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perhaps excepted, which afforded scope for his pathos and tenderness, the qualities in which he specially excelled. With the exception of a voice of good compass and capable of very varied expression, Macready had no especial physical gifts for acting, but the defects of his face and figure cannot be
506:
Dickens wrote to him in 1847: "The multitude of tokens by which I know you for a great man, the swelling within me of my love for you, the pride I have in you, the majestic reflection I see in you of the passions and affections that make up our mystery, throw me into a strange kind of transport that
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Macready's performances always displayed fine artistic perceptions developed to a high degree of perfection by very comprehensive culture, and even his least successful personations had the interest resulting from thorough intellectual study. He belonged to the school of
579:
He married twice, firstly in 1823 to
Catherine Frances Atkins (died 1852). Of a numerous family of children only one son and one daughter survived. In 1860, aged 67, he married the 23 year old Cecile Louise Frederica Spencer (1827–1908), by whom he had a son,
301:, but, in 1809, financial problems experienced by his father, the lessee of several provincial theatres, called him to share the responsibilities of theatrical management. On 7 June 1810, he made a successful first appearance as
551:
later presided at the trial. Both
Forrest and Macready were playing Macbeth in concurrent, competing productions at the time of the riot, a fact which added to the ominous reputation of that play. Playwright
646:; but, if his tastes were better disciplined and in some respects more refined than those of Kean, his natural temperament did not permit him to give proper effect to the great tragic parts of Shakespeare,
526:
of Covent Garden, which he resigned in 1839, and of Drury Lane, which he held from 1841 to 1843, he found his designs for the elevation of the stage frustrated by the absence of adequate public support.
700:
The London County
Council affixed a blue plaque to Macready's birthplace, 45 Stanhope Street, Regent's Park on 25 June 1928. The house was subsequently demolished, the plaque being donated to the
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1463:
451:
Already, Macready had done something to encourage the creation of a modern
English drama, and after entering on the management of Covent Garden in 1837 he introduced
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took place under the artistic direction of Count d'Orsay on 8 December 1840, Macready winning unmistakable success in the character of Alfred Evelyn. Both in his
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In 1927, the
Cheltenham Local Tablets Committee placed a bronze tablet at No. 6 Wellington Square recording Macready's residence there from 1860 to 1873.
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to
Shakespeare's text (although in a shortened version), after it had been replaced for more than a hundred and fifty years by
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253:
340:. Macready's choice of characters was at first confined chiefly to the romantic drama. In 1818, he won a permanent success in
477:, the principal characters in which were among his most effective parts. On 10 June 1838, he gave a memorable performance of
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584:, who would become a General in the British Army, and a baronet. Macready's son from his second marriage was General Sir
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On 15 December 1830 he appeared at Drury Lane as Werner, one of his most powerful impersonations. In 1833, he played in
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375:, he gradually rose in public favour, his most conspicuous success being in the title role of Sheridan Knowles's
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has no expression but in a mute sense of an attachment which in truth and fervency is worthy of its subject."
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where he became headboy, and where now the theatre is named after him, it was his initial intention to go to
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at Drury Lane on 26 February 1851. The remainder of his life was spent in happy retirement, and he died at
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in 1814. Here he remained for two years, with occasional professional visits to other provincial towns.
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Upon his death, William
Macready's remains were deposited in the catacomb below the Anglican Chapel at
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parts followed, but a serious rupture between father and son resulted in the young man's departure for
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A History of
Warwick and its People by Thomas Kemp. Published 1905 by Henry T. Cooke & Son, p. 75
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Eminent persons: Biographies reprinted from the Times. Vol. 1–6. D. Vol I, 1870–1875
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His daughter, Catherine
Frances Macready, was a minor Victorian poet. Her book,
422:. He was responsible, in 1834, and more fully in 1838, for returning the text of
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The
Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America
1384:. County Hall, Spring Gardens S.W.: London County Council. 1938. pp. 2–3.
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Building History: The former theatre in Warwick where Macready played in 1829
1505:. Vol. 17 (11th ed.). Cambridge University Press. pp. 268–269.
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385:, and, in 1828, his performances met with a very flattering reception in
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Bristol theatre archives at the University of Bristol Theatre Collection
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prepared sketches, and the mounting was superintended by Bulwer-Lytton,
1254:"Macready's Triumph: The Restoration of King Lear to the British Stage"
611:(Daphne Lois Macready) was a great-granddaughter of William Macready.
564:
437:
394:
390:
213: in this section. Unsourced material may be challenged and removed.
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691: Dwells pleased, through twice a hundred years on thee."
381:(11 May 1825). In 1826, he completed a successful engagement in the
320:
On 16 September 1816, Macready made his first London appearance at
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This article incorporates text from a publication now in the
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386:
119:
1514:, Sir Frederick Pollock, ed., 2 vols. (London and New York, 1875)
540:, but his last visit to that country, in 1849, was marred by the
352:. He showed his capacity for the highest tragedy when he played
1382:
Indication of houses of historical interest in London Volume VI
563:
Macready took leave of the stage in a farewell performance of
182:
1339:"W. C. Macready and Cheltenham: Unveiling of memorial tablet"
556:
dramatized the events surrounding the riot in his 1990 play,
159:(3 March 1793 – 27 April 1873) was an English
719:
in 1983 as a one-hour special, again starring Frank Barrie.
685: And those gilt gauds men-children swarm to see.
675: Go take thine honours home; rank with the best;
669: Thy power, well used to move the public breast.
444:) and other theatres of the Lincoln theatre circuit run by
1512:
Reminiscences, and Selections from his Diaries and Letters
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677: Garrick, and statelier Kemble, and the rest,
667: Full-handed thunders often have confessed
683: Nor flicker down to brainless pantomime.
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704:c1965, the object passing to the V&A in 2007.
671:We thank thee with one voice, and from the heart.
361:In 1820, he played the title role in the tragedy
582:Cecil Frederick Nevil Macready, known as "Nevil"
1191:– theatre in Rugby named after William Macready
635:
536:. In 1843–44, he made a successful tour in the
293:, and actress Christina Ann Birch. Educated at
1443:, Macmillan & Co., 1892, pp. 157–159
1240:William Shakespeare's King Lear: A Sourcebook
673:Farewell, Macready, since this night we part.
651:said to have materially affected his success.
8:
665:"Farewell, Macready, since to-night we part:
1552:English Actors from Shakespeare to Macready
1464:Appletons' Cyclopædia of American Biography
1285:Romantic Friendship in Victorian Literature
687:Farewell, Macready; moral, grave, sublime,
679:Who made a nation purer through their art.
38:
689:Our Shakespeare's bland and universal eye
273:Learn how and when to remove this message
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1332:
1330:
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518:The first production of Bulwer-Lytton's
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681:Thine is it that the drama did not die.
1625:Dictionary of National Biography entry
659:dedicated the following verse to him:
711:wrote and performed the one-man play
358:at Covent Garden on 25 October 1819.
30:For his father of the same name, see
7:
1596:Pollock, Sir Frederick, ed. (1875).
1310:"War of Hams Where the Stage Is All"
1283:de la L. Oulton, Carolyn W. (2016).
211:adding citations to reliable sources
1602:. New York: Harper & Brothers.
1252:Mullin, Emily (6 September 2011).
592:officer as was his brother, Major
25:
1670:British male Shakespearean actors
1660:English male Shakespearean actors
1458:"Macready, William Charles"
1242:. London, Routledge, 2003, p. 69.
163:. The son of Irish actor-manager
1695:Burials at Kensal Green Cemetery
1675:19th-century British male actors
1665:19th-century English male actors
1479:
187:
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1690:People educated at Rugby School
1680:English people of Irish descent
1630:Macready! Television adaptation
1613:. New York: Macmillan & Co.
1562:On Actors and the Art of Acting
1308:Rich, Frank (17 January 1992).
848:by Charles Edward Walker (1820)
661:
436:. He performed at the Georgian
371:. Transferring his services to
198:needs additional citations for
145:Cecile Louise Frederica Spencer
1564:(London, 1875; New York, 1878)
1264:(1). Berkeley Electronic Press
1:
1700:19th-century theatre managers
344:'s (1782–1835) adaptation of
461:, and in the following year
430:'s happy-ending adaptation,
605:Leaves From the Olive Mount
1726:
1510:William Charles Macready,
1053:The Duchess de la Vallière
923:Don Pedro, King of Castile
514:Macready playing 'Macbeth'
389:. In 1829, he appeared as
291:William Macready the Elder
165:William Macready the Elder
32:William Macready the elder
29:
27:19th-century English actor
1655:English male stage actors
1497:Macready, William Charles
1356:British Newspaper Archive
61:National Portrait Gallery
48:
1610:William Charles Macready
1607:Archer, William (1890).
1599:Macready's reminiscences
1576:Two Shakespearean Actors
1522:William Charles Macready
1467:. New York: D. Appleton.
1157:The Patrician's Daughter
1050:Marquis De Bragelone in
729:Emperor of Byzantium in
558:Two Shakespearean Actors
433:The History of King Lear
167:he emerged as a leading
157:William Charles Macready
140:Catherine Frances Atkins
1710:Male actors from London
1502:Encyclopædia Britannica
745:The Conquest of Taranto
655:When Macready retired,
629:Encyclopædia Britannica
1545:Macready as I Knew him
1175:James Sheridan Knowles
1084:James Sheridan Knowles
1032:James Sheridan Knowles
962:The Merchant of London
954:James Sheridan Knowles
915:James Sheridan Knowles
889:James Sheridan Knowles
837:James Sheridan Knowles
653:
515:
369:James Sheridan Knowles
147:(1860–1873; his death)
142:(1823–1852; her death)
1586:University of Bristol
1507:which in turn cites:
1162:John Westland Marston
1115:Halbert MacDonald in
1019:George William Lovell
1014:The Provost of Bruges
868:Duke of Mirandola in
774:by John Dillon (1818)
622:Evaluation and legacy
616:Kensal Green Cemetery
594:Edward Nevil Macready
513:
326:The Distressed Mother
171:performer during the
1102:Richard Cromwell in
1097:Edward Bulwer-Lytton
1066:The Athenian Captive
1058:Edward Bulwer-Lytton
975:The House of Colberg
946:Alfred the Great in
902:Mary Russell Mitford
793:A Word to the Ladies
549:Charles Patrick Daly
403:Antony and Cleopatra
299:University of Oxford
207:improve this article
1400:V&A Collections
1371:, pp. 268–269.
1258:Penn History Review
1128:Earl of Ruthven in
530:In 1843, he staged
503:and other friends.
328:, a translation of
1558:George Henry Lewes
1344:Gloucester Citizen
1314:The New York Times
881:Caius Gracchus in
598:Battle of Waterloo
588:, a distinguished
571:on 27 April 1873.
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222:"William Macready"
1569:Our Recent Actors
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854:Damon and Pythias
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626:According to the
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126:Years active
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1650:1873 deaths
1645:1793 births
1131:Mary Stuart
1079:Woman's Wit
972:Colberg in
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768:Chosroo in
755:Pescara in
355:Richard III
289:the son of
263:August 2023
173:Regency era
161:stage actor
1639:Categories
1432:References
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1350:26 October
1027:The Bridal
993:Lord Byron
936:The Pledge
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419:King Lear
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129:1810–1851
110:, England
1396:"Plaque"
1319:28 March
1268:1 August
1183:See also
1144:Gisippus
819:Fredolfo
309:. Other
169:West End
59:, 1821,
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406:, in
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254:JSTOR
240:books
120:Actor
1407:2023
1352:2015
1321:2013
1289:ISBN
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315:Bath
226:news
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