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89:, a special collection of composers' manuscripts representing current French music. Satie was invited to contribute something to this anthology which, considering the source, he must have accepted with a feeling of vindication. His previous dealings with the Paris Opera (in 1892) were to force director
185:
for a tourist's guide to The Butte. Although he was closely involved with the subject, Satie spends most of the article making elaborate excuses for why he can't write the article, and simply invites readers to experience
Montmartre's cabarets for themselves. He concludes, "The fact that music gives
151:
linked together. The irony of this personal adieu surfaces mostly in the minimal text and hints at deeper things. "Secular and
Sumptuous Verse" may be an incongruous title here but is an apt reference to Satie's career in 1900, when he was miserable as a jobbing cabaret songwriter - quite the
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22:
138:
has the characteristics of the "religious mystic" music: slow reflective tempo, expansive chordal writing, harmonic modality. It is built of seven phrases of unequal length, unified by transpositions of the opening three chords. With its pseudo-Gothic calligraphy the
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51:" or "mystic" period, which he ultimately dismissed as "musique à genoux" ("music on its knees"). It was written for an ephemeral publication and never performed in Satie's lifetime.
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97:, topped by a drawing of Paris and the Seine and the score itself bordered with laurel leaves. A copy of this book can still be found in the Paris Opera Library.
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to look at one of his scores by challenging him to a duel. Things went more smoothly this time and Satie's one-page manuscript facsimile duly appeared in the
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Irony also figures in Satie's second (purely literary) contribution to the Paris Expo, "The
Musicians of Montmartre" (1900), his idea of a
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211:(EMI, 1988), Cristina Ariagno (Brilliant Classics, 1994), Bojan Gorišek (Audiophile, 1994), Olof Höjer (Swedish Society Discofil, 1996),
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of Satie's autograph score is also period correct, and for the last time he signed his name with the emblem of his defunct church, the
128:, 10 kilometers (6.2 miles) south of Paris, where he had moved in October 1898. This period saw him reexamining his creative past (the
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comedown from his self-styled role as leader (and sole member) of his own religious sect. The work's three playing directions,
134:), either out of nostalgia for his early Montmartre days or searching for clues to a new stylistic beginning. The minute-long
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116:, where Satie lived from 1898 until his death. The window of Satie's room is on the second floor, next to the drainpipe.
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164:, can roughly be translated together as "Think differently of yourself". And in the penultimate phrase (after the
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Nicolas
Horvath, notes to "Erik Satie: Complete Piano Works, Vol. 4 (New Salabert Edition)", Grand Piano, 2019.
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Ornella Volta (ed.), "Satie Seen
Through His Letters", Marion Boyars Publishers, London, 1989, pp. 40-41.
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was the only piece in the old Rose + Croix style (1891-1895) that Satie composed at his new home in
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https://moam.info/verset-laique-satie-soundkiosk-editionpdf_5a27ce651723dddc633786c2.html
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Fête donnée par des
Chevaliers Normands en l'honneur d'une jeune demoiselle (XIe siecle)
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Robert
Orledge (ed.), Preface to "Verset laique Satie SOUNDkiosk Edition", 2010, at
219:(MDG, 2003), Alessandro Simonetto (Aevea, 2016, 2021), Dunanduan Hao (Naxos, 2018),
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no pleasure to the deaf, even those who are mute, is no reason for ignoring it".
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317:, London: Atlas Publishing, 1996 (reprinted 2014), pp. 119, 186, note 51.
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was one of two little works Satie produced in connection with the
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47:. With it he bid an ironic farewell to the style of his "
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Volta (ed.), "Satie Seen
Through His Letters", p. 69.
243:, Cambridge University Press, 1990, p. 341, note 23.
168:) the music gets in the final dig by hinting at the
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Formally dated "Arcueil, Seine, 5 August 1900", the
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81:, acting in his position as chief librarian of the
884:Sonnerie pour réveiller le bon gros Roi des Singes
85:, chose to commemorate the event by compiling the
921:Metropolitan Church of Art of Jesus the Conductor
145:Metropolitan Church of Art of Jesus the Conductor
800:Choses vues à droite et à gauche (sans lunettes)
656:Les trois valses distinguées du précieux dégoûté
579:Croquis et agaceries d'un gros bonhomme en bois
315:A Mammal's Notebook: The Writings of Erik Satie
870:Petit prélude de 'La Mort de Monsieur Mouche'
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8:
807:Cinq grimaces pour Le songe d'une nuit d'été
761:Veritables Preludes flasques (pour un chien)
87:Autographes de Musiciens Contemporaines 1900
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178:(1897) - "Tunes to Make You Run Away".
104:Facsimile of Satie's autograph score.
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705:Prélude de la porte héroïque du ciel
782:Vieux sequins et vieilles cuirasses
192:edited a performing edition of the
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712:Préludes flasques (pour un chien)
635:Heures séculaires et instantanées
196:, published by Salabert in 1995.
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754:Trois morceaux en forme de poire
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572:Chapitres tournés en tous sens
274:, Reaktion Books, 2007, p. 68.
43:for piano composed in 1900 by
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112:The "House of 4 Chimneys" in
37:(Secular and Sumptuous Verse)
1017:20th-century classical music
927:The Minimalism of Erik Satie
473:Trois petites pièces montées
1022:Compositions for solo piano
207:(Le Chant Du Monde, 1986),
149:Greek cross and Latin cross
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1012:Compositions by Erik Satie
941:Musée-Placard d'Erik Satie
768:Verset laïque et somptueux
740:Sonneries de la Rose+Croix
194:Verset laïque et somptueux
122:Verset laïque et somptueux
71:Verset laïque et somptueux
33:Verset laïque et somptueux
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747:Sports et divertissements
677:Petite ouverture à danser
593:Descriptions automatiques
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16:Composition by Erik Satie
313:Ornella Volta, (2014) .
95:Autographes de Musiciens
733:Sonatine bureaucratique
565:Avant-dernières pensées
512:Quatre petites mélodies
491:Bonjour Biqui, Bonjour!
217:Steffen Schleiermacher
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223:(Grand Piano, 2019).
205:Jean-Pierre Armengaud
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75:1900 Paris Exposition
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821:Geneviève de Brabant
558:Aperçus désagréables
533:Trois poèmes d'amour
466:La belle excentrique
398:List of compositions
295:Orledge, SOUNDkiosk.
227:Notes and references
863:Les Pantins dansent
849:Le Fils des étoiles
842:La statue retrouvée
835:La Diva de l'Empire
213:Jean-Yves Thibaudet
856:Le piège de Méduse
814:En habit de cheval
792:Other compositions
698:Prélude d'Eginhard
600:Embryons desséchés
241:Satie the Composer
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649:Le poisson rêveur
505:Messe des pauvres
170:Airs à faire fuir
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955:(1921 sculpture)
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894:Related articles
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444:Orchestral works
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41:pièce d'occasion
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215:(Decca, 2003),
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77:. Musicologist
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912:(1924 film)
691:Poudre d'or
628:Gymnopédies
621:Gnossiennes
543:Piano music
483:Vocal music
131:Gnossiennes
83:Paris Opera
55:Description
49:Rosicrucian
1006:Categories
828:Je te veux
726:Sarabandes
607:Enfantines
389:Erik Satie
272:Erik Satie
200:Recordings
183:puff piece
45:Erik Satie
26:Erik Satie
934:Monotones
909:Entr'acte
902:A Romance
775:Vexations
663:Nocturnes
172:from the
166:Autrement
158:Autrement
154:Réfléchir
978:Category
952:The Gift
937:(ballet)
162:Soi-même
551:Allegro
519:Socrate
498:Ludions
434:Relâche
420:Mercure
405:Ballets
326:Portals
126:Arcueil
114:Arcueil
670:Ogives
427:Parade
352:France
136:Verset
990:Audio
452:Danse
340:Music
39:is a
160:and
147:- a
141:look
69:The
1008::
156:,
381:e
374:t
367:v
328::
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