illustration of why these movements were at odds with each other. In the 1968 section of the film specifically, the film documents the intersections of the two movements when Dr. King is shown speaking out against the
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in his heart forgiveness. Unfortunately, I am from a younger generation. I'm not as patient as Dr. King, nor am I as merciful as Dr. King". In documenting both the Civil Rights
Movement and the Black Power Movement, Olsson portrays the tension present as the two movement attempted to coexist despite the differing goals and tactics of the movements.
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115:) overlaid with commentaries and interviews from leading contemporary African-American artists, activists, musicians and scholars. Divided into 9 sections based chronologically on each successive year between 1967 and 1975, the film focuses on several topics and subjects relevant to the Black Power Movement including
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This confusion between the actual detriments of the War on Drugs give way to an ending of the film that several critics have express does not seem quite complete. In the 1973 section of the documentary, one of the films more memorable scenes includes a bus full of Swedes who are taking a tour through
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is seen offering his thoughts on Dr. King in a vintage interview. In reflecting, Carmichael claims that King is "A great man full of compassion. He is full of mercy and he is very patient. He is a man who can accept the uncivilized behavior of white
Americans and their unceasing taunts and still have
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and are warned not to visit the neighborhood for "personal studies" because it is "only for black people" adding that it is a "black man's ghetto where everyone is trying to get high." Though the scene may call into question the intent of the Swedes depicted on the bus during a trying time for the
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While the Black Power movement is often characterized as violent, the film challenges conventions in its effort to portray the movement in a more positive light. This is accomplished in the the way in which the film humanizes the leaders of the Black Power movement. In his review of the film, A.O.
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review of the film, editor Alex Moss claims "Sadly, once the Black Power
Mixtape shifts its emphasis from the Black Panthers to the Nation of Islam and the War on Drugs, the documentary begins to lose both its precision and its power. An interview with Louis Farrakhan is eerie in its fantastical
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offers similar sentiments in his review of the film, suggesting that drugs are portrayed in the documentary as a way that Black communities were placated in the midst of all the anger from the movement. "The ’70s are portrayed as a lost decade, where heroin floods the streets of Harlem. Vietnam
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is "a chronological, musically structured collage tracing the arc of the Black Power movement from its inception during the civil rights era through its dissolution as drugs began to erode black communities in the
Seventies, created with rarely seen footage culled from the archives of Swedish
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African-American community, Olsson has acknowledged that the purpose of the scene was to portray "passive racism" on behalf of the
Swedish Tourists. The film also includes a scene in the 1974 section that depicts a young woman explaining her fight with
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footage used was originally shot by
Swedish Journalists in the 1960s and 1970s for Swedish Television, but the editing and release of the film did not take place for more than 3 decades after the era when it was discovered by director
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acknowledged that the film "includes plenty of interest, but it would be stronger if the filmmakers had dug a little deeper into the footage from 1967 to 1972 and skipped the final years altogether". In its review for the film,
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through their independent film production company, Louverture Films. The production company is geared toward producing "independent films of historical relevance, social purpose, commercial value and artistic integrity".
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commented, "As its title suggests, 'The Black Power
Mixtape' is not a comprehensive history". However, this outlook on the subject matter of the film is not universal. Diane Archer of
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has commented that the prominence of music artists rather than political activists who provide commentary throughout the film is "a sign of how
African-American culture has shifted".
279:. Although the film has a Swedish influence given the nationality of the journalists conducting the interviews, the film was co-produced by Americans Joslyn Barnes and actor
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In documenting the rift between King and
Carmichael, the film portrays the tension between the two distinct movements. Carmichael, who popularized the term "
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Television". Given this commentary, it is apparent that two of the historical events that the film does a particularly fine job of covering is that of the
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and its prominence in the community. In documenting these interviews in the film, Olsson vividly displays the detriments of a community ravaged by drugs.
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opined that the"'Black Power
Mixtape, 1967-1975' is a potent time capsule, but without a skeleton of facts and figures, it's a deficient history lesson".
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in American society from 1967 to 1975. It features footage of the movement shot by Swedish journalists in America between 1967-1975 with appearances by
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referred to the film as "a time capsule of a turbulent era, essential viewing for anyone concerned with our nation's history—and its present".
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131:. The film documents these events with footage of individuals who were highly important to the movement including but not limited to
798:"The Black Power Mixtape | Discover the best in independent, foreign, documentaries, and genre cinema from IFC Films. | IFC Films"
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veterans return home as addicts. Leaders’ focus gets fuzzy. And the war on drugs becomes a war against a particular community".
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Some of the criticism that the documentary has received has been directed toward its limited coverage of everything that the
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in African-American communities including its contribution to the the heroine epidemic, while also documenting the rise of
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689:, political movements more closely associated with the Black Power movement. The film goes as far to suggest that his
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267:. The setting of the footage featured in the documentary spans across the US and Europe and includes shots in
1168:"It is Not Enough to Condemn Black Power... | The Martin Luther King Jr. Center for Nonviolent Social Change"
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The film begins its documentation in 1967 which is at the heels of the Civil Rights Movement and rise of the
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The 1973-1975 recap documented within the film focuses heavily on the detrimental effects of the
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was heeded by an ideological movement towards Black Power, a movement he initially condemned.
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903:"13. 'The Black Power Mixtape' - 30 Best Music Documentaries on Netflix Streaming This Instant"
300:, a sister label to IFC Films. The documentary was also featured on a February 2012 episode of
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To find the right sandbox for your assignment, visit your Dashboard course page and follow the
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when analyzing United States History. The film also includes a scene in which the head of
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shot by a group of Swedish journalists (discovered some 30 years later in the cellar of
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The most telling aspect of the film which reveals the strong thematic presence of the
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The documentary won and was nominated for a number of awards throughout 2011-2012.
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is featured in the film through both footage and contemporary voice commentary.
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from the beginning is its early depiction of prominent Civil Rights Leader
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is portrayed in a more positive light that is usually reserved for the
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992:""The Black Power Mixtape 1967-1975" Plays On With Sundance Selects"
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216:, who is also credited with scoring the music for the film,
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not the sandbox where you should draft your assigned article
1275:"OKP Interview: Goran Olsson [Black Power Mixtape]"
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Additional contemporary voice commentaries are provided by
1066:"Review: The Black Power Mixtape 1967-1975 - Film Comment"
639:. Olsson frames these themes to be highly relevant to the
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Opposition to United States involvement in the Vietnam War
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link for your assigned article in the My Articles section.
1042:"Film gives only partial history of black power movement"
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296:. The rights of the documentary were later acquired by
205:who also provides contemporary voice commentary.
157:Political activist, academic scholar, and author
43:. You can use it for testing or practicing edits.
879:"'Mixtape': Black Power Stories, Seen From Afar"
661:. Featured in the 1967 recap within the film,
1144:"The Vietnam War and the Civil Rights Movement"
935:"'The Black Power Mixtape 1967-1975' - Review"
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1248:"The Black Power Mixtape - www.filmjuice.com"
1095:"The Black Power Mixtape 1967-1975 | Netflix"
359:Copenhagen International Documentary Festival
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673:", used the Black Power movement to promote
1368:This article about a documentary film is a
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822:"New Directors/New Films 2011"
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107:The documentary features the
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1015:Olsson, Göran (2012-02-09),
848:Olsson, Göran (2011-04-01),
709:leaders and icons including
933:Scott, A. O. (2011-09-08).
643:throughout the documentary.
290:2011 Sundance Film Festival
171:Dr. Martin Luther King, Jr.
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646:The Civil Rights Movement
568:Ahmir "Questlove" Thompson
37:This is a user sandbox of
1246:Moss, Alex (2011-10-10).
456:World Cinema-Documentary
431:World Cinema-Documentary
288:was screened at both the
214:Ahmir Questlove Thompson
863:Internet Movie Database
635:and the effects of the
628:The Black Power Mixtape
611:St. Louis Post-Dispatch
407:Knight Dox Competition
655:Martin Luther King Jr.
450:Sundance Film Festival
425:Sundance Film Festival
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751:. In the Film Juice
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1281:. 2011-11-23
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524:
503:Göran Olsson
482:Göran Olsson
461:Göran Olsson
455:
436:
430:
412:Göran Olsson
406:
388:Göran Olsson
367:Göran Olsson
313:
285:
281:Danny Glover
265:Göran Olsson
255:
253:
234:Robin Kelley
230:Angela Davis
207:
203:Angela Davis
164:
159:Angela Davis
133:Angela Davis
129:War on Drugs
106:
83:Göran Olsson
73:
72:
71:
52:
46:
38:
715:Bobby Seale
707:Black Power
683:Vietnam War
671:Black Power
626:wrote that
564:Best Music
329:Recipients
251:Background
218:Talib Kweli
210:Erykah Badu
179:Bobby Seale
91:Bobby Seale
40:Noah.C.Cole
1285:2016-05-04
1279:Okayplayer
1257:2016-05-04
1229:2016-05-04
1201:2016-05-04
1177:2016-05-04
1153:2016-05-04
1128:2016-05-04
1104:2016-05-04
1075:2016-04-29
1051:2016-04-30
1024:2016-04-26
1001:2016-04-30
976:2016-04-26
967:"About Us"
952:2016-04-29
912:2016-04-28
888:2016-04-30
857:2016-04-29
831:2016-04-28
807:2016-04-28
780:References
596:Nominated
529:Nominated
507:Nominated
486:Nominated
465:Nominated
416:Nominated
392:Nominated
371:Nominated
311:Accolades
260:16 mm film
127:, and the
125:COINTELPRO
77:is a 2011
996:Indiewire
947:0362-4331
802:IFC Films
697:Scott of
326:Category
323:Ceremony
292:and the
731:TV Guide
277:Brooklyn
62:Get Help
45:This is
1123:ndla.no
883:NPR.org
332:Result
273:Oakland
945:
769:Harlem
717:, and
275:, and
269:Harlem
139:, and
119:, the
580:2012
556:2012
534:2012
512:2012
491:2012
470:2012
446:2011
421:2011
397:2011
376:2011
355:2011
337:2011
320:Year
150:Cast
104:Plot
16:<
1370:stub
1314:stub
943:ISSN
685:and
677:and
575:Won
551:Won
441:Won
350:Won
240:and
201:and
615:NPR
304:'s
302:PBS
246:NPR
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