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466:"In Brook's hands Vermeer's canvases, together with a painting by a second-rate contemporary and an old chipped Delft plate, are just bright lures to catch our attention before he takes us on his rich, suggestive tours of the 17th-century world." He goes on to say: "In recounting these tales of international trade, cultural exchange and foreign encounter, Brook does more than merely sketch the beginnings of globalization and highlight the forces that brought our modern world into being; rather, he offers a timely reminder of humanity's interdependence."
534:
1977:
252:(1658), which is shown on the front cover of the book and to which the title alludes, speaks to Brook of the interest people had in the world, which is reflected in the maps of the world frequently seen on walls in paintings, showing a patriotic pride which went along with the emergence of the Netherlands from Spanish occupation, and the painting is also used to examine trade between Europe and
296:), and Brook uses this to introduce the subject of trade with China. Chinese porcelain was just becoming more widely available and featured in many paintings. The porcelain grew very popular in households in Vermeer's time as its price came down and it became affordable to less wealthy families. In sharp contrast to the necessary outward-looking gaze of countries in Europe, the
376:, Sarah Burton explains that Brook uses this metaphor, and its interconnectedness, "to help understand the multiplicity of causes and effects producing the way we are and the way we were." She adds: "In the same way, the journeys through Brook's picture-portals intersect with each other, at the same time shedding light on each other.
366:
datum that is true—every dharma, in the language of Indian philosophy—is a pearl in Indra's net. Not only is every pearl tied to every other pearl by virtue of the web on which they hang, but on the surface of every pearl is reflected every other jewel on the net. Everything that exists in Indra's web implies all else that exists.
398:
as "an exhilarating book" and "a brilliant attempt to make us understand the reach and breadth of the first global age." She states that "What Brook wants us to understand is that these domains, the local and the transnational, were intimately connected centuries before anyone came up with the world
300:
view of China was that it had "an adequate resource base for most of its needs, an advanced technology and was not having to look outside of itself for things that it needed." However, Brook maintains that the
Chinese did venture out of their country to trade during lengthy periods when they were not
272:, the French had been commissioned to find a route to China, and the beaver fur simply helped them "cover their costs." From here, the narrative goes on to talk of other commodities which were available in abundance and traded in the Americas, such as sugar, tobacco, copper, wood in the 18th century,
365:
Buddhism uses a similar image to describe the interconnectedness of all phenomena. It is called Indra's Net. When Indra fashioned the world, he made it as a web, and at every knot in the web is tied a pearl. Everything that exists, or has ever existed, every idea that can be thought about, every
414:
as "the finest book on
Vermeer I've read in years." He states that "by deftly unravelling their stories, he gives us a picture of Vermeer unwittingly sitting in at the birth of the modern global world" and concludes that "This is a fabulous book that drags Vermeer away from our complacent
187:, which is often taken to be a modern (i.e., late 20th/21st-century) phenomenon, actually had its roots in the 17th century; and he states that it was his intention to surprise his readers with this information, that "people and goods and ideas were moving around the world in ways that
478:, is more critical. He is of the opinion that "Brook is so intent on cost and the grim injustice of expropriation that he can seem crassly unresponsive, indifferent to the almost beatific peace of the paintings" and "knows everything about price, but rather less about value."
457:, speaking of the way the author "teases out" detail from the paintings, Lesley McDowell states that " shows, better than anyone I've read so far, the truly subversive power of detail – especially when it's brought to the fore instead of filling in the background."
450:, T. H. Barrett states that " is too good a scholar to treat Vermeer's paintings as straightforward windows into the past, but he does show us how pictorial sources can open "doors" into "corridors" linking up diverse regions of the globe."
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prohibited from doing so (due to perceived threats to
Chinese authority or to Chinese people), and that the Chinese simply wanted to control the terms of their trade. They did not want traders setting up colonies in their
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technology and also, according to the author, was driven along when
European nations such as "England, the Netherlands and France started to fight their way into the trade."
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215:(1660), and examining the scant documents detailing his life, the author builds up a picture of the world in which Vermeer lived; and from this he finds evidence of
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167:. It focuses especially on growing ties between Europe and the rest of the world and the impact of China on the world, during what Brook sees as an "age of
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2014:
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441:, Michael Dirda writes: "Vermeer's Hat ... provides not only valuable historical insight but also enthralling intellectual entertainment."
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were forced to join; it had quasi-governmental powers, including the ability to wage war, negotiate treaties, coin money, and establish
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world outside their borders. This wasn't so much of a problem in
Vermeer's time but was to become more of an issue as Europe's
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and the origin of that would be via French traders operating in North
America. This being before the discovery of the
1070:"Columbia's Graduate School of Journalism, Nieman Foundation Announce Winners of the 2009 Lukas Prize Project Awards"
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awards. The book was described as a "bold, original and compulsively readable work of history."
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disadvantage as they had a very limited world view and lacked experience of the increasingly
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1213:"T. Brook, Le chapeau de Vermeer. Le XVIIe siècle à l'aube de la mondialisation"
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By studying and analysing the paintings of
Johannes Vermeer, beginning with his
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915:"Painting the World: How a hunger for tea and tobacco created global trade"
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Le chapeau de
Vermeer : Le XVIIe siècle à l'aube de la mondialisation
239:, and played a powerful and prominent role in trade between the Dutch and
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De hoed van
Vermeer. De Gouden Eeuw en het ontwaken van de wereldeconomie
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1184:(in Dutch). Naaijkens, Els (trans.). The Netherlands: Wereldbibliotheek.
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Vermeer's Hat: The
Seventeenth Century and the Dawn of the Global World
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Vermeer's Hat the Seventeenth Century and the Dawn of the Global World
1904:
681:"Brook on Vermeer's Hat and the Dawn of Global Trade (audio podcast)"
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279:, and the metallic artefacts and guns which were sold in exchange.
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1134:. Faculty of Arts, University of British Columbia. Archived from
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943:"Vermeer's Hat, by Timothy Brook: The fine art of global trade"
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The Globe Encompassed: The Age of European Discovery, 1500–1700
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ancestors had no idea was possible." The growth in trade and
1106:"Vancouver writer Timothy Brook wins U.S. nonfiction prize"
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describes the book as an "enthralling" "jewel of a study".
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The Ghost of Vermeer of Delft Which Can Be Used as a Table
227:'s operations. This is often said to be the world's first
223:
in the Netherlands, for example, he finds evidence of the
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phenomena and globalization. In the case of the port in
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Nieman Foundation for Journalism at Harvard University
1165:(in French). Demange, Odile (trans.). France: Payot.
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502:, worth $ 10,000 (U.S.). The prize is one of the
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1215:(in French). Fabula: la recherche en littérature
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743:. mondovisione: Worldwide Exchange Intelligence
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1132:"UBC Professor Wins Prestigious History Prize"
1007:"The world through the work of a Dutch master"
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591:Major explorations after the Age of Discovery
357:In the book, the author uses the metaphor of
317:grew in the 18th century and 19th centuries.
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326:(1669), often suggested to be modelled by
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419:assumptions of his insular domesticity."
2080:Works about the Dutch East India Company
2060:History books about the Dutch Golden Age
620:"A time when every picture told a story"
1535:Girl Reading a Letter at an Open Window
1211:Welfringer, Arnauld (13 January 2010).
602:
557:Girl Reading a Letter at an Open Window
513:
285:Girl Reading a Letter at an Open Window
195:was facilitated in part by advances in
1464:Christ in the House of Martha and Mary
292:bowl in the foreground (standing on a
1920:Isabella Stewart Gardner Museum theft
1743:A Young Woman Seated at the Virginals
7:
2055:History books about the Dutch Empire
2045:History books about the 17th century
1285:Hardback edition at Bloomsbury Press
156:, in which he explores the roots of
152:is a book by the Canadian historian
1711:Lady Writing a Letter with her Maid
974:McDowell, Lesley (23 August 2009).
260:hat itself, Brook says, is made of
1290:Paperback edition at Profile Books
1161:Brook, Timothy (13 January 2010).
1038:"Prizes for Writers of Nonfiction"
1005:Smith, Douglas (1 February 2008).
913:Dirda, Michael (27 January 2008).
679:Roberts, Russ (19 February 2008).
14:
1368:The Chinese State in Ming Society
976:"Vermeer's Hat, By Timothy Brook"
781:. London: Profile Books. p.
711:Hughes, Kathryn (2 August 2008).
2000:17th century in economic history
1976:
1975:
1254:Library of Economics and Liberty
1180:Brook, Timothy (November 2010).
1130:Hoffmann, Jackie (29 May 2009).
941:Barrett, T. H. (1 August 2008).
852:Brotton, Jerry (3 August 2008).
685:Library of Economics and Liberty
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532:
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816:Burton, Sarah (2 August 2008).
2065:History of international trade
1263:"Interview with Timothy Brook"
84:26 December 2007, 16 July 2009
1:
1543:Girl Interrupted at Her Music
1468:
713:"Where did you get that hat?"
2075:Works about Johannes Vermeer
2050:History books about the arts
2015:Books about economic history
1931:All the Vermeers in New York
1551:The Girl with the Wine Glass
741:"Who needs stock exchanges?"
1735:Lady Standing at a Virginal
1615:Woman with a Pearl Necklace
880:Jardine, Lisa (July 2008).
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2040:History books about Europe
2010:21st-century history books
1360:The Confusions of Pleasure
1048:The New York Times Company
18:2007 book by Timothy Brook
2035:History books about China
2020:Books about globalization
1973:
1910:Dutch Golden Age painting
1856:Girl with a Pearl Earring
1848:Girl with a Pearl Earring
1840:Girl with a Pearl Earring
1727:Lady Seated at a Virginal
1631:Girl with a Pearl Earring
1511:Officer and Laughing Girl
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525:Officer and Laughing Girl
492:Mark Lynton History Prize
288:(1658), there is a large
249:Officer and Laughing Girl
229:multinational corporation
26:
1487:Diana and Her Companions
1392:Death by a Thousand Cuts
460:Douglas Smith writes in
328:Anthonie van Leeuwenhoek
225:Dutch East India Company
162:Dutch Golden Age painter
1966:(2013 documentary film)
1900:Delft School (painting)
1895:Antonie van Leeuwenhoek
1639:A Lady Writing a Letter
1583:Woman Holding a Balance
1261:Staff (December 2007).
777:Brook, Timothy (2009).
762:Ames, Glenn J. (2008).
336:Woman Holding a Balance
320:The fourth painting is
2025:Books by Timothy Brook
2005:2007 non-fiction books
1813:Arthur K. Wheelock Jr.
1788:Théophile Thoré-Bürger
1655:Study of a Young Woman
1599:Woman Reading a Letter
1575:Woman with a Water Jug
1104:Staff (1 April 2009).
882:"The Half-Open Window"
854:"Vermeer in the World"
368:
342:The final painting is
246:The painting entitled
1719:The Allegory of Faith
333:Next Brook discusses
1915:Hockney–Falco thesis
1803:John Michael Montias
1238:(19 February 2008).
2070:Profile Books books
2030:Early modern period
1958:(2008 history book)
1762:Formerly attributed
1671:The Art of Painting
1647:Girl with a Red Hat
1400:The Troubled Empire
1344:Quelling the People
1265:. Essential Vermeer
766:. pp. 102–103.
586:Early modern Europe
504:Lukas Prize Project
496:Columbia University
352:
303:sovereign territory
243:, including China.
23:
1939:Writing to Vermeer
1884:Pieter van Ruijven
231:, which competing
183:Brook argues that
1987:
1986:
1770:Girl with a Flute
1751:The Guitar Player
1663:Mistress and Maid
1591:Woman with a Lute
1519:The Little Street
1410:
1409:
1352:Praying for Power
1295:Essential Vermeer
1172:978-2-228-90493-3
1012:The Seattle Times
894:on 5 October 2009
463:The Seattle Times
290:Chinese porcelain
270:Northwest Passage
145:
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89:Publication place
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1890:Han van Meegeren
1623:The Music Lesson
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1036:(7 April 2009).
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955:on 21 April 2010
951:. Archived from
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818:"The Net Result"
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618:(29 June 2008).
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571:Age of Discovery
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282:In the painting
165:Johannes Vermeer
80:Publication date
69:Bloomsbury Press
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1947:Chasing Vermeer
1880:Maria de Knuijt
1876:(mother-in-law)
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1835:(1934 painting)
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1808:Laura J. Snyder
1793:Jonathan Janson
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1703:The Love Letter
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1082:. 30 March 2009
1080:Harvard College
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1773:(c. 1665–1670)
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1746:(c. 1670–1672)
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1738:(c. 1670–1672)
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1706:(c. 1669–1670)
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1698:(c. 1669–1670)
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1690:(c. 1668–1669)
1687:The Geographer
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1679:The Astronomer
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1559:The Wine Glass
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1554:(c. 1659–1660)
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1546:(c. 1658–1659)
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1267:. Retrieved
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1155:Translations
1140:. Retrieved
1136:the original
1125:
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1050:. p. C2
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953:the original
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892:the original
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859:The Guardian
857:
832:. Retrieved
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718:The Guardian
716:
689:. Retrieved
629:. Retrieved
625:The Observer
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475:The Observer
473:
470:Peter Conrad
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311:cosmopolitan
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201:shipbuilding
188:
182:
148:
147:
146:
15:
1934:(1990 film)
1874:Maria Thins
1859:(2008 play)
1851:(2003 film)
1781:Scholarship
1607:The Concert
1472: 1655
1086:27 December
1054:27 December
417:Eurocentric
399:wide web."
384:Writing in
370:Writing in
359:Indra's net
353:Indra's net
256:. The huge
193:exploration
158:world trade
141:(paperback)
132:(hardback),
33:Front cover
1994:Categories
1823:Portrayals
1269:24 January
1240:"Brook on
1229:Interviews
1219:25 January
1142:29 January
1115:24 January
1018:22 January
987:25 January
959:22 January
926:22 January
898:22 January
865:25 January
747:22 January
724:25 January
691:22 January
687:: EconTalk
631:22 January
597:References
410:describes
394:describes
307:linguistic
197:navigation
169:innovation
1886:(patrons)
1754:(c. 1672)
1682:(c. 1668)
1666:(c. 1667)
1642:(c. 1665)
1634:(c. 1665)
1618:(c. 1664)
1610:(c. 1664)
1602:(c. 1663)
1562:(c. 1660)
1514:(c. 1657)
1506:(c. 1657)
1482:(c. 1655)
1451:Paintings
1330:Books by
803:123137094
486:In 2009,
380:Reception
208:landscape
109:Paperback
95:, England
65:Publisher
1981:Category
1249:EconTalk
1110:CBC News
1043:NY Times
565:See also
500:New York
453:Also in
402:Also in
346:(1660).
339:(1664).
277:Africans
274:enslaved
237:colonies
179:Synopsis
105:Hardback
49:Language
1867:Related
834:1 March
576:Baroque
510:Gallery
435:In the
422:In the
315:empires
233:traders
199:and in
119:288 pp.
103:Print (
60:History
52:English
1905:Tronie
1498:(1656)
1403:(2010)
1395:(2008)
1387:(2007)
1379:(2005)
1371:(2004)
1363:(1998)
1355:(1994)
1347:(1992)
1188:
1169:
801:
791:
482:Awards
264:under-
262:beaver
171:" and
137:
93:London
39:Author
494:from
221:Delft
189:their
116:Pages
57:Genre
1882:and
1271:2010
1221:2010
1186:ISBN
1167:ISBN
1144:2010
1117:2010
1088:2019
1056:2019
1020:2010
989:2010
961:2010
928:2010
900:2010
867:2010
836:2010
799:OCLC
789:ISBN
749:2010
726:2010
693:2010
633:2010
258:felt
241:Asia
135:ISBN
125:ISBN
498:in
444:In
266:fur
1996::
1469:c.
1252:.
1246:.
1108:.
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