338:, consisting mainly of repeated sustained notes and two of arpeggiated figures. Once established, these motifs are shared equally between the soloist and the orchestra, with the soloist playing one while the orchestra plays one of the others, shifting the motif between sections of the orchestra. The focus gently shifts between the soloist and the orchestra, with neither dominating the other or competing for focus. The movement peaks at its halfway point and the harmonic layers disappear one by one, the violin oscillating between the perfect fifth in two octaves, without settling on the
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result of the work finding "a voice of its own" as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's death some sixteen years earlier: "I wrote the piece in 1987 thinking, let me write a piece that my father would have liked A very smart nice man who had no education in music whatsoever, but the kind of person who fills up concert halls. It's popular, it's supposed to be — it's for my Dad."
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79:
work, and
Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a
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pattern that they will repeat for the duration of the movement. The rest of the orchestra is introduced over the subsequent repetitions of the ground bass, accumulating layers of harmony. Once this is established, the violin enters with a series of high motifs—one
301:. The piece then plunges into an intense churning pattern, with full orchestra accompanying the violin into more complex arpeggiated material before returning again to the pulsing chord motif. The movement progresses by revisiting and
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drops and a variation of the pulsing chord motif from the first movement enters to support the violin as it plays a soft closing theme that recapitulates the main material of the second movement.
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on 5 April 1987. The work was composed with Glass's late father in mind. The piece quickly became one of Glass's most popular works. It is usually around 25–30 minutes in duration when performed.
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that reappear periodically throughout the movement, with slight variations with each recurrence. The solo violin enters early in the movement playing fairly rapid
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over the following years. Brazilian flautist James
Strauss transcribed the piece for flute, with encouragement from Philip Glass.
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only to turn away from resolution at the last moment. Out of the dance segment emerges the slow finale requested by
Zukofsky: the
309:-leap motion to the solo violin line that prefigures the main characteristic of the second movement. The movement closes with a
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that gradually extend to encompass the full range of the instrument. There follows a brief repeat of the opening chord
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The piece quickly became one of Glass's most popular works, and appears on a number of recordings.
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After lingering on a single chord for a brief period the orchestra breaks into a
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marks Glass's first full-scale venture into non-theatrical orchestral composing.
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Passages from the concerto feature prominently in the "brooding" soundtrack of
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The first movement is characterized by a series of light, pulsing
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656:"Philip Glass: Music: Concerto for Violin and Orchestra"
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Music commissioned by the
American Composers Orchestra
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Concert programme for BBC Proms 2009 (Prom 37), p. 5.
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1535:Concerto Fantasy for Two Timpanists and Orchestra
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416:Notable recordings of this composition include:
305:these elements, at the same time introducing an
313:recapitulation of the violin's opening motif.
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990:The Making of the Representative for Planet 8
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321:The second movement opens with a sequence of
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1308:Glass: A Portrait of Philip in Twelve Parts
64:had been urging the composer to write more
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730:"Naxos Music UK: December 2019 Highlights"
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297:chords from which the violin draws a high
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75:Glass's original concept was for a five-
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770:from the original on 27 November 2020.
7:
1551:List of compositions by Philip Glass
358:origin, along with untuned wooden
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1365:Philip Glass Buys a Loaf of Bread
402:'s French-language film of 2005,
293:enters with a pattern of tightly
1570:Violin concertos by Philip Glass
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754:Romney, Jonathan (31 May 2005).
702:Liner notes to the 1999 CD with
682:Liner notes to the 1993 CD with
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88:The concerto is scored for solo
983:The Fall of the House of Usher
756:"The Moustache (La Moustache)"
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23:1987 concerto by Philip Glass
1585:20th-century classical music
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1243:Violin Concerto (withdrawn)
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1074:Waiting for the Barbarians
997:1000 Airplanes on the Roof
710:, CD-80494, booklet p. 12.
325:, and the low strings and
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565:London Symphony Orchestra
785:Maycock, Robert (2002).
690:, 437091-2, booklet p. 1
53:Following Glass's early
33:was commissioned by the
16:Not to be confused with
1253:Violin Concerto No. 2 (
537:Bruckner Orchester Linz
18:Violin Concerto (Glass)
1229:Piano Concerto No. 2 (
1220:Piano Concerto No. 1 (
916:Songs from Liquid Days
614:Concert programme for
448:Christoph von Dohnányi
1494:American Four Seasons
1457:After Lewis and Clark
1324:Dennis Russell Davies
1302:Philip Glass Ensemble
1255:American Four Seasons
1248:Violin Concerto No. 1
1231:After Lewis and Clark
1025:Les Enfants terribles
941:Einstein on the Beach
861:Music in Twelve Parts
618:2009 (Prom 37), p. 3.
542:Orange Mountain Music
532:Dennis Russell Davies
62:Dennis Russell Davies
31:Violin Concerto No. 1
1540:Harpsichord Concerto
1262:Cello Concerto No. 1
1238:Harpsichord Concerto
1095:The Perfect American
1067:The Sound of a Voice
884:String Quartet No. 4
874:String Quartet No. 2
846:List of compositions
764:Screen International
584:Notes and references
476:Christoph Eschenbach
1580:Philip Glass albums
1053:In the Penal Colony
1032:La Belle et la Bête
688:Deutsche Grammophon
458:Deutsche Grammophon
453:Vienna Philharmonic
329:begin a descending
434:Year of Recording
1575:1987 compositions
1557:
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1388:
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1329:David Henry Hwang
1039:Monsters of Grace
923:Aguas da Amazonia
798:978-1-86074-347-4
788:Glass: A Portrait
630:, pp. 70–71.
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41:and premiered in
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1295:Related articles
1004:Hydrogen Jukebox
976:The Juniper Tree
955:The Photographer
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68:pieces, and the
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791:. Sanctuary.
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662:on 2009-02-22
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188:quarter notes
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853:Compositions
837:Philip Glass
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737:. Retrieved
735:. p. 51
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684:Gidon Kremer
664:. Retrieved
660:the original
650:
643:Maycock 2002
628:Maycock 2002
623:
600:Maycock 2002
443:Gidon Kremer
415:
405:La Moustache
403:
397:
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380:Gidon Kremer
377:
349:
346:Movement III
320:
276:
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190:per minute:
182:
87:
74:
52:
37:for soloist
30:
27:Philip Glass
25:
1354:Terry Riley
1349:Steve Reich
1276:Film scores
1046:White Raven
739:14 December
555:David Nebel
504:Takuo Yuasa
331:ground bass
317:Movement II
289:, then the
113:E♭ clarinet
1564:Categories
1519:Naqoyqatsi
1112:Symphonies
1081:Appomattox
1011:The Voyage
948:Satyagraha
868:Glassworks
666:2009-08-18
428:Orchestra
425:Conductor
412:Recordings
388:symphonies
360:percussion
311:diminuendo
295:harmonized
273:Movement I
248: 150
225: 108
157:wood block
149:snare drum
66:orchestral
49:Conception
1422:Concertos
1213:Concertos
1102:The Trial
895:The Light
616:BBC Proms
384:The Light
374:Reception
283:arpeggios
257:Poco meno
232: 96
184:Metronome
179:Structure
153:bass drum
109:clarinets
59:conductor
1382:Category
1143:"Heroes"
962:Akhnaten
902:Passages
768:Archived
327:woodwind
202:= 104 —
161:triangle
129:trumpets
127:, three
121:bassoons
77:movement
70:concerto
1492:No. 2 (
1455:No. 2 (
1446:No. 1 (
1284:Dracula
878:Company
779:Sources
437:Format
422:Violin
364:cadence
303:varying
173:strings
165:cymbals
145:timpani
123:; four
100:), two
98:piccolo
1287:(1999)
1203:Lodger
1199:No. 12
1194:No. 11
1189:No. 10
1173:Toltec
1153:Choral
1088:Kepler
1018:Orphée
933:Operas
909:Itaipu
888:Buczak
795:
708:Telarc
486:Telarc
394:Legacy
352:rhythm
336:legato
307:octave
299:melody
279:chords
131:, two
119:, two
104:, two
94:flutes
92:; two
90:violin
57:, the
55:operas
1514:No. 1
1487:No. 1
1464:No. 3
1448:Tirol
1222:Tirol
1184:No. 9
1179:No. 8
1169:No. 7
1159:No. 6
1149:No. 5
1139:No. 4
1134:No. 3
1129:No. 2
1119:No. 1
733:(PDF)
574:2018
546:2017
518:1999
514:Naxos
490:1998
462:1993
368:tempo
340:tonic
287:motif
267:= 104
210:= 120
125:horns
102:oboes
793:ISBN
741:2020
252:Coda
171:and
169:harp
141:tuba
1424:by
1123:Low
577:CD
549:CD
521:CD
493:CD
465:CD
354:of
227:or
29:'s
1566::
766:.
762:.
758:.
706:,
695:^
686:,
675:^
635:^
607:^
592:^
408:.
342:.
254::
250:—
245:c.
243:=
229:c.
222:c.
220:=
175:.
167:,
163:,
159:,
155:,
151:,
147:,
143:;
139:,
135:,
115:,
111:,
106:B♭
1496:)
1459:)
1450:)
1414:e
1407:t
1400:v
1257:)
1233:)
1224:)
1205:)
1201:(
1175:)
1171:(
1165:)
1161:(
1155:)
1151:(
1145:)
1141:(
1125:)
1121:(
890:)
886:(
880:)
876:(
829:e
822:t
815:v
801:.
743:.
669:.
20:.
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