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73:, choir director at Our Lady of the Snows Franciscan church in 1837, and Regens chori at St. Adalbert's Church in 1853. From 1859, he returned to Our Lady Before Týn, having accepted an appointment as Liturgical musician and director there. In his lifetime, he was made an honorary member of many musical associations and academies, e.g. the Salzburg
69:'s. He started as an organist at Prague's Trinity Church around 1830, starting as a teacher at Prague Organ School shortly afterwards. In 1833 he was appointed organist at the
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Stylistically, Horák is a scion of late
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and spiritual songs, were widely acclaimed during his lifetime and are still performed today. He also opened two schools of singing and wrote an essay titled
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From 1813 Horák attended the Prague
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he wished for, was out of his financial reach. Only later did he become a pupil of
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he first read philosophy, later switching to law. The musical training from
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204:Černušák, Gracián; Štědroň, Bohumír; Nováček, Zdenko, eds. (1963).
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208:(in Czech). Prague: Státní hudební vydavatelství.
190:Československý hudební slovník I. (1963), p. 470
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41:) was a Czech composer and liturgical musician.
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144:- manuscript, one chapter published in 1872.
16:Czech music educator, composer and organist
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136:Kleine Gesangschule für eine Baßstimme
206:Československý hudební slovník I. A-L
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220:Free scores by Václav Emanuel Horák
126:(On the Ambiguity of Chords) (1846)
124:Über die Mehrdeutigkeit der Akkorde
89:. Horák's liturgical works, twelve
71:Church of Our Lady in front of Týn
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270:19th-century Czech male musicians
130:Gesangschule für Sopran und Alt
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31:Václav (Wenzel) Emanuel Horák
224:Choral Public Domain Library
37:– 3 September 1871 in
260:People from Mělník District
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107:On the Ambiguity of Chords
23:Václav Emanuel Horák, by
265:19th-century composers
63:Friedrich Dionys Weber
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245:Czech male composers
161:Hymni pro defunctis
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234:Categories
198:References
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222:in the
95:requiem
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103:motets
91:masses
87:Mozart
39:Prague
173:Notes
81:Style
35:Lobeč
97:, a
45:Life
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