Knowledge (XXG)

Wye Tour

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203:. Gilpin deemed the castle "correctly Picturesque". in its own right, and the crumbling structure, entwined with vines and set on a large hill that loomed over the viewer, "was generally considered to rank as the second grand object of the tour". From Goodrich Castle, tourists would sail past the ironworks at New Weir (sometimes spelled "New Wear"). Tourists of the time (like Thomas Whateley, who reverentially mentioned "a path , worn into steps narrow and steep, winding among the precipices" and commented on a "sullen sound that, at stated intervals from the strokes of the great hammers in the forge, deadens the roar of the water-fall") thought of the ironworks as enhancing the Picturesque qualities of the surrounding landscape; "the natural scene itself is awesome, and therefore positively enhanced by the presence of industry". After sailing past New Weir, the boats would next pass under 234:, who had immediately attempted to "restore" the Abbey. The Duke's restorative efforts, which included hammering bronze letters into the brick floor, introducing plants that compromised the structural integrity of arches and hallways, and other such harmful practices, ultimately did more damage than good to the ruins. Despite the Duke's restorative efforts, Gilpin remained unimpressed with the Abbey, and complained that "though the parts are beautiful, the whole is ill-shaped". Most tourists, however, generally considered Tintern Abbey to be the most important and beautiful location on the Wye Tour. Later tourists were probably familiar with Wordsworth's famous poem 141: 48: 1502: 165: 285:– it marked the first time that Gilpin discussed the Picturesque (originally defined as "that peculiar kind of beauty, which is agreeable in a picture") at length. As a result, the Wye Valley was more or less constantly associated with the Picturesque, and as public awareness and appreciation for the Picturesque increased, so too did the popularity of the Wye Tour. 1514: 128:) and satirical poets, who mocked their ignorance of local customs, single-minded pursuit of Picturesque views, and disregard for one another. Despite this (frequently accurate) criticism, the popularity of the tour endured until the middle of the 19th century – well after the end of the Napoleonic Wars and the Picturesque fad. Wye Tour destinations like 179:
During the height of the Wye Tour's popularity (the first decade of the nineteenth century, there were no fewer than eight to ten "pleasure boats" launching from Ross-on-Wye towards Chepstow each day. These pleasure boats were equipped with drawing tables, at which tourists would either read travel
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Tours skyrocketed. Thousands of tourists descended upon Ross-on-Wye each summer to take a Picturesque tour, and to appreciate scenery that the fastidious Gilpin had declared "properly Picturesque". During this time, Wye Tourists (and seekers of the Picturesque in general) were widely lampooned by
184:) or sit and rapidly sketch scenes that struck them as especially Picturesque. The boats also featured canopies (to protect travellers from the sun), and crews to steer and row the boats downriver. Such boats could be retained for the price of three 1472: 222:. There, awestruck seekers of the Picturesque observed the bare columns and walls of what was once a massive structure, overrun with vegetation and decay. Before the Abbey was immortalised by William Wordsworth's poem 199:
Each Tour followed the same general itinerary. First, tourists would leave Ross-on-Wye, appreciating the "mazy course and lofty banks". of the river on the way to their next major destination,
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After walking through the ruins of the Abbey, tourists returned to their boats and sailed further down the Wye, noting the cliff "Lover's Leap" and especially the Picturesque plains of
218:, and spend the night in an inn. The following morning, tourists would pass riverside hamlets and Picturesque natural scenery before finally arriving at the Tour's greatest spectacle, 1091: 763: 903: 926: 58:
Although tourists had been travelling down the River Wye since the middle of the 18th century, the Wye Tour became a must-see series of destinations after the publication of
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Composed a few miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, 13 July 1798"), or, if they were exceptionally rich, take a private carriage.
1398: 1482: 193: 830: 756: 281:, who had found the tour to be "a succession of nameless beauties". Gilpin's book did more than encourage British citizens to observe the beauties of the 108:(he called the Tour "a portrait of the celebrated Grecian Tempe enlarged"), thereby elevating the Wye Tour "to the highest level of classical beauty". 1419: 1424: 696:
Observations on the River Wye and Several parts of South Wales, &c., Relative Chiefly to Picturesque Beauty, made in the summer of the year 1770
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were the final spectacle of the Wye Tour. After arriving in Chepstow, Tourists would arrange for transportation back to their respective homes.
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Observations on the River Wye and several parts of South Wales, etc. relative chiefly to Picturesque Beauty; made in the summer of the year 1770
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held a temporary exhibition, 'The Wye Tour and its Artists', of period art from the Wye Tour. A catalogue and detailed guide was published.
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it was considered to be an impressive, although imperfectly Picturesque, ruin. During the 18th century, the Abbey was purchased by the
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For British travellers unable to travel to continental Europe during the Napoleonic Wars, the Wye Tour became a replacement for the
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was an excursion past and through a series of scenic buildings, natural phenomena, and factories located along the
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per passenger per day. Alternately, a tourist could elect to walk along the banks of the Wye (as
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remain some of the most popular weekend destinations for British tourists to the present day
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At the end of the first day of the Tour, the travellers would arrive at the town of
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Michasiw, Kim (Spring 1992). "Nine Revisionist Theses on the Picturesque".
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The Chancel and Crossing of Tintern Abbey, Looking towards the East Window
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List of airports in the United Kingdom and the British Crown Dependencies
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and the importance of that piece only increased the aura of the Abbey.
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was published in 1782, travellers from all across Britain flocked to
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before arriving at the end of the Tour, the junction of the Rivers
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During the early 19th century, the popularity of the Wye and other
163: 139: 46: 745: 468:"Enchanting Ruin: Tintern Abbey and Romantic Tourism in Wales" 559:
Observations on Modern Gardening, illustrated by descriptions
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List of past and present youth hostels in England and Wales
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The Adventures of Dr. Syntax, In Search of the Picturesque
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Discovery of Britain: The English Tourists, 1540 to 1840
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inspired many artists who took the Wye Tour, including
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List of National Trust properties in Northern Ireland
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Minister for Business, Trade, Tourism and Enterprise
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Farror. p. 167. 1156:Co-op Ski, Co-op Travel, Co-op Holidays 821:Lists of tourist attractions in England 631: 597:Matheson, Enchanting Ruin, Introduction 584: 507: 490: 410: 358: 315: 305: 1468:List of airlines of the United Kingdom 899:List of tourist attractions in Ireland 826:List of National Trust land in England 658: 607: 531: 519: 269:The Wye Tour was first popularised by 1478:List of museums in the United Kingdom 648:. London: Longman, Hurst, Rees, Orme. 16:British excursion along the River Wye 7: 1513: 977:South West Wales Tourism Partnership 619: 543: 346: 334: 894:Nature reserves in Northern Ireland 889:List of museums in Northern Ireland 942:Scottish Youth Hostels Association 737:. London: Routledge & K. Paul. 14: 1512: 1501: 1500: 275:Observations on the River Wye... 265:The Wye Tour and the Picturesque 981:Tourism Partnership North Wales 1134:Carnival Corporation & plc 1030:British Indian Ocean Territory 909:Northern Ireland Tourist Board 687:The Search for the Picturesque 31:, when travel (especially the 1: 789:Economy of the United Kingdom 773:Tourism in the United Kingdom 101:compared the Wye Tour to the 1379:Camping and Caravanning Club 968:Forgotten Landscapes Project 716:The Wye Tour and its Artists 293:From May to September 2010, 1025:British Antarctic Territory 644:Bloomfield, Robert (1812). 180:journals (usually Gilpin's 1577: 1384:Caravan and Motorhome Club 884:Hotels in Northern Ireland 1496: 1399:Youth Hostels Association 779: 714:Mitchell, Julian (2010). 685:Andrews, Malcolm (1989). 556:Whateley, Thomas (1771). 1561:History of Herefordshire 1556:History of Monmouthshire 1453:Blue Badge tourist guide 1097:Turks and Caicos Islands 973:List of museums in Wales 703:Gilpin, William (1802). 694:Gilpin, William (1782). 66:, which established the 394:Fosbroke, Thomas Dudley 1279:Clarksons Travel Group 1035:British Virgin Islands 964:Capital Region Tourism 176: 161: 99:Thomas Dudley Fosbroke 55: 1221:Martin Randall Travel 1010:Akrotiri and Dhekelia 733:Moir, Esther (1964). 709:. London: A. Strahan. 698:. London: R. Blamire. 167: 143: 50: 1248:Thomas Cook Holidays 866:Welcome to Yorkshire 856:Tourism in Yorkshire 836:London Tourist Board 192:did before writing " 156:, who produced this 1309:Hogg Robinson Group 1294:Directline holidays 1186:Great Rail Journeys 932:Resorts in Scotland 70:as an area rich in 39:was not an option. 1546:Tourism in England 1124:ACE Cultural Tours 841:Resorts in England 718:. Logaston Press. 706:An Essay on Prints 566:. pp. 109–110 289:Modern exhibitions 190:William Wordsworth 177: 162: 56: 37:Continental Europe 1528: 1527: 1367: 1366: 1344:Thomas Cook Group 1176:Ffestiniog Travel 1105: 1104: 851:Tourism in London 816:Hotels in England 725:978-1-906663-32-2 1568: 1551:Tourism in Wales 1516: 1515: 1504: 1503: 1151:City Sightseeing 1114: 1045:Falkland Islands 876:Northern Ireland 846:Tourism in Leeds 804: 766: 759: 752: 743: 738: 729: 710: 699: 690: 673: 668: 662: 656: 650: 649: 641: 635: 629: 623: 617: 611: 605: 599: 594: 588: 582: 576: 575: 573: 571: 553: 547: 541: 535: 529: 523: 517: 511: 505: 494: 488: 479: 478: 476: 474: 463: 457: 451: 445: 444: 420: 414: 408: 402: 401: 390: 384: 383: 381: 379: 368: 362: 356: 350: 344: 338: 332: 319: 313: 232:Duke of Beaufort 1576: 1575: 1571: 1570: 1569: 1567: 1566: 1565: 1531: 1530: 1529: 1524: 1492: 1445: 1439: 1430:Tourism Concern 1408:Industry bodies 1403: 1363: 1267: 1166:Cox & Kings 1161:Cosmos Holidays 1144:P&O Cruises 1101: 1001: 990: 951: 913: 870: 799: 793: 775: 770: 732: 726: 713: 702: 693: 684: 681: 676: 669: 665: 657: 653: 643: 642: 638: 630: 626: 618: 614: 606: 602: 595: 591: 583: 579: 569: 567: 555: 554: 550: 542: 538: 530: 526: 518: 514: 506: 497: 489: 482: 472: 470: 466:Matheson, C.S. 465: 464: 460: 452: 448: 433:10.2307/2928685 425:Representations 422: 421: 417: 409: 405: 392: 391: 387: 377: 375: 371:Matheson, C.S. 370: 369: 365: 357: 353: 345: 341: 333: 322: 314: 307: 303: 295:Chepstow Museum 291: 267: 259:Chepstow Castle 257:. The ruins of 201:Goodrich Castle 182:Observations... 173:J. M. W. Turner 150:Goodrich Castle 138: 74:scenes. 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Paine 398:Wye Tour 396:(1822). 255:Chepstow 216:Monmouth 160:in 1815. 136:The Tour 116:British 97:(1818), 95:Wye Tour 84:Chepstow 21:Wye Tour 1519:Commons 1458:Holiday 1444:Tourist 1339:Palmair 1272:Defunct 1117:Current 1020:Bermuda 808:England 800:regions 784:Tourism 441:2928685 209:Sublime 186:guineas 103:Grecian 43:History 1139:Cunard 1072:Jersey 722:  439:  251:Severn 175:, 1794 120:(e.g. 1000:Crown 996:UKOTs 957:Wales 437:JSTOR 194:Lines 106:Tempe 35:) to 1415:ABTA 998:and 720:ISBN 572:2010 475:2010 380:2010 249:and 144:The 19:The 1226:PGL 1206:NST 429:doi 273:'s 253:in 247:Wye 171:by 124:'s 62:'s 1537:: 498:^ 483:^ 435:. 323:^ 308:^ 211:. 765:e 758:t 751:v 728:. 574:. 477:. 443:. 431:: 382:. 228:" 224:"

Index

River Wye
Napoleonic Wars
Grand Tour
Continental Europe

William Gilpin
William Gilpin
Wye valley
Picturesque
Ross-on-Wye
Chepstow
Grand Tour
Thomas Dudley Fosbroke
Grecian
Tempe
Picturesque
caricaturists
William Combe
Tintern Abbey
A watercolour painting, with a dark castle in the middle surrounded by dark green painting and a swirling, dark sky.
picturesque
Goodrich Castle
David Cox
watercolour

J. M. W. Turner
guineas
William Wordsworth
Lines
Goodrich Castle

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