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459:, p. 18 "Wanhal obviously preferred the German spelling himself, but it should instead be recognized as a logical and ... use of the old Bohemian dot-over-the-n (= modern day hĂĄÄek) as part of his germanized signature." "and he strenuously maintained the use of the hĂĄÄek (Weichheitszeichen) in the form of a dot over the n in the first editions issued by his chief Viennese publisher, Ignaz Sauer."
208:, although the small number of compositions by him remaining there suggests that this was not the full-time role that would have been expected if he had worked with Riesch; Vanhal might have preferred such employment with the Count precisely because of its part-time nature. There is no evidence of visits after 1779.
216:
Around 1780, Wanhal stopped writing symphonies and string quartets, focusing instead on music for piano and small-scale chamber ensembles, masses and other church music. The former, written for a growing middle class, supplied him with the means to live a modest, economically independent life; for
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After his journey to Italy, Wanhal returned to Vienna rather than to go to Riesch in
Dresden. Claims have been made that Wanhal became heavily depressed or even insane, but these claims are likely to have been overstated. During this period he is supposed to have acted occasionally as a de facto
381:
sees a change in Wanhal's style as he redirected his attention towards the middle class, his music becoming didactic in the sense that it employed musical figures in a clear and self-referential manner, rather than the seamless continuity from figure to figure that had characterized his earlier
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in 1809". Judging from the number of extant manuscripts available, these works must have been highly popular. Wanhal was also the most prolific writer of Masses and other
Catholic church music of his generation in Vienna. Despite this, it appears that he was never in the employ of any religious
130:
peasant family. He excelled at the violin and organ from an early age, received his first musical training from his family and local musicians, the organist Anton Erban being one of his most prized mentors. From these humble beginnings he was able to earn a living as a village organist and
217:
the last 30 years of his life he did not work under any patron, probably being the first
Viennese composer to do so. During these years, more than 270 of his works were published by Viennese printers. In the 1780s he was still an active participant in Viennese musical life. In 1782 he met
471:"He himself spelt his name Johann Baptist Waáč
hal; his Viennese contemporaries and most scholars until World War II used the spelling Waáč
hal, but later in the 20th century a modern Czech form, Jan KĆtitel VaĆhal, was erroneously introduced." Paul Robey Bryan, "Vanhal, Johann Baptist " in
292:
Wanhal had to be a prolific writer to meet the demands made upon him, and attributed to him are 100 quartets, at least 73 symphonies, 95 sacred works, and a large number of instrumental and vocal works. The symphonies, in particular, have been committed increasingly often to
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Around 1780 Wanhal seems to have stopped writing large-scale instrumental music, and rather contented himself with writing piano music for the growing middle class, and church music. In the former category his programmatic pieces, often related to recent events such as "the
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Such was his success that within a few years of his symphonies being written, they were being performed around the world, and as far distant as the United States. In later life, however, he rarely moved from Vienna, where he was also an active teacher.
301:" movement of his time. " makes use of repeated semiquavers, pounding quavers in the bass line, wide skips in the themes, sudden pauses (fermatas), silences, exaggerated dynamic marks ... and all these features ... appear in Mozart's first large-scale
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account of the string quartet Wanhal played in together with Haydn, Mozart and
Dittersdorf in 1784. After 1787 or so, however, he seems to have ceased performing in public, but he nevertheless was economically secure, living in good quarters near
155:, even though they were born the same year. Baron Riesch sponsored a trip to Italy in 1769, so that Wanhal could learn the Italian style of composition, which was very much in fashion. To return the favour, Wanhal was supposed to become Riesch's
147:, took him to Vienna as part of her personal train in 1760. There he quickly established himself as a teacher of singing, violin and piano to the high nobility, and he was invited to conduct his symphonies for illustrious patrons such as the
187:, either by himself, or as a cooperation with Gassmann, where Wanhal supplied some or all of the arias; these works have been lost. In additions to his documented travels in northern and central Italy, Wanhal was supposed to travel to
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institution. This means that his late Masses are both testaments to a genuine personal faith, and evidence of how lucrative his focus on incidental piano music must have been.
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in Venice and Rome respectively. The
Italian journeys present the only knowledge we have of Wanhal writing operas: He is supposed either to have written operas over the
297:
in recent times, and the best of them are comparable with many of Haydn's. Many of Wanhal's symphonies are in minor keys and are considered highly influential to the "
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643:, p. 245 To give one example, a 19th-century manuscript set of all the parts (except the trumpet) of the Symphony in C major, Bryan C6, was found in the
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Johann
Baptist Wanhal: Sonata for Flute and Bass, Op. 10 N. 1: Highlights from the 4 movements: Allegro-Adagio-Presto-Minuetto and Variations.
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choirmaster. He was also taught German from an early age, as this was required for someone wishing to make a career in music within the
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221:, who admired Wanhal's Symphonies. He enjoyed playing music with Mozart and some of his friends who were composers, as testified in
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By the age of 21 Wanhal must have been well under way to become a skilled performer and composer, as his patron, the
Countess
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77:. He was an instrumental performer as well. While being a proficient organist, he also played the violin and cello.
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families and Baron Isaac von Riesch of
Dresden. During the years 1762â63, he is supposed to have been the student of
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Johann
Baptist Wanhal: Simphonie Periodique, N. 22: Highlights from the 3 movements: Allegro-Andante (Piano)-Presto.
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230:. He died without heirs in 1813, an elderly composer whose music was still recognized by the Viennese public.
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191:â arguably the most important centre of music in Italy at the time â but never seems to have arrived there.
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The details of Wanhal's journey to Italy are scant, but it is known that he met his fellow
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Mozart and Vienna: Including Selections from Johann Pezzl's 'Sketch of Vienna' (1786â90)
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symphony, no. 25 in g minor (K. 183) of 1773." This kind of style also appears in
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Themen-Verzeichnis der Kompositionen von Johann Baptiste Wanhal (two volumes)
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Johann Waáč
hal, Viennese Symphonist: His Life and His Musical Environment
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pieces. In this, Gjerdingen sees Wanhal as prefiguring Beethoven.
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717:. Wiener Archivstudien. Vol. 1. Vienna: Ludwig Krenn Verlag.
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Porticodoro / SmartCGArt Media Productions â Classical Orchestra.
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Porticodoro / SmartCGArt Media Productions â Flute and Bassoon.
599:(London: Thames and Hudson; New York: Schirmer Books, 1991,
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85:
Wanhal and at least one of his publishers used the spelling
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The Viennese Concerted Mass of the Early Classical Period
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www.klassika.info/Komponisten/Vanhal/wv_gattung.html
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Dr. Paul Bryan: Thematic Catalog of Wanhal's music.
309:'s Symphony No. 83 in g minor, The Hen (1785), and
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1392:18th-century composers from the Holy Roman Empire
558:"Johann Baptist Vanhal | Biography & History"
313:'s Sonata in g minor, Op.34, No.2 (circa 1795).
751:www.klassika.info/Komponisten/Vanhal/index.html
473:The New Grove Dictionary of Music and Musicians
89:, the dot being an archaic form of the modern
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243:List of compositions by Johann Baptist Wanhal
8:
122:Wanhal was born in Nechanice, Bohemia, into
756:Johann Baptist Wanhal (Vanhal) on NAXOS.com
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410:. Duke University Libraries. Archived from
212:Return to Vienna and final years: 1780â1813
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805:International Music Score Library Project
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118:Birth and youth in Bohemia: 1739â1760/61
775:www.classical-composers.org/comp/vanhal
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483:(London: Macmillan Publishers, 2001),
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732:the Johann Baptist Wanhal Association
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41:(12 May 1739 â 20 August 1813) was a
7:
801:Free scores by Johann Baptist Vanhal
708:. Ann Arbor, MI: UMI Research Press.
139:First period in Vienna: 1760/61â1769
109:was introduced in the 20th century.
1357:18th-century musicians from Bohemia
689:. Oxford: Oxford University Press.
670:. Stuyvesant, NY: Pendragon Press.
498:"Johann Baptist Wanhal Association"
763:Karadar Classical Music Dictionary
200:Kapellmeister for Count ErdĆdy in
93:. Other attested variants include
61:. His music was well respected by
25:
1382:19th-century Czech male musicians
1362:Czech Classical-period composers
1315:
1306:
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780:Wanhal works at Artaria Editions
352:Problems playing this file? See
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283:Problems playing this file? See
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851:List of Classical-era composers
685:Gjerdingen, Robert O. (2007).
195:Vienna and VaraĆŸdin: 1771â1780
1:
713:Weinmann, Alexander (1987).
704:MacIntyre, Bruce C. (1986).
475:, second edition, edited by
153:Carl Ditters von Dittersdorf
163:Journey to Italy: 1769â1771
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1372:Czech male opera composers
662:Bryan, Paul Robey (1997).
240:
27:Czech composer (1739-1813)
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687:Music in the Galant Style
1377:String quartet composers
105:. The modern Czech form
736:Duke University website
434:"Johann Baptist Vanhal"
228:St. Stephen's Cathedral
1248:Common practice period
370:", and "the Return of
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35:
1367:Czech opera composers
1352:People from Nechanice
1211:Turkish music (style)
865:First Viennese School
322:
253:
39:Johann Baptist Wanhal
34:Johann Baptist Wanhal
33:
1258:Age of Enlightenment
593:H. C. Robbins Landon
404:"His Life and Works"
379:Robert O. Gjerdingen
181:Il Trionfo di Clelia
1387:Composers for piano
1170:Classical orchestra
647:in Washington, D.C.
645:Library of Congress
631:, pp. 278â282
364:Battle of WĂŒrzburg
324:
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107:Jan KĆtitel VaĆhal
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16:(Redirected from
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1347:1813 deaths
1342:1739 births
1009:Hoffmeister
979:Dittersdorf
619:, p. 8
177:Metastasian
1336:Categories
1253:Classicism
1241:Background
1220:Techniques
1196:Intermezzo
1154:Zingarelli
1059:MysliveÄek
954:Boccherini
944:J. C. Bach
927:J. Stamitz
922:C. Stamitz
641:Bryan 1997
581:Bryan 1997
567:2020-03-07
545:Bryan 1997
533:Bryan 1997
521:Bryan 1997
507:2020-03-07
502:wanhal.org
457:Bryan 1997
443:2020-03-07
390:References
372:Francis II
354:media help
285:media help
241:See also:
1268:Economics
1201:Pastorale
1149:Wranitzky
1069:Paisiello
1054:L. Mozart
959:Cherubini
902:Cannabich
870:Beethoven
858:Composers
185:Demofonte
113:Biography
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51:Nechanice
1311:Category
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1104:Sacchini
1074:Piccinni
1029:Kreutzer
1024:KoĆŸeluch
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999:Gyrowetz
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964:Cimarosa
949:G. Benda
885:Schubert
562:AllMusic
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103:Van Hall
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47:composer
1301:â
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803:at the
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438:Discogs
206:Croatia
179:operas
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95:Wanhall
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