90:, the oldest instruments, enter. As the orchestra grows, a kind of progression of materials unfolds. But they are the same materials, treated differently." The ensemble is later joined by the electronic elements, which provide the "only contribution to sound of the 20th century." He added, "I didn't want a piece where electronics, like an upstart, are used to shake things up. I wanted them to add to the beauty of the orchestra."
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189:, well rendered by the soprano Sylvia McNair, was intended to show the development of musical complexity over the millennium, from the unadorned human voice to electronic sound. It might just as well have shown the triumph of effects over music. Although this piece seemed politely to honor Mr. Masur's specifications, there seemed little concern for the project's underlying humanism." Peter G. Davis of
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to suggest ways in which electronics may affect the future of musical performance by altering the acoustical properties of the human voice (here soprano Sylvia McNair) and a symphony orchestra. It's not exactly an innovative concept --
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titled "Messages for the
Millennium." Corigliano used the opportunity of the commission to illustrate the evolution of music through the past millennium. In a pre-concert interview with
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has received a mixed response from music critics. Reviewing the world premiere program "Messages for the
Millennium," James R. Oestreich wrote, "John Corigliano's
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called it "a marvelous 21-minute" work and opined, "'I wanted to write a piece for electronics that was beautiful to hear.' And so it is."
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The music was commissioned by Masur and the New York
Philharmonic for a program of all new music commemorating the
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came off as a pretty crude piece of work, more a random collection of sound effects than music of substance."
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with financial contributions from the
Francis Goelet Fund. It was given its world premiere by the soprano
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371:"Discs: Paul McCartney, International Jazz, and a percussion concerto by John Corigliano"
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The work is scored for a soprano, electronics, and a large orchestra consisting of three
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315:"MUSIC REVIEW; On Rudeness, in the Abstract and in the Audience"
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on
November 11, 1999. The piece is dedicated to Sylvia McNair.
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287:"MUSIC; Millennial Hope with a Tincture of Hopelessness"
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similarly observed, "Apparently
Corigliano wrote his
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45:and the New York Philharmonic under Masur at
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64:and has a duration of roughly 20 minutes.
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227:List of compositions by John Corigliano
341:Davis, Peter G. (November 29, 1999).
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33:. The work was commissioned by the
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369:Simon, Jeff (October 16, 2013).
662:Compositions by John Corigliano
204:did it all 45 years ago -- and
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532:for Saxophonist and Orchestra
130:(all offstage; 2nd doubling
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211:Conversely, Jeff Simon of
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29:by the American composer
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60:is composed in a single
158:, four percussionists,
37:under the direction of
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35:New York Philharmonic
21:is a composition for
433:List of compositions
285:(November 7, 1999).
599:The Mannheim Rocket
25:, electronics, and
625:Corigliano Quartet
574:Campane di Ravello
542:Other compositions
514:Pied Piper Fantasy
320:The New York Times
292:The New York Times
283:Tommasini, Anthony
83:The New York Times
667:1999 compositions
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607:One Sweet Morning
507:Clarinet Concerto
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47:Avery Fisher Hall
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592:(soundtrack)
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380:. Retrieved
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296:. Retrieved
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140:glockenspiel
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150:, optional
53:Composition
656:Categories
566:Revolution
459:Symphonies
262:Retrieved
255:"Vocalise"
233:References
162:(doubling
88:percussion
68:Background
39:Kurt Masur
530:Triathlon
488:Concertos
178:Reception
144:trombones
112:clarinets
27:orchestra
641:Category
582:Vocalise
522:Conjurer
348:New York
253:(1999).
221:See also
206:Vocalise
197:Vocalise
192:New York
187:Vocalise
183:Vocalise
136:crotales
128:trumpets
120:bassoons
110:, three
62:movement
58:Vocalise
18:Vocalise
618:Related
382:May 28,
354:May 28,
326:May 28,
298:May 28,
264:May 28,
172:strings
164:celesta
156:timpani
142:), two
126:, four
122:, four
118:), two
106:), two
104:piccolo
23:soprano
610:(2010)
602:(2000)
594:(1999)
585:(1999)
577:(1987)
569:(1985)
561:(1980)
553:(1965)
534:(2020)
525:(2007)
517:(1982)
509:(1977)
503:(1975)
497:(1968)
480:(2004)
474:(2000)
468:(1989)
451:(1991)
170:, and
100:flutes
550:Elegy
440:Opera
160:piano
124:horns
108:oboes
384:2016
356:2016
328:2016
300:2016
266:2016
168:harp
152:tuba
166:),
80:of
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274:^
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240:^
174:.
154:,
146:,
416:e
409:t
402:v
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268:.
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