380:) with whom they prepared their first demo tapes, Von Magnet, helped by Hugh Griffiths at the Remaximum studios, composed their first auto-produced E.P : "I". The record, firstly confidential, was soon distributed within Europe and featured in the charts of the independent music dance clubs. Coming from the world of theatre (Flore Magnet, Samia Doukali), visual arts (Laurence Abraham, Erik Yaeger) or music (Stocha, Phil Von), the different individuals forming the group invented a style of performance which combined all of those disciplines.
896:, Von Magnet returned to the conquest of classic theatre stages and pushed the idea of the confrontation between opposite poles, neighbour territories and conflicting characters. The arrival of new members : Tit’o, electric guitar player with the groups Picore, Uzul Prod. and Oddateee, Hugues Villette (drums) half of the electronic duet 2Kilos & More, and Lisa May (performer & dancer for the company Troubleyn
24:
132:
985:, was released in February 2019 on Zona Music (LT) and Ant-Zen (DE). In 2016. together with Somekilos from 2kilos &More, he created the tribal electro project META MEAT, which album "Metameat" was released on two labels – Ant-Zen and Audiotrauma – and toured Europe with great success. In 2019, he created in Lithuania his first solo dance-music performance
889:. The piece was a metaphor of the "wall" which stands between two human beings and two close worlds. It radically cut up the theatre hall in two-halves splitting the public in two groups. Two characters lived back to back in two rooms (a kitchen and a bedroom), separated by a white wall/screen but linked to each other by a video surveillance system.
829:, etc.) remained. The performance, although more traditionally flamenco, was atypical. Placed on a cross shaped stage structure in the center of a venue, each branch held one of the performer/singer/guitarist/dancer, directly aimed towards the public who was invited to move around the 360° scenic installation. Yana Maizel, flamenco dancer and
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festival. He was musician & performer with
Russian/German company Do Theatre (Anatomy of Fantasy), French performance company Materia Prima (Body Without Wings, Insomnia, Eternal, Batailles, Choir, Cabaret Rouge), Street Theatre companies Entre Terre et Ciel (Neige de Feu, Physalis, Alma, Envol),
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gathered
Mimetic (drums, electronics), Sigmoon (acoustic & electric instruments), Flore Magnet (vocals) and Phil Von (vocals & flamenco dance), a strong quartet for a frontal concert accompanied by video projections showing the graphic cybernetic visual creations of artist Servovalve. After
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took Von Magnet away from its flamenco influences and approached more diverse horizons. This time the music wanders towards
Oriental, Mediterranean or even Eastern European sound atmospheres. The concert-performance Mezclador experimented again with some daring ideas of scenic destabilisation, this
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talked about mutations, human (physical or psychological) or material (scenographic), pushing the limits which can define a performance piece, questioning the place, voyeurism and comfort of an audience as well as constantly transforming the space and actions. The troupe expanded with the encounter
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Although strongly focused around the music component, the peculiarity of Von Magnet is to endeavour the recurrent relationship between theatrical actions, dance as well as visual or performance arts, resulting in the creation of "staged" concerts. These multidisciplinary performances bring together
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broached the delicate subject of the
Israeli-Palestinian conflict and the complex situation in the Middle East. The album was more instrumental but resolutely industrial, tribal (with intricate Arabic percussions) and dark. Def, who had been sound engineering and shaping the live sound of the band
591:
To access a different network of smaller venues on a broader scale, Flore Magnet, Laurence
Abraham, Rosa Sanchez, Stocha, Phil Von & Erik Yaeger, decided to condense their favourite themes. Coming back to a new concert-performance formula, this time more accessible, the show "Flamenco mutants"
307:
in London, the group gathered around Flore Magnet (stage direction, actions, vocals) and Phil Von (composition, feet percussion, vocals) initiating a style of their own which they named "Electroflamenco". Becoming rapidly well known in the underground because of their new approach to electronic
993:
Vilnius, Post
Gallery Kaunas and Menu Spaustuvè Vilnius. In 2020, he produced the solo album of Lithuanian folk musician Algirdas Klova. His concert collaboration "Eiti Ramyben" with classical piano musician Rokas Zubovas revisiting electronically some piano works of famous Lithuanian composer
635:, Von Magnet mutated once again, proposing a different musical approach. More acoustic or even "electro-rock", they brought a specific selection of songs onto the opera stage in the middle of the classical ballet dancers. The percussionist JĂ©rome Soudan aka Mimetic (TĂ©tines Noires,
335:, etc.). Their compositions, either instrumental or vocal melodramas, poetic, lyrical, cabaret crooning are sung or spoken in different languages; English, Spanish, French, and also in Arabic, German, Turkish or Russian. Since 1985, even before the "
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time using three stage areas, lighting sculptures and objects (created by visual artist
Angelino), television screens, vinyl scratch (musician ON OFF aka Christophe Coutant) and choreographed physical actions in the midst of the audience.
710:, a performance especially designed for 3 old factories (in France, Germany & the Netherlands) was set around four cardinal stages encircling the public and featuring a special collaboration with contemporary dancer Myriam Gourfink.
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More artists arrived to collaborate on different presentations of this big project (Mariana
Bouhsira, Gregory Ryan, William Petit, Rob Verdegaal, Patricia Ruyters, John Wagland, Kate Tierney, Ken Thomas, Mick Jingle, et al.). The album
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musicians, actors, dancers, sculptors, video artists... destabilizing the codes or the staging conventions, the musicians become acting characters whereas the dancers/actors are bound to participate in live sound creation.
578:
portrayed the soundtrack studio version of the show as a musical drama. It was recorded by Norscq (aka JLM from the cult band The Grief) and again produced in London by Ken Thomas for the French record label
Danceteria.
478:) surrounded by television screens and two opposite stages. Metal costumes hung from the ceiling, objects made out of wire (creations of Andalusian sculptor artist Manuel Olarte), physical actions, slide projections,
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Underclouds (Funambus, Petites
Histoires sans Gravité, VerSant) & U-Structure Nouvelle (Strip-Tease Forain, Melankholia). In 2017/18 he wrote and performed the music of the theatre play
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was presented in Berlin for three years, then toured throughout Europe. It is that encounter with the world of German Ballet which led Von Magnet to work for choreographer Mario Schröder in
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he is composing for Sakurako and her new Baltic butoh dance-theatre company Okarukas (Now-Here, Voyager, Dolls, Spells, Here-After, Birds). Under his own name, he has released four albums:
881:), became co-composer of the project and joined Flore Magnet & Phil Von on stage. The performance created from this CD was co-produced with the help of T.O.T.E.M Materia Prima in
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Phil Von parallel to his work with Von Magnet is composing as well as performing for different dance-theatre and street-theatre companies. After the collaboration with Norscq on
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took place in rock venues, discothèques or art galleries. The guitarist Sigmoon, aka Pierre Vildard, joined the venture. The last chapter of their electroflamenco trilogy,
695:(produced by Norscq), Stocha (aka Alain Baumann) left Von Magnet to dedicate himself to his work with Konic Theatre. With this record, Phil Von, inspired by film director
474:...) went on to tour throughout Europe with the help of the Dutch agency NL Centrum. The scenography of the performance is set around a saw dust arena (a reference to
319:
This electronic ethnic mix, often referred to as "expressionist" or even tribal music, features also references to contemporary and cinematographic soundscapes, (
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player completed the line-up. Circular images projections were created by film maker Xavier Ameller. The last production occurred in the Musée des Beaux Arts of
742:, mainly programmed by Mimetic & Phil Von, held a more electronic feel. The acoustic components remained with the multi-instrumental virtuosity of Sigmoon (
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596:, produced by Norscq for Danceteria, proposed an opus of maturity which summed up their experience of industrial gypsy life. After paying tribute to
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355:...) using intensive sound collage and sampling techniques. This work will give birth to their motto: "Sample us as we have already sampled you".
498:
Von Magnet left London to lead a new nomadic life following the path of different residencies and tours in Europe. They settled for a while in
1389:"PHIL VON (Okarukas, Underclouds, Meta Meat, von Magnet): When there is no sound, life ends | Mindaugas Peleckis | Garsas / Sound"
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which somehow marked the live experience of the band. Still opening up to a wider range of musical landscapes, but this time with a slight
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391:
Flamenca) who both contributed to the first showings and tours. Von Magnet met with music wizard Phil Erb (keyboard player of the group
482:
dance and guitar, saxophone (Stocha), singing and electronic sequences are fused together to form this first interdisciplinary piece.
456:
616:), Micha S. Zanx (electric guitars) and Richard Cuvillier, trumpet player, composer and sound engineer who also played on the record
534:, the show was later on modified and re-adapted inside old disused factories or odd alternative spaces (hospital, warehouses, etc.).
107:
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choreographer Sakurako in Paris for her company Re-United Now-Here (BanzaĂŻ 2.0, Corsonor, Not a Love Story) and currently in
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730:(album and performances "L'Autre Nuit"), Von Magnet delved into different interpretations on the thematics of rituals or
88:
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60:
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on Ant-Zen Records. A selection of his best soundtracks written for the street theatre company Underclouds, entitled
67:
34:
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and the Musiques Nouvelles Ensemble of Jean Paul Dessy which was performed in Brussels. With Mimetic he created
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triggering, Pani projections (designed by Thierry Noyer), futuristic characters hanging in the air, acrobatics,
466:
This performance, outlined in the London underground club scenes, then presented in diverse theatre festivals (
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soundtrack of performance for the Portuguese company Persona (Thisco records) and in 2015 the more intimate
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of Spanish performer & actress Rosa Sanchez, Austrian performer Franz F. Feigl and French musician TNO.
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with the company Persona for the festival Imaginarius, Von Magnet approached the world of street theatre.
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793:(literal translation of Von Magnet in French) revisited the obsessive rhythms and patterns (
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a piece written for twelve young Turkish artists at the International Theatre Festival of
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809:...) which kept haunting the band. The discovery of young talent Sabine Van Den Oever in
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553:. With stages on wheels, moving objects and giant sculptures (Manuel Olarte), ingenious
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who are honoured in El Grito. New guest musicians excelled on that record, Simon Lee (
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514:. The Rencontres Transmusicales Festival commissioned them for the creation of major
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900:), complete the distribution of the concert/performance created in the Theatre of
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387:, palos) by dancer Nuria Garcia and guitarist Mick Jingle (members of the London
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435:, their first Electroflamenco manifesto inspired from Federico Garcia Lorca and
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In 2005, Flore and Phil decided to go back to their vision of modern flamenco.
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the essence of musical theatricality, poetical lyrics and cinema references (
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allowed each song to be coloured by a touch of feminine flamenco guitar. In
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1084:(Danceteria (F), 12"single. remixes of the group "Greater than One") (1989)
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With the direction of two singular "made to measure" big scale projects,
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The same year, Holeg Spies, electronic musician and composer, achieved
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486:"Cybergypsies", the quest for a "total physical theatre" performance.
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848:, an album made out of his own versions of classic Von Magnet songs.
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double DVD digipack with video archives / bonus audio & remixes
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was born. Partially invented inside an abandoned slaughterhouse in
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Performance by Von Magnet in V2 's Hertogenbosch Netherlands.1988
1130:(Sculptured Sounds / Opcion Sonica (Mex), CD compilation) (1996)
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With that "off" or non-stage production, the band became a real
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312:(rhythms, dances and melodies) then later adding influences of
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In parallel, they were initiated to flamenco rhythms (palmas,
17:
953:, etc.) which they toured in Great Britain. He worked with
912:, Von Magnet opens a new page of their career (2012/2013).
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Invited by choreographer Jan Linkens to create the ballet
758:) and the Balkan style of violin player Frank DematteĂŻs.
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1415:"Review: META MEAT – Metameat | Brutal Resonance"
1404:
Artsonores. L'aventure Ă©lectroacoustique. 15 Mars 2009
1066:(Sculptured Sounds (G.B), 12"single. Collector) (1986)
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After the completion of the arrangements on the album
1185:(Von Magnet records / La Chaudière Production) (2014)
1160:(Von Magnet Records, CD re-release from 1994) (2006)
1124:(Hypnobeat (D) / Tangram (F), CD remix album) (1995)
1232:
review Suvmi Holeg Spies under Von Magnet influence
1148:(Prikosnovénie (F), CD re-release from 1987) (2001)
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48:. Unsourced material may be challenged and removed.
1142:(XIII Bis records (F) / KK Records (B), CD) (2000)
1222:Atraktos.net, 27 January 2005. by Georgos Galanis
1106:(Danceteria (F), 6 tracks CD, K7 & LP) (1992)
339:" era, they experimented within the likes of the
1378:Caleidoscoop. Jan Willem Broek. 18 February 2013
936:for the GRM (Group of Musical Research) and the
299:is a theatre music band that originated in the
451:as well as from early electronic acts such as
1166:(Ant-Zen (D), Jarring Effects (F), CD) (2009)
998:was released on vinyl in 2021 on Zona Music.
308:music, firstly by incorporating the bases of
8:
1210:Heathen Harvest, 1 April 2009. by Perceptron
1470:Website of the record label Jarring Effects
651:, was invited especially for the occasion.
928:(double string quartet + electronics) for
639:) became the first drummer of Von Magnet.
431:...), with whom they achieved their album
376:After a collaboration with Robert Rental (
368:London, the "Electroflamenco" initiation.
130:
119:
583:Berlin, entrance in the world of Ballet.
303:musical current of the 1980s. Founded in
108:Learn how and when to remove this message
1294:Side Line Music Magazine, 8 January 2009
1172:(Ant-Zen (D), Von Magnet Records) (2012)
1200:
1316:Manifestation for the Unstable Media 2
1246:Side Line Music Magazine, 28 June 2005
647:company), whom they met in London for
1429:"Meta Meat – "Metameat" album review"
7:
1366:Heathen Harvest, 15 June 2007. by ZG
873:(and also among many other acts for
343:musical movement (Greater Than One,
46:adding citations to reliable sources
1475:Website of the record label Ant-Zen
1078:(Danceteria (F), 12"single.) (1988)
1490:Musical groups established in 1985
1354:by Swayri / Skyrock. 12 March 2009
457:Deutsch Amerikanische Freundschaft
14:
996:Mikalojus Konstantinas ÄŚiurlionis
549:companies, sometimes compared to
1306:by Marcus Pan / Legends Magazine
945:in London for François Testory (
908:. With the release of the album
846:Spies under Von Magnet Influence
679:The Mediterranean/oriental mix.
565:dance, water, fire and welding.
22:
1154:(Von Magnet Records, CD) (2005)
1100:(Danceteria (F), CD, LP) (1991)
1010:El Sexo Sur Realista. II (1989)
864:In its own intimate poetic way
762:Back to the roots of Flamenco.
761:
33:needs additional citations for
1495:1985 establishments in England
1136:(Sculptured Sounds, CD) (1997)
1007:El Sexo Sur Realista. I (1987)
604:(Computador), this time it is
530:) then created in a church in
468:Institute of Contemporary Arts
1:
1258:by Marc Urselli / Chain D.L.K
600:(El Sexo Sur-Realista) &
1328:review Ni Prédateur Ni Proie
1292:review Ni Prédateur Ni Proie
1280:review Ni Prédateur Ni Proie
1268:review Ni Prédateur Ni Proie
1208:review Ni Prédateur Ni Proie
1094:(N.L), K7. Collector) (1990)
1047:Ni Prédateur Ni Proie (2008)
892:With its latest performance
472:National Review of Live Art
1511:
969:and the musicians of Fès (
713:The next stage production
439:, iconic flamenco artists
1112:(Act (F), CD Live) (1993)
1088:El Sexo Sur Realista live
870:Neither Predator Nor Prey
854:Neither Predator Nor Prey
718:Phil Von's solo album in
643:singer François Testory (
262:Pierre Vildard (Sigmoon)
129:
1072:(In9 (F), CD, LP) (1987)
1460:Discography on Bandcamp
1016:Flamenco Mutants (1993)
989:which was performed in
943:Medea written with rage
264:Alain Baumann (Stocha)
254:JĂ©rome Soudan (Mimetic)
1465:Discography on Discogs
1256:review Electroflamenco
1234:OUIM.org, 21 July 2006
1183:Performances 1985/2013
1110:La Centrale Magnétique
1028:Stalker Project (2000)
661:Guten Morgen Du Schöne
395:) as well as producer
289:http://www.vonmag.net/
274:Gregory Pignot (Servo)
139:Background information
1443:"Kai nusistovÄ—s tyla"
1352:review "L'Autre Nuit"
1340:review "L'Autre Nuit"
1164:Ni Prédateur Ni Proie
987:Human, Lost and Found
971:Prikosnovénie records
924:, he wrote the piece
866:Ni Prédateur Ni Proie
631:at the Komische Oper
1376:review Archipielagos
1146:El Sexo Sur Realista
1118:(Act (F), CD) (1994)
1082:GTO meets Von Magnet
1070:El Sexo Sur Realista
1053:Archipielagos (2013)
1042:with company Persona
1022:Nuevas Cruzes (1995)
947:DV8 Physical Theatre
738:flavour, the record
669:Anhaltisches Theater
649:El Sexo Sur-realista
433:El Sexo Sur-Realista
370:El Sexo Sur Realista
314:Middle Eastern music
250:Sabine Van Den Oever
42:improve this article
1445:. 23 December 2019.
1364:review Deadline Now
852:Staging Magnetism.
272:Thierry Noyer (TNO)
166:, performance art,
1402:MIMETIC + Phil VON
1304:review De L'Aimant
1244:review De L'Aimant
1220:review De L'Aimant
1037:De L'Aimant (2005)
1034:1+1+1+1 = 1 (2002)
885:& Emmetrop in
441:CamarĂłn de la Isla
276:Christophe Coutant
234:Nicolas Priouzeau
1330:Headphone Commute
1282:Compulsion Online
1031:El Planeta (2001)
1013:Computador (1991)
1002:Stage productions
839:Francisco de Goya
551:La Fura Dels Baus
516:multidisciplinary
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979:Blind Ballet
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975:Deadline Now
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963:L'Autre Nuit
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641:Countertenor
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425:Yann Tiersen
382:
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329:Carlos Saura
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258:Erik Yaeger
252:Yana Maizel
246:Past members
187:1985–present
183:Years active
104:
95:
85:
78:
71:
64:
57:"Von Magnet"
52:
40:Please help
35:verification
32:
15:
1152:De L'Aimant
1058:Discography
967:Gnawa music
934:Groundspace
860:. 2008–2013
827:David Lynch
815:De L’Aimant
791:De L’Aimant
782:created in
766:. 2003–2007
764:De L'Aimant
701:Latcho Drom
697:Tony Gatlif
687:. 1997–2002
622:De L'Aimant
606:Luis Buñuel
587:. 1995–1997
541:, close to
494:. 1990–1994
372:. 1985–1990
1484:Categories
1195:References
1140:El Planeta
1122:Cosmogonia
1098:Computador
1092:Staalplaat
906:St Etienne
740:El Planeta
715:El Planeta
685:El Planeta
667:) and the
665:Fight Club
576:Computador
567:Computador
539:collective
520:Computador
488:Computador
429:Current 93
413:Dave Gahan
401:Psychic TV
397:Ken Thomas
393:Psychic TV
385:zapateados
378:The Normal
333:Amos Gitai
297:Von Magnet
124:Von Magnet
68:newspapers
1134:Mezclador
991:MO Museum
959:Lithuania
898:Jan Fabre
894:Polarized
858:Polarized
837:during a
811:The Hague
803:siguiriya
772:1+1+1+ =1
722:with the
693:Mezclador
681:Mezclador
618:Mezclador
528:Catalonia
508:Amsterdam
506:, Paris,
500:Barcelona
409:Sigur RĂłs
405:Test Dept
164:dark wave
1158:El Grito
1116:El Grito
930:Art Zoyd
916:Phil Von
807:fandango
799:soleares
784:Portugal
744:bouzouki
637:Art Zoyd
594:El Grito
563:flamenco
524:Badalona
504:Brittany
492:El Grito
480:flamenco
470:, LIFT,
310:flamenco
230:Lisa May
222:Phil Von
168:coldwave
160:flamenco
1076:Alma La
926:Compass
887:Bourges
795:buleria
720:Morocco
502:, then
453:Suicide
363:History
285:Website
217:Members
204:Ant-Zen
82:scholar
1342:Douban
1044:(2006)
902:Vanves
877:&
778:, and
756:santur
732:trance
673:Dessau
633:Berlin
608:&
547:circus
532:Rennes
463:...).
192:Labels
152:Genres
147:France
144:Origin
84:
77:
70:
63:
55:
965:with
955:butoh
951:Gecko
883:Nancy
835:Lille
831:cajon
776:Izmit
752:israj
748:sitar
724:Gnawa
614:cajon
512:Lille
228:Tit'o
89:JSTOR
75:books
856:and
736:Sufi
657:Kiel
561:and
555:MIDI
510:and
490:and
421:Moby
389:Peña
353:Coil
305:1985
61:news
1177:DVD
973:),
868:or
728:Fès
671:in
545:or
349:SPK
224:Def
44:by
1486::
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38:.
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