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After his brilliant experiments with "Circus" and "Ice Cream" ... bookstores burst into color with numerous imitations of his examples, and book illustrations in the receding cultural tradition—all the 'World of Art' illustrations—paled in comparison ... in terms of form, began to seem impotent,
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The demise of Raduga coincided with the state's push toward social realism, which forced
Lebedev toward a more naturalistic style. By then, however, his reputation was already made. Nowadays, he is still classified as one of the most important Russian and Soviet children's book illustrators. His
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By the late 1920s and 30s, most of
Lebedev's peers had left the Soviet Union, but he remained. As social realism began to dominate arts and letters, and "acquir the status of state policy in 1934," Lebedev was among the artists who "became victims of frequent attacks." The book
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300:— which functioned as a crude form of mass communications. Lebedev's posters were notable for their stark, simplified imagery: a single figure, in bold color, built from spare geometric forms, and engaged in varying kinds of labor.
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to create both picture books and politically conscious "production books." The latter form, unique to the Soviet Union, told stories that taught children about "the world of workers and how things are made" Their titles included:
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203:("The Rainbow"), a renowned Soviet publishing house published most of them. Founded in 1922 by Lev Kliachko, it was shut down by the government in 1930." He was one of the members of the art association ‘
296:). The goal in both cases was to promote the solidarity of the working class. Since both newspapers and literacy were limited, the posters were strategically displayed in empty shop windows — known as
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Lebedev's most important contributions to children's literature were made in the 1920s, and some of his most ground-breaking work was created in collaboration with the poet
176:. A pioneer in the field of children's illustration, he would later acknowledge his role in inventing a new illustrative style, created in the "language of cubism."
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From 1920-1922, only a few years after the
Revolution, Lebedev was hired to create more than 500 posters, or placards, for the Russian Telegraph Agency (
425:, Lebedev's professional experiments ceased. In the late 1940s, his work turned to the naturalistic depiction of “healthy” Soviet children and animals.
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The books were well received. Nikolai Punin, who wrote the first monograph on
Lebedev, considered him one of the most important illustrators of the era:
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published by
Pegasus, in Holland, details threats made by Soviet authorities against Lebedev. The book was the subject of reviews in
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collaboration with
Marshak is also considered among the most innovative in the history of children's literature.
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In 1913, he began working as a political cartoonist for several satirical journals, including the famed
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537:"Search results from Photo, Print, Drawing, Available Online, Lebedev, Vladimir Vasilevich, Revolution"
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Leving, Yuri (2011). "Mr. Twister in the Land of
Bolsheviks: Sketching Laughter in Marshak's Poem".
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Miami
University: Walter Havighurst Special Collections & University Archives: Children's books
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In the 1910s and 1920s, he kept company with many of the most influential figures in the radical
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How a Plane Made a Plane, Bread, My Little Book about the Seas and the
Lighthouse, the Mail,
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Inside the
Rainbow - Russian Children's Literature 1920-35: Beautiful Books, Terrible Times
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Misler, Nicoletta. “A Public Art: Caricatures and Posters of Vladimir Lebedev.”
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University of Washington Libraries: Children's books and Soviet Production books
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997:(examples of his children's book illustrations near the middle of the article)
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252:. His first exhibit at the Academy of Fine Arts was held five years later.
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518:"Soviet Children's Book Illustration Reform: Vladimir Lebedev (1891-1967)"
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Lebedev began his career at age 14, painting postcards sold in a shop in
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950:"A century of dictating and entertaining kids – Aesthetic Perspectives"
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One Must Work, the Rifle Is Right Here (Работать надо, винтовка рядом)
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Lebedev's propaganda poster, rendered in his more characteristic style
761:"A Revolutionary Impulse: The Rise of the Russian Avant-Garde | MoMA"
647:, Vol. 65, No. 2, Winter 2004, pp. 343-356. Retrieved 3 January 2022.
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St. Petersburg Academy of Fine Arts: Alexander Titov, Franz Rubo and
847:"Inside the Rainbow: how Soviet Russia tried to reinvent fairytales"
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992:«Из истории детской иллюстрированной книги 1920-х годов» В. Петров
281:(Аргус) and, in 1917, he had also illustrated the children's book
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Library of Congress: 1920s Soviet Production illustrations
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Museum of Modern Art (MOMA): Children's book illustration
148:; 26 May 1891 – 21 November 1967) was part of the
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Painters of the Leningrad Union of Artists of 1932–1991
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A Dictionary of Russian and Soviet Artists, 1420–1970
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overly concerned with aesthetics, and unexpressive.
292:) and the Department for Agitation and Propaganda (
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99:Children's books illustrator, painter, cartoonist
737:"Lebedev, Vladimir. Russian placards, 1917-1922"
433:Lebedev was married three times. His first wife
473:McGill University: Children's book illustration
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711:Lebedev, Vladimir Vasilʹevich; ROSTA (1920),
667:The Journal of Decorative and Propaganda Arts
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926:"Artist Vladimir Lebedev — Celebrities 2021"
46:Photo of artist Vladimir Lebedev, ca. 1920s.
874:"How children's books thrived under Stalin"
344:. In the mid-1920s, he partnered with poet
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645:The Princeton University Library Chronicle
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1914:Burials at Bogoslovskoe Cemetery
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391:A book illustration reprinting
223:An example of one of Lebedev's
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127:; ballerina and choreographer
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813:. Nijmegen: L.S. p. 344.
904:. Antique Collectors' Club.
234:embracing peasants in 1914.
138:Vladimir Vasilyevich Lebedev
115:Constructivist, Productivist
1283:Maria Kleschar-Samokhvalova
463:Union List of Artists Names
457:Russian Placards, 1917-1922
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229:the Workers' and Peasants'
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359:Tale About a Foolish Mouse
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193:Tale About a Foolish Mouse
18:Vladimir Lebedev (painter)
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809:Lemmens, Albert (2009).
765:The Museum of Modern Art
377:, as well as The Table,
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277:(Журнал для всех), and
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1633:Kapitolina Rumiantseva
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853:. 27 September 2013
541:Library of Congress
439:Nadezhda Nadezhdina
419:The Financial Times
330:Vladimir Mayakovsky
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150:Russian avant-garde
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1188:Vladimir Chekalov
1113:Vsevolod Bazhenov
930:agromassidayu.com
911:978-1-85149-182-7
741:www.dartmouth.edu
669:5 (1987): 60–75.
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383:On the River.
380:
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371:Twelve Months
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356:
352:
347:
343:
342:Nikolay Punin
339:
335:
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317:
314:
313:cubo-futurist
310:
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298:ROSTA windows
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205:The Four Arts
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170:productionism
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1823:Lazar Yazgur
1783:Boris Ugarov
1658:Gleb Savinov
1648:Ivan Savenko
1643:Arcady Rylov
1578:Boris Petrov
1538:Victor Otiev
1433:Boris Maluev
1393:Oleg Lomakin
1258:Tatiana Gorb
1203:Oleg Eremeev
1138:Zlata Bizova
995:(in Russian)
987:SOVCOM (bio)
982:(in Russian)
979:Artonline.ru
953:. Retrieved
944:
933:. Retrieved
929:
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881:. Retrieved
878:The Guardian
877:
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855:. Retrieved
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793:. Retrieved
791:. 2011-11-04
789:the Guardian
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718:, retrieved
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415:The Guardian
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137:
136:
1884:1967 deaths
1879:1891 births
1713:Elena Skuin
1563:Yuri Pavlov
1533:Lia Ostrova
1518:Lev Orekhov
1488:Vera Nazina
1368:Ivan Lavsky
1218:Boris Fogel
445:Collections
320:suprematist
185:Maxim Gorky
166:suprematism
76:Nationality
1873:Categories
1778:Yuri Tulin
1718:Kim Slavin
1638:Lev Russov
1573:Varlen Pen
1118:Yuri Belov
955:27 October
935:2021-11-11
883:27 October
857:27 October
795:2021-11-10
770:2021-11-10
746:2021-11-10
720:2021-11-10
583:2021-11-10
546:2021-11-10
494:References
238:See also:
832:(2): 298.
627:240748914
355:Ice Cream
338:formalist
316:Ivan Puni
258:Satirikon
123:Sculptor
120:Spouse(s)
84:Education
70:Leningrad
327:futurist
294:Agitprop
267:Галчонок
231:Red Army
158:futurism
112:Movement
693:13 June
423:diktats
375:Luggage
334:acmeist
263:Jackdaw
183:, whom
142:Russian
974:Artnet
908:
625:
615:
351:Circus
215:Career
201:Raduga
174:cubism
623:S2CID
290:ROSTA
279:Argus
154:lubki
104:Style
957:2016
906:ISBN
885:2016
859:2016
695:2013
613:ISBN
417:and
381:and
373:and
336:and
332:and
242:and
172:and
64:Died
52:Born
671:doi
605:doi
269:),
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