2674:
1398:
704:
3679:
1384:
889:
1412:
2693:
575:
2524:
836:"Classic Scene". But the close relationship with Charles Demuth was more overt. Williams's poem "The Pot of Flowers" (1923) references Demuth's painting "Tuberoses" (1922), which he owned. On his side, Demuth created his "I saw the figure 5 in gold" (1928) as a homage to Williams's poem "The Great Figure" (1921). Williams's collection
49:
518:, Williams wrote his own modern epic poem, focusing on "the local" on a wider scale than he had previously attempted. He also examined the role of the poet in American society and famously summarized his poetic method in the phrase "No ideas but in things" (found in his poem "A Sort of a Song" and repeated again and again in
329:
respectively—spoke
Spanish with each other and to young William Carlos." While he wrote in English, "the poet's first language" was Spanish and his "consciousness and social orientation" were shaped by Caribbean customs; his life influenced "to a very important degree by a plural cultural foundation."
875:
Throughout his career, Williams thought of his approach to poetry as a painterly deployment of words, saying explicitly in an interview, "I've attempted to fuse the poetry and painting, to make it the same thing….A design in the poem and a design in the picture should make them more or less the same
640:
Williams is strongly associated with the
American modernist movement in literature and saw his poetic project as a distinctly American one; he sought to renew language through the fresh, raw idiom that grew out of America's cultural and social heterogeneity, at the same time freeing it from what he
561:
Williams suffered a heart attack in 1948, and after 1949, a series of strokes. Severe depression after one such stroke caused him to be confined to
Hillside Hospital, New York, for four months in 1953. He died on March 4, 1963, at age 79 at his home in Rutherford. He was buried in Hillside Cemetery
378:
Although his primary occupation was as a family doctor, Williams had a successful literary career as a poet. His work has a great affinity with painting, in which he had a lifelong interest. In addition to poetry (his main literary focus), he occasionally wrote short stories, plays, novels, essays,
296:
wrote that
Williams "feels, not just says, that the differences between men are less important than their similarities—that he and you and I, together, are the Little Men." Marc Hofstadter wrote that Williams "sought to express his democracy through his way of speaking. His point was to speak on an
919:
In 1952, Williams was named
Consultant in Poetry to the Library of Congress in Washington, DC, but was barred from serving out his term due to unfounded accusations of Williams's membership in a communist organization. Williams retained legal counsel to refute the charges but was never allowed to
328:
Scholars note that the
Caribbean culture of the family home had an important influence on Williams. Jeffrey Herlihy-Mera observes, "English was not his primary means of communication until he was a teenager. At home his mother and father—who were raised in Puerto Rico and the Dominican Republic,
835:
emerged in response to such thinking. In her study of the influence of painting on
Williams, Ruth Grogan devoted several paragraphs to the dependency of some of his poems on the paintings of Charles Sheeler in this style, singling out in particular the description of a power house in Williams's
693:
Early and late, Williams held the conviction that poetry was, in his friend
Kenneth Burke's phrase, "equipment for living, a necessary guide amid the bewilderments of life." The American ground was wild and new, a place where a blooming foreigner needed all the help he could get. Poems were as
667:
Williams sought to invent an entirely fresh and uniquely
American form of poetry whose subject matter centered on everyday circumstances of life and the lives of common people. He came up with the concept of the "variable foot" which Williams never clearly defined, although the concept vaguely
590:
William Carlos
Williams is as magically observant and mimetic as a good novelist. He reproduces the details of what he sees with surprising freshness, clarity, and economy; and he sees just as extraordinarily, sometimes, the forms of this earth, the spirit moving behind the letters. His quick
387:(whom he had befriended during his medical studies at Penn), but soon he began to develop opinions that differed from theirs and his style changed to express his commitment to a modernist expression of his immediate environment. He was influenced by the "inarticulate poems" of his patients.
641:
saw as the worn-out language of British and European culture. “No one believes that poetry can exist in his own life,” Williams said. “The purpose of an artist, whatever it is, is to take the life, whatever he sees, and to raise it up to an elevated position where it has dignity.”
759:
and as late as 1962 he was still remembering in an interview that "I'd like to have been a painter, and it would have given me at least as great a satisfaction as being a poet." For most of his life Williams wrote art criticism and introductions to exhibitions by his friends.
677:
One of Williams's aims, in experimenting with his "variable foot", was to show the American (opposed to European) rhythm that he claimed was present in everyday American language. Stylistically, Williams also worked with variations on a line-break pattern that he labeled
459:
had set me back twenty years and I'm sure it did. Critically, Eliot returned us to the classroom just at the moment when I felt we were on a point to escape to matters much closer to the essence of a new art form itself—rooted in the locality which should give it
464:
Although he respected the work of Eliot, Williams became openly critical of Eliot's highly intellectual style with its frequent use of foreign languages and allusions to classical and European literature. Instead, Williams preferred colloquial American English.
366:
Williams married Florence ("Flossie") Herman (1891–1976) in 1912 after he returned from Germany. They moved into a house on 9 Ridge Road in Rutherford, New Jersey, where they resided for many years. Shortly afterward, his second book of poems,
1260:
880:(1962), his approach was more commentarial. Of this late phase of his work it has been claimed that "Williams saw these artists solving, in their own ways, the same problems that concerned him," but his engagement with them was at a distance.
828:
magazine with Hartley in 1920 in order to create an outlet for works showcasing the belief that creative work should derive from the artist's direct experience and sense of place and reject traditional notions of how this should be done.
375:, whom he had met while studying at the University of Pennsylvania. Around 1914, Williams and his wife had their first son, William E. Williams, followed by their second son, Paul H. Williams, in 1917. William E. also became a physician.
3859:
3502:
1210:
3819:
339:
were important early influences on Williams. Williams received his primary and secondary education in Rutherford until 1897 when he was sent for two years to a school near Geneva and to the
286:
and general medicine. He was affiliated with Passaic General Hospital, where he served as the hospital's chief of pediatrics from 1924 until his death. The hospital, which is now known as
3495:
2952:
1430:
259:", are reflections on the everyday. Other poems reflect the influence of the visual arts. He, in turn, influenced the visual arts; his poem "The Great Figure" inspired the painting
755:
Williams's mother had trained as a painter in Paris and passed on her enthusiasm to her son, who also painted in his early years. A painting by him now hangs in Yale University's
287:
525:
In his later years, Williams mentored and influenced many younger poets. He had a significant influence on many of the American literary movements of the 1950s, including the
3717:
3710:
3703:
3696:
3488:
251:
as "my 'case' to work up. It called for a poetry such as I did not know, it was my duty to discover or make such a context on the 'thought.'" Some of his best known poems, "
2025:"William Carlos Williams Dies. Physician Long a Leading Poet. Won Many Literary Honors Over Half a Century. Was 79 Years Old. Combined Two Professions. Won Literary Awards"
2782:
3799:
3784:
317:
and "was most comfortable speaking in Spanish, which was the primary language spoken in the Williams's New Jersey household"; his mother, Raquel Hélène Hoheb, from
3002:
1218:
3854:
3789:
3749:
1995:
1268:
3879:
3794:
3779:
756:
2024:
297:
equal level with the reader and to use the language and thought materials of America in expressing his point of view." Per Hugh Fox, Williams saw "the
2862:
1103:
406:
criticized Williams's sexual and artistic politics in her experimental prose poem review titled "Thee I call 'Hamlet of Wedding Ring'", published in
3759:
1178:
2244:
3764:
1931:
Cappucci, Paul R. (2013). "A Libretto in Search of Music: The Strain of Collaborative Creation in William Carlos Williams's The First President".
682:" in which he broke a long line into three free-verse segments. A well-known example of the "triadic line " can be found in Williams's love-poem "
2715:
2870:
1111:
942:
937:
617:
275:
180:
2775:
2191:
1881:
904:
was reestablished in 1950 with awards by the book industry to authors of books published in 1949 in three categories. Williams won the first
840:(1923) was dedicated to the artist and, after his early death, he dedicated the long poem "The Crimson Cyclamen." (1936) to Demuth's memory.
633:"). However, Williams, like his peer and friend Ezra Pound, had rejected the Imagist movement by the time this poem was published as part of
476:
and his influence on the history of the United States of America and was intended to "galvanize us into a realization of what we are today."
352:
2232:
3844:
3754:
3690:
2308:
Ruth Grogan, "The influence of painting on William Carlos Williams" (1969), in The Penguin Critical Anthology devoted to Williams, pp.290–3
956:
2432:
552:, stating that one of them helped inspire the fifth section of that work. Williams also wrote the introduction to Ginsberg's first book,
48:
3864:
3814:
3874:
3834:
3809:
2420:
2329:
3769:
2572:
2095:
1982:
1560:
2204:
2120:
822:, Williams and his artistic friends wished to get away from what they saw as a purely derivative style. As one result, he started
321:, was of French extraction. Incidentally, Williams's maternal grandmother was named Emily Dickinson, though he was no relation to
3884:
2995:
2854:
2768:
2755:
1095:
611:
3774:
2838:
2806:
2668:
2614:
2546:
2261:
1035:
979:
652:: "The two editors sought American cultural renewal in the local condition in clear opposition to the internationalists—Pound,
2433:"The Rutherford Historic Preservation Commission Presents its fourth Historic Commemorative – "William Carlos Williams House""
3869:
3804:
1736:
905:
920:
respond to his critics and never received an apology from the Library of Congress. The next year, however, he received the
602:, stated "to assert his freedoms he must play the devil, showing himself rioting in purple and turquoise pools of excess."
2962:
2957:
952:
946:
379:
and translations. He practiced medicine by day and wrote at night. Early in his career, he briefly became involved in the
217:(September 17, 1883 – March 4, 1963) was an American poet and physician of Latin American descent closely associated with
1484:
2889:
1425:
1192:
683:
403:
31:
2003:
3219:
3011:
2988:
1298:
348:
2050:
2980:
1674:"Latinx Multilingualism and American Modernism: Concealed Transcultural Depths in William Carlos Williams's English"
1643:"Latinx Multilingualism and American Modernism: Concealed Transcultural Depths in William Carlos Williams's English"
1587:"Latinx Multilingualism and American Modernism: Concealed Transcultural Depths in William Carlos Williams's English"
3849:
3839:
1469:
261:
115:
3511:
530:
270:
2554:
2550:
2534:
2376:
425:, one of his seminal books of poetry, which contained the classics "By the road to the contagious hospital", "
318:
313:, in 1883. His father, William George Williams, was born in England but raised from "a very young age" in the
301:
function of the imagination as breaking through the alienation of the near at hand and reviving its wonder."
3179:
1445:
960:
847:
in 1937 and his poem "Jersey Lyric", written in response to Henry Niese's 1960 painting of the same title:
776:
2745:
2295:
Casella, Donna. "William Carlos Williams's Contact Magazine: A Rebellion against the Arty Art Worshipers",
2664:
310:
75:
290:, paid tribute to Williams with a memorial plaque that states "We walk the wards that Williams walked".
3435:
2317:
1803:
563:
538:
2601:
2596:
2463:
2372:
2276:
347:
upon his return to New York City and, having passed a special examination, was admitted in 1902 to the
3744:
3739:
3419:
2630:
1523:"Modernism and Boricua Literature: A Reconsideration of Arturo Schomburg and William Carlos Williams"
792:
554:
534:
515:
248:
2729:
1485:"William Carlos Williams Fund For Maternal-Child Health Established At St. Mary's Hospital, Passaic"
3824:
3649:
3443:
3015:
2917:
2910:
2733:
2625:
901:
679:
630:
626:
591:
transparent lines have the nervous and contracted strength, move as jerkily and intently as a bird.
426:
256:
252:
166:
159:
1709:
3565:
3535:
3267:
3187:
3043:
2846:
2822:
1956:
1948:
1621:
1534:
1389:
1294:
1061:
1001:
925:
823:
764:
344:
314:
119:
2742:, Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania.
689:
In a review of Herbert Leibowitz's biography of Williams, book critic Christopher Benfey wrote:
447:, Williams later wrote of "the great catastrophe to our letters—the appearance of T. S. Eliot's
340:
2739:
843:
Later collaborations with artists include the two poem/ two drawing volume that he shared with
3829:
3427:
3251:
3171:
2903:
2659:
2607:
2591:
2440:
2416:
2187:
2091:
1978:
1887:
1877:
1833:
1626:
1403:
703:
473:
408:
2388:"The Library and its Laureates: The Examples of Auslander, Williams, Dickey & Kumin" by
763:
In 1915, Williams began to associate with the New York group of artists and writers known as
3613:
3583:
3553:
3541:
3259:
3131:
3123:
3083:
3027:
2935:
2678:
2646:
2107:
1940:
768:
670:
439:
had become a literary sensation that overshadowed Williams's very different brand of poetic
218:
132:
2498:
Gammel, Irene. “The Poetic Feud of William Carlos Williams, Ezra Pound, and the Baroness”.
949:
annually for the best book of poetry published by a small, non-profit or university press.
3577:
3547:
3243:
3155:
3147:
3107:
2968:
2895:
2650:
2412:
2354:
1330:
The Humane Particulars: The Collected Letters of William Carlos Williams and Kenneth Burke
1119:
1069:
921:
818:
Although he championed the new way of seeing and representation pioneered by the European
812:
800:
780:
583:
510:
391:
322:
293:
243:
173:
3371:
3343:
3075:
1952:
1464:
674:
called it "a metrical device to resolve the conflict between form and freedom in verse."
544:
One of Williams's more dynamic relationships as a mentor was with fellow New Jersey poet
390:
In 1920, Williams was sharply criticized by many of his peers (including H.D., Pound and
3678:
3480:
2709:
2358:
876:
thing." However, in the case of his references to much earlier painters, culminating in
660:, the poet/critic, judged that Williams's verse bears a certain resemblance to the best
3637:
3571:
3559:
3529:
3451:
3355:
3299:
3283:
3275:
3203:
3195:
3139:
2830:
2814:
2704:
1009:
993:
932:
844:
808:
796:
788:
711:
649:
599:
595:
545:
435:
421:
351:, from which he graduated in 1906. Upon leaving Penn, Williams did internships at both
266:
237:
227:
152:
2507:“Something Urgent I Have to Say to You”: The Life and Works of William Carlos Williams
2397:
799:. Interlocking with them were the US artists who met at Arensburg's studio, including
412:
in March 1921. Williams had an affair with the Baroness, and published three poems in
3733:
3661:
3625:
3607:
3601:
3523:
3395:
3363:
3331:
3307:
3235:
3211:
3067:
2698:
1960:
1440:
1417:
804:
526:
514:(published between 1946 and 1958), an account of the history, people, and essence of
598:
said of Williams's poetry, "the Imagism of 1912, self-transcended." A contemporary,
3655:
3643:
3631:
3411:
3347:
3227:
3163:
3115:
3091:
3059:
3051:
1853:
832:
661:
657:
398:. Pound called the work "incoherent" and H.D. thought the book was "flippant". The
336:
3467:
2701:
Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
1740:
888:
1777:
1162:(1925), 1967, repr. New Directions 2004 – Prose on historical figures and events.
3667:
3619:
3387:
3323:
3291:
1435:
819:
430:
232:
2655:
1561:"Here's to You, Meestair Robangson: The Inter-American William Carlos Williams"
3589:
3379:
3035:
2751:
2634:
1944:
1502:
Fox, Hugh (1974). "The Genuine Avant-Garde: William Carlos Williams's Credo".
1379:
1261:
The Farmers' Daughters: The Collected Short Stories of William Carlos Williams
416:
describing the forty-year-old as "an old lady" with "broken teeth syphilis".
372:
332:
283:
1073:
Book I (1946); Book II (1948); Book III (1949); Book IV (1951); Book V (1958)
17:
3459:
3339:
3315:
1891:
574:
440:
1411:
578:
A selection of William Carlos Williams poetry on a plaque in New York City
2760:
1344:
Many Loves and Other Plays: The Collected Plays of William Carlos Williams
1306:
Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams
3403:
2687:
2389:
2328:
Ilse Munro, "Concerning Craft: Henry Niese and William Carlos Williams",
1871:
1324:
William Carlos Williams and Charles Tomlinson: A Transatlantic Connection
784:
694:
essential to a full life as physical health or the love of men and women.
629:", an example of the Imagist movement's style and principles (see also "
1538:
1522:
772:
380:
356:
222:
137:
54:
1996:"Poet Williams Dies of Stroke. Works in 40 Volumes Likened to Chekhov"
2712:
at the University of Delaware Library Special Collections Department.
3860:
Perelman School of Medicine at the University of Pennsylvania alumni
1673:
1642:
1586:
2683:
2553:
external links, and converting useful links where appropriate into
1873:
Irrational modernism : a neurasthenic history of New York Dada
30:"Carlos Williams" redirects here. For the Liberian footballer, see
2229:
Cubism, Stieglitz, and the Early Poetry of William Carlos Williams
2159:
Primitivism and Decadence: A Study of American Experimental Poetry
1282:
Interviews With William Carlos Williams: "Speaking Straight Ahead"
1248:
I Wanted to Write a Poem: The Autobiography of the Works of a Poet
1049:
The Complete Collected Poems of William Carlos Williams, 1906–1938
702:
573:
1371:(2018) – A novella translated from the Spanish of Pedro Espinosa.
1359:(1929) – A novel translated from the French of Philippe Soupault.
371:, was published by a London press through the help of his friend
1759:
1757:
1288:
A Recognizable Image: William Carlos Williams on Art and Artists
399:
384:
3484:
2984:
2764:
1272:(1970) – A collection of five previously published early works.
1168:(1928) – An autobiographical travelogue in the form of a novel.
359:
for advanced study of pediatrics. He published his first book,
2721:
2517:
1211:
Make Light of It: Collected Stories of William Carlos Williams
468:
During the 1930s, Williams began working on an opera. Titled
2597:
Profile at the Poetry Archive with poems written and audio
2357:, "William Carlos Williams in the world of the painters",
1318:
The Letters of Denise Levertov and William Carlos Williams
668:
referred to Williams's method of determining line breaks.
2608:
William Carlos Williams: Profile and Poems at Poets.org
2542:
2341:
Walter Sutton, "A Visit with William Carlos Williams",
429:" and "To Elsie". However, in 1922, the publication of
394:) when he published one of his more experimental books
2953:
William Carlos Williams Center for the Performing Arts
2746:
William Carlos Williams Manuscripts and Correspondence
2492:
William Carlos Williams and the diagnostics of culture
2184:
Encyclopedia of American Poetry: The Twentieth Century
1431:
William Carlos Williams Center for the Performing Arts
1365:(2011) – Poetry of Spanish and Latin American authors.
648:, a periodical launched by Williams and fellow writer
1278:(1974) – Philosophical and critical notes and essays.
548:. Williams included several of Ginsberg's letters in
3820:
Burials at Hillside Cemetery (Lyndhurst, New Jersey)
2073:
Jarrell, Randall. "Fifty Years of American Poetry."
1858:
Baroness Elsa: Gender, Dada, and Everyday Modernity.
1616:
1614:
1612:
1228:(1952) – Completes the "Stecher trilogy" begun with
2945:
2927:
2881:
2798:
2500:
Baroness Elsa: Gender, Dada, and Everyday Modernity
2439:. Rutherford, NJ. December 15, 2005. Archived from
2398:
http://washingtonart.com/beltway/fourlaureates.html
2051:"Sometimes in the Grave Is a Fine and Public Place"
1363:
By Word of Mouth: Poems from the Spanish, 1916–1959
625:(1963, repr. 1992). His most anthologized poem is "
189:
145:
126:
111:
96:
82:
62:
39:
2615:"William Carlos Williams, The Art of Poetry No. 6"
1254:Yes, Mrs. Williams: A Personal Record of My Mother
815:, with whom Williams developed close friendships.
2537:may not follow Knowledge's policies or guidelines
2509:. New York: Farrar, Straus and Giroux; 496 pages.
2705:Listen to William Carlos Williams read his poems
1312:The Collected Stories of William Carlos Williams
383:movement through his friendships with Pound and
349:medical school of the University of Pennsylvania
2121:"This is Just to Say – A Poem and its Parodies"
1242:The Selected Letters of William Carlos Williams
1222:(1951) W. W. Norton & Co. (1 February 1967)
849:
479:
355:and Child's Hospital in New York, then went to
2647:Works by William Carlos Williams in eBook form
1977:, New York: Addison Wesley Longman Inc, 1998.
1876:. Cambridge, Mass.: MIT Press. pp. 7–10.
3496:
2996:
2776:
945:. The Poetry Society of America presents the
931:In May 1963, he was posthumously awarded the
8:
2088:The Imagist Poem, Modern Poetry in Miniature
1765:The Autobiography of William Carlos Williams
941:(1962) and the gold medal for Poetry of the
2740:William Carlos Williams Research Collection
2464:"N.J. to Bon Jovi: You Give Us a Good Name"
1703:
1701:
1699:
1465:"Charles Demuth I Saw the Figure 5 in Gold"
644:In 1920, Williams turned his attentions to
490:split, furrowed, creased, mottled, stained—
488:bent, forked by preconception and accident—
3503:
3489:
3481:
3003:
2989:
2981:
2783:
2769:
2761:
47:
36:
2675:Works by or about William Carlos Williams
2573:Learn how and when to remove this message
2502:. Cambridge, MA: MIT Press, 2002. 262-285
2415:, pages 309–314, Houghton Mifflin, 1975,
2409:William Carlos Williams: Poet from Jersey
2090:(Story Line Press, 1963, expanded 2001).
484:nothing but the blank faces of the houses
1179:The Knife of the Times and Other Stories
887:
3800:American people of Puerto Rican descent
3785:American people of Dutch-Jewish descent
1456:
908:, recognizing both the third volume of
3012:Poets Laureate / Consultants in Poetry
2871:Pictures from Brueghel and Other Poems
1112:Pictures from Brueghel and Other Poems
943:National Institute of Arts and Letters
938:Pictures from Brueghel and Other Poems
618:Pictures from Brueghel and Other Poems
276:Pictures from Brueghel and Other Poems
181:Pictures from Brueghel and Other Poems
1156:(1923) – A hybrid of prose and verse.
7:
2626:National Book Foundation Poetry Blog
2613:Stanley Koehler (Summer–Fall 1964).
2494:. New York: Oxford University Press.
1860:Cambridge, MA: MIT Press, 2002, 272.
957:National Register of Historic Places
1834:"Poetry Foundation bio on Williams"
1144:(1920) – Prose-poem improvisations.
492:secret—into the body of the light!
231:(1923) was written in the wake of
3855:People from Rutherford, New Jersey
3790:American people of English descent
3750:20th-century American male writers
2730:William Carlos Williams Collection
2723:The William Carlos Williams Review
2462:Santi, Angela Delli (2010-06-01).
2203:Benfey, Christopher (2011-12-15).
1767:. New Directions Paperbooks, 1948.
959:in 1973. He was inducted into the
25:
3880:Pulitzer Prize for Poetry winners
3795:American people of French descent
3780:American people of Basque descent
2161:. New York: Arrow Editions, 1937.
2106:Review of 'Others Again ' ed. By
1921:. New York: New Directions, 1999.
1123:(Books I–V in one volume), (1963)
605:Williams's major collections are
149:
130:
100:
3677:
2855:The Desert Music and Other Poems
2756:University of Maryland Libraries
2736:, University of Texas at Austin.
2691:
2684:Works by William Carlos Williams
2665:Works by William Carlos Williams
2656:Works by William Carlos Williams
2522:
2277:"Poetry Archive bio on Williams"
2260:Interviewed by Stanley Koehler,
2170:Interview with Stanley Koehler,
2110:Poetry: A Magazine of Verse 1915
2077:. New York: HarperCollins, 1999.
1973:X. J. Kennedy & Dana Gioai,
1410:
1396:
1382:
1096:The Desert Music and Other Poems
612:The Desert Music and Other Poems
482:—Say it, no ideas but in things—
241:(1922). In his five-volume poem
3760:20th-century Puerto Rican poets
2839:An Early Martyr and Other Poems
2592:Profile at PoetryFoundation.org
1908:. New York: Random House, 1954.
1036:An Early Martyr and Other Poems
955:in Rutherford was added to the
202:
3765:American democratic socialists
2699:William Carlos Williams Papers
2604:Modern American Poetry Society
2075:No Other Book: Selected Essays
2049:Strauss, Robert (2004-03-28).
1804:"Mrs. William Carlos Williams"
1739:. Penn Current. Archived from
1672:Herlihy-Mera, Jeffrey (2019).
1641:Herlihy-Mera, Jeffrey (2019).
1585:Herlihy-Mera, Jeffrey (2019).
906:National Book Award for Poetry
1:
2963:William Carlos Williams Award
2958:William Carlos Williams House
2373:"National Book Awards – 1950"
1489:Rutherfordlibrary.typepad.com
1043:Adam & Eve & The City
947:William Carlos Williams Award
750:William Carlos Williams 1920.
586:stated of Williams's poetry,
2890:Asphodel, That Greeny Flower
2752:Authors and Poets collection
2748:at Dartmouth College Library
1933:Journal of Modern Literature
1559:ColĂłn, David (Spring 2015),
1426:List of Puerto Rican writers
1193:Life Along the Passaic River
1142:Kora in Hell: Improvisations
684:Asphodel, That Greeny Flower
419:In 1923, Williams published
396:Kora in Hell: Improvisations
269:. Williams won a posthumous
92:Rutherford, New Jersey, U.S.
32:Carlos Williams (footballer)
3845:National Book Award winners
3755:20th-century American poets
2690:(public domain audiobooks)
2297:Ball State University Forum
1710:"Williams' Life and Career"
1276:The Embodiment of Knowledge
1077:Clouds, Aigeltinger, Russia
708:I saw the figure 5 in gold.
664:poets of the 13th century.
288:St. Mary's General Hospital
3901:
3865:Physicians from New Jersey
3815:Bollingen Prize recipients
2718:at SUNY Buffalo Libraries.
2245:"Art for the Wrong Reason"
1994:Casey, Phil (1963-03-05).
1917:Williams, William Carlos.
1904:Williams, William Carlos.
1763:Williams, William Carlos.
1470:Metropolitan Museum of Art
1029:Collected Poems, 1921–1931
343:in Paris. He attended the
262:I Saw the Figure 5 in Gold
116:University of Pennsylvania
29:
3875:Puerto Rican male writers
3810:Horace Mann School alumni
3686:
3675:
3519:
3512:Pulitzer Prize for Poetry
3022:
2490:Bremen, Brian A. (1993).
2396:, Volume 10.4, Fall 2009
1975:An Introduction to Poetry
1953:10.2979/jmodelite.36.2.80
1945:10.2979/jmodelite.36.2.80
1737:"William Carlos Williams"
1622:"William Carlos Williams"
1527:American Literary History
1172:Novelette and Other Prose
1083:The Collected Later Poems
884:Legacy, awards and honors
699:Williams and the painters
531:San Francisco Renaissance
271:Pulitzer Prize for Poetry
46:
27:American poet (1883–1963)
3770:American modernist poets
2621:. Summer-Fall 1964 (32).
2394:Beltway Poetry Quarterly
2377:National Book Foundation
2205:"The Blooming Foreigner"
1716:. University of Illinois
1533:(Summer 2001): 242–264.
1148:The Great American Novel
896:(wall poem in The Hague)
282:Williams practiced both
3885:Poets from Philadelphia
3596:William Carlos Williams
3100:William Carlos Williams
2792:William Carlos Williams
2631:William Carlos Williams
2379:. Retrieved 2012-02-25.
1196:(1938) – Short stories.
1089:Collected Earlier Poems
961:New Jersey Hall of Fame
777:Walter Conrad Arensberg
215:William Carlos Williams
41:William Carlos Williams
3835:Lycée Condorcet alumni
3775:American pediatricians
1870:Jones, Amelia (2004).
1836:. Poetryfoundation.org
1714:Modern American Poetry
1708:Wagner-Martin, Linda.
1597:(Fall 2019): 1059–1095
1521:Sanchez, Lisa (2019).
1091:(1951; rev. ed., 1966)
897:
878:Pictures from Brueghel
873:
868:lie 6 woodchunks ready
752:
746:through the dark city.
696:
593:
579:
495:
462:
311:Rutherford, New Jersey
76:Rutherford, New Jersey
3870:Poets from New Jersey
3805:Beat Generation poets
2330:Little Patuxen Review
1919:In the American Grain
1778:"William C. Williams"
1369:The Dog and the Fever
1160:In the American Grain
891:
706:
691:
656:, and the Baroness."
588:
577:
564:Lyndhurst, New Jersey
535:Black Mountain school
486:and cylindrical trees
453:
323:the poet of that name
319:MayagĂĽez, Puerto Rico
309:Williams was born in
247:(1946–1958), he took
2543:improve this article
2505:Leibowitz, Herbert.
1784:. U.S. Census Bureau
1357:Last Nights of Paris
1127:The Red Wheelbarrow
1085:(1950; rev. ed.1963)
852:View of winter trees
793:Orrick Glenday Johns
767:Founded by the poet
582:The poet and critic
555:Howl and Other Poems
516:Paterson, New Jersey
472:, it was focused on
455:I felt at once that
249:Paterson, New Jersey
3444:Juan Felipe Herrera
3016:Library of Congress
2918:This Is Just to Say
2911:The Red Wheelbarrow
2734:Harry Ransom Center
2555:footnote references
2299:28.3 (1987): 60–75.
2006:on February 1, 2013
1446:Puerto Rican poetry
1202:(1940) – Sequel to
902:National Book Award
893:This Is Just to Say
744:and wheels rumbling
680:triadic-line poetry
631:This Is Just to Say
627:The Red Wheelbarrow
470:The First President
427:The Red Wheelbarrow
257:The Red Wheelbarrow
253:This Is Just to Say
167:The Red Wheelbarrow
160:This Is Just to Say
3566:Robert Penn Warren
3536:Archibald MacLeish
3268:Robert Penn Warren
3188:Josephine Jacobsen
3044:Robert Penn Warren
2799:Poetry collections
2055:The New York Times
2029:The New York Times
1811:The New York Times
1390:Puerto Rico portal
1295:The Doctor Stories
1166:A Voyage to Pagany
972:Poetry collections
926:Archibald MacLeish
898:
753:
726:I saw the figure 5
580:
345:Horace Mann School
315:Dominican Republic
73:September 17, 1883
3850:Objectivist poets
3840:Modernist writers
3727:
3726:
3644:William S. Merwin
3478:
3477:
3428:Natasha Trethewey
3252:Robert Fitzgerald
3172:William Jay Smith
2978:
2977:
2904:Raleigh Was Right
2660:Project Gutenberg
2641:Archive and works
2583:
2582:
2575:
2443:on March 18, 2006
2437:rutherford-nj.com
2192:978-1-57958-240-1
1883:978-0-262-27638-2
1684:(Fall 2019): 1061
1653:(Fall 2019): 1060
1627:Poetry Foundation
1568:Label Me Latina/o
1404:Literature portal
1188:(1937) – A novel.
1150:(1923) – A novel.
859:in the foreground
751:
654:The Little Review
474:George Washington
409:The Little Review
212:
211:
127:Literary movement
16:(Redirected from
3892:
3681:
3614:Richard Eberhart
3584:Phyllis McGinley
3554:Elizabeth Bishop
3542:Theodore Roethke
3505:
3498:
3491:
3482:
3471:
3463:
3455:
3447:
3439:
3431:
3423:
3415:
3407:
3399:
3391:
3383:
3375:
3367:
3359:
3351:
3335:
3327:
3319:
3311:
3303:
3295:
3287:
3279:
3271:
3263:
3260:Gwendolyn Brooks
3255:
3247:
3239:
3231:
3223:
3220:William Meredith
3215:
3207:
3199:
3191:
3183:
3180:William Stafford
3175:
3167:
3159:
3151:
3143:
3135:
3132:Louis Untermeyer
3127:
3124:Richard Eberhart
3119:
3111:
3103:
3095:
3087:
3084:Elizabeth Bishop
3079:
3071:
3063:
3055:
3047:
3039:
3031:
3028:Joseph Auslander
3005:
2998:
2991:
2982:
2936:The Use of Force
2785:
2778:
2771:
2762:
2695:
2694:
2679:Internet Archive
2622:
2619:The Paris Review
2578:
2571:
2567:
2564:
2558:
2526:
2525:
2518:
2495:
2478:
2477:
2475:
2474:
2459:
2453:
2452:
2450:
2448:
2429:
2423:
2406:
2400:
2386:
2380:
2370:
2364:
2363:, June/July 1979
2352:
2346:
2343:Minnesota Review
2339:
2333:
2326:
2320:
2315:
2309:
2306:
2300:
2293:
2287:
2286:
2284:
2283:
2273:
2267:
2258:
2252:
2247:, originally in
2241:
2235:
2225:
2219:
2218:
2216:
2215:
2209:The New Republic
2200:
2194:
2181:
2175:
2168:
2162:
2156:
2150:
2143:
2137:
2136:
2134:
2132:
2117:
2111:
2108:Alfred Kreymborg
2104:
2098:
2086:Pratt, William.
2084:
2078:
2071:
2065:
2064:
2062:
2061:
2046:
2040:
2039:
2037:
2036:
2021:
2015:
2014:
2012:
2011:
2002:. Archived from
1991:
1985:
1971:
1965:
1964:
1928:
1922:
1915:
1909:
1902:
1896:
1895:
1867:
1861:
1851:
1845:
1844:
1842:
1841:
1829:
1823:
1822:
1820:
1818:
1808:
1800:
1794:
1793:
1791:
1789:
1782:U.S. Census 1920
1774:
1768:
1761:
1752:
1751:
1749:
1748:
1735:Davis, Heather.
1732:
1726:
1725:
1723:
1721:
1705:
1694:
1693:
1691:
1689:
1678:Voces del Caribe
1669:
1663:
1662:
1660:
1658:
1647:Voces del Caribe
1638:
1632:
1631:
1618:
1607:
1606:
1604:
1602:
1591:Voces del Caribe
1582:
1576:
1575:
1565:
1556:
1550:
1549:
1547:
1545:
1518:
1512:
1511:
1504:Southwest Review
1499:
1493:
1492:
1481:
1475:
1474:
1461:
1420:
1415:
1414:
1406:
1401:
1400:
1399:
1392:
1387:
1386:
1385:
953:Williams's house
775:, they included
769:Alfred Kreymborg
757:Beinecke Library
749:
718:The Great Figure
671:The Paris Review
504:
502:Paterson: Book I
402:artist and poet
206:
204:
89:
72:
70:
51:
37:
21:
3900:
3899:
3895:
3894:
3893:
3891:
3890:
3889:
3730:
3729:
3728:
3723:
3682:
3673:
3578:W. D. Snodgrass
3548:Wallace Stevens
3515:
3509:
3479:
3474:
3466:
3458:
3450:
3442:
3434:
3426:
3418:
3410:
3402:
3394:
3386:
3378:
3370:
3362:
3354:
3338:
3330:
3322:
3314:
3306:
3298:
3290:
3282:
3274:
3266:
3258:
3250:
3244:Reed Whittemore
3242:
3234:
3226:
3218:
3210:
3202:
3194:
3186:
3178:
3170:
3162:
3156:Stephen Spender
3154:
3148:Reed Whittemore
3146:
3138:
3130:
3122:
3114:
3108:Randall Jarrell
3106:
3098:
3090:
3082:
3074:
3066:
3058:
3050:
3042:
3034:
3026:
3018:
3009:
2979:
2974:
2969:Paterson (film)
2941:
2923:
2877:
2863:Journey to Love
2794:
2789:
2692:
2651:Standard Ebooks
2643:
2612:
2588:
2579:
2568:
2562:
2559:
2540:
2531:This article's
2527:
2523:
2516:
2489:
2486:
2484:Further reading
2481:
2472:
2470:
2461:
2460:
2456:
2446:
2444:
2431:
2430:
2426:
2413:Reed Whittemore
2407:
2403:
2387:
2383:
2371:
2367:
2355:Bonnie Costello
2353:
2349:
2340:
2336:
2327:
2323:
2316:
2312:
2307:
2303:
2294:
2290:
2281:
2279:
2275:
2274:
2270:
2259:
2255:
2251:, December 2004
2249:The New Journal
2242:
2238:
2227:Bram Dijkstra,
2226:
2222:
2213:
2211:
2202:
2201:
2197:
2182:
2178:
2174:, Vol. 6, 1962.
2169:
2165:
2157:
2153:
2144:
2140:
2130:
2128:
2119:
2118:
2114:
2105:
2101:
2085:
2081:
2072:
2068:
2059:
2057:
2048:
2047:
2043:
2034:
2032:
2023:
2022:
2018:
2009:
2007:
2000:Washington Post
1993:
1992:
1988:
1972:
1968:
1930:
1929:
1925:
1916:
1912:
1906:Selected Essays
1903:
1899:
1884:
1869:
1868:
1864:
1852:
1848:
1839:
1837:
1832:Burt, Stephen.
1831:
1830:
1826:
1816:
1814:
1806:
1802:
1801:
1797:
1787:
1785:
1776:
1775:
1771:
1762:
1755:
1746:
1744:
1734:
1733:
1729:
1719:
1717:
1707:
1706:
1697:
1687:
1685:
1671:
1670:
1666:
1656:
1654:
1640:
1639:
1635:
1620:
1619:
1610:
1600:
1598:
1584:
1583:
1579:
1563:
1558:
1557:
1553:
1543:
1541:
1520:
1519:
1515:
1501:
1500:
1496:
1483:
1482:
1478:
1463:
1462:
1458:
1454:
1416:
1409:
1402:
1397:
1395:
1388:
1383:
1381:
1378:
1353:
1340:
1335:
1236:Selected Essays
1137:
1132:
1104:Journey to Love
1055:The Broken Span
974:
969:
922:Bollingen Prize
895:
886:
872:
869:
867:
865:
864:
863:by fresh-fallen
862:
860:
858:
857:
855:
853:
813:Charles Sheeler
801:Marsden Hartley
781:Wallace Stevens
771:and the artist
748:
747:
745:
743:
741:
739:
737:
735:
733:
731:
729:
727:
725:
723:
721:
720:
716:
715:
710:
701:
584:Randall Jarrell
572:
539:New York School
506:
497:
494:
491:
489:
487:
485:
483:
449:The Waste Land.
392:Wallace Stevens
353:French Hospital
341:Lycée Condorcet
307:
305:Life and career
294:Randall Jarrell
208:
205: 1912)
200:
196:
195:Florence Herman
91:
87:
74:
68:
66:
58:
42:
35:
28:
23:
22:
15:
12:
11:
5:
3898:
3896:
3888:
3887:
3882:
3877:
3872:
3867:
3862:
3857:
3852:
3847:
3842:
3837:
3832:
3827:
3822:
3817:
3812:
3807:
3802:
3797:
3792:
3787:
3782:
3777:
3772:
3767:
3762:
3757:
3752:
3747:
3742:
3732:
3731:
3725:
3724:
3722:
3721:
3714:
3707:
3700:
3693:
3687:
3684:
3683:
3676:
3674:
3672:
3671:
3665:
3659:
3653:
3647:
3641:
3638:Richard Howard
3635:
3629:
3623:
3617:
3611:
3605:
3599:
3593:
3587:
3581:
3575:
3572:Stanley Kunitz
3569:
3563:
3560:Richard Wilbur
3557:
3551:
3545:
3539:
3533:
3530:Marianne Moore
3527:
3520:
3517:
3516:
3510:
3508:
3507:
3500:
3493:
3485:
3476:
3475:
3473:
3472:
3470:(2022-present)
3464:
3456:
3452:Tracy K. Smith
3448:
3440:
3436:Charles Wright
3432:
3424:
3416:
3408:
3400:
3392:
3384:
3376:
3368:
3360:
3356:Stanley Kunitz
3352:
3336:
3328:
3320:
3312:
3304:
3300:Joseph Brodsky
3296:
3288:
3284:Howard Nemerov
3280:
3276:Richard Wilbur
3272:
3264:
3256:
3248:
3240:
3232:
3224:
3216:
3208:
3204:Stanley Kunitz
3200:
3196:Daniel Hoffman
3192:
3184:
3176:
3168:
3160:
3152:
3144:
3140:Howard Nemerov
3136:
3128:
3120:
3112:
3104:
3096:
3088:
3080:
3072:
3064:
3056:
3048:
3040:
3032:
3023:
3020:
3019:
3010:
3008:
3007:
3000:
2993:
2985:
2976:
2975:
2973:
2972:
2965:
2960:
2955:
2949:
2947:
2943:
2942:
2940:
2939:
2931:
2929:
2925:
2924:
2922:
2921:
2914:
2907:
2900:
2893:
2885:
2883:
2879:
2878:
2876:
2875:
2867:
2859:
2851:
2843:
2835:
2831:Spring and All
2827:
2819:
2815:Al Que Quiere!
2811:
2802:
2800:
2796:
2795:
2790:
2788:
2787:
2780:
2773:
2765:
2759:
2758:
2749:
2743:
2737:
2727:
2719:
2713:
2707:
2702:
2696:
2681:
2672:
2662:
2653:
2642:
2639:
2638:
2637:
2628:
2623:
2610:
2605:
2599:
2594:
2587:
2584:
2581:
2580:
2535:external links
2530:
2528:
2521:
2515:
2514:External links
2512:
2511:
2510:
2503:
2496:
2485:
2482:
2480:
2479:
2454:
2424:
2421:978-0395207352
2401:
2381:
2365:
2347:
2345:1 (April 1961)
2334:
2332:, October 2011
2321:
2318:Penn Libraries
2310:
2301:
2288:
2268:
2253:
2243:Emily Kopley,
2236:
2220:
2195:
2176:
2163:
2151:
2138:
2127:. 20 July 2019
2112:
2099:
2079:
2066:
2041:
2016:
1986:
1966:
1923:
1910:
1897:
1882:
1862:
1846:
1824:
1795:
1769:
1753:
1727:
1695:
1664:
1633:
1608:
1577:
1551:
1513:
1494:
1476:
1455:
1453:
1450:
1449:
1448:
1443:
1438:
1433:
1428:
1422:
1421:
1407:
1393:
1377:
1374:
1373:
1372:
1366:
1360:
1352:
1349:
1348:
1347:
1339:
1336:
1334:
1333:
1327:
1321:
1315:
1309:
1303:
1297:: Compiled by
1291:
1285:
1279:
1273:
1265:
1257:
1251:
1245:
1239:
1233:
1223:
1215:
1207:
1197:
1189:
1183:
1175:
1169:
1163:
1157:
1154:Spring and All
1151:
1145:
1138:
1136:
1133:
1131:
1130:
1124:
1116:
1108:
1100:
1092:
1086:
1080:
1074:
1066:
1058:
1052:
1046:
1040:
1032:
1026:
1020:
1014:
1010:Spring and All
1006:
998:
994:Al Que Quiere!
990:
984:
975:
973:
970:
968:
965:
933:Pulitzer Prize
914:Selected Poems
885:
882:
850:
845:William Zorach
838:Spring and All
809:Charles Demuth
797:Marcel Duchamp
789:Marianne Moore
740:to gong clangs
722:Among the rain
712:Charles Demuth
700:
697:
650:Robert McAlmon
635:Spring and All
607:Spring and All
600:Harriet Monroe
596:R. P. Blackmur
571:
568:
546:Allen Ginsberg
480:
478:
457:The Waste Land
436:The Waste Land
422:Spring and All
306:
303:
267:Charles Demuth
238:The Waste Land
228:Spring and All
210:
209:
198:
194:
193:
191:
187:
186:
185:
184:
177:
170:
163:
156:
153:Spring and All
147:
143:
142:
141:
140:
135:
128:
124:
123:
113:
109:
108:
107:
106:
103:
98:
94:
93:
90:(aged 79)
84:
80:
79:
64:
60:
59:
52:
44:
43:
40:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3897:
3886:
3883:
3881:
3878:
3876:
3873:
3871:
3868:
3866:
3863:
3861:
3858:
3856:
3853:
3851:
3848:
3846:
3843:
3841:
3838:
3836:
3833:
3831:
3828:
3826:
3823:
3821:
3818:
3816:
3813:
3811:
3808:
3806:
3803:
3801:
3798:
3796:
3793:
3791:
3788:
3786:
3783:
3781:
3778:
3776:
3773:
3771:
3768:
3766:
3763:
3761:
3758:
3756:
3753:
3751:
3748:
3746:
3743:
3741:
3738:
3737:
3735:
3719:
3715:
3712:
3708:
3705:
3701:
3698:
3694:
3692:
3691:Complete list
3689:
3688:
3685:
3680:
3669:
3666:
3663:
3662:Robert Lowell
3660:
3657:
3654:
3651:
3648:
3645:
3642:
3639:
3636:
3633:
3630:
3627:
3626:Anthony Hecht
3624:
3621:
3618:
3615:
3612:
3609:
3608:John Berryman
3606:
3603:
3602:Louis Simpson
3600:
3597:
3594:
3591:
3588:
3585:
3582:
3579:
3576:
3573:
3570:
3567:
3564:
3561:
3558:
3555:
3552:
3549:
3546:
3543:
3540:
3537:
3534:
3531:
3528:
3525:
3524:Carl Sandburg
3522:
3521:
3518:
3513:
3506:
3501:
3499:
3494:
3492:
3487:
3486:
3483:
3469:
3465:
3461:
3457:
3453:
3449:
3445:
3441:
3437:
3433:
3429:
3425:
3421:
3420:Philip Levine
3417:
3413:
3409:
3405:
3401:
3397:
3396:Charles Simic
3393:
3389:
3385:
3381:
3377:
3373:
3369:
3365:
3364:Billy Collins
3361:
3357:
3353:
3349:
3345:
3341:
3337:
3333:
3332:Robert Pinsky
3329:
3325:
3321:
3317:
3313:
3309:
3308:Mona Van Duyn
3305:
3301:
3297:
3293:
3289:
3285:
3281:
3277:
3273:
3269:
3265:
3261:
3257:
3253:
3249:
3245:
3241:
3237:
3236:Anthony Hecht
3233:
3229:
3225:
3221:
3217:
3213:
3212:Robert Hayden
3209:
3205:
3201:
3197:
3193:
3189:
3185:
3181:
3177:
3173:
3169:
3165:
3161:
3157:
3153:
3149:
3145:
3141:
3137:
3133:
3129:
3125:
3121:
3117:
3113:
3109:
3105:
3101:
3097:
3093:
3089:
3085:
3081:
3077:
3073:
3069:
3068:Robert Lowell
3065:
3061:
3057:
3053:
3049:
3045:
3041:
3037:
3033:
3029:
3025:
3024:
3021:
3017:
3013:
3006:
3001:
2999:
2994:
2992:
2987:
2986:
2983:
2971:
2970:
2966:
2964:
2961:
2959:
2956:
2954:
2951:
2950:
2948:
2944:
2937:
2933:
2932:
2930:
2928:Short stories
2926:
2919:
2915:
2912:
2908:
2905:
2901:
2899:
2898:
2894:
2891:
2887:
2886:
2884:
2880:
2873:
2872:
2868:
2865:
2864:
2860:
2857:
2856:
2852:
2849:
2848:
2844:
2841:
2840:
2836:
2833:
2832:
2828:
2825:
2824:
2820:
2817:
2816:
2812:
2809:
2808:
2804:
2803:
2801:
2797:
2793:
2786:
2781:
2779:
2774:
2772:
2767:
2766:
2763:
2757:
2753:
2750:
2747:
2744:
2741:
2738:
2735:
2731:
2728:
2725:
2724:
2720:
2717:
2714:
2711:
2708:
2706:
2703:
2700:
2697:
2689:
2685:
2682:
2680:
2676:
2673:
2670:
2666:
2663:
2661:
2657:
2654:
2652:
2648:
2645:
2644:
2640:
2636:
2632:
2629:
2627:
2624:
2620:
2616:
2611:
2609:
2606:
2603:
2600:
2598:
2595:
2593:
2590:
2589:
2585:
2577:
2574:
2566:
2556:
2552:
2551:inappropriate
2548:
2544:
2538:
2536:
2529:
2520:
2519:
2513:
2508:
2504:
2501:
2497:
2493:
2488:
2487:
2483:
2469:
2465:
2458:
2455:
2442:
2438:
2434:
2428:
2425:
2422:
2418:
2414:
2410:
2405:
2402:
2399:
2395:
2391:
2385:
2382:
2378:
2374:
2369:
2366:
2362:
2361:
2360:Boston Review
2356:
2351:
2348:
2344:
2338:
2335:
2331:
2325:
2322:
2319:
2314:
2311:
2305:
2302:
2298:
2292:
2289:
2278:
2272:
2269:
2266:
2264:
2257:
2254:
2250:
2246:
2240:
2237:
2234:
2230:
2224:
2221:
2210:
2206:
2199:
2196:
2193:
2189:
2185:
2180:
2177:
2173:
2167:
2164:
2160:
2155:
2152:
2148:
2147:Baroness Elsa
2142:
2139:
2126:
2122:
2116:
2113:
2109:
2103:
2100:
2097:
2096:1-58654-009-2
2093:
2089:
2083:
2080:
2076:
2070:
2067:
2056:
2052:
2045:
2042:
2030:
2026:
2020:
2017:
2005:
2001:
1997:
1990:
1987:
1984:
1983:0-321-01556-8
1980:
1976:
1970:
1967:
1962:
1958:
1954:
1950:
1946:
1942:
1939:(2): 80–104.
1938:
1934:
1927:
1924:
1920:
1914:
1911:
1907:
1901:
1898:
1893:
1889:
1885:
1879:
1875:
1874:
1866:
1863:
1859:
1855:
1854:Gammel, Irene
1850:
1847:
1835:
1828:
1825:
1813:. 20 May 1976
1812:
1805:
1799:
1796:
1783:
1779:
1773:
1770:
1766:
1760:
1758:
1754:
1743:on 2012-11-12
1742:
1738:
1731:
1728:
1715:
1711:
1704:
1702:
1700:
1696:
1688:September 29,
1683:
1679:
1675:
1668:
1665:
1657:September 29,
1652:
1648:
1644:
1637:
1634:
1629:
1628:
1623:
1617:
1615:
1613:
1609:
1601:September 29,
1596:
1592:
1588:
1581:
1578:
1573:
1569:
1562:
1555:
1552:
1540:
1536:
1532:
1528:
1524:
1517:
1514:
1510:(3): 285–289.
1509:
1505:
1498:
1495:
1490:
1486:
1480:
1477:
1472:
1471:
1466:
1460:
1457:
1451:
1447:
1444:
1442:
1441:Latino poetry
1439:
1437:
1434:
1432:
1429:
1427:
1424:
1423:
1419:
1418:Poetry portal
1413:
1408:
1405:
1394:
1391:
1380:
1375:
1370:
1367:
1364:
1361:
1358:
1355:
1354:
1350:
1345:
1342:
1341:
1337:
1331:
1328:
1325:
1322:
1319:
1316:
1313:
1310:
1307:
1304:
1301:
1300:
1296:
1292:
1289:
1286:
1283:
1280:
1277:
1274:
1271:
1270:
1266:
1263:
1262:
1258:
1255:
1252:
1249:
1246:
1243:
1240:
1237:
1234:
1231:
1227:
1224:
1221:
1220:
1219:Autobiography
1216:
1213:
1212:
1208:
1205:
1201:
1198:
1195:
1194:
1190:
1187:
1184:
1181:
1180:
1176:
1173:
1170:
1167:
1164:
1161:
1158:
1155:
1152:
1149:
1146:
1143:
1140:
1139:
1134:
1128:
1125:
1122:
1121:
1117:
1114:
1113:
1109:
1106:
1105:
1101:
1098:
1097:
1093:
1090:
1087:
1084:
1081:
1078:
1075:
1072:
1071:
1067:
1064:
1063:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1037:
1033:
1030:
1027:
1024:
1021:
1018:
1015:
1012:
1011:
1007:
1004:
1003:
999:
996:
995:
991:
988:
985:
982:
981:
977:
976:
971:
966:
964:
962:
958:
954:
950:
948:
944:
940:
939:
934:
929:
927:
923:
917:
915:
911:
907:
903:
894:
890:
883:
881:
879:
871:
870:for the fire
848:
846:
841:
839:
834:
830:
827:
826:
821:
816:
814:
810:
806:
805:Joseph Stella
802:
798:
794:
790:
786:
782:
778:
774:
770:
766:
765:"The Others."
761:
758:
719:
713:
709:
705:
698:
695:
690:
687:
685:
681:
675:
673:
672:
665:
663:
659:
655:
651:
647:
642:
638:
636:
632:
628:
624:
620:
619:
614:
613:
608:
603:
601:
597:
592:
587:
585:
576:
569:
567:
565:
559:
557:
556:
551:
547:
542:
540:
536:
532:
528:
527:Beat movement
523:
521:
517:
513:
512:
505:
503:
500:
493:
477:
475:
471:
466:
461:
458:
452:
450:
446:
445:Autobiography
442:
438:
437:
432:
428:
424:
423:
417:
415:
411:
410:
405:
404:Baroness Elsa
401:
397:
393:
388:
386:
382:
376:
374:
370:
364:
362:
358:
354:
350:
346:
342:
338:
334:
330:
326:
324:
320:
316:
312:
304:
302:
300:
295:
291:
289:
285:
280:
278:
277:
272:
268:
264:
263:
258:
254:
250:
246:
245:
240:
239:
234:
230:
229:
224:
220:
216:
192:
188:
183:
182:
178:
176:
175:
171:
168:
164:
161:
157:
155:
154:
150:
148:
146:Notable works
144:
139:
136:
134:
131:
129:
125:
121:
117:
114:
110:
104:
101:
99:
95:
86:March 4, 1963
85:
81:
77:
65:
61:
56:
50:
45:
38:
33:
19:
18:W.C. Williams
3656:Maxine Kumin
3650:James Wright
3632:George Oppen
3595:
3412:W. S. Merwin
3372:Louise GlĂĽck
3348:W. S. Merwin
3344:Louise GlĂĽck
3228:Maxine Kumin
3164:James Dickey
3116:Robert Frost
3099:
3092:Conrad Aiken
3076:LĂ©onie Adams
3060:Karl Shapiro
3052:Louise Bogan
2967:
2896:
2869:
2861:
2853:
2845:
2837:
2829:
2821:
2813:
2805:
2791:
2722:
2618:
2569:
2560:
2545:by removing
2532:
2506:
2499:
2491:
2471:. Retrieved
2467:
2457:
2445:. Retrieved
2441:the original
2436:
2427:
2408:
2404:
2393:
2384:
2368:
2359:
2350:
2342:
2337:
2324:
2313:
2304:
2296:
2291:
2280:. Retrieved
2271:
2263:Paris Review
2262:
2256:
2248:
2239:
2228:
2223:
2212:. Retrieved
2208:
2198:
2183:
2179:
2172:Paris Review
2171:
2166:
2158:
2154:
2146:
2141:
2129:. Retrieved
2124:
2115:
2102:
2087:
2082:
2074:
2069:
2058:. Retrieved
2054:
2044:
2033:. Retrieved
2031:. 1963-03-05
2028:
2019:
2008:. Retrieved
2004:the original
1999:
1989:
1974:
1969:
1936:
1932:
1926:
1918:
1913:
1905:
1900:
1872:
1865:
1857:
1849:
1838:. Retrieved
1827:
1815:. Retrieved
1810:
1798:
1786:. Retrieved
1781:
1772:
1764:
1745:. Retrieved
1741:the original
1730:
1718:. Retrieved
1713:
1686:. Retrieved
1681:
1677:
1667:
1655:. Retrieved
1650:
1646:
1636:
1625:
1599:. Retrieved
1594:
1590:
1580:
1571:
1567:
1554:
1542:. Retrieved
1530:
1526:
1516:
1507:
1503:
1497:
1488:
1479:
1468:
1459:
1368:
1362:
1356:
1351:Translations
1343:
1329:
1323:
1317:
1311:
1305:
1299:Robert Coles
1293:
1287:
1281:
1275:
1269:Imaginations
1267:
1259:
1253:
1247:
1241:
1235:
1229:
1226:The Build-Up
1225:
1217:
1209:
1203:
1200:In the Money
1199:
1191:
1185:
1177:
1171:
1165:
1159:
1153:
1147:
1141:
1135:Books, prose
1126:
1118:
1110:
1102:
1094:
1088:
1082:
1076:
1068:
1060:
1054:
1048:
1042:
1034:
1028:
1023:The Cod Head
1022:
1016:
1008:
1000:
992:
986:
978:
967:Bibliography
951:
936:
930:
918:
913:
909:
899:
892:
877:
874:
851:
842:
837:
833:Precisionism
831:
824:
817:
762:
754:
717:
707:
692:
688:
676:
669:
666:
658:Yvor Winters
653:
645:
643:
639:
634:
622:
621:(1962), and
616:
610:
606:
604:
594:
589:
581:
560:
553:
549:
543:
524:
519:
509:
507:
501:
498:
496:
481:
469:
467:
463:
456:
454:
451:" He said,
448:
444:
434:
420:
418:
413:
407:
395:
389:
377:
368:
365:
360:
337:Walt Whitman
331:
327:
308:
298:
292:
281:
274:
260:
242:
236:
226:
214:
213:
179:
172:
151:
88:(1963-03-04)
53:Portrait by
3745:1963 deaths
3740:1883 births
3668:Gary Snyder
3620:Anne Sexton
3514:(1951–1975)
3462:(2019–2022)
3454:(2017–2019)
3446:(2015–2017)
3438:(2014–2015)
3430:(2012–2014)
3422:(2011–2012)
3414:(2010–2011)
3406:(2008–2010)
3388:Donald Hall
3324:Robert Hass
3292:Mark Strand
2823:Sour Grapes
1817:17 December
1788:17 December
1720:17 December
1436:Epic poetry
1002:Sour Grapes
987:The Tempers
924:along with
820:avant-garde
742:siren howls
431:T. S. Eliot
369:The Tempers
363:, in 1909.
233:T. S. Eliot
3825:Epic poets
3734:Categories
3590:Alan Dugan
3380:Ted Kooser
3036:Allen Tate
2726:. Journal.
2669:Faded Page
2635:BookBrainz
2602:Profile at
2473:2012-10-14
2282:2012-10-14
2214:2011-12-07
2060:2007-08-21
2035:2008-04-11
2010:2008-08-07
1840:2012-10-14
1747:2011-10-27
1452:References
1230:White Mule
1204:White Mule
1186:White Mule
724:and lights
537:, and the
373:Ezra Pound
333:John Keats
284:pediatrics
97:Occupation
69:1883-09-17
3718:2001–2025
3711:1976–2000
3704:1951–1975
3697:1922–1950
3468:Ada LimĂłn
3460:Joy Harjo
3340:Rita Dove
3316:Rita Dove
2847:The Wedge
2547:excessive
2149:, 264–65.
2125:The Attic
1961:162014617
1062:The Wedge
963:in 2009.
900:The U.S.
732:firetruck
637:in 1923.
558:in 1956.
443:. In his
441:modernism
219:modernism
133:Modernism
112:Education
105:physician
3830:Imagists
3404:Kay Ryan
2897:Paterson
2688:LibriVox
2671:(Canada)
2586:Profiles
2563:May 2024
2468:CBS News
2447:16 March
2390:Dan Vera
2265:32, 1964
2145:Gammel,
1892:57141752
1544:March 7,
1376:See also
1120:Paterson
1070:Paterson
910:Paterson
856:one tree
785:Mina Loy
738:unheeded
730:on a red
623:Paterson
615:(1954),
609:(1923),
550:Paterson
520:Paterson
511:Paterson
414:Contact,
279:(1962).
244:Paterson
174:Paterson
3014:to the
2732:at the
2716:Archive
2710:Archive
2677:at the
2541:Please
2533:use of
2131:31 July
1539:3054603
825:Contact
773:Man Ray
728:in gold
714:, 1928.
646:Contact
381:Imagist
357:Leipzig
255:" and "
223:imagism
207:
199:
138:Imagism
55:Man Ray
3670:(1975)
3664:(1974)
3658:(1973)
3652:(1972)
3646:(1971)
3640:(1970)
3634:(1969)
3628:(1968)
3622:(1967)
3616:(1966)
3610:(1965)
3604:(1964)
3598:(1963)
3592:(1962)
3586:(1961)
3580:(1960)
3574:(1959)
3568:(1958)
3562:(1957)
3556:(1956)
3550:(1955)
3544:(1954)
3538:(1953)
3532:(1952)
3526:(1951)
3398:(2007)
3390:(2006)
3382:(2004)
3374:(2003)
3366:(2001)
3358:(2000)
3350:(1999)
3346:&
3334:(1997)
3326:(1995)
3318:(1993)
3310:(1992)
3302:(1991)
3294:(1990)
3286:(1988)
3278:(1987)
3270:(1986)
3262:(1985)
3254:(1984)
3246:(1984)
3238:(1982)
3230:(1981)
3222:(1978)
3214:(1976)
3206:(1974)
3198:(1973)
3190:(1971)
3182:(1970)
3174:(1968)
3166:(1966)
3158:(1965)
3150:(1964)
3142:(1963)
3134:(1961)
3126:(1959)
3118:(1958)
3110:(1956)
3102:(1952)
3094:(1950)
3086:(1949)
3078:(1948)
3070:(1947)
3062:(1946)
3054:(1945)
3046:(1944)
3038:(1943)
3030:(1937)
2874:(1962)
2866:(1955)
2858:(1954)
2850:(1944)
2842:(1935)
2834:(1923)
2826:(1921)
2818:(1917)
2810:(1909)
2419:
2233:pp.6–7
2190:
2094:
1981:
1959:
1951:
1890:
1880:
1537:
1346:(1962)
1332:(2004)
1326:(1998)
1320:(1998)
1314:(1996)
1308:(1996)
1302:(1984)
1290:(1978)
1284:(1976)
1264:(1961)
1256:(1959)
1250:(1958)
1244:(1957)
1238:(1954)
1214:(1950)
1182:(1932)
1174:(1932)
1129:(1923)
1115:(1962)
1107:(1955)
1099:(1954)
1079:(1948)
1065:(1944)
1057:(1941)
1051:(1938)
1045:(1936)
1039:(1935)
1031:(1934)
1025:(1932)
1019:(1923)
1013:(1923)
1005:(1921)
997:(1917)
989:(1913)
983:(1909)
854:before
734:moving
570:Poetry
533:, the
529:, the
460:fruit.
225:. His
190:Spouse
102:Writer
78:, U.S.
57:, 1924
2946:Other
2882:Poems
2807:Poems
2411:, by
1957:S2CID
1949:JSTOR
1807:(PDF)
1564:(PDF)
1535:JSTOR
1338:Drama
1017:Go Go
980:Poems
861:where
736:tense
662:lyric
361:Poems
201:(
197:
2449:2023
2417:ISBN
2188:ISBN
2133:2019
2092:ISBN
1979:ISBN
1888:OCLC
1878:ISBN
1819:2013
1790:2013
1722:2013
1690:2020
1659:2020
1603:2020
1546:2024
935:for
912:and
866:snow
811:and
795:and
499:from
400:Dada
385:H.D.
335:and
299:real
273:for
221:and
83:Died
63:Born
2754:at
2686:at
2667:at
2658:at
2649:at
2633:at
2549:or
1941:doi
1574:: 9
686:."
566:.
562:in
522:).
508:In
433:'s
265:by
235:'s
3736::
3342:,
2617:.
2466:.
2435:.
2392:,
2375:.
2231:,
2207:.
2186:,
2123:.
2053:.
2027:.
1998:.
1955:.
1947:.
1937:36
1935:.
1886:.
1856:,
1809:.
1780:.
1756:^
1712:.
1698:^
1682:11
1680:.
1676:.
1651:11
1649:.
1645:.
1624:.
1611:^
1595:11
1593:.
1589:.
1570:,
1566:,
1531:13
1529:.
1525:.
1508:59
1506:.
1487:.
1467:.
928:.
916:.
807:,
803:,
791:,
787:,
783:,
779:,
541:.
325:.
203:m.
120:MD
3720:)
3716:(
3713:)
3709:(
3706:)
3702:(
3699:)
3695:(
3504:e
3497:t
3490:v
3004:e
2997:t
2990:v
2938:"
2934:"
2920:"
2916:"
2913:"
2909:"
2906:"
2902:"
2892:"
2888:"
2784:e
2777:t
2770:v
2576:)
2570:(
2565:)
2561:(
2557:.
2539:.
2476:.
2451:.
2285:.
2217:.
2135:.
2063:.
2038:.
2013:.
1963:.
1943::
1894:.
1843:.
1821:.
1792:.
1750:.
1724:.
1692:.
1661:.
1630:.
1605:.
1572:5
1548:.
1491:.
1473:.
1232:.
1206:.
678:"
169:"
165:"
162:"
158:"
122:)
118:(
71:)
67:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
