249:
503:
434:
381:
522:. Whilst some artists were still finishing WAAC contracts and money was available to purchase works to fill any gaps in the collection, the major responsibility at this point was deciding how to disperse the collection. The collection now consisted of 5,570 works of art. By the end of 1947 these works had been distributed to some sixty museums, galleries, government departments and other bodies in Britain and around the world. Care was taken to ensure that works by the finest artists was distributed as widely as possible. For example, the twenty-seven drawings by
64:
407:, New York, in May 1941, with some 3,000 people attending on the opening day. The selection of works was aimed at undermining American neutrality. The exhibition went on to Baltimore before fourteen images, with Canadian themes, were added for showings in Ottawa, Toronto and Montreal. The exhibition was then split in two for display in Pittsburgh and London, Ontario before the entire catalogue was exhibited in San Francisco in 1942.
51:, on full-time or temporary contracts and by acquiring artworks from other artists. When the committee was dissolved in December 1945 its collection consisted of 5,570 works of art produced by over four hundred artists. This collection was then distributed to museums and institutions in Britain and around the world, with over half of the collection, some 3,000 works, going to the
263:
otherwise restricted areas and rationed materials. Wartime rationing restricted good quality paper for printmaking and materials for sculpture so such works were under-represented in the WAAC collection. In June 1941, WAAC established a scheme to obtain artworks by artists from
Britain's overseas colonies. Although four artists were sent to record the activities of the
461:
With the
National Gallery's own collection evacuated from London, WAAC used space in the Trafalgar Square building to display works from its growing collection. From July 1940 onwards, new works were added at regular intervals and the exhibition remained open throughout the war, bar a short period in
87:
Clark, then director of the
National Gallery, was the driving force behind the establishment of the committee. The advent of World War II saw many artists cease working and lose their incomes as commercial galleries closed, private commissions ceased and the art schools reduced their teaching or
262:
The committee operated by employing artists on full-time contracts, offering short-term commissions to artists on individual subjects and by purchasing finished works offered to it. In total WAAC acquired artworks from some four hundred artists. It also issued permits allowing artists access to
100:
of
British life before an anticipated German invasion. Clark later admitted that he hoped to prevent artists from being killed on active service. Clark's lobbying for Government support for artists at the outset of the war directly led to the formation of the WAAC. The primary purpose of the
517:
The WAAC was dissolved in
December 1945 and its operations transferred to a joint committee of the Imperial War Museum and the Ministry of Information. When the Ministry of Information itself was disbanded in March 1946, WAAC's remaining responsibilities passed entirely to the
546:
Thirty-six men and one woman were given full-time employment by the committee, a hundred other artists were given short-term contracts, and works by a further 264 artists, both professional and amateur, were purchased. Three artists donated works to the collection.
82:
to draw up a list of artists qualified to record the war at home and abroad. In co-operation with the
Services Departments, and other Government Departments...to advise on the selection of artists on this list for war purposes and on the arrangements for their
300:, were also, towards the end of the war, given overseas commissions. Other artists serving overseas but working without a WAAC commission or contract, submitted work which was then purchased by the committee. These included
2207:
267:
in France, at the start of the war the majority of WAAC commissions were for subjects on the
British home front, but as the conflict progressed twenty-six men were given overseas commissions. Among these were
88:
closed altogether. This led Clark to fear artists' unemployment, and he sought to keep artists engaged with wartime commissions, aiming for a contemporary artistic record of the war. Clark also led the
493:
between 13 October and 25 November 1945. The exhibition consisted of 1028 drawings, paintings and prints plus twenty-one sculptures, but attracted less than 20,000 paying visitors in total.
479:
on D-Day. WAAC bought one painting from
Wilkinson and he donated the other fifty-one paintings to the committee. Throughout 1945 and 1946 the exhibition was shown in Australia and New Zealand.
240:
joined the committee. Although some of the original members were moved to other duties as the war developed, Clark, Bone, Dickey and
Russell remained active members throughout the conflict.
248:
2222:
105:. Showing British war art in North America during 1941 was aimed at persuading the United States to lend economic and military support to Britain at a time of American neutrality.
1834:
1974:
2192:
372:, being published in 1943. Attempts by the committee to produce more extensive and higher quality publications fell foul of war-time printing restrictions and rationing.
2212:
2041:
2217:
433:
2197:
502:
264:
2202:
1100:
36:
2227:
530:
were placed with thirty different institutions. Over half the collection, some 3,000 items, was acquired by the
Imperial War Museum, while the
1867:
2170:
2075:
1946:
411:
then toured Central and South America in place of 111 WAAC paintings that had been lost when the ship taking them to Rio de Janeiro was sunk.
117:
once a month, with members drawn from government departments, the forces and London art schools. The original members of the committee were
2103:
1898:
2010:
1077:
510:
458:
Four exhibitions of WAAC war art were toured by the British Institute of Adult Education to eighty smaller, more informal locations.
2134:
1826:
380:
1963:
526:
of coal mines and the London Underground shelters went to eleven different museums and galleries while the hundred or so works by
1805:
472:. Wilkinson was a World War I navy veteran and during World War II he travelled extensively on Royal Navy ships and was aboard
47:. Its aim was to compile a comprehensive artistic record of Britain throughout the war. This was achieved both by appointing
2033:
340:. Each booklet consisted of an introductory essay and fifty black-and-white reproductions. The first set of four, entitled
313:
2232:
1674:
48:
1238:
455:
organised an exhibition of WAAC items which visited 65 venues, mostly regional museums and well established galleries.
213:
403:
was the committee's major overseas exhibition with oils and watercolours from over thirty artists. It opened at the
1619:
743:
216:
2237:
1764:
1530:
1520:
1396:
1153:
469:
417:, which toured Australia, New Zealand and the United States in 1944 and 1945, consisted of fifty-one drawings by
237:
203:
101:
committee was officially propaganda and keeping up public morale with art exhibitions, which were staged at the
1624:
1426:
1376:
1341:
1331:
1286:
1253:
1223:
1218:
713:
698:
639:
325:
285:
1664:
1654:
1525:
1465:
924:
909:
778:
615:
388:
1769:
1570:
1535:
1366:
1361:
1276:
1173:
1158:
1037:
992:
949:
884:
796:
783:
233:
163:
1460:
1401:
1248:
1228:
1002:
914:
788:
748:
664:
167:
1749:
1719:
1555:
1540:
1032:
874:
826:
590:
404:
281:
158:
1857:
2005:
1862:
1759:
1699:
1694:
1560:
1067:
703:
693:
580:
519:
483:
452:
273:
256:
149:
139:
52:
447:
WAAC organised exhibitions around the United Kingdom on a large scale and to a regular schedule.
1411:
1391:
1351:
1336:
1042:
997:
987:
979:
889:
821:
679:
674:
585:
441:
229:
154:
2095:
133:
2166:
2071:
1942:
1890:
1754:
1614:
1470:
1143:
939:
728:
659:
634:
527:
186:
182:
127:
93:
44:
32:
17:
1724:
1689:
1580:
1515:
1178:
1163:
1095:
1027:
859:
773:
669:
620:
560:
490:
269:
209:
114:
102:
40:
2000:
424:
An exhibition of over one hundred pictures was displayed in South Africa from 1944 to 1947.
63:
1784:
1704:
1659:
1629:
1595:
1450:
1436:
1406:
1386:
1306:
1301:
1243:
1213:
1208:
1148:
1085:
806:
723:
718:
649:
595:
535:
305:
301:
192:
2126:
1779:
1774:
1644:
1634:
1550:
1500:
1490:
1455:
1421:
1346:
1316:
1296:
1291:
1233:
1168:
1072:
969:
864:
849:
839:
768:
733:
708:
644:
610:
336:
The committee produced two sets of four paperback booklets during the war, both called
321:
317:
2186:
1744:
1739:
1729:
1684:
1679:
1649:
1590:
1575:
1565:
1545:
1475:
1445:
1381:
1193:
1188:
1135:
1130:
1090:
1057:
1017:
1012:
1007:
954:
944:
904:
894:
879:
869:
834:
816:
811:
629:
605:
600:
570:
565:
418:
289:
277:
145:
97:
89:
78:
The stated aim of the WAAC, and the War Artists Advisory Scheme, which it ran, was:
1734:
1709:
1605:
1505:
1495:
1326:
1281:
1203:
1198:
1122:
1052:
1047:
1022:
974:
964:
959:
899:
854:
801:
738:
684:
575:
297:
293:
292:
went to the Middle East and Burma before joining the Normandy landings. Two women,
196:
68:
Factory workers going to work at the Mather & Platt, Manchester, in the snow,
1669:
1600:
1510:
1485:
1480:
1431:
1356:
1321:
1183:
1112:
844:
523:
468:;- shown at the National Gallery in September 1944 consisted of 52 paintings by
172:
71:
1800:
1714:
1639:
1416:
1371:
1117:
1062:
919:
654:
473:
328:, were killed during the Second World War whilst working on WAAC commissions.
176:
309:
253:
The Passage to the Control-room at South West Regional Headquarters, Bristol
2034:"War Artists - World War Two on Canvas and Paper Part One: The Home Front"
1585:
1311:
501:
432:
379:
247:
62:
531:
1939:
War paint: Art, War, State and Identity in Britain, 1939-1945
2208:
Defunct departments of the Government of the United Kingdom
2001:"Scheme for War Pictures by Native-born Colonial artists"
438:
A Brother and Sister Sheltering in the Underground, 1941
228:
Later in the war representatives from the ministries of
136:, Committee Secretary until 1942 then a Committee member
489:
A final exhibition of the WAAC collection was held at
482:
400 works from the collection were exhibited at the
96:
watercolour scheme which was devised as a pictorial
421:, made in 1941-43 of Indian forces in the Far East.
356:, sold some 24,000 copies and led to a second set,
1891:"Blitz by Brushstroke; Westminster's War Artists"
284:was sent to Malta, France and South-East Asia,
80:
2223:United Kingdom home front during World War II
1964:"A common cause: Britain's War Artist Scheme"
8:
507:London Docks, Building Caissons for Mulberry
2156:
2154:
2152:
462:October 1940 due to damage from air raids.
2193:1939 establishments in the United Kingdom
2161:Sacha Llewellyn & Paul Liss (2016).
2061:
2059:
2213:Government agencies established in 1939
2089:
2087:
2070:. Tate Publishing/Imperial War Museum.
1817:
1267:Artists whose work was acquired by WAAC
759:Artists given short-term WAAC contracts
551:Artists on full-time salaried contracts
2137:from the original on 28 September 2013
1932:
1930:
1928:
1926:
1924:
1922:
1920:
1918:
1916:
1901:from the original on 28 September 2013
1870:from the original on 28 September 2013
157:, artist member and Principal of the
7:
2218:Organizations disestablished in 1945
2163:WWII War Pictures by British Artists
2127:"Ministry of Defence Art Collection"
2044:from the original on 10 October 2013
1962:Roger Tolson (Imperial War Museum).
1827:"World War II: Official War Artists"
1980:from the original on 13 August 2013
148:, artist member and trustee of the
2198:20th century in the United Kingdom
280:who each went to the Middle East,
166:, artist member and Keeper of the
25:
2106:from the original on 3 April 2017
2094:Juliet Gardiner (12 March 2006).
2013:from the original on 4 April 2017
1837:from the original on 5 March 2016
2203:Cultural history of World War II
1889:Ronan Thomas (8 December 2010).
1858:"War Artists Advisory Committee"
534:took seventy-six pieces and the
1806:British War Memorials Committee
338:War Pictures by British Artists
142:, Committee Secretary from 1942
29:War Artists' Advisory Committee
2228:United Kingdom in World War II
18:War Artists Advisory Committee
1:
316:respectively. Three artists,
314:Auxiliary Territorial Service
255:, (Art. IWM ART LD 170), by
2165:. Liss Llewellyn Fine Art.
1825:National Portrait Gallery.
440:, (Art.IWM ART LD 795), by
265:British Expeditionary Force
214:Slade Professor of Fine Art
2254:
206:representative, until 1940
199:representative, until 1940
1941:. Yale University Press.
1831:National Portrait Gallery
1531:Thomas Symington Halliday
1397:Edward Bainbridge Copnall
204:Ministry of Home Security
2066:Kathleen Palmer (2011).
1427:Frederick William Elwell
1342:Douglas Robertson Bisset
1254:Harold Sandys Williamson
1224:David Macbeth Sutherland
699:Roland Vivian Pitchforth
538:some twenty-five works.
385:Coggeshall Church, Essex
2131:The Ministry of Defence
1665:Herbert Arnould Olivier
1466:Mollie Forestier-Walker
925:Thomas Cantrell Dugdale
616:Reginald Grenville Eves
212:, member from 1941 and
39:at the outbreak of the
37:Ministry of Information
35:established within the
1362:Robert Henderson Blyth
1277:George Worsley Adamson
1038:Francis Ernest Jackson
885:Frank Barrington Craig
514:
486:in the spring of 1945.
444:
391:
259:
85:
75:
43:in 1939 and headed by
31:(WAAC), was a British
2125:Ministry of Defence.
1999:Imperial War Museum.
1856:Imperial War Museum.
1402:Raymond Teague Cowern
1249:John Laviers Wheatley
1229:Ernest Heber Thompson
513:(Art.IWM ART LD 4039)
505:
436:
383:
251:
168:Royal Academy Schools
66:
1750:Sydney Curnow Vosper
1556:Elsie Dalton Hewland
1082:Alexander Macpherson
1033:Blair Hughes-Stanton
955:Hubert Andrew Freeth
405:Museum of Modern Art
395:Overseas exhibitions
376:Exhibition programme
159:Royal College of Art
113:The WAAC met at the
49:official war artists
2233:British war artists
2006:Imperial War Museum
1971:Canadian War Museum
1937:Brain Foss (2007).
1863:Imperial War Museum
1760:Katerina Wilczynski
1700:William Rothenstein
1695:Michael Rothenstein
1675:Christopher Perkins
1561:Francis Edwin Hodge
1239:A.R. Middleton Todd
1068:Lowes Dalbiac Luard
793:Malcolm Baker-Smith
520:Imperial War Museum
484:Glasgow Art Gallery
453:Museums Association
288:went to Burma, and
150:Imperial War Museum
59:Aims and objectives
53:Imperial War Museum
1412:Paul Lucien Dessau
1392:John Kingsley Cook
1140:Patrick E. Philips
1043:Edmond Xavier Kapp
998:Allan Gwynne-Jones
988:Herbert James Gunn
980:James Ardern Grant
890:Hugh Adam Crawford
822:Rodney Joseph Burn
586:William Coldstream
515:
445:
442:Edmond Xavier Kapp
392:
387:, (Tate, 1940) by
260:
76:
2172:978-0-9930884-2-1
2077:978-1-85437-989-4
2068:Women War Artists
1948:978-0-300-10890-3
1792:
1791:
1755:John Stanton Ward
1615:Richard Macdonald
1471:Meredith Frampton
1264:
1263:
1144:Elizabeth Polunin
1078:Frances Macdonald
940:Arthur John Ensor
756:
755:
729:Graham Sutherland
660:Thomas Monnington
635:Bernard Hailstone
528:Graham Sutherland
511:Frances Macdonald
308:serving with the
286:Vivian Pitchforth
128:Sir Kenneth Clark
94:Recording Britain
45:Sir Kenneth Clark
33:government agency
16:(Redirected from
2245:
2238:Aviation artists
2177:
2176:
2158:
2147:
2146:
2144:
2142:
2122:
2116:
2115:
2113:
2111:
2091:
2082:
2081:
2063:
2054:
2053:
2051:
2049:
2038:culture24.org.uk
2032:Caroline Lewis.
2029:
2023:
2022:
2020:
2018:
1996:
1990:
1989:
1987:
1985:
1979:
1968:
1959:
1953:
1952:
1934:
1911:
1910:
1908:
1906:
1886:
1880:
1879:
1877:
1875:
1853:
1847:
1846:
1844:
1842:
1822:
1765:Norman Wilkinson
1725:Julian Trevelyan
1690:Leonard Richmond
1581:Morris Kestelman
1516:Kathleen Guthrie
1271:
1270:
1258:W. Matvyn Wright
1179:Randolph Schwabe
1164:Kenneth Rowntree
1096:Bernard Meninsky
1028:Ray Howard-Jones
929:C.W. Dyson-Smith
860:Robert Colquhoun
774:Leonard Appelbee
763:
762:
670:Rodrigo Moynihan
621:Barnett Freedman
561:Edward Ardizzone
555:
554:
491:Burlington House
470:Norman Wilkinson
270:Edward Ardizzone
210:Randolph Schwabe
115:National Gallery
103:National Gallery
41:Second World War
21:
2253:
2252:
2248:
2247:
2246:
2244:
2243:
2242:
2183:
2182:
2181:
2180:
2173:
2160:
2159:
2150:
2140:
2138:
2124:
2123:
2119:
2109:
2107:
2093:
2092:
2085:
2078:
2065:
2064:
2057:
2047:
2045:
2031:
2030:
2026:
2016:
2014:
1998:
1997:
1993:
1983:
1981:
1977:
1966:
1961:
1960:
1956:
1949:
1936:
1935:
1914:
1904:
1902:
1895:West End at War
1888:
1887:
1883:
1873:
1871:
1855:
1854:
1850:
1840:
1838:
1824:
1823:
1819:
1814:
1797:
1785:Doris Zinkeisen
1705:Stella Schmolle
1660:C.R.W. Nevinson
1630:Edgar Mansfield
1625:John Mansbridge
1596:George Lambourn
1451:Dennis Flanders
1437:Leila Faithfull
1407:Leonard Daniels
1387:George Claessen
1377:Charles Chaplin
1312:Joshua Armitage
1307:Pegaret Anthony
1302:Adrian Allinson
1287:Edgar Ainsworth
1269:
1244:Feliks Topolski
1219:Steven Spurrier
1214:Stanley Spencer
1209:Gilbert Spencer
1154:William Roberts
1149:Patricia Preece
1086:Raymond McGrath
807:Frank Beresford
761:
744:Charles Wheeler
724:Rupert Shephard
719:Leonard Rosoman
714:Albert Richards
650:Eric Kennington
640:Keith Henderson
596:Charles Cundall
553:
544:
536:British Council
500:
431:
415:India in Action
397:
378:
334:
326:Albert Richards
306:Stella Schmolle
302:Doris Zinkeisen
246:
183:R.M.Y. Gleadowe
134:E.M.O'R. Dickey
130:, Chair of WAAC
111:
61:
23:
22:
15:
12:
11:
5:
2251:
2249:
2241:
2240:
2235:
2230:
2225:
2220:
2215:
2210:
2205:
2200:
2195:
2185:
2184:
2179:
2178:
2171:
2148:
2117:
2096:"Toils of War"
2083:
2076:
2055:
2024:
1991:
1954:
1947:
1912:
1881:
1848:
1816:
1815:
1813:
1810:
1809:
1808:
1803:
1796:
1793:
1790:
1789:
1788:
1787:
1782:
1780:Anna Zinkeisen
1777:
1775:Ernest Worrall
1772:
1767:
1762:
1757:
1752:
1747:
1742:
1737:
1732:
1727:
1722:
1717:
1712:
1707:
1702:
1697:
1692:
1687:
1682:
1677:
1672:
1667:
1662:
1657:
1652:
1647:
1645:Charles Mozley
1642:
1637:
1635:Reginald Mills
1632:
1627:
1622:
1620:Frank H. Mason
1617:
1610:
1609:
1608:
1603:
1598:
1593:
1588:
1583:
1578:
1573:
1568:
1563:
1558:
1553:
1551:Rose Henriques
1548:
1543:
1538:
1533:
1528:
1523:
1518:
1513:
1508:
1503:
1501:Phyllis Ginger
1498:
1493:
1491:Alfred Gerrard
1488:
1483:
1478:
1473:
1468:
1463:
1458:
1456:Victorine Foot
1453:
1448:
1441:
1440:
1439:
1434:
1429:
1424:
1422:Clifford Ellis
1419:
1414:
1409:
1404:
1399:
1394:
1389:
1384:
1379:
1374:
1369:
1364:
1359:
1354:
1349:
1347:George Bissill
1344:
1339:
1334:
1329:
1324:
1319:
1317:Michael Ayrton
1314:
1309:
1304:
1299:
1297:Kathleen Allen
1294:
1292:Griselda Allan
1289:
1284:
1279:
1268:
1265:
1262:
1261:
1260:
1259:
1256:
1251:
1246:
1241:
1236:
1234:Alfred Thomson
1231:
1226:
1221:
1216:
1211:
1206:
1201:
1196:
1191:
1186:
1181:
1176:
1174:Walter Russell
1171:
1169:Henry Rushbury
1166:
1161:
1156:
1151:
1146:
1141:
1138:
1133:
1128:
1125:
1120:
1115:
1110:
1105:
1104:
1103:
1098:
1093:
1088:
1083:
1080:
1075:
1073:Neville Lytton
1070:
1065:
1060:
1055:
1050:
1045:
1040:
1035:
1030:
1025:
1020:
1015:
1010:
1005:
1000:
995:
990:
985:
982:
977:
972:
970:Charles Ginner
967:
962:
957:
952:
947:
942:
935:
934:
933:
930:
927:
922:
917:
912:
907:
902:
897:
892:
887:
882:
877:
872:
867:
865:Philip Connard
862:
857:
852:
850:William Clause
847:
842:
840:Derek Chittock
837:
832:
831:Bernard Casson
829:
824:
819:
814:
809:
804:
799:
794:
791:
786:
781:
779:John Armstrong
776:
771:
769:Rosemary Allan
760:
757:
754:
753:
752:
751:
746:
741:
736:
734:Alfred Thomson
731:
726:
721:
716:
711:
709:Eric Ravilious
706:
701:
696:
689:
688:
687:
682:
677:
672:
667:
662:
657:
652:
647:
645:Thomas Hennell
642:
637:
632:
625:
624:
623:
618:
613:
611:Richard Eurich
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318:Thomas Hennell
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98:Domesday Book
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90:Pilgrim Trust
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2162:
2139:. Retrieved
2130:
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2108:. Retrieved
2099:
2067:
2046:. Retrieved
2037:
2027:
2015:. Retrieved
2004:
1994:
1984:10 September
1982:. Retrieved
1970:
1957:
1938:
1905:13 September
1903:. Retrieved
1894:
1884:
1872:. Retrieved
1861:
1851:
1839:. Retrieved
1830:
1820:
1735:Clive Uptton
1710:Edward Seago
1606:Olga Lehmann
1506:Grace Golden
1496:Kaff Gerrard
1461:Michael Ford
1327:Ivor Beddoes
1282:Mary Adshead
1204:Ruskin Spear
1199:Alan Sorrell
1123:Harry Morley
1109:James Miller
1101:Paul Methuen
1053:Laura Knight
1048:Mary Kessell
1023:Percy Horton
1003:Patrick Hall
975:Duncan Grant
965:Evelyn Gibbs
960:Ethel Gabain
915:Francis Dodd
910:Frank Dobson
900:Robin Darwin
855:Dorothy Coke
802:Walter Bayes
789:Edward Baird
749:John Worsley
739:Carel Weight
685:Mervyn Peake
665:James Morris
576:Stephen Bone
545:
542:WAAC artists
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369:
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335:
332:Publications
298:Laura Knight
294:Mary Kessell
261:
252:
227:
197:Air Ministry
193:W.P. Hildred
155:Percy Jowett
140:E.C. Gregory
112:
86:
81:
77:
67:
28:
26:
2141:9 September
2048:9 September
1874:3 September
1841:29 February
1720:Eric Taylor
1670:Ivan Peries
1601:Nora Lavrin
1541:Colin Hayes
1511:Tom Gourdie
1486:Abram Games
1481:Roger Furse
1432:Simon Elwes
1357:Doris Blair
1322:Joseph Bato
1184:Peter Scott
1113:Henry Moore
875:James Cowie
845:Dora Clarke
827:Thomas Carr
591:Leslie Cole
524:Henry Moore
282:Leslie Cole
173:Colin Coote
72:L. S. Lowry
2187:Categories
1812:References
1801:War artist
1715:Ian Strang
1640:Colin Moss
1417:Alan Durst
1372:Norma Bull
1332:John Berry
1118:Mona Moore
1063:L.S. Lowry
920:Paul Drury
704:John Platt
694:John Piper
655:Henry Lamb
581:Henry Carr
509:(1944) by
362:Production
354:War at Sea
274:Henry Carr
257:John Piper
244:Operations
234:Production
177:War Office
109:Membership
83:employment
1352:Sam Black
1337:Paul Bird
1127:W.P. Moss
680:Paul Nash
675:John Nash
474:HMS
358:Air Raids
310:Red Cross
187:Admiralty
2135:Archived
2104:Archived
2042:Archived
2011:Archived
1975:Archived
1899:Archived
1868:Archived
1835:Archived
1795:See also
1586:Eve Kirk
366:Soldiers
312:and the
2110:2 April
2017:3 April
2169:
2074:
1945:
498:Legacy
476:Jervis
276:, and
230:Supply
74:, 1943
1978:(PDF)
1967:(PDF)
370:Women
350:R.A.F
346:Blitz
2167:ISBN
2143:2013
2112:2017
2072:ISBN
2050:2013
2019:2017
1986:2013
1943:ISBN
1907:2013
1876:2013
1843:2016
532:Tate
451:The
368:and
352:and
342:Army
324:and
304:and
296:and
236:and
27:The
217:UCL
92:'s
70:by
2189::
2151:^
2133:.
2129:.
2102:.
2098:.
2086:^
2058:^
2040:.
2036:.
2009:.
2003:.
1973:.
1969:.
1915:^
1897:.
1893:.
1866:.
1860:.
1833:.
1829:.
364:,
360:,
348:,
344:,
320:,
272:,
232:,
195:,
185:,
175:,
55:.
2175:.
2145:.
2114:.
2080:.
2052:.
2021:.
1988:.
1951:.
1909:.
1878:.
1845:.
20:)
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