159:. Amongst the 16 tracks, featured were McGhie's "Fire (She Need Water)" from his self-titled album; RAM's 1973 single "Love Is The Answer" (written and sung by McGhie); McGhie's previously unreleased solo recording "Here We Go Again"; and three other songs penned by McGhie ("Chips-Chicken-Banana Split" by JoJo and the Fugitives, "Mr. Fortune" by The Mighty Pope, and "African Wake" by Johnnie Osbourne.)
136:-worthy mix of rhythm and blues, soul, funk and reggae influences made the few surviving copies a highly prized possession among hip hop producers and collectors, with original copies selling for up to $ 800 and even second-hand cassette dubs sometimes selling for over $ 100.
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When Light in the Attic's Kevin "Sipreano" Howes wanted to reissue the self-titled album in the early 2000s, he contacted
Douglas, who was able to track McGhie down by finding his sister Merline, with whom he was living in
42:, in the 1970s. Although they released only one self-titled album in 1970, and had no significant commercial success at the time, renewed interest in their music was sparked in the 2000s when the album was reissued on
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issues, and disappeared from music and lost touch with most of his friends and family. He ran into
Douglas once in the 1990s, with the two spending an hour or so talking and reminiscing, but did not remain in touch.
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His band recorded the self-titled solo album in 1969, and released it in 1970 on
Birchmount Records. In addition to original music, the album included covers of rock and pop songs such as
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McGhie continued recording in the 1970s, and was associated with a band called RAM, but had little success; by the early 1980s, he was suffering from
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bands before both moved to
Toronto as part of the late 1960s influx of Caribbean musicians to Canada alongside figures such as Lloyd Delpratt,
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149:. He was entirely unaware of how prized his album had become among record collectors, and in fact had not even heard it himself in decades.
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With the original master tapes lost, the album had to be remastered from a vinyl copy. It was released on Light in the Attic in 2004.
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The album was a nominee for the
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Artists who sampled from the album in their own recordings included
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Light in the Attic also subsequently released the compilation album
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78:. In Toronto, his own music evolved from reggae to fit the
329:"Voting Open For Slaight Family Polaris Heritage Prize"
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Jamaica to
Toronto: Soul, Funk & Reggae 1967-1974
113:". The album sold poorly, however, and a fire at the
313:Guy Dixon, "The hidden Jamaican soul of Toronto".
279:Bill Reynolds, "McGhie doesn't blow his covers".
132:emerged in the 1980s, the album's rich, highly
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262:"The unsung Canadian soul of Wayne McGhie"
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162:McGhie died in July 2017.
44:Light in the Attic Records
190:("Forget the Faces") and
199:2022 Polaris Music Prize
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111:Take a Letter Maria
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18:Wayne McGhie
260:Del Cowie,
234:Guy Dixon,
147:Scarborough
64:Jay Douglas
56:Montego Bay
346:Categories
205:References
99:Jimmy Webb
34:band from
180:Daughters
140:Reissue
130:hip hop
82:-based
80:R&B
60:Jamaica
40:Ontario
36:Toronto
166:Legacy
134:sample
105:" and
68:reggae
91:Steam
182:"),
109:'s "
101:'s "
93:'s "
74:and
32:funk
301:Now
176:Nas
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249:^
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178:("
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267:Q
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