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band said cost more than most houses. Before the album's release, the band released the "Despair" video depicting two men dancing in a field, produced by
Bradley Kulisic and Esben and the Witch. Shortly after they released the album, a video for "When That Head Splits" was released in February which features a plasticine animation which contained almost 9,000 frames animated by hand, directed by Rafael Bonilla Jr. It depicts a naked woman walking on an alien planet, as she walks on she turns into one of the creatures living there.
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truly occupy the band’s sound. Just like washing a car and suddenly remembering what it’s capable of looking like, the removal of the selfinflicted murkiness reveals a band at the peak of their powers", later saying "Everything about this album is bigger than what has gone before and reveals an energised band with a real belief in what they’re doing. Quite right too."
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Studios in London to record them. The songs were first recorded live in the studio. Davies said that they wanted the album to have a "warmer" sound so they co-produced the album with Tom Morris, saying that "It was great to have someone else in the process, actually, which is something which – again
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and used it for themselves. They were once driving and all the lights were gone except for the headlamps, whilst a train came past and the driver, apparently, started to descend into madness. The journey goes into the middle of the desert and it ends by your doppelgänger confronting you saying "how
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at night, and saw oil pump jacks working and inspired "Putting Down the Prey". This song is about something brutal done for beautiful reasons. The ninth song, "The Fall of
Glorieta Mountain", the band said is the most personal song they have ever written inspired by sitting in the back of a van on
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In
December, a video for "Deathwaltz" was released directed by Sim Warren. The video depicts the band in a dark room playing the song while in other parts of the video it shows the bands moving their faces from side to side. Also in some parts of the video they used a slow motion camera which the
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said that it was "Moody, frenzied, claustrophobic and yet hugely melodic guitar music is a heady and inviting brew. The woozy guitar sounds of 2011’s 'Violet Cries' have been kicked up a gear and Rachel Davies' vocals have come a long way, emerging Stipe-like from their previously buried state to
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Heather Phares said that "On their debut album, Violet Cries, Esben and the Witch excelled at creating a mood that was equally bewitching and ominous. When this mood collided with a memorable melody or hook, it showed just how powerful the band could be; on Wash the Sins Not Only the Face, they
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We would all have to wait to put forward our ideas, even though we were all kind of desperate to start writing. We waited until we’d finished touring and thought we’d go away somewhere and isolate ourselves, so it’s just the three of us. No internet, no phone signal. That was my favourite part,
358:– we hadn’t done". During the recording process, "Deathwaltz" had originally had a waltz-like guitar tune. which was completely removed while keeping the name. "Despair" they felt was to "scrappy" that it could never fit on the album, but they like it so much they made it into what it is now.
431:. The title of the song is a direct line from the poem, they wanted to use words from the poem to put in the song but, due to legal issues, they decided against it. The next track, "Shimmering", is supposed to be set in the full heat of the day. The title refers to the
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deliver on that promise with more nuance and more confidence", concluding with "The opposite of a sophomore slump, Wash the Sins Not Only the Face is sleek and spectral, and finds Esben and the Witch casting their spell even more successfully." Gareth James of
462:. On the next side of the album, there is "Yellow Wood". At this point in the journey, the sun is about to set, intended to be an "evening song" saying they wanted a sense of propulsion and wonder as you travel on in the journey. The title is taken from a
353:(2011), the lyrics were written solely by Davies. The writing for the album was done while they were isolated at White Magpie and Ariel cottage in East Sussex, where they lived, in peace, for a few months. Upon completion they went to
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tour staring out of the window. In the journey, the sun has set and the journey is almost finished. The last song is "Smashed to Pieces in the Still of the Night", they found this written on a wall in
531:. A deluxe copy of the album was released which featured the regular vinyl copy in a gatefold sleeve, the CD copy of the album and a bonus seven-inch with two tracks not to be released on any format.
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saw this and attracted
Narcissus to a pool where he saw his own reflection in the water and fell in love with it. Unable to embrace the watery image, he pined away, and the gods immortalized him as a
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released on 21 January 2013. A deluxe version of the album was also released, which features the LP and CD version of the album and a bonus 7". The lyrics seem to be a semi-
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of short clips of each song and the album cover slowly shriveling up. The band released the six track album in late May as a free download off the band's website.
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said "...everything about this album is bigger than what has gone before and reveals an energised band with a real belief in what they’re doing. Quite right too".
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The band said that they wanted the album to be a journey and each song is a different part of the journey. The album's title was inspired by an ancient Greek
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259:", which was released because they felt this was a good bridge between their first album to their second. The album was received well by critics,
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In March a promotional CD was issued for the second track "Slow Wave", but was never released on any other format to date.
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Performing in London, January 2013. From left to right: Thomas Fisher, Rachel Davies and Daniel
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awarded it three and a half stars out of five, calling it "a promising and often captivating debut".
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as it is meant to be a journey with each song representing different parts of that journey.
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saying that he was an exceptionally proud man, in that he disdained those who loved him.
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The final song, of that side of the album, is "Deathwaltz", it was inspired by the film
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rating out of 100 to reviews from mainstream critics, the album received an
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poem, about a road in the Yellow Wood. The next track, "Despair", is about
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The album was first announced in
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The album was well critically acclaimed and went at number 13 in the
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Tom Morris and Esben and the Witch -Mixing, recording, engineering
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1385:"Esben & the Witch: Wash the Sins Not Only the Face – review"
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1503:"Official Record Store Chart Top 40 – Official Charts Company"
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1120:. Official Esben and the Witch Facebook page. 11 February 2013
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Smashed To Pieces in the Still of the Night (Teeth of the Sea)
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Daniel
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score of 66, based on 22 critics, having a higher score than
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and "making a racket". It was inspired by a book of the same
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The third song, "When That Head Splits", was inspired by the
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All personnel credits adapted from the album liner notes.
1331:"Esben and the Witch – 'Wash The Sins Not Only The Face'"
1207:"WASH THE SINS NOT ONLY THE FACE REMIXES (FREE DOWNLOAD)"
1118:"track-by-track guide to Wash the Sins Not Only the Face"
1432:"Esben and the Witch – "Despair" (Official Music Video)"
326:. In 2012, the band began to work on their next record.
1286:"Esben and the Witch – Wash The Sins Not Only The Face"
1258:"Wash the Sins Not Only the Face – Esben and the Witch"
1359:"Esben and the Witch: Wash the Sins Not Only the Face"
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said "Call it highbrow, call it highfalutin, but with
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said it was "gothic but not goth" giving it 8/10. On
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18:2013 studio album by Esben and the Witch
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279:In 2010, Esben and the Witch signed to
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796:has seen some critical acclaim. At
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994:Philip Laslett – Additional layout
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491:long do you mean to be content?."
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1159:"Esben and the Witch – Slow Wave"
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1412:. Matadorrecs. 11 December 2012
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1087:"Esben and the Witch Slow Wave"
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135:Tom Morris, Esben and the Witch
24:Wash the Sins Not Only the Face
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1434:. pitchfroktv. 10 January 2013
892:Deathwaltz (Dave Sitek Rework)
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1232:"Metacritic Wash the Sins…"
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1061:. Retrieved 24 March 2013
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218:"Slow Wave (promotional)"
212:Released: 29 October 2012
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1089:. Clash. 24 January 2013
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221:Released: 18 March 2013
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835:Track listing
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578:Review scores
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465:
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417:
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411:Salvador Dalí
407:
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299:Sound of 2011
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285:Marching Song
282:
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80:Ethereal wave
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1611:A New Nature
1609:
1602:
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1595:Violet Cries
1593:
1577:
1572:
1567:
1512:. Retrieved
1506:
1497:
1485:. Retrieved
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1458:. Retrieved
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1436:. Retrieved
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1414:. Retrieved
1404:
1392:. Retrieved
1389:The Guardian
1388:
1378:
1366:. Retrieved
1352:
1340:. Retrieved
1334:
1324:
1312:. Retrieved
1302:
1290:. Retrieved
1265:. Retrieved
1236:. Retrieved
1234:. Metacritic
1211:. Retrieved
1201:
1189:. Retrieved
1179:
1167:. Retrieved
1153:
1139:Thanasis.com
1134:
1122:. Retrieved
1091:. Retrieved
1053:Violet Cries
1052:
1046:
967:Gareth Jones
937:
909:Deathwaltz (
829:
826:Music videos
810:Violet Cries
809:
793:
792:
747:The Guardian
734:
536:
533:
529:vinyl record
516:
508:
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480:
464:Robert Frost
457:
455:
450:The Outsider
448:
414:
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388:navigational
380:Iceland Spar
372:Violet Cries
371:
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350:Violet Cries
348:
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294:Violet Cries
292:
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242:studio album
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39:Studio album
15:
1750:2013 albums
1729:Discography
1714:"Slow Wave"
1657:Untitled EP
1643:Hexagons EP
1073:Liner notes
404:mental body
396:silver cord
172:Untitled EP
154:Hexagons EP
96:gothic rock
1744:Categories
1709:Deathwaltz
1368:25 January
1342:25 January
1267:25 January
1169:9 November
1038:References
958:Production
862:Deathwaltz
802:normalized
798:Metacritic
787:favourable
741:(5.8/10.0)
569:Metacritic
513:Deathwaltz
459:Black Swan
368:palindrome
275:Background
257:Deathwaltz
207:Deathwaltz
143:chronology
1687:"Warpath"
1514:5 October
1487:5 October
1394:5 October
1363:Pitchfork
1314:5 October
1011:position
971:(2, 3, 6)
969:– Mixing
934:Personnel
814:AllMusics
736:Pitchfork
429:Narcissus
421:Narcissus
324:12" vinyl
88:dream pop
84:post-rock
65:Studios,
1690:"Chorea"
1262:AllMusic
1142:Archived
1059:AllMusic
884:Bonus 7"
845:Iceland
592:AllMusic
447:' novel
392:Sunstone
310:AllMusic
131:Producer
59:Recorded
51:Released
41: by
1667:Singles
1460:15 June
1438:15 June
1416:15 June
1292:16 June
1238:16 June
1163:Discogs
1124:14 June
1093:14 June
897:Remixes
806:average
539:YouTube
495:Release
437:mirages
425:Nemesis
384:Vikings
376:calcite
337:really
190:Singles
176:(2014)
167:(2013)
158:(2011)
1620:(2016)
1614:(2014)
1606:(2013)
1598:(2011)
1213:23 May
1191:23 May
1055:Review
999:Charts
864:– 4:56
849:– 2:34
729:(7/10)
586:Rating
583:Source
573:66/100
563:Rating
560:Source
488:Vienna
378:named
301:poll.
102:Length
69:, 2012
67:London
1722:Other
1636:33 EP
889:Trail
819:Clash
628:Clash
483:Texas
445:Camus
269:Clash
192:from
119:Label
75:Genre
1516:2016
1489:2016
1462:2013
1440:2013
1418:2013
1396:2016
1370:2013
1344:2013
1316:2016
1294:2013
1269:2013
1240:2013
1215:2013
1193:2013
1171:2013
1126:2013
1095:2013
1009:Peak
904:Maps
847:Spar
527:and
472:name
439:and
433:haze
386:for
1336:NME
1057:",
1021:13
783:BBC
725:NME
519:on
474:by
355:4AD
315:NME
261:NME
63:4AD
1746::
1505:.
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1277:^
1260:.
1248:^
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1103:^
1078:^
1066:^
1031:8
523:,
521:CD
308:,
111:02
107:38
94:,
90:,
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1711:"
1707:"
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209:"
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109::
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