Knowledge (XXG)

VU meter

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and 10 dB higher than the reference level. The usefulness of the VU meter comes from the fact that for most types of audio sources the system engineer can count on these peaks being within this range and can design the audio system with confidence. Good engineering practice is to always build in a little extra "headroom", as it is called, to cover the strange conditions where an audio signal might exceed normal peak levels or the equipment operator fails to adjust the levels correctly. Typically the levels considered when designing systems using a VU meter are:
359: 149:. 0 VU is often referred to as "0 dB". The meter was designed not to measure the signal, but to let users aim the signal level to a target level of 0 VU (sometimes labelled 100%), so it is not important that the device is non-linear and imprecise for low levels. In effect, the scale ranges from −20 VU to +3 VU, with −3 VU right in the middle (half the power of 0 VU). Purely electronic devices may emulate the response of the needle; they are VU-meters in as much as they respect the standard. 240: 313: 296:, however, it served its purpose as an indication a) of the overall level and dynamics of the signal and b) of the proximity to the maximum admitted level, to the operators of recording and broadcasting equipment. Maintenance staff could also use it as a measurement apparatus, to check for losses in transmissions and level alignment, provided that they used exclusively sine waves as test signals. 89: 20: 176:
When using a VU meter, the audio system is calibrated with a sine wave tone at a "reference level" for the system. At the reference level, the VU meter shows "0" for a sine-wave tone, but the engineer must know that, with music or speech, to always infer that peak levels are always between 6 dB
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measure peaks, but simply inferred them. A real VU meter has a very specific "ballistic characteristic". This means that it responds to changing audio signals at a very precise speed, rising from no signal to 99% of "0 VU" when a 1 kHz sine wave tone is applied for 300 milliseconds.
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Note: The reference above is generally true now and was always true in the recording industry. However in some North American broadcast installations up until late in the 20th century, the Reference level ("0VU") was +8dBm at large studio installations and some used 150 ohm impedance throughout the
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Academic research has shown that an SVI or VU meter behaves differently to the average value and RMS meters. The ballistics shown by this instrument, in response to signals with a large crest factor, position its readings halfway between both. For example, an increment of 3 dB in the crest
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of the part of the signal with more than approximately 0.4 V instantaneously because of the two copper-oxide rectifiers always in series, which transfer function curve has a knee around 0.2 V. Signals generally do not have a sinusoidal waveform by far, even if they all fall within the VU-meter
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meters. For this reason many audio practitioners prefer the VU meter to its alternatives, though the meter indication does not reflect some of the key features of the signal, most notably its peak level, which in many cases, must not pass a defined limit.
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studio.(CFRB Toronto and CFPL London Canada) This was yet another "standard" established in the early years of audio and the VU meter was altered by changing the series resistors to adjust its sensitivity. This had no effect on the ballistics.
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bandpass. The reading is the average of the voltage, and is not an indication of the power of the signal, which is proportional to the average of the square of the voltage, or the root-mean-square (RMS) value. As a conventional
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Since a VU meter is a mechanical device, it can never reflect the instantaneous signal peaks of complex audio signals. The designers of the VU meter therefore took a different approach. They created a meter that did
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that the specification mentions only sinusoid waveforms. Given the electromechanical principle of the meter, the deviation of the needle is actually approximately proportional to the
259:, defined as the time it takes for the needle to reach 99% of the distance to 0 VU when the VU-meter is submitted to a signal that steps from 0 to a level that reads 0 VU, is 300 ms. 761: 784: 281:. The reading should not depart from the reading at 1000 Hz by more than 0.2 dB from 35 Hz to 10 kHz or more than 0.5 dB between 25 Hz and 16 kHz. 156:
was standardized, in 2009 in the United States by the ATSC A/85, in 2010 in Europe by the EBU R-128, in 2011 in Japan by the TR-B32, and in 2010 in Australia by the OP-59.
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The VU meter and its attenuator should present a 7,500-ohm impedance to the circuit it is applied to, measured with a sinusoid signal that sets the indicator to 0 dB.
222:“The reading of the volume indicator shall be 0 VU when it is connected to an AC voltage equal to 1.228 Volts RMS across a 600 ohm resistance (equal to +4 ) at 1000 205: 85:
Consumer audio equipment often features VU meters, both for utility purposes (e.g. in recording equipment) and for aesthetics (in playback devices).
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factor of an audio signal gives approximately a fall of −3 dB in a RMS meter, −6 dB in an average meter, and −4 dB in a VU meter.
472: 1026: 658: 336:-filled, planar dual displays with up to 201 segments per stereo channel were popular among broadcasters as fast bar graph VU meters. 164:
The original designers of the VU meter were tasked with finding a way to measure complex audio signals with a simple technology.
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of 300 ms. This has the effect of averaging out peaks and troughs of short duration, and reflects the perceived
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then standardized it in 1942 (ANSI C16.5-1942) for use in telephone installation and radio broadcast stations.
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mounted within the meter case. The mass of the needle causes a relatively slow response, which in effect
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The Bewildering Wilderness - "Navigating the complicated and frustrating world of audio standards"
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BBC sound engineers would refer to the VU meter as the "Virtually Useless" meter, preferring the
263: 753: 676:"On audio equipment, sound level meters are sometimes called VU meters. What does VU stand for?" 655: 344:
The consumer audio industry often uses volume indicators that do not comply with any standard.
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The response of a VU meter (black line) compared to instantaneous input level (grey area) of a
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Clip level (6 dB above standard output level, "headroom" to allow for unusual conditions)
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Schmid, Hans (March 1977). "Audio Program Level, The VU Meter, and The Peak Program Meter".
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Schmid, Hans (January 1976). "Audio, The Stepchild of Television Broadcasting".
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The original VU meter is a passive electromechanical device, namely a 200 μA DC
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Source: the author worked on these systems and with the designers in the 1970s
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of the material more closely than the more modern and initially more expensive
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The VU-meter was originally developed in 1939 by the combined effort of
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Standard output level (10 dB above reference, typical peak levels);
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Reference level (typically +4 dBu, valid with tones only);
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Software to Design & Print Custom VU Meter Panels
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The fall time is the same as the rise time, 300 ms.
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A New Standard Volume Indicator and Reference Level
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A New Standard Volume Indicator and Reference Level
739:Q What’s the difference between PPM and VU meters? 610:"What's the difference between PPM and VU meters?" 697:Method to Evaluate the Ballistics of Audio Meters 47:) is a device displaying a representation of the 713:AES Pro Audio Reference definition for VU meter 215: 785:Electrical and electronic measuring equipment 769: 626:Plasma Panel Displays - Dual Linear Bar Graph 58:The original design was proposed in the 1940 8: 776: 762: 754: 277:The level specification is meant at 1000 196:The behaviour of VU meters is defined in 637:, Columbus, Nebraska, USA. November 2000 311: 450:McKnight, John. G. (Jay) (2006-07-27). 424: 362:Another miniature magnetoelectric meter 749:VU Meter dBu & dBv Reference Chart 16:Audio signal level measurement device 7: 678:. Guardian News and Media Ltd. 2011 14: 537:IEEE Transactions on Broadcasting 109:full-wave copper-oxide rectifier 23:An analog VU meter with peak LED 720:by Chinn, Gannett & Morris 131:0 VU is equal to +4  115:or smooths the signal, with a 1: 80:Acoustical Society of America 981:Arbitrary waveform generator 884:Transformer ratio arm bridge 608:Robjohns, Hugh (July 2013). 1027:Sound production technology 152:In the broadcast industry, 76:Bell Telephone Laboratories 1048: 266:must be within 1 to 1.5%. 66:, written by experts from 986:Digital pattern generator 879:Time-to-digital converter 874:Time-domain reflectometer 459:Audio Engineering Society 41:standard volume indicator 597:Average Voltage Tutorial 192:Standard characteristics 545:10.1109/TBC.1977.266233 473:"VU Meters Information" 316:Neon bar graph VU meter 1006:Video-signal generator 363: 317: 252: 251:and time is in seconds 232: 96: 24: 1032:Measuring instruments 834:Microwave power meter 361: 315: 242: 91: 22: 859:Peak programme meter 539:. BC-23 (1): 22–26. 413:Peak programme meter 332:. In the 1970s–80s, 388:Loudness monitoring 154:loudness monitoring 991:Function generator 729:Audio Level Meters 699:– Victor M. Acuña. 661:2015-04-02 at the 364: 340:Other level meters 318: 273:Frequency response 253: 97: 25: 1014: 1013: 950:Spectrum analyzer 889:Transistor tester 819:Frequency counter 814:Electricity meter 804:Capacitance meter 612:. Sound on Sound. 566:volume unit or VU 324:and broadcasters 224:cycles per second 1039: 1001:Signal generator 955:Waveform monitor 935:Network analyzer 778: 771: 764: 755: 700: 694: 688: 687: 685: 683: 672: 666: 653: 647: 646: 644: 642: 632: 620: 614: 613: 605: 599: 594: 588: 585: 579: 574: 568: 563: 557: 556: 532: 526: 525: 505: 499: 493: 487: 486: 484: 483: 469: 463: 462: 456: 447: 441: 440: 438: 429: 202:British Standard 135:, or 1.228  95:VU meter graphic 1047: 1046: 1042: 1041: 1040: 1038: 1037: 1036: 1017: 1016: 1015: 1010: 996:Sweep generator 969: 945:Signal analyzer 913: 809:Distortionmeter 787: 782: 709: 704: 703: 695: 691: 681: 679: 674: 673: 669: 663:Wayback Machine 654: 650: 640: 638: 630: 622: 621: 617: 607: 606: 602: 595: 591: 586: 582: 575: 571: 564: 560: 534: 533: 529: 507: 506: 502: 494: 490: 481: 479: 477:Engineering 360 471: 470: 466: 454: 449: 448: 444: 436: 431: 430: 426: 421: 398:Noise pollution 373:Audio equipment 369: 342: 310: 302: 275: 237: 214: 212:Reference level 194: 162: 17: 12: 11: 5: 1045: 1043: 1035: 1034: 1029: 1019: 1018: 1012: 1011: 1009: 1008: 1003: 998: 993: 988: 983: 977: 975: 971: 970: 968: 967: 962: 957: 952: 947: 942: 937: 932: 930:Logic analyzer 927: 921: 919: 915: 914: 912: 911: 906: 901: 896: 891: 886: 881: 876: 871: 866: 861: 856: 851: 846: 841: 836: 831: 826: 821: 816: 811: 806: 801: 795: 793: 789: 788: 783: 781: 780: 773: 766: 758: 752: 751: 746: 741: 736: 734:VU Meter Video 731: 726: 721: 715: 708: 707:External links 705: 702: 701: 689: 667: 665:– Mike Rivers. 648: 615: 600: 589: 580: 569: 558: 527: 522:10.5594/J07600 500: 488: 464: 442: 423: 422: 420: 417: 416: 415: 410: 405: 400: 395: 393:Mixing console 390: 385: 380: 375: 368: 365: 341: 338: 309: 306: 301: 298: 274: 271: 247:. Level is in 236: 233: 213: 210: 193: 190: 189: 188: 185: 182: 161: 158: 93:Surround audio 15: 13: 10: 9: 6: 4: 3: 2: 1044: 1033: 1030: 1028: 1025: 1024: 1022: 1007: 1004: 1002: 999: 997: 994: 992: 989: 987: 984: 982: 979: 978: 976: 972: 966: 963: 961: 958: 956: 953: 951: 948: 946: 943: 941: 938: 936: 933: 931: 928: 926: 923: 922: 920: 916: 910: 907: 905: 902: 900: 897: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 796: 794: 790: 786: 779: 774: 772: 767: 765: 760: 759: 756: 750: 747: 745: 742: 740: 737: 735: 732: 730: 727: 725: 722: 719: 716: 714: 711: 710: 706: 698: 693: 690: 677: 671: 668: 664: 660: 657: 656:Meter Madness 652: 649: 636: 629: 627: 619: 616: 611: 604: 601: 598: 593: 590: 584: 581: 577: 573: 570: 567: 562: 559: 554: 550: 546: 542: 538: 531: 528: 523: 519: 515: 511: 510:SMPTE Journal 504: 501: 497: 492: 489: 478: 474: 468: 465: 460: 453: 446: 443: 435: 432:Chinn, H. A. 428: 425: 418: 414: 411: 409: 406: 404: 403:Nominal level 401: 399: 396: 394: 391: 389: 386: 384: 381: 379: 376: 374: 371: 370: 366: 360: 356: 352: 350: 345: 339: 337: 335: 331: 327: 323: 314: 307: 305: 299: 297: 295: 290: 286: 282: 280: 272: 270: 267: 265: 260: 258: 250: 246: 241: 234: 231: 227: 225: 220: 219: 211: 209: 207: 204:BS 6840, and 203: 199: 191: 186: 183: 180: 179: 178: 174: 171: 165: 159: 157: 155: 150: 148: 145: 141: 138: 134: 129: 126: 122: 118: 114: 110: 106: 102: 94: 90: 86: 83: 81: 77: 73: 69: 65: 61: 56: 54: 50: 46: 42: 38: 34: 30: 21: 940:Oscilloscope 925:Bus analyzer 908: 824:Galvanometer 692: 680:. Retrieved 670: 651: 639:. Retrieved 625: 618: 603: 592: 583: 572: 561: 536: 530: 513: 509: 503: 491: 480:. Retrieved 476: 467: 458: 445: 427: 378:Crest factor 353: 346: 343: 319: 303: 293: 288: 284: 283: 276: 268: 261: 254: 228: 221: 217: 216: 200:C16.5-1942, 195: 175: 169: 166: 163: 151: 130: 98: 84: 63: 57: 55:equipment. 49:signal level 44: 40: 36: 32: 28: 26: 960:Vectorscope 894:Tube tester 864:Psophometer 844:Megohmmeter 635:Vishay Dale 218:VU defined: 107:fed from a 29:volume unit 1021:Categories 974:Generation 965:Videoscope 854:Peak meter 839:Multimeter 482:2017-03-23 419:References 408:Peak meter 294:VU reading 208:60268-17. 113:integrates 101:d'Arsonval 904:Voltmeter 899:Wattmeter 829:LCR meter 578:Re: -dBm? 322:Bell Labs 300:Impedance 264:overshoot 257:rise time 245:drum beat 235:Rise time 117:rise time 103:movement 918:Analysis 909:VU meter 849:Ohmmeter 792:Metering 682:8 August 659:Archived 553:40700960 496:VU Meter 367:See also 121:loudness 869:Q meter 799:Ammeter 641:8 March 516:: 6–9. 383:Decibel 308:History 289:average 105:ammeter 62:paper, 551:  78:. The 74:, and 631:(PDF) 549:S2CID 455:(PDF) 437:(PDF) 137:volts 53:audio 37:meter 684:2019 643:2014 334:neon 328:and 285:Note 262:The 255:The 198:ANSI 160:Lead 147:load 541:doi 518:doi 349:PPM 330:NBC 326:CBS 226:.” 206:IEC 170:not 144:ohm 140:RMS 133:dBu 125:PPM 72:NBC 68:CBS 60:IRE 51:in 45:SVI 39:or 1023:: 633:. 547:. 514:85 512:. 475:. 457:. 351:. 279:Hz 249:dB 70:, 35:) 33:VU 27:A 777:e 770:t 763:v 686:. 645:. 628:" 624:" 555:. 543:: 524:. 520:: 498:. 485:. 461:. 439:. 43:( 31:(

Index


signal level
audio
IRE
CBS
NBC
Bell Telephone Laboratories
Acoustical Society of America

Surround audio
d'Arsonval
ammeter
full-wave copper-oxide rectifier
integrates
rise time
loudness
PPM
dBu
volts
RMS
ohm
load
loudness monitoring
ANSI
British Standard
IEC
cycles per second

drum beat
dB

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