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Variations: Aldous Huxley in memoriam

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1655: 1666: 157:, which is divided into three parts, separated by contrasting episodes and each with a different scoring: twelve solo violins, ten solo violas with two double basses, and twelve winds (two flutes, alto flute, the oboes, cor anglais, two clarinets, bass clarinet, two bassoons, and horn). Metrically, this invention uses a regularly recurring succession of 1692: 138:
ranging from 6 to 22 bars in length, some of which are subdivided into two or three component sections. According to yet another, a prelude and postlude frame three main sections, the first two separated by a short episode, and the second and third by a more extended section divided into five episodes. There is no "
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Opinions about the form differ. According to one view, the work consists of twelve variations: bars 1–22, 23–33, 33–39, 40–46, 47–58, 59–72, 73–85, 86–94, 95–100, 101–117, 118–129, and 130–141. According to another, bars 33/34–46 comprise a single variation, Var. 3, so there are only eleven in all,
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in Santa Fe, New Mexico, in July 1963, and completed the composition in Hollywood, California, on 28 October 1964. It was first performed in Chicago on 17 April 1965, by the
1669: 1722: 1747: 142:" on whose melodic, rhythmic, or formal characteristics the variations are constructed, nor are there any conventional compositional variation techniques. 1185: 1008: 659: 1712: 677: 1084: 78: 1508: 1260: 1196: 1742: 1147: 1272: 952: 1727: 1385: 998: 966: 596: 570: 553: 1573: 833: 826: 53: 1297: 977: 864: 154: 1360: 1302: 1244: 1209: 1070: 784: 1216: 1202: 924: 652: 1682: 1395: 1003: 440: 1024: 931: 886: 681: 1717: 1030: 881: 819: 732: 624: 41: 1367: 1343: 1278: 1250: 917: 523: 496: 487: 1325: 1659: 1390: 645: 505: 1630: 1600: 1403: 1337: 1174: 697: 1737: 1696: 1472: 1109: 1049: 746: 740: 1615: 1444: 1255: 98: 712: 1605: 1223: 1180: 1127: 591:, edited by Jann Pasler, 262–270. Berkeley, Los Angeles, and London: University of California Press. 66: 1732: 1526: 1521: 1331: 1140: 903: 812: 798: 725: 704: 74: 609: 465:. 1966. "Ballet: Still Another Balanchine-Stravinsky Pearl; City Troupe Performs in Premiere Here 1467: 1314: 1266: 1116: 875: 779: 772: 628: 453: 613: 1557: 1547: 1427: 1154: 1122: 1063: 910: 592: 566: 549: 70: 58: 1595: 1585: 1531: 1077: 959: 945: 840: 584: 150: 1635: 1620: 1567: 1552: 1237: 1230: 1133: 805: 668: 532: 444: 65:
Although not composed for the purpose, Stravinsky's music was twice choreographed for the
25: 548:. Cambridge Studies in Music Theory and Analysis. Cambridge: Cambridge University Press. 1610: 1590: 1562: 1450: 1319: 1308: 632: 536: 202:
bars, with each of the three large sections containing four of these three-bar units.
1706: 847: 514: 139: 49: 1625: 1580: 1488: 938: 765: 462: 45: 587:, and Jeffrey Kresky. 1986. "On the Significance of Stravinsky's Last Works". In 478: 1514: 1102: 1056: 618: 1640: 791: 565:, second edition. Berkeley and Los Angeles: University of California Press. 1665: 48:. The score is dedicated to the memory of Stravinsky's close friend 719: 637: 641: 52:, who died on 22 November 1963 (the same day that President 491:
18, nos. 1 and 2 (Fall–Winter and Spring–Summer): 391–405.
28:'s last major orchestral composition, written in 1963–64. 1680: 503:: A Study of Stravinsky's Final Work for Orchestra". 276: 274: 589:
Confronting Stravinsky: Man, Musician, and Modernist
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Kennedy was assassinated 1713:Compositions by Igor Stravinsky 1298:Three Pieces for String Quartet 978:Canon on a Russian Popular Tune 517:. 1965. "Notes on Stravinsky's 1361:Symphonies of Wind Instruments 1303:Three Pieces for Solo Clarinet 1245:Three Movements from Petrushka 469:for Huxley at State Theater". 1: 531:, revised edition, edited by 36:Stravinsky began work on the 932:The Song of the Nightingale 887:Symphony in Three Movements 145:The central feature of the 56:), when composition of the 1764: 1743:Compositions for orchestra 561:White, Eric Walter. 1979. 42:Chicago Symphony Orchestra 1649: 1368:Fanfare for a New Theatre 1279:Two Sketches for a Sonata 1085:The Owl and the Pussy Cat 675: 524:Perspectives of New Music 488:Perspectives of New Music 1728:Twelve-tone compositions 544:Straus, Joseph N. 2001. 1631:Charles Ferdinand Ramuz 1601:Monday Evening Concerts 1404:Monumentum pro Gesualdo 1261:Concerto for Two Pianos 546:Stravinsky's Late Music 499:. 1984. "The Enigma of 497:Phillips, Paul Schuyler 1273:Sonata for Two Pianos 1606:New York City Ballet 1502:Named for Stravinsky 1386:Bluebird Pas de Deux 1004:Violin Concerto in D 678:List of compositions 67:New York City Ballet 1527:Stravinsky Fountain 1522:Stravinsky (crater) 1518:(river cruise ship) 1473:ThĂ©odore Strawinsky 1396:The Sleeping Beauty 904:Scherzo fantastique 827:Danses concertantes 741:The Rake's Progress 614:Boosey & Hawkes 1468:Soulima Stravinsky 1445:Yekaterina Nosenko 953:Scherzo Ă  la russe 876:Symphony of Psalms 780:The Rite of Spring 713:The Soldier's Tale 629:London Sinfonietta 471:The New York Times 454:The New York Times 1718:1964 compositions 1678: 1677: 1558:George Balanchine 1548:Earnest Andersson 1497: 1496: 1428:Fyodor Stravinsky 1224:Étude for Pianola 1210:Three Easy Pieces 1186:Piano Sonata in F 1155:Requiem Canticles 1071:Abraham and Isaac 1064:Berceuses du chat 585:Wuorinen, Charles 443:. 1982. 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Cone 515:Spies, Claudio 511: 506:Music Analysis 493: 475: 473:(1 April): 28. 459: 441:Anderson, Jack 430: 429: 417: 405: 393: 381: 369: 357: 345: 333: 321: 309: 297: 285: 269: 267: 264: 262: 261: 258: 255: 252: 249: 246: 243: 240: 237: 234: 231: 228: 225: 222: 219: 216: 213: 209: 207: 204: 193: 178: 163: 103: 90: 87: 79:second version 33: 30: 15: 13: 10: 9: 6: 4: 3: 2: 1760: 1749: 1746: 1744: 1741: 1739: 1738:Aldous Huxley 1736: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1710: 1708: 1698: 1688: 1684: 1671: 1667: 1663: 1661: 1652: 1651: 1648: 1642: 1639: 1637: 1634: 1632: 1629: 1627: 1624: 1622: 1619: 1617: 1616:Neoclassicism 1614: 1612: 1609: 1607: 1604: 1602: 1599: 1597: 1596:Arthur LouriĂ© 1594: 1592: 1589: 1587: 1584: 1582: 1579: 1576: 1575: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1549: 1546: 1545: 1543: 1539: 1533: 1530: 1528: 1525: 1523: 1520: 1517: 1516: 1512: 1510: 1507: 1506: 1504: 1500: 1490: 1487: 1486: 1484: 1480: 1474: 1471: 1469: 1466: 1465: 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403:, 70. 367:, 69. 343:, 66. 283:, 62. 248:piano 149:is a 140:theme 1123:Mass 1040:Solo 848:Agon 593:ISBN 567:ISBN 550:ISBN 535:and 245:harp 93:The 73:, a 1393:'s 946:Ode 623:on 521:". 485:". 447:in 128:G F 69:by 24:is 1709:: 631:, 627:; 612:, 273:^ 187:+ 172:+ 101:: 85:. 1685:: 1399:) 1205:" 1201:" 1177:" 1173:" 1087:" 1083:" 1019:) 1015:( 787:) 783:( 661:e 654:t 647:v 599:. 573:. 556:. 331:. 319:. 195:8 180:8 165:8 134:F 122:D 116:C 110:G

Index

Igor Stravinsky
Chicago Symphony Orchestra
Robert Craft
Aldous Huxley
John F. Kennedy was assassinated
Variations
New York City Ballet
George Balanchine
first version
second version
twelve-note row
theme
duodecet
invention


Spies 1965
White 1979
White 1979
Barnes 1966
Anderson 1982
Spies 1965
Kohl 1979–80
Phillips 1984
Straus 2001
Spies 1965
Phillips 1984
White 1979
White 1979
Anderson, Jack

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