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input of a pro, e-mu 0404 soundcard through a technics turntable. Not that it would effect the results, but sample rate was 44.1khz, FFT size was 8192, freq weighting was flat, graphs are over a time range of 3s w/8x time resolution. FFT window was hanning. results were the sum of L+R. A final note regarding the interpretation of graphs, in order to make things clear, the graph tops out at -10db, this means that thick red splotches are basically at peak amplitude, smaller splotches are not as high in amplitude.
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spectrographs of a large number of tracks (around 50), by different artists, The lowest bass in any of them was around the 30hz mark (usually at the end of sweeps etc). No track i measured had a bassline running at below 40hz for the majority of the notes. I've put a few examples below, hopefully you'll recognise a few. Knowledge (XXG) isn't the place for original research, however it is not the place for mistatement of fact based on individual conception either.
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immediately appeared and the music never did have a specific skintone, though it was perhaps most popular early on in ethnically segregated and poor neighbourhoods. This is not the case of rap or jazz which can rightly be claimed to have been created, developed, promoted and enjoyed in its early days almost only by
African/Carribean artists and audience. --
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and if the content is proofread/grammatically correct/etc. Recently, however, I am seeing that your edits are often unconstructive, even appearing to vandalize, such as in these articles. There is no need to make derogatory remarks on the subject or directly address users within the article itself. I
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Pop music is hardly appropiate for a rather 'unpoppy' musical style. As far as the music being created predominantly by persons of one skin colour - why does it matter (if true)? A lot, perhaps a majority of early pioneers were
African/Caribbean in origin but equally important pioneers of other races
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It is just like synthpop being a precursor to techno. Synthpop is white music whilst Techno is black music. Radio
Babylon is dub, it provides typical dub technique (small room/overreverbed room), and the only thing it can be called 'dnb' for is the combination of percusion with k---s-k---s-.. rhythm,
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I hope this clarifies the issue for you, i analyised about 50 tracks, from a wider range of artists than shown here. If there are any tracks you are curious about let me know. All the tracks were came from either CD or Vinyl here (no dodgy mp3s mucking up the results). The vinyl was played into the
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I have made a change, most notably of content being lower than audible (this would be very rare, i didn't find any evidence in over 50 tracks). Took out the high fidelity (don't think its the right term). I am moving dillinja's comment about standard soundsystems to the valve sound system page, I
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Good job for the most part on the drum and bass article, however, I still take some issue with the paragraph i removed some time ago. I haven't had any time to produce any evidence, However i believe that you have a mis-conception as to how low the bass is in drum and bass. I have created
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Quite a lot time's gone since it was asked. Scene dominance is not a thing to white the genre. Read it more carefuly. And, yup, the answer is yes it was created dominantly by black people. And yup, 'Radio
Babylon' is not jungle i'm sure one digging it deep ll find a lot of experimental
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from
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I hope you dont mind but I've moved your comment saying "read the archives before discussing jungle vs. dnb" to the top of the talk page. There's one such discussion going on now so it'd probably help if anyone else coming in to participate saw that incase it starts going
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Is Jungle a black music? I mean, you know its roots, can you you say most of its earliest producers are black people? Is MBM's 'Radio
Babylon' still dub? The same question goes to DnB genre. In the jungle/dnb articles, this issue isn't focused on enough. Thanks! --
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Black music may be considered a 'racial term', therefore i think you'll enjoy more politcorrect one: 'Pop music genre created predominantly by black people of African/Carribean (may be also Indian) origin'. I asure, no one here wants it to start any racial war. --
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Well, I will be watching it like a hawk. I'm thinking about submitting it to FAC in order to get their recommendations, it would be good to get a list of things that it is needing that we can work on.
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I don't know the roots of Rave, the scene was dominantly white, and the guy who brought acid house to UK was white too. But who started using 45rpm breakbeat over 4-tofloor is enigma to me personally.
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One more argument that MBM's track is sampled in some jungle tracks as a straight shortcut to jungle music roots according to creators of those tracks. But it is quite a pov argument.
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Have a read of the Fontaine book. Rave/hardcore is the origin of jungle/dnb and that was hardly 'black' music. Radio Babylon is widely acknowledged to be the first dnb/jungle tune.
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Fine. I've been fiddling with some tracks and have found some very deep bass, mostly in Dillinja's tracks but there is not much point arguing over this relatively minor point. --
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Thanks. It could be done but it would need a lot of basic editing work (grammar, punctuation, spelling) and perhaps a few changes in the samples. I think they could be improved.
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This one is notable because its about the lowest one i could find, with notes in the 30hz range. They are not as high in amplitude as the main bassline (at 75hz) however.
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Second argument is like 'drumfunk was created in the times jazz/funk drum improvisations appeared (20s to 60s)'. The first argument is weak without the second one.
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MBM is an experimental band. (there has been already noted somewhere that Kraftwerk's 'Radioactivity' was once 'recognized' a first dubstep track by some)
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don't think its particularly relevent for the drum and bass page. The paragraph may need rewording and some padding out with relevent information.
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You've obviously done a lot of editing in the past and added a lot of good stuff to WP (such as on Ron Wright, Drum + Bass). As mentioned by
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The bassline in this one is around 45hz, the intro is slightly lower at around 40 (not shown), The tarantula bassline is very similar
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page. I haven't done a full review but if I did, right off the bat the article would be on at least hold in regards to the quotes.
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Dub is a genre of vast (Can you definetely state no simillar dubtrack has been written just before /or much before Radio Babylon?)
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This is fairly typical of this goldie album, note that the sweep doesn't get any lower than where it finishes in that screenshot.
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Then again, A Guy Called Gerald calls jungle 'black' music. I don't like the term because its undefined and racially tinged.
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hey, no probs, i've been watching the d&b article for quite a long time. Been considering it for FA, maybe at some point.
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has been reviewed. Unfortunately, it has not been accepted at this time. The reason left by KylieTastic was:
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Two years passed till another tracks of jungle have appeared if Radio Babylon is considered a first track.
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I'm worried about the articles getting degraded because of juvenile junglist arguments & editing. --
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Great job taking DnB to GA status! Do you have the energy to try for Featured Article status?
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MBM's track isn't related to Rave, as Dub (or reverb technique) isn't related to Rave
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which is hardly an invention of MBM. Four arguments to Radio Babylon opposition are:
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This one bottoms out at around 40hz, on average one of the lowest tracks i found.
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MBM are British, so they are connected somehow to British Rave scene.
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1742:. Thank you. --
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2695:. Thank you.
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2766:Philip Blood
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2693:my talk page
2673:
2670:October 2022
2636:
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2398:page history
2394:
2376:, but other
2365:
2357:edit summary
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2285:page history
2281:
2263:, but other
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2244:edit summary
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2167:page history
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2114:page history
2110:
2092:, but other
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2073:edit summary
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1992:page history
1988:
1970:, but other
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1951:edit summary
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1585:, and add a
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1557:
1549:OTRS pending
1536:
1529:
1515:
1508:
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1446:
1411:
1404:
1394:, and add a
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1358:OTRS pending
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1199:
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1125:
1106:Thank you.
1104:
1076:
1060:PLEASE NOTE:
1059:
1058:
1035:
1033:
1022:
1003:Thank you.
1001:
973:
957:PLEASE NOTE:
956:
955:
932:
930:
919:
900:Thank you.
898:
870:
854:PLEASE NOTE:
853:
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829:
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797:Thank you.
795:
767:
751:PLEASE NOTE:
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685:
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23:
2992:independent
2971:significant
2923:KylieTastic
2878:KylieTastic
2812:independent
2791:significant
2725:Andrew Tate
2679:Hello, I'm
2638:voting page
2518:Knightoften
1883:voting page
1810:voting page
1685:voting page
696:Jezhotwells
635:explanation
573:explanation
481:explanation
126:my FAQ page
91:DocWatson42
87:Toyota AE86
81:Toyota AE86
2748:Part of me
2729:defamatory
2622:topic bans
2565:. Thanks,
2549:(Read the
2417:March 2021
2404:FastilyBot
2291:FastilyBot
2173:FastilyBot
2158:discussion
2120:FastilyBot
1998:FastilyBot
1867:topic bans
1794:topic bans
1669:topic bans
1467:topic bans
1428:Sfan00 IMG
1292:Hazard-Bot
1228:Skier Dude
1176:Courcelles
666:FairuseBot
658:FairuseBot
604:FairuseBot
596:FairuseBot
524:FairuseBot
128:. Thanks!
72:Themindset
44:Themindset
3209:Marchjuly
3178:rationale
3117:this list
3058:Jamiebuba
3042:, on the
2986:secondary
2975:published
2948:(July 16)
2862:, on the
2806:secondary
2795:published
2618:site bans
2541:Das Reich
2502:vandalism
2489:through."
2390:consensus
2336:WP:NFCC#8
2325:has been
2321:The file
2277:consensus
2222:WP:NFCC#8
2207:has been
2203:The file
2106:consensus
2051:WP:NFCC#8
2032:has been
2028:The file
1984:consensus
1924:has been
1920:The file
1863:site bans
1790:site bans
1665:site bans
1587:rationale
1526:this list
1463:site bans
1396:rationale
1335:this list
279:again. -
143:Shadowbot
130:Shadowbot
3113:CC BY-SA
2980:reliable
2918:Teahouse
2800:reliable
2768:(July 6)
2742:Madeline
2506:reverted
2402:Thanks,
2289:Thanks,
2171:Thanks,
2118:Thanks,
1996:Thanks,
1736:articles
1522:CC-BY-SA
1331:CC-BY-SA
1284:articles
1265:orphaned
1219:articles
1168:articles
1149:orphaned
1046:orphaned
943:orphaned
840:orphaned
737:orphaned
627:fair use
565:fair use
473:fair use
139:spamming
38:Congrats
3050:or use
2901:Hello,
2870:or use
2737:blocked
2645:NoACEMM
2567:DPL bot
2510:sandbox
1108:DASHBot
1065:I am a
1005:DASHBot
962:I am a
902:DASHBot
859:I am a
799:DASHBot
756:I am a
282:Zeibura
26:WP:GA/R
3073:Dustek
2903:Dustek
2359:or on
2246:or on
2075:or on
1953:or on
1453:. The
547:Sancho
434:Dustek
354:Dustek
332:Dustek
253:Dustek
232:Dustek
152:Dustek
62:Dustek
2913:other
2689:civil
2442:Idell
1744:B-bot
1077:after
974:after
871:after
768:after
3213:talk
3133:here
3123:; or
3077:talk
3071:Ok.
3062:talk
2927:talk
2882:talk
2745:⇔ ∃
2701:talk
2656:talk
2608:The
2571:talk
2522:talk
2463:talk
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