518:. This production used also Ullmann's original title "The Emperor of Atlantis or The Disobedience of Death" and has been recorded by the Prague label STUDIO MATOUS in 1994/1995. This production of the opera by Herbert Gantschacher has been performed for the first time at Terezin on 23 May 1995. From these first performances at Terezin ever a live recording exists done by ARBOS â Company for Music and Theatre. In all, Ullmann worked on the opera for 27 years, from the first impressions in the First World War in 1917 to the finalization at Terezin in 1944.
421:. Up to his deportation his list of works had reached 41 opus numbers and contained an additional three piano sonatas, song cycles on texts by various poets, operas, and the piano concerto Op. 25, which he finished in December 1939, nine months after the entry of German troops into Prague. Most of these works are missing. The manuscripts presumably disappeared during the occupation. Thirteen printed items, which Ullmann published privately and entrusted to a friend for safekeeping, have survived.
135:
27:
666:
contrast to earlier lists of works, the London list is distinguished by an unbroken sequence of opus numbers (1â41) and the unmistakable incorporation of works or titles already known. Ullmann's list of works is of incalculable value in light of the lost or missing compositions, although it makes clear the full extent of the loss caused by persecution and war.
669:
In the following summary
Ullmann's opus numbering has been used, and extended for the opus numbers given to works composed in Theresienstadt. The order of titles is essentially chronological and takes account both of compositions known from earlier lists of works as well as of those bibliographically
665:
In the middle of 1942, shortly before his deportation to
Theresienstadt concentration camp, Ullmann drew up a comprehensive list of his compositions to that point. This list was preserved in a London library as part of a letter to a correspondent whom it has not hitherto been possible to identify. In
536:
in
Theresienstadt in 1945, and Adler brought the scores to England in 1947. Adler subsequently placed them on long-term loan with the Allgemeine Anthroposophische Gesellschaft in Dornach (AAG), Switzerland. In an apparent breach of contract the AAG subsequently deposited them with the
2197:
Herbert
Gantschacher Viktor Ullmann â Zeuge und Opfer der Apokalypse / Witness and Victim of the Apocalypse / Testimone e vittima dellâApocalisse / SvÄdek a obÄĆ„ apokalypsy / PriÄ in ĆŸrtev apokalipse. ARBOS-Edition, Arnoldstein / Klagenfurt / Salzburg / Wien / Prora / Prag 2015,
424:
The particular nature of the camp at
Theresienstadt enabled Ullmann to remain active musically: he was a piano accompanist, organized concerts ("Collegium musicum", "Studio for New Music"), wrote critiques of musical events, and composed, as part of a cultural circle including
525:, with the parable of the Emperor's game with Death for Life. The "game", which concerns the Emperor's plan for the total destruction of all human life, ends with the ruin of the Emperor and with the vision of a new understanding between life and death.
459:
The work he completed in
Theresienstadt was mostly preserved and comprises, in addition to choral works, song cycles and a quantity of stage music, such significant works as the last three piano sonatas, the Third String Quartet, the melodrama based on
645:
1942 (8 September) Deportation to
Theresienstadt Concentration Camp; active as composer, conductor, pianist, organiser, teacher and music critic. Most important compositions preserved in manuscript: 3 piano sonatas; piano sonatas; songs; opera
2017:
Anti-war opera by Viktor
Ullmann (Music and libretto), original text of the libretto for the first time published in the German original including translations into English, Polish and Czech language with essays by Herbert Gantschacher and
1360:
Self-published Prague 1940. First performance Prague 1940. Based on Hans Bethge's "Nachdichtungen der Lieder und GesÀnge des Hafis", vol 2 (first published 1910 by Insel-Verlag, Leipzig; new edition by YinYang-Media Verlag
October 2004
498:
and
Stuttgart in 1990; American premieres took place in San Francisco in 1975 and in Brooklyn in 1977. Other works include the song-cycle "Man and his Day" to poems by Ullmann's friend, the poet and later historian of Theresienstadt,
485:
and suppressed it. However, eye-witness Herbert Thomas Mandl argues, "that the Emperor is not Hitler". The opera was first performed in Amsterdam in 1975 in a version of the conductor Kerry Woodward. It has been broadcast by
395:, Op. 21, Ullmann's compositions from 1935 onwards, like the String Quartet No. 2 and Piano Sonata No. 1, are distinguished by a musical development that is more independent of Schönberg's inspiration. Similarly the opera
373:
newspaper, lectured to educational groups, gave private lessons, and was actively involved in the program of the Czechoslovak Society for Music Education. At about this time Ullmann made friends with the composer
2456:
441:, and other prominent musicians imprisoned there. He wrote: "By no means did we sit weeping on the banks of the waters of Babylon. Our endeavor with respect to arts was commensurate with our will to live."
676:
11/1929). These references occur only in connection with the "Schönberg Variations", which in relation to the opus numeration and to the chronology cut across the principle of arrangement used.
2481:
510:, based on his Terezin rolebook and the musicologist Ingo Schultz. This reconstructed original version of the original score has been used for the production of the opera done by the director
2461:
229:, his father, Maximilian, was able to pursue a career as a professional officer in the army of the Austro-Hungarian Empire. In World War I he was promoted to colonel and ennobled.
409:. Dissonant harmonics, highly charged musical expression, and masterly control of formal structure are characteristic of Ullmann's new and henceforth unmistakable personal style.
2466:
1988:
Viktor Ullmann â Zeuge und Opfer der Apokalypse / Witness and Victim of the Apocalypse / Testimone e vittima dell'Apocalisse / SvÄdek a obÄĆ„ apokalypsy / PriÄ in ĆŸrtev apokalipse
2451:
2446:
2436:
338:, a piano cycle on a theme by his teacher in Vienna, caused something of a stir. Five years later, for the orchestral arrangement of this work, he was awarded the
389:
While his works of the 1920s still clearly show the influence of Schönberg's atonal period, especially the Chamber Symphony Op. 9, the George Songs Op. 15 and
1706:
Preserved as holograph. Counted as Opus 49 (cf "Kaiser von Atlantis"). Not later than 1 August 1943. First performance Theresienstadt before 30 October 1943.
444:
Overall, Ullmann "probably made the most significant contribution of any single individual to the musical life of Terezin", composing 20 works in the camp.
2476:
2027:
919:
Variations and Double Fugue on a Small Piano Piece by Schönberg 1929. A transcript by a Prague copyist was preserved. IGNM music festival, Geneva 1929.
2391:
2290:
2471:
2396:
2366:
2426:
2401:
2257:
2203:
2131:
2106:
2009:
1995:
1899:
515:
181:
2441:
2486:
2421:
640:
2084:
574:
1920 autumn: Choirmaster and co-repetiteur under Alexander von Zemlinsky in the New German Theatre in Prague; later (1922â27) conductor
2411:
2416:
2406:
1921:
1366:
418:
110:
975:
Hertzka Prize 1934. First performance Prague 1938. A set of orchestral parts was preserved in transcripts by two Prague copyists.
2312:
477:. Its premiere was planned for Theresienstadt in the autumn of 1944, conducted by Rafael Schachter, but it is believed that the
2431:
2276:â complete songs for soprano and piano by Viktor Ullmann (Irena TroupovĂĄ â soprano, Jan DuĆĄek â piano). Prague: ArcoDiva, 2015.
1773:
Counted as Opus 49 (cf 6th piano). Composition begun June/July 1943; finished 13 January 1944. Revision ("Wahnsinns-Terzett" /
272:. At the beginning of 1918 he was accepted in Schöenberg's composition seminar. With Schöenberg he studied the theory of form,
44:
670:
recorded. Uncertain dating is indicated by (?). Traces of an earlier numeration derive from the list of works from the 1920s (
240:, Ullmann lived a life of multiple estrangements, cut off from Czech nationalism, German anti-Semitism and Jewish orthodoxy".
257:
91:
48:
63:
2361:
331:
1513:
177:
225:. Both his parents were from families of Jewish descent, but had converted to Catholicism before Viktor's birth. As an
629:
1938 After the performance of the Second String Quartet at the IGMN Festival in London, stays for about two months in
70:
232:
One writer has described Ullmann's milieu in these terms: "Like such other assimilated German-speaking Czech Jews as
1974:, interview with Herbert Thomas Mandl about TerezĂn and Viktor Ullmann, DVD, ARBOS Vienna-Salzburg-Klagenfurt, 2007
1332:
2296:
37:
1956:
322:) he witnessed a series of successful performances of his works, which lasted until the beginning of the 1930s (
77:
2273:
656:
1944 (16 October) Transfer to Auschwitz-Birkenau, where he was murdered in the gas chambers on 18 October 1944
2354:
The OREL Foundation- Viktor Ullmann biography, as well as links to bibliography, works, discography and media
591:
1929 Success of the "Schönberg Variations" at the music festival of the International Society for New Music (
545:, where they are currently being held illegally, prior to the preparation of a legally valid loan agreement.
283:
In May 1919, he broke off both courses of study and left Vienna in order to devote himself fully to music in
2316:
1754:
469:
288:
222:
567:
1918 Attended the University of Vienna, studying law and attending lectures in sociology and philosophy of
59:
1671:
1085:
Opus 13 â Missa Symphonica for choir, soloists, orchestra and organ ("in honour of the Archangel Michael")
1070:
2303:
2353:
2167:
261:
362:, but was forced to flee Germany in mid-1933 and returned to Prague as a music teacher and journalist.
2286:
2386:
2381:
2249:
2023:
1984:
1964:
1952:
1030:
Hertzka Prize 1936. The score and a part-written piano arrangement, both holographs, were preserved.
672:
585:
511:
300:
2019:
1830:
Preserved as a holograph. First performance before 28 September 1944. Not later than 12 July 1944.
1456:
1303:
1148:
383:
2124:
The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II
2099:
The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II
1109:
Opus 15 â Easter Cantata (also known as "Chamber Cantata") for small mixed choir and 6 instruments
967:
Opus 3 b â Variations, Fantasy and Double Fugue on a Small Piano Piece by Schönberg, for Orchestra
2152:
2059:
1336:
581:
448:
296:
292:
245:
1631:
528:
When Ullmann was deported to Auschwitz, he left his works in the safekeeping of the philosopher
2253:
2225:
2199:
2127:
2102:
2005:
1991:
1917:
1895:
1738:
One song ("Little Cakewalk") preserved as a holograph. Date of dedication: 27 September 1943.
1362:
740:
568:
343:
295:) until 1927. In the following season, 1927â28, he was appointed head of the opera company in
291:, under whose direction he served as a conductor at the New German Theatre of Prague (now the
269:
265:
250:
1506:
Only a transcription of the violin part is preserved. First performance planned Prague 1938.
1480:
Preserved as holograph ("renewed in Theresienstadt"). First performance Theresienstadt 1943.
339:
1960:
494:, and there have been productions in several countries. Important productions took place in
430:
280:. Ullmann was an excellent pianist, although he had no ambitions for a career as a soloist.
218:
84:
2168:"Ullmann Der Kaiser von Atlantis [RB]: Classical CD Reviews- Oct 2003 MusicWeb(UK)"
577:
1925 Composition of the "Schönberg Variations" for piano (first performance 1926 in Prague)
2307:
1588:
Preserved as a copy of the holograph. Counted as Opus 46. Not later than 23 January 1943.
831:
391:
304:
226:
159:
2047:
identity card of Viktor Ullmann of the Jewish Ghetto in Prague exposed on 18 January 1941
426:
2348:
756:
Music for a Play from a Christmas Tale "Wie Klein Else das Christkindlein suchen ging" (
613:
1934 Hertzka Prize for the orchestral arrangement of the "Schönberg Variations" (Op. 3b)
506:
Since 1993 it is possible to perform the original version of the opera with the help of
2327:
1645:
1423:
1211:
1010:
355:
564:
1916â18 Military service as a volunteer; service at the Front; promotion to Lieutenant
253:
and his circle of pupils. Upon finishing school, he volunteered for military service.
2375:
1905:
1695:
Two songs preserved as holographs. First performance Theresienstadt 30 October 1943.
617:
495:
478:
438:
375:
351:
277:
237:
1990:. ARBOS-Edition, Arnoldstein- Klagenfurt â Salzburg â Vienna â Prora â Prague 2015,
1129:
First performance Prague 1937. Only the clarinet part is preserved, as a holograph.
1282:
897:
Opus 4 â Concerto for Orchestra (also known as "First Symphony" and "Symphonietta")
507:
482:
434:
379:
311:
and others, was too advanced for local tastes, and his appointment was terminated.
308:
273:
134:
924:
Opus 5 â Seven Small Serenades for Voice and 12 Instruments (text also by Ullmann)
2085:
David Schiff, "A Musical Postcard From the Eye of the Nazi Storm," 23 March 2003
1795:
1594:
1530:
856:(21) Variations and Double Fugue on a Small Piano Piece by Schönberg (Op. 19, 4)
538:
533:
500:
369:, wrote book and music reviews for various magazines, wrote as a critic for the
366:
233:
26:
1721:
Preserved as a holograph. Counted as Opus 47. Not later than 4 September 1943.
2148:
1762:
529:
474:
400:
2229:
1043:
Self-published Prague 1936. UA Prag 1936. IGNM music festival New York 1941.
1815:
Preserved as a holograph. Counted as Opus 53. First Song dated 25 May 1944.
1002:
954:
Opus 3 a â (9) Variations and Double Fugue on a Theme by Schönberg for Piano
378:, whom he had known for some time. Ullmann enrolled in HĂĄba's department of
359:
1665:
Preserved as a holograph. Counted as Opus 45. Not later than 27 June 1943.
599:
347:
2149:"MANDL "Freizeitgestaltung" in a concentration camp â "Tracks to TerezĂn""
1824:) (Rilke). 12 pieces for spoken voice and orchestra or piano (draft score)
1097:
Opus 14 â Three Choruses a cappella (also known as "Rosenkreuzer Cantata")
249:) in Vienna. His musical talents and inclinations soon gave him access to
911:(5) Variations and Double Fugue on a Small Piece by Schönberg (for Piano)
604:
1931â1933 Bookdealer in Stuttgart, as proprietor of the anthroposophical
2322:
1909:
1156:
1001:
First performance Prague 1936 (3 pieces). Opus 8, 2 was preserved as a
840:
815:
Symphonic Fantasy (also known as "Solo Cantata for Tenor and Orchestra"
630:
555:
405:
214:
202:
155:
1184:
Opus 3 c â Variations and Double Fugue on a Theme by Arnold Schoenberg
1619:
Ten Yiddish and Hebrew Choruses Zehn (women's, men's and mixed choir)
1152:
327:
284:
264:, he was granted study leave, which he used to start studying law at
1955:, who worked with Ullmann as a violinist in TerezĂn, Ingo Schultz,
598:
1929â1931 Composer and conductor for stage music in the theatre at
481:
commander noticed similarities between the Emperor of Atlantis and
2332:
2030:-Edition, ISBN 978-3-9519833-1-8, Vienna-Salzburg-Klagenfurt 2022.
938:
634:
542:
461:
2218:"Viktor Ullmanns Nachlass: Debatte um TheresienstÀdter Testament"
1608:(2) Songs of Consolation (Steffen) for deep voice and string trio
1121:
Opus 16 â Sonata for Quarter-tone Clarinet and Quarter-tone Piano
2358:
2217:
1749:
Two songs preserved as holographs. Not later than October 1943.
1550:
988:
First performance Prague 1936. IGNM music festival London 1938.
683:
2349:
Comprehensive discography of Terezin Composers by Claude Torres
2343:
782:
First performance Prague 1923, IGNM music festival Prague 1924
1841:
Preserved as a holograph. Dated on title page 22 August 1944.
1728:
1255:
Opus 24 â Slavic Rhapsody for orchestra and obligato saxophone
1048:
Opus 11 â Chinese Melodramas (also known as "Galgenlieder" or
521:
The most concrete formulation of this discourse occurs in the
487:
20:
2300:
365:
During this period he worked with the department of music at
1347:
Self-published Prague 1940. First performance Prague 1940.
1205:
Self-published Prague 1940. First performance Prague 1940.
1179:
Self-published Prague 1939. First performance Prague 1940.
1142:
Self-published Prague 1937. First performance Prague 1937.
491:
2155:
from the original on 13 December 2021 – via YouTube.
2057:
Michael Haas (October 2012). "When Death Went on Strike".
1603:
Preserved as a holograph. Not later than 24 January 1943.
1472:
Opus 37 â Three Songs (C. F. Meyer) for baritone and piano
451:, where he was killed in the gas chambers two days later.
2338:
2457:
Austrian people who died in Auschwitz concentration camp
1789:
Preserved as a holograph. Not later than 21 March 1944.
1878:
Preserved as a transcript by a Theresienstadt copyist.
1804:
Preserved as a holograph. Date of preface 16 May 1943.
571:
and attending Arnold Schoenberg's "composition seminar"
1654:
Preserved as a holograph. Not later than 1 July 1943.
1276:
Preserved as a holograph; self-published Prague 1940.
652:
The Manner of Love and Death of Cornet Christoph Rilke
1861:
Cadenzas to Beethoven's Piano Concertos (Nos 1 und 3)
1625:
Preserved as transcripts by Theresienstadt copyists.
1073:), lyrical symphony for tenor, baritone und orchestra
639:
1939 Beginning of the persecution of the Jews in the
470:
The Emperor of Atlantis, or The Disobedience of Death
346:. In the meantime he had been appointed conductor in
2015:
The Emperor of Atlantis or The Disobedience of Death
1689:) (H. G. Adler). Cantata for mezzo-soprano and piano
243:
Beginning in 1909 Viktor attended a grammar school (
1263:Self-published Prague 1940 (printed as "Opus 23").
1134:
Opus 17 â Six Songs (Steffen) for soprano and piano
188:
166:
141:
125:
51:. Unsourced material may be challenged and removed.
2482:Austro-Hungarian military personnel of World War I
1439:Opus 35 â Six Songs for Alto or Baritone and Piano
1326:Self-published Prague 1940 (printed as "Opus 26")
1197:Opus 20 â Spiritual Songs for High Voice and Piano
1022:), play for a stage dedication in 3 Acts (Steffen)
993:Opus 8 â (Seven) Elegies for Soprano and Orchestra
447:On 16 October 1944 he was deported to the camp at
1755:Der Kaiser von Atlantis oder die Tod-Verweigerung
758:How Little Else Went to Look for the Christ Child
2367:Biography at World ORT's Music and the Holocaust
1759:The Emperor of Atlantis, or The Refusal of Death
358:, he spent another two years as a bookseller in
205:-born Austrian composer, conductor and pianist.
2335:(about composers persecuted by the Nazi regime)
2252:: "Wilhelm Jerusalem â Helen Keller:'Letters'"
2002:ĐĐžĐșŃĐŸŃ ĐŁĐ»ŃĐŒĐ°Đœ â ĐĄĐČОЎДŃĐ”Đ»Ń Đž жДŃŃĐČĐ° Đ°ĐżĐŸĐșалОпŃĐžŃĐ°
1639:First performance Theresienstadt 20 July 1943.
588:); afterwards back in Prague without a position
1981:, DVD, ARBOS, VIENNA-Salzburg-Klagenfurt, 2007
1867:Preserved as a holograph. Counted as Opus 54.
1352:Opus 30 â Songbook of Hafiz for bass and piano
350:for two years. As a result of his interest in
2462:Czechoslovak civilians killed in World War II
2188:. In: Mitteilungen von musica reanimata, 2011
1783:Don Quixote. Overture for piano (draft score)
1715:) (H. G. Adler). 12 Songs for Voice and Piano
1577:cf. Opus 37. Not later than 4 November 1942.
1331:Opus 29 â Three Sonnets from the Portuguese (
213:Viktor Ullmann was born on 1 January 1898 in
8:
2467:People killed by gas chamber by Nazi Germany
1726:"Chansons des enfants francaises" [
610:1933 Flight from Stuttgart; return to Prague
2004:«ĐŃĐ»ŃŃ-ĐžĐœŃĐŸŃĐŒ-ĐżŃĐ”ŃŃ» ĐĄĐ°ĐœĐșŃ-ĐĐ”ŃĐ”ŃбŃŃĐł 2016,
1192:Preserved as a photocopy of the holograph.
661:List of the Prague and Theresienstadt works
417:On 8 September 1942 he was deported to the
342:, named in honor of the former director of
303:), but his repertoire, including operas by
1060:First performance Prague 1936 (4 pieces).
932:First performance Frankfurt am Main 1931.
870:Opus 2 â Octet (also known as "Oktettino")
616:1935â1937 Instruction in composition from
593:Internationale Gesellschaft fĂŒr Neue Musik
133:
122:
2452:Austrian civilians killed in World War II
2291:International Music Score Library Project
709:Three Choruses for Male Voices a cappella
268:. There he also attended the lectures of
201:(1 January 1898 â 18 October 1944) was a
111:Learn how and when to remove this message
2076:
2074:
1977:Erich Heyduck and Herbert Gantschacher,
1872:Three Hebrew Boys' Choruses (a cappella)
1298:Opus 27 â Lieder des Prinzen Vogelfrei (
2447:Austrian Jews who died in the Holocaust
2040:
1947:ARBOS â Company for Music and Theatre,
1930:NY: [Beaufort Books Publishers, undated
1809:Three Yiddish Songs for Voice and Piano
1743:Three Chinese Songs for Voice and Piano
1005:: "Schwer ist's das Schöne zu lassen" (
1979:Viktor Ullmann â Way to the Front 1917
1571:Three Songs for Baritone (C. F. Meyer)
1511:Opus 40 â Concert Aria (from Goethe's
1007:It Is Difficult to Leave the Beautiful
386:, where he studied from 1935 to 1937.
1944:, Sonderheft Nr. 8, Summer 1991, 5â25
1933:Ludvova, Jitka, "Viktor Ullmann," in
1498:Opus 39 â Sonata for Violin and Piano
1406:Opus 33 â Die Heimkehr des Odysseus (
1238:Opus 23 â Der Gott und die Bajadere (
516:ARBOS - Company for Music and Theatre
7:
2274:"Schwer istŽs, das Schöne zu lassen"
2147:Herbert Gantschacher (8 July 2012).
1940:Schultz, Ingo: "Viktor Ullmann," in
1820:Die Weise der Liebe und des Todes. (
532:. After the war, Utitz gave them to
49:adding citations to reliable sources
16:Austrian Jewish composer (1898â1944)
2328:Ullmann biography and list of works
1018:Opus 9 â Der Sturz des Antichrist (
743:) for Choir, Soloists and Orchestra
641:Protectorate of Bohemia and Moravia
332:International Society for New Music
801:Seven Songs with Chamber Orchestra
554:1898 Born in Teschen (in Austrian
217:(Teschen), which belonged then to
14:
2477:20th-century Czech male musicians
1850:) (Hölderlin) for voice and piano
1242:) (Goethe) for baritone and piano
1159:) (also known as "Song Cycle II")
622:1936 Hertzka Prize for the opera
561:1909â16 Attended school in Vienna
419:Theresienstadt concentration camp
413:Theresienstadt concentration camp
2392:20th-century classical composers
2359:Further reading and listening on
1951:, including material written by
1451:Opus 36 â Der zerbrochene Krug (
25:
2472:Theresienstadt Ghetto prisoners
2397:20th-century conductors (music)
1630:Incidental music for a play by
1250:First performance Prague 1940.
1065:Opus 12 â Huttens letzte Tage (
580:1927â1928 Director of Opera in
36:needs additional citations for
2297:Documents about Viktor Ullmann
2172:www.musicweb-international.com
1967:, edition selene, Vienna, 1998
1892:Viktor Ullmann. Leben und Werk
906:First performance Prague 1929
879:First performance Prague 1926
865:First performance Prague 1926
851:First performance Prague 1925
824:First performance Prague 1925
810:First performance Prague 1924
796:First performance Prague 1927
768:First performance Prague 1922
399:develops the issues raised by
1:
2427:Austrian male opera composers
2287:Free scores by Viktor Ullmann
1914:Komponisten in Theresienstadt
1794:30 May 1431. Libretto for a "
1597:) for soprano and string trio
2402:Austrian classical composers
2260:ARBOS-Edition © & Ÿ 2012
1822:The Manner of Love and Death
1493:Self-published Prague 1941.
1434:Self-published Prague 1941.
1293:Self-published Prague 1939.
962:Self-published Prague 1939.
773:Seven Putty Songs with Piano
467:poem, and the chamber opera
2442:Pupils of Arnold Schoenberg
1957:Jean-Jacques Van Vlasselaer
1281:Opus 26 â Five Love Songs (
980:Opus 7 â 2nd String Quartet
787:Opus 1 â 1st String Quartet
2503:
2487:Prague Conservatory alumni
2422:Jewish classical composers
2362:TerezĂn: The Music 1941-44
1928:Music in Terezin 1941â1945
1856:Preserved as a holograph.
1771:Preserved as a holograph.
1680:Preserved as a holograph.
1614:Preserved as a holograph.
1485:Opus 38 â 4th Piano Sonata
1408:The Homecoming of Odysseus
1333:Elizabeth Barrett Browning
1318:Opus 28 â 3rd Piano Sonata
1226:Opus 22 â Children's Songs
1171:Opus 19 â 2nd Piano Sonata
1035:Opus 10 â 1st Piano Sonata
1020:The Fall of the Antichrist
624:The Fall of the Antichrist
2412:Czech classical composers
2323:Viktor Ullmann Foundation
2299:in the collection of the
2126:. McFarland. p. 95.
2122:Brown, Kellie D. (2020).
2101:. McFarland. p. 91.
2097:Brown, Kellie D. (2020).
1732:] for voice and piano
1711:Der Mensch und sein Tag (
1674:Songs for voice and piano
1300:Songs of Prince Vogelfrei
316:Sieben Lieder mit Klavier
132:
2417:Czech conductors (music)
2407:Austrian opera composers
2087:, accessed 29 March 2010
1949:Tracks to Viktor Ullmann
1268:Opus 25 â Piano Concerto
1240:The God and the Bayadere
354:, a movement founded by
256:After deployment on the
2437:People from ÄeskĂœ TÄĆĄĂn
2344:Music of Theresienstadt
2317:German National Library
2166:Web(UK), Music on the.
1426:) for soprano and piano
1422:Opus 34 â Six Sonnets (
1394:). Cantata for Baritone
1339:) for soprano and piano
1285:) for soprano and piano
648:The Emperor of Atlantis
289:Alexander von Zemlinsky
223:Austro-Hungarian Empire
2432:Second Viennese School
2339:Jewish Music Institute
1970:Herbert Thomas Mandl,
1644:Wendla in the Garden (
949:Completed after 1938.
397:Fall of the Antichrist
330:music festival of the
182:German-occupied Poland
2306:23 April 2011 at the
1648:) for voice and piano
1529:Opus 41 â Six Songs (
1467:Self-published 1942.
829:Incidental music for
473:, with a libretto by
287:. His mentor was now
2301:Jewish Museum Prague
2250:Herbert Gantschacher
2024:Herbert Gantschacher
1985:Herbert Gantschacher
1965:Herbert Gantschacher
1953:Herbert Thomas Mandl
1761:). Play in one act (
1547:Theresienstadt works
1374:Opus 31 â Nachlese (
937:Opus 6 â Peer Gynt (
722:Songs with Orchestra
673:Riemann Musiklexikon
539:Paul Sacher Stiftung
512:Herbert Gantschacher
336:Schönberg Variations
45:improve this article
1937:1979, No. 2, 99â122
1687:Always in the midst
698:Previous Numeration
606:Novalis-BĂŒcherstube
523:Emperor of Atlantis
384:Prague Conservatory
2060:Jewish Renaissance
1582:3rd String Quartet
1067:Hutten's Last Days
582:Aussig an der Elbe
449:Auschwitz-Birkenau
380:quarter tone music
367:Czechoslovak Radio
320:7 Songs with Piano
297:Aussig an der Elbe
293:Prague State Opera
178:Auschwitz-Birkenau
2258:978-3-9503173-0-5
2204:978-3-9503173-3-6
2186:Ullman und Andere
2133:978-1-4766-7056-0
2108:978-1-4766-7056-0
2010:978-5-8392-0625-0
2000:ĐĐ”ŃбДŃŃ ĐĐ°ĐœŃĐ°Ń
Đ”Ń
1996:978-3-9503173-3-6
1972:Tracks to TerezĂn
1942:Flensburger Hefte
1900:978-3-476-02232-5
1882:
1881:
1798:" opera in 2 Acts
1544:
1543:
1390:Opus 32 â Krieg (
1210:Opus 21 â Songs (
1147:Opus 18 â Songs (
884:Trio for Woodwind
595:; IGNM) in Geneva
569:Wilhelm Jerusalem
344:Universal Edition
314:In 1923 with the
270:Wilhelm Jerusalem
266:Vienna University
251:Arnold Schoenberg
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1961:Dzevad Karahasan
1846:Abendphantasie (
1835:7th Piano Sonata
1777:) August 1944.
1700:6th Piano Sonata
1685:Immer inmitten (
1659:5th Piano Sonata
1551:
837:The Chalk Circle
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1686:
1564:
1559:
1554:
1512:
1452:
1407:
1391:
1375:
1299:
1239:
1066:
1049:
1019:
1006:
836:
830:
757:
737:Evening Song
736:
702:
697:
692:
687:
680:Prague works
671:
668:
664:
651:
650:; melodrama
647:
623:
605:
592:
527:
522:
520:
508:Karel Berman
505:
483:Adolf Hitler
468:
464:
458:
446:
443:
435:Gideon Klein
427:Karel AnÄerl
423:
416:
404:
401:Alban Berg's
396:
390:
388:
370:
364:
335:
323:
319:
315:
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282:
274:counterpoint
255:
244:
242:
231:
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197:
172:(1944-10-18)
107:
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
2387:1944 deaths
2382:1898 births
2206:, p.229-244
2067:(1): 38â39.
1904:Initiative
1796:Joan of Arc
1531:H. G. Adler
1413:1940/41 (?)
1229:1939/40 (?)
1217:1929/39 (?)
1076:1936/37 (?)
1071:C. F. Meyer
735:Abendlied (
534:H. G. Adler
501:H. G. Adler
455:Later works
2376:Categories
2268:Recordings
2035:References
1906:Hans KrĂĄsa
1335:, transl.
618:Alois HĂĄba
549:Chronology
530:Emil Utitz
475:Peter Kien
439:Hans KrĂĄsa
376:Alois HĂĄba
326:). At the
189:Occupation
148:1898-01-01
101:March 2010
71:newspapers
2319:catalogue
2230:0174-4909
1672:Hölderlin
1514:Iphigenie
1376:Gleanings
1304:Nietzsche
1003:holograph
360:Stuttgart
246:Gymnasium
209:Biography
2304:Archived
2153:Archived
1646:Wedekind
1593:Autumn (
1536:1942 (?)
1520:1942 (?)
1501:1937 (?)
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1442:1941 (?)
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1397:1940 (?)
1381:1940 (?)
1378:). Songs
1245:1940 (?)
1162:1937 (?)
941:). Opera
741:Claudius
192:Composer
2315:in the
2293:(IMSLP)
2289:at the
2235:8 April
2222:FAZ.NET
1910:Hamburg
1885:Sources
1768:1943/44
1677:1943/44
1462:1941/42
1258:1939/40
1212:Brezina
1200:1939/40
1174:1938/39
1157:Novalis
1011:Steffen
970:1933/34
957:1933/34
944:1927â29
903:Opus 11
890:Opus 10
841:Klabund
631:Dornach
626:(Op. 9)
556:Silesia
492:Britain
462:Rilke's
406:Wozzeck
382:at the
371:Bohemia
221:in the
215:Cieszyn
203:Silesia
156:Cieszyn
85:scholar
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862:Opus 9
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779:Opus 4
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728:Opus 2
715:Opus 1
600:ZĂŒrich
496:Bremen
465:Cornet
403:opera
348:ZĂŒrich
328:Geneva
309:Krenek
285:Prague
262:Isonzo
238:Mahler
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80:
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2028:ARBOS
1595:Trakl
1565:Notes
1337:Rilke
1149:Kraus
939:Ibsen
703:Notes
635:Basel
633:near
543:Basel
234:Kafka
92:JSTOR
78:books
2254:ISBN
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2226:ISSN
2200:ISBN
2128:ISBN
2103:ISBN
2006:ISBN
1992:ISBN
1918:ISBN
1896:ISBN
1875:1944
1864:1944
1853:1944
1838:1944
1827:1944
1812:1944
1801:1944
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1763:Kien
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1560:Year
1555:Work
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1038:1936
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859:1925
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818:1924
804:1924
790:1923
776:1923
763:1922
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725:1921
712:1919
693:Year
688:Work
514:for
276:and
236:and
167:Died
142:Born
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