331:
295:
326:
321:
316:
311:
290:
285:
280:
275:
408:
patterns that feel familiar, but the Necks are true trance soul rebels, dizzy abstractionists bent on meditative delirium — the sort of frazzled centered headspace you settle into after sitting and thinking for far too long. It’s even freer than free jazz, equally likely to open your mind or make you totally disassociate".
407:
reviewer Colin Joyce commented that "There’s anxiety and ecstasy in equal measure across the single 44-minute track, piano parts that repeat and intersect with the heartbeat throbbing basslines the cicada roars of cymbal rolls. These are the parts that should, in theory, coalesce into shapes and
31:
396:
is a dark, brooding, sometimes dissonant -- and occasionally explosive -- outing. The 43-minute work is informally split into movement-like halves, though its sense of fluidity is constant, no matter what arises in the proceedings -- and there is plenty.
418:, posits that a 40-plus minute track can still seem lean, despite an array of the composition’s sections unloosing stuff as unrelated as sci-fi whirring and a batch of key-plunking that sounds like it might emanate from underwater".
349:'s Grayson Haver Currin said the album "often finds the trio at their finest, delighting in their instrumental ideas like they’re dancing" and stated "Though the Necks occasionally slip into predictability across this session,
353:
epitomizes their career-long unpredictability, or their ability to start at one point and arrive somewhere entirely unexpected. Vertigo is a minor Necks record, destined to stand forever in the shadow of the 2013 opus
385:
is that they take her nowhere. For all their passages through sustained hums, tinkling waves, jittery guitars, and unfathomable bass, their only destinations are yet more points of departure"
343:, which assigns a normalised rating out of 100 to reviews from mainstream critics, awarded the album a score of 79, based on 7 reviews which is considered as "Generally favorable".
371:, presents a streamlined performance by the trio, since it fades out after 43 minutes. At the same time, they use the shorter length to toy with their usual minimalist approach".
401:
s guidepost is a single drone that runs throughout, allowing the musicians a centering device for their various rounds of improvisation and interplay".
360:. But, after a quarter century, the trio’s explorations still sound as ecstatic as they do limitless. That, at least, is another minor miracle".
963:
899:
709:
511:
790:
931:
958:
874:
853:
172:
867:
702:
678:
906:
860:
839:
769:
356:
154:
762:
659:
633:
953:
811:
783:
737:
452:
204:
203:
first released on the Fish of Milk label in 2015 in
Australia, on ReR Megacorp in Europe, and on the
116:
825:
568:
346:
257:
913:
695:
414:'s Dave Cantor wrote "It shimmers and drones, and it never seems to end. Necks’ latest outing,
892:
804:
411:
196:
83:
30:
832:
818:
776:
664:
646:
593:
404:
131:
487:
797:
730:
601:
440:
374:
267:
560:
947:
744:
527:
446:
106:
472:
78:
70:
499:
625:
535:
340:
234:
718:
364:
200:
193:
141:
43:
389:
381:
somehow manages to absorb for its entire running time. ... the beauty of
303:
38:
691:
687:
426:
Composed by Chris
Abrahams, Tony Buck and Lloyd Swanton
660:
The Necks Make More
Abstract Anxiety Jazz on ‘Vertigo’
923:
884:
754:
140:
130:
105:
89:
77:
66:
58:
50:
37:
23:
681:, November 10, 2015, accessed January 23, 2020
703:
668:, October 26, 2015, accessed January 23, 2020
8:
522:
520:
308:
272:
554:
552:
710:
696:
688:
620:
618:
214:
29:
20:
587:
585:
465:
243:
220:
7:
900:Athenaeum, Homebush, Quay & Raab
488:Northern Spy Records: album details
388:Thom Jurek reviewed the album for
18:2015 studio album by The Necks
14:
310:
274:
329:
324:
319:
314:
309:
293:
288:
283:
278:
273:
1:
636:. Retrieved January 23, 2020.
964:Northern Spy Records albums
649:, accessed January 23, 2010
514:, accessed January 23, 2019
512:ReR Megacorp: album details
502:, accessed January 23, 2019
490:, accessed January 23, 2019
478:, accessed January 23, 2019
377:' Simon Chandler observed "
980:
725:
251:
248:
228:
225:
148:
28:
500:The Necks: album details
559:Currin, Grayson Haver.
812:Mosquito/See Through
473:Bandcamp: The Necks
367:Mike Shanley noted "
216:Professional ratings
455:– drums, percussion
217:
73:, Sydney, Australia
215:
941:
940:
924:Soundtrack albums
624:Jurek, Thom.
592:Simon, Chandler.
430:"Vertigo" - 43:57
338:
337:
207:label in the US.
185:
184:
181:
180:
126:
121:
114:
971:
959:The Necks albums
893:Piano Bass Drums
712:
705:
698:
689:
682:
675:
669:
656:
650:
647:JazzTimes Review
643:
637:
622:
613:
612:
610:
608:
589:
580:
579:
577:
575:
556:
547:
546:
544:
542:
524:
515:
509:
503:
497:
491:
485:
479:
470:
334:
333:
332:
328:
327:
323:
322:
318:
317:
313:
312:
298:
297:
296:
292:
291:
287:
286:
282:
281:
277:
276:
221:Aggregate scores
218:
197:improvised music
192:is an album by
150:
149:
124:
119:
112:
101:
100:
96:
84:Improvised music
54:October 30, 2015
33:
21:
979:
978:
974:
973:
972:
970:
969:
968:
944:
943:
942:
937:
919:
880:
791:Hanging Gardens
750:
721:
716:
686:
685:
676:
672:
657:
653:
644:
640:
623:
616:
606:
604:
591:
590:
583:
573:
571:
558:
557:
550:
540:
538:
526:
525:
518:
510:
506:
498:
494:
486:
482:
471:
467:
462:
437:
424:
330:
325:
320:
315:
294:
289:
284:
279:
213:
176:
167:
158:
125:RER NECKS 11/12
122:
115:
98:
94:
93:
46:
19:
12:
11:
5:
977:
975:
967:
966:
961:
956:
946:
945:
939:
938:
936:
935:
927:
925:
921:
920:
918:
917:
910:
907:Photosynthetic
903:
896:
888:
886:
882:
881:
879:
878:
871:
864:
857:
850:
843:
836:
829:
822:
815:
808:
801:
794:
787:
780:
773:
766:
758:
756:
752:
751:
749:
748:
741:
734:
731:Chris Abrahams
726:
723:
722:
717:
715:
714:
707:
700:
692:
684:
683:
670:
651:
638:
614:
602:Tiny Mix Tapes
581:
548:
516:
504:
492:
480:
464:
463:
461:
458:
457:
456:
450:
444:
443:– piano, organ
441:Chris Abrahams
436:
433:
432:
431:
423:
420:
375:Tiny Mix Tapes
336:
335:
306:
300:
299:
270:
268:Tiny Mix Tapes
264:
263:
260:
254:
253:
250:
246:
245:
241:
240:
237:
231:
230:
227:
223:
222:
212:
209:
183:
182:
179:
178:
169:
160:
146:
145:
138:
137:
134:
128:
127:
109:
103:
102:
91:
87:
86:
81:
75:
74:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
976:
965:
962:
960:
957:
955:
952:
951:
949:
934:
933:
929:
928:
926:
922:
916:
915:
911:
909:
908:
904:
902:
901:
897:
895:
894:
890:
889:
887:
883:
877:
876:
872:
870:
869:
865:
863:
862:
858:
856:
855:
851:
849:
848:
844:
842:
841:
837:
835:
834:
830:
828:
827:
823:
821:
820:
816:
814:
813:
809:
807:
806:
802:
800:
799:
795:
793:
792:
788:
786:
785:
781:
779:
778:
774:
772:
771:
767:
765:
764:
760:
759:
757:
755:Studio albums
753:
747:
746:
745:Lloyd Swanton
742:
740:
739:
735:
733:
732:
728:
727:
724:
720:
713:
708:
706:
701:
699:
694:
693:
690:
680:
674:
671:
667:
666:
661:
655:
652:
648:
642:
639:
635:
631:
629:
621:
619:
615:
603:
599:
597:
588:
586:
582:
570:
566:
564:
555:
553:
549:
537:
533:
532:by The Necks"
531:
528:"Reviews for
523:
521:
517:
513:
508:
505:
501:
496:
493:
489:
484:
481:
477:
476:
469:
466:
459:
454:
451:
448:
447:Lloyd Swanton
445:
442:
439:
438:
434:
429:
428:
427:
422:Track listing
421:
419:
417:
413:
409:
406:
402:
400:
395:
391:
386:
384:
380:
376:
372:
370:
366:
361:
359:
358:
352:
348:
344:
342:
307:
305:
302:
301:
271:
269:
266:
265:
261:
259:
256:
255:
247:
244:Review scores
242:
238:
236:
233:
232:
224:
219:
210:
208:
206:
202:
198:
195:
191:
190:
175:
174:
170:
166:
165:
161:
157:
156:
152:
151:
147:
143:
139:
135:
133:
129:
123:ReR Megacorp
118:
111:Fish of Milk
110:
108:
104:
92:
88:
85:
82:
80:
76:
72:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
930:
912:
905:
898:
891:
873:
866:
859:
852:
846:
845:
838:
831:
824:
817:
810:
803:
796:
789:
784:Silent Night
782:
775:
768:
761:
743:
736:
729:
679:Paste Review
673:
663:
654:
645:Shanley, M.
641:
627:
605:. Retrieved
595:
594:"The Necks:
572:. Retrieved
562:
561:"The Necks:
539:. Retrieved
529:
507:
495:
483:
474:
468:
425:
415:
410:
403:
398:
393:
392:explaining "
387:
382:
378:
373:
368:
362:
355:
350:
345:
339:
205:Northern Spy
188:
187:
186:
171:
163:
162:
153:
117:Northern Spy
39:Studio album
15:
954:2015 albums
885:Live albums
826:Silverwater
677:Cantor, D.
626:The Necks:
71:Studios 301
948:Categories
914:Townsville
658:Joyce, C.
607:23 January
574:23 January
541:23 January
536:Metacritic
460:References
341:Metacritic
235:Metacritic
194:Australian
144:chronology
738:Tony Buck
719:The Necks
598:– review"
569:Pitchfork
565:– review"
453:Tony Buck
435:Personnel
365:JazzTimes
347:Pitchfork
258:Pitchfork
211:Reception
201:The Necks
142:The Necks
136:The Necks
44:The Necks
932:The Boys
805:Drive By
634:AllMusic
630:– Review
399:Vertigo'
390:Allmusic
304:Allmusic
132:Producer
113:FOM00017
59:Recorded
51:Released
41: by
847:Vertigo
833:Mindset
819:Chemist
777:Aquatic
628:Vertigo
596:Vertigo
563:Vertigo
530:Vertigo
475:Vertigo
416:Vertigo
394:Vertigo
383:Vertigo
379:Vertigo
369:Vertigo
351:Vertigo
189:Vertigo
177:(2017)
168:(2015)
164:Vertigo
159:(2013)
24:Vertigo
875:Travel
854:Unfold
798:Aether
449:– bass
262:7.7/10
252:Rating
249:Source
239:79/100
229:Rating
226:Source
173:Unfold
120:NS 067
90:Length
67:Studio
868:Three
412:Paste
199:trio
107:Label
79:Genre
861:Body
840:Open
770:Next
665:Spin
609:2020
576:2020
543:2020
405:Spin
357:Open
155:Open
62:2015
763:Sex
632:at
363:In
950::
662:,
617:^
600:.
584:^
567:.
551:^
534:.
519:^
99:57
95:43
711:e
704:t
697:v
611:.
578:.
545:.
97::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
