902:
35:
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288:
wrote that the film "gives a clear picture of the precarious position of
Indonesian women and motivates the desire for a firmer outline of her rights in the Moslem society." Another review in the same newspaper wrote that the film "is captivating from start to finish", one which "the film audience in
191:
Soedrajat abuses his high social status in order to womanise and becomes his rich uncle's heir despite the latter having a son, the kindly and noble
Soelarsa. The uncle is disappointed with Soelarsa and considers Soedrajat the better man. Being considered high class, he is unwilling to associate with
199:
At the wedding, however, the terrible truth about
Soedrajat is revealed. One of his former conquests, Tarmini, stands up and tells the crowd, including Soelarsa, of the bridegroom's true nature. In a rage, Soedrajat takes a revolver and shoots Tarmini. With her dying breath, Tarmini makes one last
279:-based Kolff-Buning. As part of the growing movement to attract Indonesian intellectuals, the marketing staff emphasised the respectable (non-theatrical) background of the actors; the intelligentsia had little respect for traditional theatre and its players.
179:, Ratna Djoewita, Hidajat, Z. Algadrie, and Moesa, it follows a womaniser named Soedrajat who abuses his status to gain women's trust before ultimately getting his comeuppance. Reviews were mostly positive, with one praising the film's depiction of
305:. Djoewariah continued to act until the 1950s, when she migrated to theatre after receiving a series of increasingly minor roles. Neither Ratna Djoewita nor Hidajat appeared in any films after 1941.
192:
people of the lower classes. Ultimately
Soedrajat falls for a beautiful young woman, Koestijah. Meanwhile, Soelarsa saves Koestijah's life while driving a truck through her village; the two fall in
367:
geeft een duidelijk beeld van de wankele positie der
Indonesische vrouw en motiveert den drang naar een vaster omlijning harer rechten In de Mohammedaansche maatschappij.
647:
766:
742:
329:
826:
927:
718:
932:
671:
301:, Union produced a further two films; none of these were by Rd. Ariffien, who had left the company. Saeroen likewise left soon after, joining
708:
661:
302:
240:, Ratna Djoewita, Hidajat, Z. Algadrie, and Moesa. Moesa was the most experienced of these: he had entered the industry in 1938 with
868:
774:
937:
284:
219:, a former theatre leader and nationalist journalist who had made his directorial debut the preceding year with
814:
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325:
193:
906:
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by
September. The film was open to all ages. A novelisation was published later in 1941 by the
854:
704:
657:
160:
128:
19:
894:
328:'s archives, and Biran writes that several Japanese propaganda films have survived at the
233:
34:
697:
656:] (in Indonesian). Jakarta: Komunitas Bamboo working with the Jakarta Art Council.
313:
221:
151:
916:
429:
427:
256:
in 1940, while Ratna
Djoewita and Hidajat had not appeared in any films before 1941.
247:
316:
writes that all
Indonesian films from before 1950 are lost. However, JB Kristanto's
250:, and had been with Union since 1940. Djoewariah had been on Union's payroll since
882:
216:
212:
168:
164:
93:
48:
196:. By manipulating Koestijah's father, Soedrajat arranges for her to marry him.
276:
237:
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69:
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309:
172:
272:
554:
471:
469:
433:
353:
349:
268:
226:
518:
449:
229:, a former journalist with several screenwriting credits for Union.
809:(in Dutch). Surabaya: Kolff & Co. 11 September 1941. p. 6.
797:(in Dutch). Surabaya: Kolff & Co. 11 September 1941. p. 2.
821:(in Dutch). Surabaya: Kolff & Co. 8 September 1941. p. 7.
445:
414:
506:
638:(in Dutch). Surabaya: Kolff & Co. 28 August 1941. p. 3.
490:
348:
Film plot derived from two contemporary newspaper reviews. See
833:(in Indonesian). Jakarta: Konfiden Foundation. Archived from
773:(in Indonesian). Jakarta: Konfiden Foundation. Archived from
749:(in Indonesian). Jakarta: Konfiden Foundation. Archived from
725:(in Indonesian). Jakarta: Konfiden Foundation. Archived from
678:(in Indonesian). Jakarta: Konfiden Foundation. Archived from
494:
475:
200:
confession. Her father then takes revenge on
Soedrajat.
530:
460:
866:
134:
124:
100:
84:
62:
54:
44:
27:
696:
393:het Soerabaiasche filmpubliek beslist niet missen.
654:History of Film 1900–1950: Making Films in Java
699:Indonesian Cinema: National Culture on Screen
8:
555:Soerabaijasch Handelsblad 1941, Sampoerna b
434:Soerabaijasch Handelsblad 1941, Sampoerna a
354:Soerabaijasch Handelsblad 1941, Sampoerna b
350:Soerabaijasch Handelsblad 1941, Sampoerna a
649:Sejarah Film 1900–1950: Bikin Film di Jawa
519:Soerabaijasch Handelsblad 1941, (untitled)
450:Soerabaijasch Handelsblad 1941, (untitled)
330:Netherlands Government Information Service
33:
24:
703:. Honolulu: University of Hawaii Press.
324:) records several as having survived at
873:
634:[Bandung: In Cinemas Tonight].
407:
341:
602:
486:
484:
446:Filmindonesia.or.id, Wanita dan Satria
415:Filmindonesia.or.id, Wanita dan Satria
380:is van het begin tot het eind boeiend.
614:
590:
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566:
542:
507:Bataviaasch Nieuwsblad 1941, Bandoeng
418:
312:; the American visual anthropologist
289:Surabaya should certainly not miss".
150:
7:
491:Filmindonesia.or.id, Ratna Djoewita
211:was produced by Ang Hock Liem for
167:and produced by Ang Hock Liem for
14:
928:Indonesian black-and-white films
900:
888:
876:
803:"Sampoerna: 'Wanita dan Satria'"
632:"Bandoeng: Bioscopen Hedenavond"
791:"Sampoerna 'Wanita dan Satria'"
282:A review in the Surabaya-based
267:was released in 1941, reaching
495:Filmindonesia.or.id, R Hidajat
1:
933:Films directed by Rd Ariffien
476:Filmindonesia.or.id, Djuariah
163:(now Indonesia) directed by
152:[waˈnitaˈdansatˈria]
531:WorldCat, Wanita dan Satria
225:. The story was written by
954:
461:Filmindonesia.or.id, Moesa
159:) is a 1941 film from the
819:Soerabaijasch Handelsblad
807:Soerabaijasch Handelsblad
795:Soerabaijasch Handelsblad
322:Indonesian Film Catalogue
285:Soerabaijasch Handelsblad
39:Cover of the novelisation
32:
117: (Dutch East Indies)
695:Heider, Karl G (1991).
636:Bataviaasch Nieuwsblad
318:Katalog Film Indonesia
157:The Woman and the Hero
861:– via WorldCat.
260:Release and reception
215:. It was directed by
183:in a Muslim society.
831:filmindonesia.or.id
827:"Wanita dan Satria"
771:filmindonesia.or.id
747:filmindonesia.or.id
723:filmindonesia.or.id
676:filmindonesia.or.id
644:Biran, Misbach Yusa
545:, pp. 262–263.
326:Sinematek Indonesia
308:The film is likely
194:love at first sight
837:on 15 January 2014
753:on 20 October 2016
682:on 16 January 2014
253:Bajar dengan Djiwa
246:, a production by
938:Union Films films
853:(in Indonesian).
851:Wanita dan Satria
710:978-0-8248-1367-3
672:"Djuariah, Ng. R"
663:978-979-3731-58-2
336:Explanatory notes
299:Wanita dan Satria
265:Wanita dan Satria
209:Wanita dan Satria
171:that is probably
161:Dutch East Indies
155:; Indonesian for
146:Wanita dan Satria
142:
141:
129:Dutch East Indies
28:Wanita dan Satria
20:Dutch East Indies
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391:Original: "...
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234:black-and-white
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314:Karl G. Heider
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271:by August and
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222:Harta Berdarah
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181:women's issues
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58:Ang Hock Liem
57:
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26:
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850:
839:. Retrieved
835:the original
830:
818:
815:"(untitled)"
806:
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779:. Retrieved
775:the original
770:
755:. Retrieved
751:the original
746:
731:. Retrieved
727:the original
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102:Release date
15:
907:Netherlands
743:"R Hidajat"
624:Works cited
603:Heider 1991
217:Rd Ariffien
213:Union Films
175:. Starring
169:Union Films
165:Rd Ariffien
94:Union Films
55:Produced by
49:Rd Ariffien
45:Directed by
923:1941 films
917:Categories
615:Biran 2009
591:Biran 2009
579:Biran 2009
567:Biran 2009
543:Biran 2009
419:Biran 2009
403:References
277:Yogyakarta
248:Tan's Film
238:Djoewariah
204:Production
177:Djoewariah
138:Indonesian
86:Production
70:Djoewariah
895:Indonesia
781:20 August
757:20 August
733:20 August
303:Star Film
859:41906385
646:(2009).
273:Surabaya
135:Language
63:Starring
869:Portals
841:27 July
719:"Moesa"
686:20 July
269:Bandung
227:Saeroen
125:Country
111: (
88:company
77:Hidajat
857:
707:
660:
297:After
293:Legacy
243:Fatima
652:[
18:1941
883:Film
855:OCLC
843:2012
783:2013
759:2013
735:2013
705:ISBN
688:2013
658:ISBN
352:and
310:lost
232:The
187:Plot
173:lost
113:1941
109:1941
22:film
919::
829:.
817:.
805:.
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721:.
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483:^
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320:(
149:(
115:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
