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Von Magnet

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380:) with whom they prepared their first demo tapes, Von Magnet, helped by Hugh Griffiths at the Remaximum studios, composed their first auto-produced E.P : "I". The record, firstly confidential, was soon distributed within Europe and featured in the charts of the independent music dance clubs. Coming from the world of theatre (Flore Magnet, Samia Doukali), visual arts (Laurence Abraham, Erik Yaeger) or music (Stocha, Phil Von), the different individuals forming the group invented a style of performance which combined all of those disciplines. 896:, Von Magnet returned to the conquest of classic theatre stages and pushed the idea of the confrontation between opposite poles, neighbour territories and conflicting characters. The arrival of new members : Tit’o, electric guitar player with the groups Picore, Uzul Prod. and Oddateee, Hugues Villette (drums) half of the electronic duet 2Kilos & More, and Lisa May (performer & dancer for the company Troubleyn 24: 132: 985:, was released in February 2019 on Zona Music (LT) and Ant-Zen (DE). In 2016. together with Somekilos from 2kilos &More, he created the tribal electro project META MEAT, which album "Metameat" was released on two labels – Ant-Zen and Audiotrauma – and toured Europe with great success. In 2019, he created in Lithuania his first solo dance-music performance 889:. The piece was a metaphor of the "wall" which stands between two human beings and two close worlds. It radically cut up the theatre hall in two-halves splitting the public in two groups. Two characters lived back to back in two rooms (a kitchen and a bedroom), separated by a white wall/screen but linked to each other by a video surveillance system. 829:, etc.) remained. The performance, although more traditionally flamenco, was atypical. Placed on a cross shaped stage structure in the center of a venue, each branch held one of the performer/singer/guitarist/dancer, directly aimed towards the public who was invited to move around the 360° scenic installation. Yana Maizel, flamenco dancer and 940:
festival. He was musician & performer with Russian/German company Do Theatre (Anatomy of Fantasy), French performance company Materia Prima (Body Without Wings, Insomnia, Eternal, Batailles, Choir, Cabaret Rouge), Street Theatre companies Entre Terre et Ciel (Neige de Feu, Physalis, Alma, Envol),
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gathered Mimetic (drums, electronics), Sigmoon (acoustic & electric instruments), Flore Magnet (vocals) and Phil Von (vocals & flamenco dance), a strong quartet for a frontal concert accompanied by video projections showing the graphic cybernetic visual creations of artist Servovalve. After
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took Von Magnet away from its flamenco influences and approached more diverse horizons. This time the music wanders towards Oriental, Mediterranean or even Eastern European sound atmospheres. The concert-performance Mezclador experimented again with some daring ideas of scenic destabilisation, this
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talked about mutations, human (physical or psychological) or material (scenographic), pushing the limits which can define a performance piece, questioning the place, voyeurism and comfort of an audience as well as constantly transforming the space and actions. The troupe expanded with the encounter
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Although strongly focused around the music component, the peculiarity of Von Magnet is to endeavour the recurrent relationship between theatrical actions, dance as well as visual or performance arts, resulting in the creation of "staged" concerts. These multidisciplinary performances bring together
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broached the delicate subject of the Israeli-Palestinian conflict and the complex situation in the Middle East. The album was more instrumental but resolutely industrial, tribal (with intricate Arabic percussions) and dark. Def, who had been sound engineering and shaping the live sound of the band
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To access a different network of smaller venues on a broader scale, Flore Magnet, Laurence Abraham, Rosa Sanchez, Stocha, Phil Von & Erik Yaeger, decided to condense their favourite themes. Coming back to a new concert-performance formula, this time more accessible, the show "Flamenco mutants"
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in London, the group gathered around Flore Magnet (stage direction, actions, vocals) and Phil Von (composition, feet percussion, vocals) initiating a style of their own which they named "Electroflamenco". Becoming rapidly well known in the underground because of their new approach to electronic
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Vilnius, Post Gallery Kaunas and Menu Spaustuvè Vilnius. In 2020, he produced the solo album of Lithuanian folk musician Algirdas Klova. His concert collaboration "Eiti Ramyben" with classical piano musician Rokas Zubovas revisiting electronically some piano works of famous Lithuanian composer
635:, Von Magnet mutated once again, proposing a different musical approach. More acoustic or even "electro-rock", they brought a specific selection of songs onto the opera stage in the middle of the classical ballet dancers. The percussionist JĂ©rome Soudan aka Mimetic (TĂ©tines Noires, 335:, etc.). Their compositions, either instrumental or vocal melodramas, poetic, lyrical, cabaret crooning are sung or spoken in different languages; English, Spanish, French, and also in Arabic, German, Turkish or Russian. Since 1985, even before the " 704:
time using three stage areas, lighting sculptures and objects (created by visual artist Angelino), television screens, vinyl scratch (musician ON OFF aka Christophe Coutant) and choreographed physical actions in the midst of the audience.
710:, a performance especially designed for 3 old factories (in France, Germany & the Netherlands) was set around four cardinal stages encircling the public and featuring a special collaboration with contemporary dancer Myriam Gourfink. 573:
More artists arrived to collaborate on different presentations of this big project (Mariana Bouhsira, Gregory Ryan, William Petit, Rob Verdegaal, Patricia Ruyters, John Wagland, Kate Tierney, Ken Thomas, Mick Jingle, et al.). The album
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musicians, actors, dancers, sculptors, video artists... destabilizing the codes or the staging conventions, the musicians become acting characters whereas the dancers/actors are bound to participate in live sound creation.
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portrayed the soundtrack studio version of the show as a musical drama. It was recorded by Norscq (aka JLM from the cult band The Grief) and again produced in London by Ken Thomas for the French record label Danceteria.
478:) surrounded by television screens and two opposite stages. Metal costumes hung from the ceiling, objects made out of wire (creations of Andalusian sculptor artist Manuel Olarte), physical actions, slide projections, 941:
Underclouds (Funambus, Petites Histoires sans Gravité, VerSant) & U-Structure Nouvelle (Strip-Tease Forain, Melankholia). In 2017/18 he wrote and performed the music of the theatre play
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was presented in Berlin for three years, then toured throughout Europe. It is that encounter with the world of German Ballet which led Von Magnet to work for choreographer Mario Schröder in
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he is composing for Sakurako and her new Baltic butoh dance-theatre company Okarukas (Now-Here, Voyager, Dolls, Spells, Here-After, Birds). Under his own name, he has released four albums:
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Phil Von parallel to his work with Von Magnet is composing as well as performing for different dance-theatre and street-theatre companies. After the collaboration with Norscq on
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took place in rock venues, discothèques or art galleries. The guitarist Sigmoon, aka Pierre Vildard, joined the venture. The last chapter of their electroflamenco trilogy,
695:(produced by Norscq), Stocha (aka Alain Baumann) left Von Magnet to dedicate himself to his work with Konic Theatre. With this record, Phil Von, inspired by film director 474:...) went on to tour throughout Europe with the help of the Dutch agency NL Centrum. The scenography of the performance is set around a saw dust arena (a reference to 319:
This electronic ethnic mix, often referred to as "expressionist" or even tribal music, features also references to contemporary and cinematographic soundscapes, (
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player completed the line-up. Circular images projections were created by film maker Xavier Ameller. The last production occurred in the Musée des Beaux Arts of
742:, mainly programmed by Mimetic & Phil Von, held a more electronic feel. The acoustic components remained with the multi-instrumental virtuosity of Sigmoon ( 1489: 1388: 596:, produced by Norscq for Danceteria, proposed an opus of maturity which summed up their experience of industrial gypsy life. After paying tribute to 1494: 1267: 355:...) using intensive sound collage and sampling techniques. This work will give birth to their motto: "Sample us as we have already sampled you". 498:
Von Magnet left London to lead a new nomadic life following the path of different residencies and tours in Europe. They settled for a while in
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which somehow marked the live experience of the band. Still opening up to a wider range of musical landscapes, but this time with a slight
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Flamenca) who both contributed to the first showings and tours. Von Magnet met with music wizard Phil Erb (keyboard player of the group
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dance and guitar, saxophone (Stocha), singing and electronic sequences are fused together to form this first interdisciplinary piece.
456: 616:), Micha S. Zanx (electric guitars) and Richard Cuvillier, trumpet player, composer and sound engineer who also played on the record 534:, the show was later on modified and re-adapted inside old disused factories or odd alternative spaces (hospital, warehouses, etc.). 107: 203: 1401: 957:
choreographer Sakurako in Paris for her company Re-United Now-Here (BanzaĂŻ 2.0, Corsonor, Not a Love Story) and currently in
467: 45: 1207: 730:(album and performances "L'Autre Nuit"), Von Magnet delved into different interpretations on the thematics of rituals or 88: 396: 1303: 60: 471: 41: 981:
on Ant-Zen Records. A selection of his best soundtracks written for the street theatre company Underclouds, entitled
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and the Musiques Nouvelles Ensemble of Jean Paul Dessy which was performed in Brussels. With Mimetic he created
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triggering, Pani projections (designed by Thierry Noyer), futuristic characters hanging in the air, acrobatics,
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This performance, outlined in the London underground club scenes, then presented in diverse theatre festivals (
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soundtrack of performance for the Portuguese company Persona (Thisco records) and in 2015 the more intimate
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of Spanish performer & actress Rosa Sanchez, Austrian performer Franz F. Feigl and French musician TNO.
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with the company Persona for the festival Imaginarius, Von Magnet approached the world of street theatre.
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a piece written for twelve young Turkish artists at the International Theatre Festival of
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who are honoured in El Grito. New guest musicians excelled on that record, Simon Lee (
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In 2005, Flore and Phil decided to go back to their vision of modern flamenco.
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the essence of musical theatricality, poetical lyrics and cinema references (
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allowed each song to be coloured by a touch of feminine flamenco guitar. In
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With the direction of two singular "made to measure" big scale projects,
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The same year, Holeg Spies, electronic musician and composer, achieved
794: 755: 719: 486:"Cybergypsies", the quest for a "total physical theatre" performance. 901: 848:, an album made out of his own versions of classic Von Magnet songs. 731: 672: 632: 546: 531: 1469: 1351: 727: 1190:
double DVD digipack with video archives / bonus audio & remixes
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was born. Partially invented inside an abandoned slaughterhouse in
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Performance by Von Magnet in V2 's Hertogenbosch Netherlands.1988
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With that "off" or non-stage production, the band became a real
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In parallel, they were initiated to flamenco rhythms (palmas,
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Invited by choreographer Jan Linkens to create the ballet
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Artsonores. L'aventure Ă©lectroacoustique. 15 Mars 2009
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After the completion of the arrangements on the album
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review Suvmi Holeg Spies under Von Magnet influence
1148:(PrikosnovĂ©nie (F), CD re-release from 1987) (2001) 284: 280: 244: 240: 216: 212: 191: 181: 151: 143: 138: 122: 48:. Unsourced material may be challenged and removed. 1142:(XIII Bis records (F) / KK Records (B), CD) (2000) 1222:Atraktos.net, 27 January 2005. by Georgos Galanis 1106:(Danceteria (F), 6 tracks CD, K7 & LP) (1992) 339:" era, they experimented within the likes of the 1378:Caleidoscoop. Jan Willem Broek. 18 February 2013 936:for the GRM (Group of Musical Research) and the 299:is a theatre music band that originated in the 451:as well as from early electronic acts such as 1166:(Ant-Zen (D), Jarring Effects (F), CD) (2009) 998:was released on vinyl in 2021 on Zona Music. 308:music, firstly by incorporating the bases of 8: 1210:Heathen Harvest, 1 April 2009. by Perceptron 1470:Website of the record label Jarring Effects 651:, was invited especially for the occasion. 928:(double string quartet + electronics) for 639:) became the first drummer of Von Magnet. 431:...), with whom they achieved their album 376:After a collaboration with Robert Rental ( 368:London, the "Electroflamenco" initiation. 130: 119: 583:Berlin, entrance in the world of Ballet. 303:musical current of the 1980s. Founded in 108:Learn how and when to remove this message 1294:Side Line Music Magazine, 8 January 2009 1172:(Ant-Zen (D), Von Magnet Records) (2012) 1200: 1316:Manifestation for the Unstable Media 2 1246:Side Line Music Magazine, 28 June 2005 647:company), whom they met in London for 1429:"Meta Meat – "Metameat" album review" 7: 1366:Heathen Harvest, 15 June 2007. by ZG 873:(and also among many other acts for 343:musical movement (Greater Than One, 46:adding citations to reliable sources 1475:Website of the record label Ant-Zen 1078:(Danceteria (F), 12"single.) (1988) 1490:Musical groups established in 1985 1354:by Swayri / Skyrock. 12 March 2009 457:Deutsch Amerikanische Freundschaft 14: 996:Mikalojus Konstantinas ÄŚiurlionis 549:companies, sometimes compared to 1306:by Marcus Pan / Legends Magazine 945:in London for François Testory ( 908:. With the release of the album 846:Spies under Von Magnet Influence 679:The Mediterranean/oriental mix. 565:dance, water, fire and welding. 22: 1154:(Von Magnet Records, CD) (2005) 1100:(Danceteria (F), CD, LP) (1991) 1010:El Sexo Sur Realista. II (1989) 864:In its own intimate poetic way 762:Back to the roots of Flamenco. 761: 33:needs additional citations for 1495:1985 establishments in England 1136:(Sculptured Sounds, CD) (1997) 1007:El Sexo Sur Realista. I (1987) 604:(Computador), this time it is 530:) then created in a church in 468:Institute of Contemporary Arts 1: 1258:by Marc Urselli / Chain D.L.K 600:(El Sexo Sur-Realista) & 1328:review Ni PrĂ©dateur Ni Proie 1292:review Ni PrĂ©dateur Ni Proie 1280:review Ni PrĂ©dateur Ni Proie 1268:review Ni PrĂ©dateur Ni Proie 1208:review Ni PrĂ©dateur Ni Proie 1094:(N.L), K7. Collector) (1990) 1047:Ni PrĂ©dateur Ni Proie (2008) 892:With its latest performance 472:National Review of Live Art 1511: 969:and the musicians of Fès ( 713:The next stage production 439:, iconic flamenco artists 1112:(Act (F), CD Live) (1993) 1088:El Sexo Sur Realista live 870:Neither Predator Nor Prey 854:Neither Predator Nor Prey 718:Phil Von's solo album in 643:singer François Testory ( 262:Pierre Vildard (Sigmoon) 129: 1072:(In9 (F), CD, LP) (1987) 1460:Discography on Bandcamp 1016:Flamenco Mutants (1993) 989:which was performed in 943:Medea written with rage 264:Alain Baumann (Stocha) 254:JĂ©rome Soudan (Mimetic) 1465:Discography on Discogs 1256:review Electroflamenco 1234:OUIM.org, 21 July 2006 1183:Performances 1985/2013 1110:La Centrale MagnĂ©tique 1028:Stalker Project (2000) 661:Guten Morgen Du Schöne 395:) as well as producer 289:http://www.vonmag.net/ 274:Gregory Pignot (Servo) 139:Background information 1443:"Kai nusistovÄ—s tyla" 1352:review "L'Autre Nuit" 1340:review "L'Autre Nuit" 1164:Ni PrĂ©dateur Ni Proie 987:Human, Lost and Found 971:PrikosnovĂ©nie records 924:, he wrote the piece 866:Ni PrĂ©dateur Ni Proie 631:at the Komische Oper 1376:review Archipielagos 1146:El Sexo Sur Realista 1118:(Act (F), CD) (1994) 1082:GTO meets Von Magnet 1070:El Sexo Sur Realista 1053:Archipielagos (2013) 1042:with company Persona 1022:Nuevas Cruzes (1995) 947:DV8 Physical Theatre 738:flavour, the record 669:Anhaltisches Theater 649:El Sexo Sur-realista 433:El Sexo Sur-Realista 370:El Sexo Sur Realista 314:Middle Eastern music 250:Sabine Van Den Oever 42:improve this article 1445:. 23 December 2019. 1364:review Deadline Now 852:Staging Magnetism. 272:Thierry Noyer (TNO) 166:, performance art, 1402:MIMETIC + Phil VON 1304:review De L'Aimant 1244:review De L'Aimant 1220:review De L'Aimant 1037:De L'Aimant (2005) 1034:1+1+1+1 = 1 (2002) 885:& Emmetrop in 441:CamarĂłn de la Isla 276:Christophe Coutant 234:Nicolas Priouzeau 1330:Headphone Commute 1282:Compulsion Online 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827:David Lynch 815:De L’Aimant 791:De L’Aimant 782:created in 766:. 2003–2007 764:De L'Aimant 701:Latcho Drom 697:Tony Gatlif 687:. 1997–2002 622:De L'Aimant 606:Luis Buñuel 587:. 1995–1997 541:, close to 494:. 1990–1994 372:. 1985–1990 1484:Categories 1195:References 1140:El Planeta 1122:Cosmogonia 1098:Computador 1092:Staalplaat 906:St Etienne 740:El Planeta 715:El Planeta 685:El Planeta 667:) and the 665:Fight Club 576:Computador 567:Computador 539:collective 520:Computador 488:Computador 429:Current 93 413:Dave Gahan 401:Psychic TV 397:Ken Thomas 393:Psychic TV 385:zapateados 378:The Normal 333:Amos Gitai 297:Von Magnet 124:Von Magnet 68:newspapers 1134:Mezclador 991:MO Museum 959:Lithuania 898:Jan Fabre 894:Polarized 858:Polarized 837:during a 811:The Hague 803:siguiriya 772:1+1+1+ =1 722:with the 693:Mezclador 681:Mezclador 618:Mezclador 528:Catalonia 508:Amsterdam 506:, Paris, 500:Barcelona 409:Sigur RĂłs 405:Test Dept 164:dark wave 1158:El Grito 1116:El Grito 930:Art Zoyd 916:Phil Von 807:fandango 799:soleares 784:Portugal 744:bouzouki 637:Art Zoyd 594:El Grito 563:flamenco 524:Badalona 504:Brittany 492:El Grito 480:flamenco 470:, LIFT, 310:flamenco 230:Lisa May 222:Phil Von 168:coldwave 160:flamenco 1076:Alma La 926:Compass 887:Bourges 795:buleria 720:Morocco 502:, then 453:Suicide 363:History 285:Website 217:Members 204:Ant-Zen 82:scholar 1342:Douban 1044:(2006) 902:Vanves 877:& 778:, and 756:santur 732:trance 673:Dessau 633:Berlin 608:& 547:circus 532:Rennes 463:...). 192:Labels 152:Genres 147:France 144:Origin 84:  77:  70:  63:  55:  965:with 955:butoh 951:Gecko 883:Nancy 835:Lille 831:cajon 776:Izmit 752:israj 748:sitar 724:Gnawa 614:cajon 512:Lille 228:Tit'o 89:JSTOR 75:books 856:and 736:Sufi 657:Kiel 561:and 555:MIDI 510:and 490:and 421:Moby 389:Peña 353:Coil 305:1985 61:news 1177:DVD 973:), 868:or 728:Fès 671:in 545:or 349:SPK 224:Def 44:by 1486:: 949:, 825:, 821:, 805:, 801:, 797:, 754:, 750:, 746:, 683:/ 675:. 663:, 624:. 459:, 455:, 447:, 443:, 427:, 423:, 419:, 415:, 411:, 407:, 403:, 351:, 347:, 331:, 327:, 323:, 316:. 174:, 170:, 162:, 158:, 1431:. 1417:. 1391:. 1090:( 1064:I 659:( 526:( 399:( 111:) 105:( 100:) 96:( 86:· 79:· 72:· 65:· 38:.

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Electronic music
flamenco
dark wave
coldwave
post-industrial
industrial music
Jarring Effects
Ant-Zen
http://www.vonmag.net/
post-industrial
1985
flamenco
Middle Eastern music
AndreĂŻ Tarkovski
John Cassavetes
Carlos Saura
Amos Gitai
Computer music

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