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Venus of Berekhat Ram

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flake or smashing it with a similar tool", which is different from the process used to create the observed grooves. This contradicts the hypothesis of Zilhão. d'Errico and Nowell also believe that the grooves on the object are the result of a deliberate motion rather than of non-purposive behavior,
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d'Errico and Nowell confirmed the artificial nature of modifications of the object, but refrained from identifying it with a human body. They noted that grooves, in general, may have a functional purpose. Still, they stated that the longitudinal symmetrical U-shaped grooves (supposedly representing
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and April Nowell re-examined the object using a comparative approach. They partly confirmed, partly corrected the findings of Marshack. d'Errico and Nowell also reported the above grooves (with some corrections) and, additionally, reported areas of possible abrasion on the front, back and bottom of
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d'Errico and Nowell argued, however, that, although their analysis and results cannot refute a functional interpretation of the object, there are too many inconsistencies in this interpretation to investigate it any further. For example, d'Errico and Nowell suggested that, based on the existing
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and that the grooves could be byproducts of this process. Wynn suggested that the object could be a result of "someone passing time with a stone tool and a pebble". Mithen also stated that our symbolic understanding of the object does not imply that it was considered as such by early humans who
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All commentators of d'Errico and Nowell's study were convinced by their analysis and results and accepted the hypothesis that the object was modified by early humans. Marshack argued in favor of this hypothesis already in his earlier study of the object.
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d'Errico and Nowell's argument that the "arm"-shaped grooves suggest a symbolic nature of the object was questioned by three commentators: João Zilhão from the Instituto Português de Arqueologia, Thomas Wynn from the
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Goren-Inbar reported several artificial grooves on the object: one is a transversal groove in the upper third, others are longitudinal grooves on the sides below the transversal groove.
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the "arms") are hard to explain functionally. So, similarly to Goren-Inbar and Marshack, d'Errico and Nowell argued in favor of the non-utilitarian and symbolic nature of the object.
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performed a microscopic study of the object in 1997. He also reported artificial modifications including the transversal and longitudinal grooves found by Goren-Inbar. Finally,
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Zilhão, Wynn, and Mithen rejected the hypothesis on the symbolic nature of the object and, thus, rejected the idea that the object is iconic. Angela E. Close from the
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The main discussion around the Venus of Berekhat Ram took place after the study of d'Errico and Nowell. A number of scholars, namely,
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archaeological record, pigment "would have been more quickly and effectively produced by grinding one face of this object against a
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produced it, because the cognitive processes for symbolic thinking we use today may differ from the ones used by early humans.
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and is currently known as the Venus of Berekhat Ram (the term "Venus" was taken from the conventional name of much younger
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pebble, 35 mm long, 25 mm wide, and 21 mm thick. It weighs approximately 10 g. It was excavated in 1981 at the
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also could not see a figurine of a woman in the object, but, instead, the object reminded her of a
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to emphasize its anthropomorphic features. The object was then called a
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If they did, whether they were intended to represent a female figure.
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Whether the scratched marks were made by humans or hominids at all.
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If they were, whether they had non-utilitarian/symbolic intent.
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Goren-Inbar and Marshack suggested that the object resembled a
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Rock Art Network (Bradshaw Foundation): "Berekhat Ram"
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Don Hitchcock (Don's Maps): "The Berekhat Ram Venus"
286:"A Figurine from the Acheulian Site of Berekhat Ram" 766: 736: 648: 620: 595: 279: 277: 275: 273: 58:The object was excavated and first described by 338: 336: 334: 332: 330: 569: 500:Visual-Arts-Cork.com: "Venus of Berekhat Ram" 411: 409: 407: 405: 403: 401: 399: 397: 8: 510:James B. Harrod (OriginsNet): "Berekhat Ram" 576: 562: 554: 290:Journal of the Israel Prehistoric Society 82:. The object is dated 280,000 to 250,000 269: 640:Adorant from the Geißenklösterle cave 7: 62:from the Institute of Archaeology, 23:"Venus of Berekhat Ram" (original) 110:and was artificially modified by 64:The Hebrew University of Jerusalem 14: 416:d'Errico, F.; Nowell, A. (2000). 233:when seen from different angles. 469:, Angela E. Close, João Zilhão, 422:Cambridge Archaeological Journal 146:, Angela E. Close, João Zilhão, 815:1981 archaeological discoveries 456:from the original on 2021-04-12 383:from the original on 2023-02-16 316:from the original on 2023-02-16 1: 258:Art of the Middle Paleolithic 191:, and Steven Mithen from the 343:Marshack, Alexander (1997). 810:Works of unknown authorship 284:Goren-Inbar, Naama (1986). 836: 434:10.1017/S0959774300000056 361:10.1017/S0003598X00084957 223:University of Washington 182:Symbolic vs. utilitarian 217:Representational nature 42:) is a pebble found at 16:Alleged oldest artifact 213:as suggested by Wynn. 189:University of Colorado 31: 774:List of Stone Age art 540:33.23222°N 35.76639°E 193:University of Reading 36:Venus of Berekhat Ram 22: 173:Anthropogenic origin 66:. The artifact is a 536: /  248:Venus of Hohle Fels 545:33.23222; 35.76639 515:2021-08-15 at the 479:Alexander Marshack 156:Alexander Marshack 95:Francesco d'Errico 91:Alexander Marshack 32: 782: 781: 465:With comments by 124:Upper Paleolithic 60:Naama Goren-Inbar 38:(280,000–250,000 827: 578: 571: 564: 555: 551: 550: 548: 547: 546: 541: 537: 534: 533: 532: 529: 482: 464: 462: 461: 413: 392: 391: 389: 388: 355:(272): 327–337. 340: 325: 324: 322: 321: 281: 243:Venus of Tan-Tan 128:Venus of Tan-Tan 835: 834: 830: 829: 828: 826: 825: 824: 795:Venus figurines 785: 784: 783: 778: 762: 732: 658:Dolní Věstonice 644: 616: 599: 591: 589:prehistoric art 585:Venus figurines 582: 544: 542: 538: 535: 530: 527: 525: 523: 522: 517:Wayback Machine 491: 486: 485: 459: 457: 415: 414: 395: 386: 384: 342: 341: 328: 319: 317: 283: 282: 271: 266: 253:Prehistoric art 239: 219: 184: 175: 140: 120:Venus figurines 104: 56: 17: 12: 11: 5: 833: 831: 823: 822: 817: 812: 807: 802: 797: 787: 786: 780: 779: 777: 776: 770: 768: 764: 763: 761: 760: 759: 758: 748: 742: 740: 734: 733: 731: 730: 725: 720: 715: 710: 705: 700: 695: 690: 685: 680: 675: 670: 665: 660: 654: 652: 646: 645: 643: 642: 637: 632: 626: 624: 618: 617: 615: 614: 609: 603: 601: 593: 592: 583: 581: 580: 573: 566: 558: 520: 519: 507: 502: 497: 490: 489:External links 487: 484: 483: 475:Thomas G. Wynn 467:Ofer Bar-Yosef 428:(1): 123–167. 393: 326: 268: 267: 265: 262: 261: 260: 255: 250: 245: 238: 235: 218: 215: 183: 180: 174: 171: 170: 169: 166: 163: 152:Thomas G. Wynn 144:Ofer Bar-Yosef 139: 136: 103: 102:Interpretation 100: 55: 52: 15: 13: 10: 9: 6: 4: 3: 2: 832: 821: 820:Golan Heights 818: 816: 813: 811: 808: 806: 803: 801: 798: 796: 793: 792: 790: 775: 772: 771: 769: 765: 757: 754: 753: 752: 749: 747: 744: 743: 741: 739: 735: 729: 726: 724: 721: 719: 716: 714: 711: 709: 706: 704: 701: 699: 696: 694: 691: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 655: 653: 651: 647: 641: 638: 636: 633: 631: 628: 627: 625: 623: 619: 613: 610: 608: 605: 604: 602: 598: 594: 590: 586: 579: 574: 572: 567: 565: 560: 559: 556: 552: 549: 518: 514: 511: 508: 506: 503: 501: 498: 496: 493: 492: 488: 480: 476: 472: 471:Steven Mithen 468: 455: 451: 447: 443: 439: 435: 431: 427: 423: 419: 412: 410: 408: 406: 404: 402: 400: 398: 394: 382: 378: 374: 370: 366: 362: 358: 354: 350: 346: 339: 337: 335: 333: 331: 327: 315: 311: 307: 303: 299: 295: 291: 287: 280: 278: 276: 274: 270: 263: 259: 256: 254: 251: 249: 246: 244: 241: 240: 236: 234: 232: 228: 224: 216: 214: 211: 207: 201: 198: 194: 190: 181: 179: 172: 167: 164: 161: 160: 159: 157: 153: 149: 148:Steven Mithen 145: 137: 135: 131: 129: 125: 121: 117: 113: 109: 101: 99: 96: 92: 87: 85: 81: 80:Golan Heights 77: 73: 69: 65: 61: 53: 51: 49: 48:Golan Heights 45: 41: 37: 30: 26: 25:Israel Museum 21: 713:Trou Magrite 612:Berekhat Ram 611: 521: 458:. Retrieved 425: 421: 385:. Retrieved 352: 348: 318:. Retrieved 293: 289: 220: 202: 185: 176: 141: 132: 105: 98:the object. 88: 76:Berekhat Ram 57: 44:Berekhat Ram 35: 33: 800:Paleolithic 746:Gönnersdorf 738:Magdalenian 718:Balzi Rossi 663:Brassempouy 622:Aurignacian 543: / 138:Controversy 108:female body 54:Description 789:Categories 751:Petersfels 723:Willendorf 688:Petřkovice 650:Gravettian 635:Galgenberg 630:Hohle Fels 600:(disputed) 531:35°45′59″E 528:33°13′56″N 460:2021-04-12 387:2021-04-13 320:2021-04-12 264:References 805:Acheulean 693:Savignano 597:Acheulean 450:163138037 442:0959-7743 377:162969947 369:0003-598X 349:Antiquity 302:0334-3839 206:Acheulean 72:Acheulian 29:Jerusalem 683:Lespugue 673:Kostenki 668:Gagarino 513:Archived 454:Archived 381:Archived 314:Archived 310:23373142 296:: 7–12. 237:See also 116:figurine 112:hominids 74:site of 767:Related 728:Zaraysk 678:Laussel 607:Tan-Tan 231:phallus 227:penguin 197:pigment 46:on the 756:Monruz 708:Mauern 703:Buret' 698:Mal'ta 477:, and 448:  440:  375:  367:  308:  300:  229:and a 210:basalt 154:, and 68:scoria 446:S2CID 373:S2CID 306:JSTOR 438:ISSN 365:ISSN 298:ISSN 34:The 587:in 430:doi 357:doi 294:י"ט 122:of 791:: 473:, 452:. 444:. 436:. 426:10 424:. 420:. 396:^ 379:. 371:. 363:. 353:71 351:. 347:. 329:^ 312:. 304:. 292:. 288:. 272:^ 150:, 130:. 86:. 84:BP 78:, 40:BP 27:, 577:e 570:t 563:v 481:. 463:. 432:: 390:. 359:: 323:.

Index


Israel Museum
Jerusalem
BP
Berekhat Ram
Golan Heights
Naama Goren-Inbar
The Hebrew University of Jerusalem
scoria
Acheulian
Berekhat Ram
Golan Heights
BP
Alexander Marshack
Francesco d'Errico
female body
hominids
figurine
Venus figurines
Upper Paleolithic
Venus of Tan-Tan
Ofer Bar-Yosef
Steven Mithen
Thomas G. Wynn
Alexander Marshack
University of Colorado
University of Reading
pigment
Acheulean
basalt

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