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385:. Visiting the United States for the first time in connection with an exhibition of his work in 1891, Crane scandalized polite society by appearing at a Boston anarchist meeting and expressing the opinion that the Haymarket defendants had been put to death wrongfully. Returning to his hotel, Crane found a letter stating that he faced "hopeless ruin" among American patrons of the arts owing to his support of those who were commonly considered to be terrorist conspirators in public opinion of the day. Financial support was withdrawn and planned dinners in Crane's honour were cancelled. In response to the controversy, Crane wrote a letter to the press explaining that he had not meant to cause insult and did not himself favour the use of explosives, but had merely been expressing his principled opinion that those convicted were innocent of the crime for which they were charged. The incident was memorialized in the press as "probably the most dramatic episode" in the artist's career. Crane publicly criticised the British government for the
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961:. Zsuzsa Gonda in her review of Crane’s visit says that it is one of the most extensively documented events in the artistic life of the country in that period. The welcome extended to him was not entirely personal, however: he was the representative of England, the nation that sheltered Kossuth and took him to its heart.
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provided a regular course of instruction in art for the nursery. In his early "Lady of
Shalott", the artist had shown his preoccupation with unity of design in book illustration by printing in the words of the poem himself, in the view that this union of the calligrapher's and the decorator's art was
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in
Hampshire, descended into a well to rescue a five-year-old child. After 1894, no further murals were created, partly due to shortages in funding and other commitments, but also because it was discovered that the gas lighting in the hall was damaging the paintings. The Red Cross Hall is now in
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Walter Crane married embroiderer Mary
Frances Andrews in 1871 and they proceeded on a two-year honeymoon. In Italy, the newlyweds made contact with artists from other countries, while Crane's illustrations were published in England. The couple went on to have three children with Crane featuring
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designs, in all of which he applied the principle that in purely decorative design "the artist works freest and best without direct reference to nature, and should have learned the forms he makes use of by heart". An exhibition of his work of different kinds was held at the
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as Crane's "most significant work in this medium", and in the justification for listing the church as Grade II* "the stained glass is extraordinary and has more than special interest in the context of Arts and Crafts stained glass".
406:. Both he and his wife enjoyed giving enormous costume parties, so that the couple's New Year parties were considered a major event in London's artistic social calendar. In 1914 at the age of 68, Frances Crane went on a rest cure in
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and produced an array of paintings, illustrations, children's books, ceramic tiles, wallpapers and other decorative arts. Crane is also remembered for his creation of a number of iconic images associated with the international
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161:(15 August 1845 – 14 March 1915) was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with
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to whom Walter Crane was apprenticed for three years in 1859–62. As a wood-engraver he had abundant opportunity for the minute study of the contemporary artists whose work passed through his hands, of Pre-Raphaelites
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Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come. He was part of the
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at the time of its construction in 1898. Sadly, sufficient funds were not forthcoming, resulting instead in a frontage clad in buff terracotta tiles. (The drawing still exists.)
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827:'s galleries in Bond Street in 1891, and taken to the United States in the same year by the artist himself. It was afterwards exhibited in Germany, Austria and Scandinavia.
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floral works on the side windows and depictions of sin, shame and the translations of Enoch and Elijah. They were completed by
Sylvester Sparrow and have been described by
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903:(1892), depicting two Scottish railway workers, Alex Jamieson and his nephew Alexander, who lost their lives in 1874 while working on the Glasgow and Paisley line; and
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movement. He did as much as Morris himself to bring art into the daily life of all classes. With this object in view he devoted much attention to designs for
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2187:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Crane (see index)
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was a noted writer. He was a fluent follower of the newer art movements and he came to study and appreciate the detailed senses of the
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was a book of
English nursery songs available in 1877 with Evans, and a third series of children's books with the collective title
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that the genre of
English children's illustrated literature would exhibit in its developmental stages in the later 19th century.
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The
Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, The absurd ABC
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318:, and to house decoration; but he also used his art for the direct advancement of the Socialist cause. As a member of the
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Crane was controversial in his support of the four
Chicago anarchists executed in 1887 in connection with the
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These are a few of his illustration suites: In 1864 he began to illustrate a series of sixpenny toy books of
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870:(2nd ed., London and New York, 1900) is a further contribution to theory. A well-known portrait of Crane by
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899:(1890), depicting the heroine of the Union Street fire which had occurred in 1885 just a few streets away;
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Groves, Reg: Against the Stream. International
Socialism (1st series), No. 57, April 1973, pp. 22–24.
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1606:"Mary Frances Crane (née Andrews) as Laura; Walter Crane as Cimabue - National Portrait Gallery"
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Crane's earliest stained glass window designs were some
American commissions with glass made by
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reproductions of Crane's line drawings washed in with watercolour; he also decorated in colour
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for their manifesto. For a long time he provided the weekly cartoons for the socialist organs
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Moot points; friendly disputes on art & industry between Walter Crane & Lewis F. Day.
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430:, where his ashes remain. He was survived by three children, Beatrice, Lionel and Lancelot.
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in black and white. In 1894 he collaborated with William Morris in the page decoration of
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show. Ultimately, only three designs were converted into full-size murals, these being:
374:. He is credited with the design and decoration of the front façade of "The Bomb Shop",
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2163:"Walter Crane Design for "Illustrations of the Victorian Series and Other Wall-Papers""
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Walter Crane Of the Decorative Illustration of Books Old and New on Project Gutenberg
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bookshop at 66 Charing Cross Road specializing in left-wing and radical literature.
278:. A further and important element in the development of his talent was the study of
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1631:"The Apotheosis of Italian | Art Walter Crane (1845–1915) | Manchester Art Gallery"
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532:
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370:, Crane contributed to several libertarian publishers, including Liberty Press and
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2059:. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
2053:. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
485:, but the academy steadily refused his maturer work and after the opening of the
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Hospital, West Sussex, three months after his wife. His body was cremated at the
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to paint a series of murals to decorate the newly constructed Red Cross Hall in
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Crane also devoted much time and energy to non-political societies, such as the
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907:(1894), depicting George Eales, a 58-year-old labourer who in December 1887 at
513:. From 1865 to 1876 Crane and Evans produced two to three toy books each year.
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1918:
Crane, Walter; Martin, Sarah Catherine; Kean, Elizabeth d'Hauteville (1874).
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1960:. Vol. 7 (11th ed.). Cambridge University Press. pp. 366–367.
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889:. Crane produced designs for nine panels, which were displayed at the 1890
783:(1891), were exhibited regularly at the Grosvenor Gallery and later at the
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in 1882, resigning in 1886; two years later he became an associate of the
615:. During the eighties and nineties he illustrated 16 children's novels by
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was exhibited at the New Gallery in 1893, and with it may be classed his
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523:, a book of old rhymes and the music by the earliest masters book cover 1
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2010:'Art and Labour's Cause Is One': Walter Crane and Manchester, 1880–1915
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The Illustration Handbook: A guide to the world's greatest illustrators
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Kearsley), the daughter of a prosperous malt-maker. His elder brother
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From Toy Books to Bloody Sunday: Tales from the Walter Crane Archive
2019:
Walter Crane: The Arts and Crafts, Painting, and Politics, 1875-1890
227:, and was also a diligent student of the renowned artist and critic
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1296:"The children of Queen Blondine and sister Brunette picked up by a
957:) in search of Hungarian traditional art. He recorded the visit in
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His own easel pictures, chiefly allegorical in subject, among them
359:, which he helped to found in 1888. He was a Vice President of the
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People associated with the Museum of New Zealand Te Papa Tongarewa
1941:
This article incorporates text from a publication now in the
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himself, his wife and one of their sons in his 1885 watercolour,
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Everyday Heroism: Victorian Constructions of the Heroic Civilian
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Everyday Heroism: Victorian Constructions of the Heroic Civilian
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Everyday Heroism: Victorian Constructions of the Heroic Civilian
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Everyday Heroism: Victorian Constructions of the Heroic Civilian
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Everyday Heroism: Victorian Constructions of the Heroic Civilian
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London: Twentieth Century Press, 1896 (revised version 1907).
750:. He then had a British commission – the windows for the new
718:. These were most probably completed between 1898 and 1907.
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Members of the Royal Institute of Painters in Water Colours
1974:
Socialist Style and Mythology. Socialist Idealism 1871-1914
169:, one of the strongest contributors to the child's nursery
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List of 19th-century British children's literature titles
1985:(25th anniversary ed.). Köln: Taschen. p. 185.
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535:. He was allowed more freedom in a series beginning with
923:, designed by Crane, was intended for the façade of the
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private hands and the status of the murals is unknown.
567:, text and decoration being in this case reproduced by
211:, a portrait painter and miniaturist, and Marie Crane (
854:(1896); and in 1898 for a short time principal of the
1898:"From the Rare Book and Special Collections Division"
1877:"From the Rare Book and Special Collections Division"
1444:"Walter Crane: A revolution in nursery picture books"
355:, of which he was master in 1888 and 1889 and to the
1924:. London; New York : George Routledge and Sons.
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The Sanitary Record, W. H. Allen & Co, July 1890
306:'s influence, Crane was closely associated with the
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Portrait of young Walter Crane painted by his father
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726:Crane wrote and illustrated three books of poetry,
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1706:. National Gallery of Canada. 2007. Archived from
282:, the methods of which he imitated in a series of
266:. He was a student who admired the masters of the
2051:Catharine T. Patterson Collection of Walter Crane
868:The Decorative Illustration of Books, Old and New
885:, a project conceived by the housing campaigner
2676:People associated with the Royal College of Art
1054:The Frog Asks To Be Allowed To Enter The Castle
231:. A set of coloured page designs to illustrate
16:British artist and book illustrator (1845–1915)
930:Crane was much admired in Hungary and in 1900
539:(1874) which showed markedly the influence of
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1679:"Historical Children's Literature Collection"
798:His varied work includes examples of plaster
8:
2146:"Archival material relating to Walter Crane"
219:would also go into illustration, and sister
1806:, University of London Press, 1970, p. 294.
1804:The History and Philosophy of Art Education
1573:"The Reminiscences of a Socialist Artist,"
501:, and in 1865 they began to collaborate on
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1577:, vol. 43, no. 6 (Dec. 1907), pp. 637–641.
874:was exhibited at the New Gallery in 1893.
758:in London. These designs are a mixture of
31:
20:
1497:. London: G. Bell & Sons. p. 22.
1194:A Floral Fantasy in an Old English Garden
1534:
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1056:– Illustration for the Frog Prince, 1874
964:One of Crane's last major works was his
270:, however he was more influenced by the
2021:. New Haven, CT: Yale University Press.
1981:Fiell, Charlotte; Fiell, Peter (2005).
1792:Historic England retrieved 3rd Jan 2022
1434:
979:
489:in 1877, he ceased to send pictures to
239:" gained the approval of wood-engraver
1188:The flowers masquerade as people. Sir
832:Institute of Painters in Water Colours
575:illustration taken from his beautiful
422:Walter Crane died on 14 March 1915 in
302:From the early 1880s, initially under
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2661:English children's book illustrators
1781:Victorian Web retrieved 3rd Jan 2022
1569:
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1479:. New York: Macmillan. pp. 1–5.
1346:The Marquis of Carabas' Picture Book
552:one secret of the beauty of the old
298:"A Garland for May Day 1895" woodcut
2681:Socialist League (UK, 1885) members
2241:Victorian-era children's literature
1701:"Illustrated Books by Walter Crane"
1654:"Walter Crane's Home in Kensington"
1210:King Midas with his daughter, from
877:In 1887, Crane was commissioned by
838:(1888); he was an examiner for the
451:is evident in this 1874 cover of a
1192:begins the fun, illustration from
891:Arts and Crafts Exhibition Society
830:Crane was elected a member of the
656:The Happy Prince and Other Stories
593:Flora's Feast, A Masque of Flowers
357:Arts and Crafts Exhibition Society
344:. Many of these were collected as
14:
2736:19th-century English male artists
2731:20th-century English male artists
2726:Masters of the Art Worker's Guild
1442:Delaney, Lesley (November 2010).
622:The Story of the Glittering Plain
2666:Arts and Crafts movement artists
2123:
1934:
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1361:Cartoons for the Cause 1886–1896
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1241:, an 1887 children's edition of
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1216:A Wonder-Book for Girls and Boys
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633:. Crane illustrated editions of
561:The First of May: A Fairy Masque
361:Healthy and Artistic Dress Union
148:
2185:Pierre Bonnard, the Graphic Art
1735:Souter, Nick and Tessa (2012).
1396:. London: G.Bell and Sons, 1911
1372:London: G. Bell and Sons, 1900.
1097:oil and tempera on canvas, 1877
943:Budapest Museum of Applied Arts
579:(1882) was done again as a big
559:He followed the same course in
286:, which started a new fashion.
2098:Works by or about Walter Crane
1591:. 3 February 1900. p. 10.
972:, which were painted in 1913.
650:Ali Baba and the Forty Thieves
1:
2716:20th-century English painters
2706:19th-century English painters
1423:Royal West of England Academy
970:Royal West of England Academy
921:The Sphere and Message of Art
497:employed Crane to illustrate
473:by Walter Crane, London, 1887
404:The Apotheosis of Italian Art
2195:From the Collections at the
1415:Children's literature portal
1388:. New York: Macmillan, 1907.
1282:Meets the Wolf in the Woods"
846:; director of design at the
577:Household Stories from Grimm
207:Crane was the second son of
2741:Illustrators of fairy tales
2122:(public domain audiobooks)
1819:(Bloomsbury: London, 2014)
1380:London, B.T. Batsford, 1903
848:Manchester Municipal School
692:On Teaching English Reading
439:Paintings and illustrations
2757:
2171:Victoria and Albert Museum
1983:Design of the 20th Century
1972:Arvidsson, Stefan (2017).
1681:. University of Washington
1587:"Stop the War Committee".
1450:(185): 4–5. Archived from
1393:William Morris to Whistler
840:Science and Art Department
225:Pre-Raphaelite Brotherhood
2701:Golders Green Crematorium
2449:Charlotte Elizabeth Tonna
2274:Christabel Rose Coleridge
1476:An Artist's Reminiscences
1385:An Artist's Reminiscences
1234:The Man That Pleased None
681:Don Quixote of the Mancha
643:(19 pts., 1894–1896) and
428:Golders Green Crematorium
195:Early life and influences
147:
30:
2625:Frederick Warne & Co
2419:Elizabeth Missing Sewell
2167:Paintings & Drawings
2073:Walter Crane (1845–1915)
2039:. Whitworth Art Gallery.
2012:. Whitworth Art Gallery.
1340:-like illustration for "
1038:La belle Dame Sans Merci
850:(1894); art director of
645:The Shepheard's Calendar
549:Romance of the Three R's
366:Although not himself an
179:Arts and Crafts movement
116:Arts and Crafts movement
2691:English watercolourists
2339:Frances Hodgson Burnett
2254:Henry Cadwallader Adams
2057:Walter Crane Collection
2035:Stalker, Helen (2009).
2017:O'Neill, Morna (2010).
2008:O'Neill, Morna (2008).
1957:Encyclopædia Britannica
1589:The Manchester Guardian
1495:The Art of Walter Crane
1300:", from the fairy tale
953:), and Kalotaszeg (now
925:Whitechapel Art Gallery
844:South Kensington Museum
686:Crane also illustrated
583:and then reproduced in
324:1885 cover illustration
2686:Artists from Liverpool
2454:Charlotte Maria Tucker
2439:Robert Louis Stevenson
2384:Mary Louisa Molesworth
2264:Lucy Lyttelton Cameron
2111:Toronto Public Library
1739:. Oceana. p. 20.
1473:Crane, Walter (1907).
1280:Little Red Riding Hood
1168:Morn, Noon, Eve, Night
1092:The Fate of Persephone
941:, the director of the
872:George Frederick Watts
663:(1888), an edition of
524:
493:. In 1863 the printer
474:
460:
391:Stop the War Committee
346:Cartoons for the Cause
299:
280:Japanese colour-prints
246:Dante Gabriel Rossetti
204:
2711:English male painters
2620:Marcus Ward & Co.
2409:William Brighty Rands
2304:Juliana Horatia Ewing
2202:Poems by Walter Crane
2116:Works by Walter Crane
2107:Works by Walter Crane
2088:Works by Walter Crane
2079:Works by Walter Crane
1303:Princess Belle-Etoile
1040:, oil on canvas, 1865
1023:, oil on canvas, 1863
949:), Bánffyhunyad (now
531:in three colours for
519:
481:was exhibited at the
477:In 1862, his picture
466:
446:
297:
256:, the illustrator of
202:
37:Walter Crane, c. 1886
2656:English illustrators
2547:Harold Robert Millar
2459:Charlotte Mary Yonge
2429:Mary Martha Sherwood
2299:Evelyn Everett-Green
2150:UK National Archives
2075:, Indiana University
2067:John Rylands Library
2063:Walter Crane Archive
2026:Price, John (2014).
856:Royal College of Art
836:Water Colour Society
793:Rainbow and the Wave
447:Crane's interest in
250:John Everett Millais
241:William James Linton
2197:Library of Congress
1510:, pp. 366–367.
1214:'s 1893 edition of
1212:Nathaniel Hawthorne
1155:oil on canvas, 1885
1139:oil on canvas, 1884
1069:The Renaissance of
992:The Lady of Shalott
860:The Bases of Design
756:Ark of the Covenant
675:'s re-narration of
625:, published at the
605:Nathaniel Hawthorne
479:The Lady of Shalott
268:Italian Renaissance
259:Alice in Wonderland
2671:English socialists
2490:Randolph Caldecott
2480:Eleanor Vere Boyle
2414:Talbot Baines Reed
2399:Frances Mary Peard
2309:Frederic W. Farrar
1802:Stuart Macdonald,
1575:Current Literature
1135:The Bridge of Life
1111:Diana and Endymion
905:Rescue from a Well
777:The Bridge of Life
525:
475:
461:
300:
290:Political activity
205:
163:Randolph Caldecott
2633:
2632:
2615:Blackie & Son
2562:Millicent Sowerby
2537:Sydney Prior Hall
2505:George Cruikshank
2434:Flora Annie Steel
2374:Frederick Marryat
2359:W. H. G. Kingston
2349:Richard Jefferies
2279:Harry Collingwood
2083:Project Gutenberg
1825:978-1-4411-0665-0
1746:978-1-84573-473-2
1258:Illustration for
1231:Illustration for
1076:tempera on canvas
879:Emilie Barrington
665:Arthurian Legends
554:illuminated books
487:Grosvenor Gallery
353:Art Workers Guild
322:, he created the
252:, as well as Sir
156:
155:
2748:
2379:George MacDonald
2354:Charles Kingsley
2259:R. M. Ballantyne
2235:
2228:
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2192:Baby's Own Aesop
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696:Steps to Reading
669:A Flower Wedding
545:The Baby's Opera
521:The Baby's Opera
491:Burlington House
470:Baby’s Own Aesop
418:Death and legacy
383:Haymarket affair
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1454:on 8 April 2019
1448:Books for Keeps
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671:. and in 1900
635:Edmund Spenser
589:William Morris
573:The Goose Girl
563:by his friend
529:nursery rhymes
507:nursery rhymes
467:Title page of
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2567:John Tenniel
2526:Edmund Evans
2500:Walter Crane
2499:
2495:Thomas Crane
2473:Illustrators
2314:G. E. Farrow
2289:Frank Cowper
2284:E. E. Cowper
2207:
2191:
2174:. Retrieved
2166:
2135:Open Library
2069:, Manchester
2036:
2027:
2018:
2009:
1982:
1976:. Routledge.
1973:
1955:
1920:
1913:
1901:. Retrieved
1892:
1880:. Retrieved
1871:
1863:
1862:John Price,
1858:
1850:
1849:John Price,
1845:
1840:, pp. 72–77.
1837:
1836:John Price,
1832:
1816:
1815:John Price,
1811:
1803:
1798:
1787:
1776:
1764:. Retrieved
1755:
1736:
1715:. Retrieved
1708:the original
1695:
1683:. Retrieved
1673:
1661:. Retrieved
1657:
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1613:. Retrieved
1609:
1588:
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1574:
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1456:. Retrieved
1452:the original
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597:lithographic
592:
576:
572:
569:photogravure
560:
558:
548:
544:
541:Japanese art
536:
533:Edmund Evans
526:
520:
495:Edmund Evans
478:
476:
468:
457:Edmund Evans
449:Japanese art
421:
403:
400:
380:
365:
350:
345:
339:
333:
327:
301:
257:
254:John Tenniel
212:
209:Thomas Crane
206:
175:
159:Walter Crane
158:
157:
134:Albert Medal
74:(1915-03-14)
25:Walter Crane
18:
2651:1915 deaths
2646:1845 births
2542:Edward Lear
2424:Anna Sewell
2389:Kirk Munroe
2369:Andrew Lang
2334:G. A. Henty
2329:L. T. Meade
1853:, pp. 77–79
1685:28 February
1663:1 September
1615:1 September
1458:11 November
1115:watercolour
947:Cluj-Napoca
935: [
913:Basingstoke
896:Alice Ayres
862:(1898) and
785:New Gallery
779:(1884) and
771:Mature work
760:Art Nouveau
752:Agapemonite
688:Nellie Dale
673:Judge Parry
661:Oscar Wilde
581:watercolour
511:fairy tales
499:yellowbacks
376:Henderson's
341:The Clarion
229:John Ruskin
92:Occupations
84:West Sussex
2640:Categories
2608:Publishers
2528:(engraver)
2512:(engraver)
2092:Faded Page
732:Renascence
613:Old Garden
408:Kingsnorth
335:Commonweal
316:wallpapers
233:Tennyson's
186:movement.
61:Lancashire
49:1845-08-15
2394:E. Nesbit
2001:809539744
1903:4 October
1882:4 October
1766:4 October
1429:Footnotes
883:Southwark
816:wallpaper
781:The Mower
690:'s books
677:Cervantes
565:John Wise
503:toy books
368:anarchist
308:socialist
284:toy books
190:Biography
184:socialist
143:Signature
121:Socialist
86:, England
63:, England
57:Liverpool
2599:Toy book
2120:LibriVox
2094:(Canada)
1866:, p. 79.
1493:(1902).
1401:See also
966:lunettes
901:Jamieson
866:(1900).
738:(1886).
730:(1891),
653:(1873),
631:woodcuts
585:tapestry
453:toy book
312:textiles
109:Movement
2247:Authors
2176:3 April
2100:at the
2065:at the
1945::
1827:, p. 69
1761:"Login"
1717:1 March
1344:" from
1298:Corsair
1190:Jonquil
1119:gouache
976:Gallery
968:at the
911:, near
842:at the
820:textile
812:pottery
716:Book II
424:Horsham
329:Justice
274:in the
80:Horsham
1999:
1989:
1939:
1823:
1743:
1635:Art UK
1323:, 1894
1306:, 1884
1196:, 1899
1175:, 1891
1121:, 1883
1000:, 1862
951:Huedin
909:Dummer
818:, and
800:relief
722:Poetry
714:, and
712:Book I
607:, and
262:, and
217:Thomas
137:(1904)
130:Awards
101:Artist
2592:Types
2576:Books
2131:Works
1711:(PDF)
1704:(PDF)
1354:Works
1338:Comic
1237:from
1078:,1877
1071:Venus
939:]
804:tiles
171:motif
2178:2011
1997:OCLC
1987:ISBN
1905:2014
1884:2014
1821:ISBN
1768:2014
1741:ISBN
1719:2010
1687:2010
1665:2023
1617:2023
1460:2010
1117:and
1020:Boaz
1018:and
1016:Ruth
595:had
509:and
412:Kent
338:and
314:and
248:and
221:Lucy
165:and
69:Died
43:Born
2133:at
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