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Felix Gras. It was premiered at the Kirov
Theatre in Leningrad on 7 November 1932, with Natalia Dudinskaya as Mireille de Poitiers, Vakhtang Chabukiani as Jérôme, Olga Jordan as Jeanne, Nina Anisimova as Thérèse, and Konstantin Sergeyev as Mistral. The ballet created an analogy between the French and Russian revolutions and is considered a prime example of "Soviet heroic dramballet." It premiered at the Bolshoi a year later in slightly revised form with Vakhtang Chabukiani and later Aleksey Yermolayev starring as Jerome.
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He later did new versions of the classical ballets: Raymonda (1938, Kirov
Theatre), Harlequinade (1945, Minsk Theatre), The Sleeping Beauty (1952, Novosibirsk Theatre). His other ballets: Vasilenko's Mirandolina (1949, Bolshoi Theatre; 1965, Navoy Theatre, Tashkent), Gayane (1957, Bolshoi Theatre),
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Of all the
Vainonen works from this period, the one still performed is Flames of Paris (Russian: Пла́мя Пари́жа) from 1932 with music by Boris Asafyev partly incorporating the melodies of songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was adapted from a book by
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At 19 years old, he began choreographing works, mostly for smaller concert stages and, quickly, made a name for himself. His initial career at the Kirov was somewhat shaky after he choreographed one of the acts (together with V.P. Chesnakov and Leonid
Yakobson) Shostakovich's ballet The Golden Age.
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In 1951-1953 he headed the ballet troupe of the
Novosibirsk Opera and Ballet Theater. He was awarded a Stalin Prize of the first degree (1947) - for the ballet "Flames of Paris." He was married to Claudia Armashevskoy. V. I. Vaynonen died on March 23, 1964. He was buried in Moscow at Novodevichy
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dances in
Smetana's opera The Bartered Bride (1948, Bolshoi Theatre). He also wrote the libretto (together with Pavel Malyarevsky) for Shchedrin's The Little Humpbacked Horse (1960, Bolshoi Theatre) and choreographed dances in operas and concert numbers.
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He also included, like
Vainonen, a puppet show staged by Drosselmeyer during the Christmas Party scene. The puppet show foreshadows the later fantasy scenes by having a Prince, a Princess, and a Mouse King as characters.
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Vainonen's section was partly censored due to its use of western dance styles and the ballet was shelved after its initial run.
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did borrow
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Perhaps his other most celebrated production was his 1934 version of
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