Knowledge (XXG)

We the People (band)

Source πŸ“

31: 216:. Like "Mirror of Your Mind", "You Burn Me Up and Down" has gone on to become one of the band's most famous songs, due to its inclusion on various garage rock compilation albums. We the People's fourth single, "In the Past" (b/w "St. John's Shop"), was released in late 1966 and featured the sound of a locally made 266:
throughout 1967 and 1968 before the band's second songwriter, Tommy Talton, left in mid-1968. This departure, coupled with the expiration of their RCA recording contract, effectively ended the band's recording career. We the People limped on throughout 1969 and into 1970, until Ron Dillman decided to
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that characterized the band's signature sound. Although the single failed to reach the national charts, it was a big regional hit in a number of locations across the United States, most notably in Nashville and Orlando. During the 1980s, the song was also responsible for posthumously bringing We the
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charted nationally in the U.S., a number of them did reach the Top 10 of the local Orlando charts. The band are perhaps best remembered for their song "Mirror of Your Mind", which reached the Top 10 in a number of regional singles charts across the U.S. during 1966. The song has subsequently been
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appearances by the band's lead guitarist, Wayne Proctor, who still has the instrument in his possession today. Despite "In the Past" being released as the band's fourth single, local radio stations preferred to play the softer B-side over the more psychedelic sounding
355:". Spanish garage band Wau y los Arrrghs!!! released a Spanish-language version of the song with different lyrics entitled "NiΓ±a" on their 2005 album "Cantan en EspaΓ±ol." In 1995, a laundry detergent television commercial broadcast on the 196:. The band's second single, "Mirror of Your Mind" (b/w "The Color of Love"), was released on the label in June 1966. The song is marked by the pounding drums, wailing harmonica, raucous vocals, and crazed 169:
band who were a popular fixture at local college parties, merged with members of another local group, the Nation Rocking Shadows, to form The Trademarks. Then, in late 1965, Ron Dillman, a writer for the
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With Dillman in place as the band's manager, We the People quickly released "My Brother, the Man" in early 1966 on the local record label, Hotline. The single was a Top 10 hit locally and gained enough
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of sorts named We the People. The band were notable for having two talented and prolific songwriters, Tommy Talton and Wayne Proctor, with the latter writing most of the band's most popular songs.
224:, which was becoming popular on records at that time. The eight-stringed instrument, dubbed the "octachord" by the band, had been made by a friend's grandfather and looked like a large 271:
concert on October 31, 1970. After leaving the band, Proctor went on to write the minor hit "Follow the Yellow Brick Road" for The Lemonade Charade and today plays with local bands in
335:, which brought together tracks from the band's Challenge Records era in an approximation of an official album, as it might have appeared had the band released one during the 1960s. 323:, which again featured the band's singles along with previously unreleased material and songs by other related bands. This was followed in 2007 by a limited edition 905: 254:
We the People suffered a major setback in early 1967 when songwriter and lead guitarist Wayne Proctor left the band and returned to college in an attempt to avoid
915: 895: 910: 925: 176:, brought together members of The Trademarks and members of another local group, The Offbeets (formerly known as The Nonchalants), to form a garage rock 900: 920: 212:"Mirror of Your Mind" was followed in September 1966 by "He Doesn't Go About It Right", which included "You Burn Me Up and Down" on the 165:
We the People consisted of musicians drawn from a number of different Orlando-based garage bands. In the early 1960s, The Coachmen, a
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with Scott Boyer and was consequently the only member of We the People to have a professional music career after the 1960s.
356: 741: 193: 85: 331:, which appeared on the South Korean label, Wohn Records. In 2008, Sundazed issued a second compilation, titled 879: 242: 237:, which resulted in "St. John's Shop" reaching No. 2 on the local Orlando charts. "In the Past" was later 148:, that was formed in late 1965 and professionally active between 1966 and 1970. Although none of their 304: 189: 93: 30: 866: 247: 217: 197: 177: 791: 647:
Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (1998 CD box set booklet)
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Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (1998 CD box set booklet)
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Their single "My Brother, the Man" was covered by the long-running Garage Rock Revival band
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People to the attention of music fans all over the world, when it was included on
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Although We the People did not release an album during the 1960s, a handful of
419:"Follow Me Back to Louisville"/"Fluorescent Hearts" (RCA Victor 47-9292) 1967 268: 166: 311:
consists of tracks that originally appeared on the band's singles. In 1998
815: 192:-based producer Tony Moon, which in turn led to a recording contract with 847: 820: 770: 765: 720: 715: 691: 686: 665: 660: 555: 550: 499: 225: 422:"Love Is a Beautiful Thing"/"The Day She Dies" (RCA Victor 47-9393) 1967 856: 229: 185: 303:, was issued in 1983 by Eva Records and later re-released on CD by 221: 410:"Mirror of Your Mind"/"The Color of Love" (Challenge 59333) 1966 407:"My Brother, the Man"/"Proceed with Caution" (Hotline 3680) 1966 299:
by the band have appeared over the years. The first of these,
416:"In the Past"/"St. John's Shop" (Challenge 59351) 1966 359:
network used the distinct guitar riff from the song.
107: 103: 80: 70: 56: 45: 40: 21: 188:to enable the band to sign a publishing deal with 867:Nashville's first long-hair band releases new CDs 792:"Wohn Records – Forced Exposure Online Catalogue" 228:. The octachord was played on the record and at 262:. The band issued a further three singles on 880:Interview with Wayne Proctor of We the People 661:"You Burn Me Up and Down – Album Appearances" 590:"We the People: Interview with Wayne Proctor" 8: 710: 708: 489: 487: 485: 483: 481: 479: 477: 475: 29: 18: 584: 582: 580: 578: 576: 574: 572: 551:"Mirror of Your Mind – Album Appearances" 530: 528: 526: 524: 522: 520: 518: 516: 687:"In the Past by The Chocolate Watchband" 614: 612: 610: 608: 606: 471: 377:Wayne Proctor – Lead guitar (1966–1967) 906:American psychedelic rock music groups 916:Musical groups disestablished in 1970 7: 896:Musical groups from Orlando, Florida 716:"Declaration of Independence review" 16:American garage rock band, 1965–1970 275:. Tommy Talton went on to form the 911:Musical groups established in 1966 389:Carl Chambers – Guitar (1968–1969) 220:that the band used instead of the 14: 926:1970 disestablishments in Florida 392:Skip Skinner – Guitar (1969–1970) 374:Tommy Talton – Guitar (1966–1968) 383:Lee Ferguson – Drums (1966–1967) 203:Nuggets, Volume 6: Punk Part Two 901:Garage rock groups from Florida 444:(Collectibles COL-CD-0532) 1993 368:Randy Boyte – Organ (1966–1970) 921:1966 establishments in Florida 267:disband the group following a 1: 742:"Declaration of Independence" 386:Terry Cox – Drums (1967–1970) 371:David Duff – Bass (1966–1970) 862:Interview with Wayne Proctor 766:"Mirror of Our Minds review" 592:. Beyond the Beat Generation 442:Declaration of Independence 436:Declaration of Independence 309:Declaration of Independence 301:Declaration of Independence 942: 205:, the sixth volume of the 495:"We the People Biography" 28: 450:(Sundazed SC 11056) 1998 327:-only LP release titled 816:"Too Much Noise review" 620:"Garage Days Revisited" 462:(Sundazed SC 6258) 2008 380:Tom Wynn – Drums (1966) 315:released an exhaustive 245:on their second album, 243:The Chocolate Watchband 41:Background information 319:retrospective titled 456:(Wohn WHNLP009) 2007 305:Collectables Records 153:included on several 645:Stax, Mike (1998). 535:Stax, Mike (1998). 448:Mirror of Our Minds 321:Mirror of Our Minds 430:Compilation albums 248:The Inner Mystique 218:musical instrument 155:compilation albums 876:(August 24, 1988) 194:Challenge Records 157:over the years. 135: 134: 933: 832: 831: 829: 828: 812: 806: 805: 803: 802: 788: 782: 781: 779: 778: 762: 756: 755: 753: 752: 738: 732: 731: 729: 728: 712: 703: 702: 700: 699: 683: 677: 676: 674: 673: 657: 651: 650: 642: 636: 635: 633: 632: 616: 601: 600: 598: 597: 586: 567: 566: 564: 563: 547: 541: 540: 532: 511: 510: 508: 507: 491: 438:(Eva 12009) 1983 347:and reworked by 313:Sundazed Records 173:Orlando Sentinel 146:Orlando, Florida 140:was an American 110: 73: 65:psychedelic rock 50:Orlando, Florida 33: 19: 941: 940: 936: 935: 934: 932: 931: 930: 886: 885: 855:discography at 840: 835: 826: 824: 814: 813: 809: 800: 798: 796:Forced Exposure 790: 789: 785: 776: 774: 764: 763: 759: 750: 748: 746:Rate Your Music 740: 739: 735: 726: 724: 714: 713: 706: 697: 695: 685: 684: 680: 671: 669: 659: 658: 654: 644: 643: 639: 630: 628: 618: 617: 604: 595: 593: 588: 587: 570: 561: 559: 549: 548: 544: 534: 533: 514: 505: 503: 493: 492: 473: 469: 432: 404: 399: 365: 351:with the song " 341: 293: 163: 130: 128: 126: 124: 122: 120: 116: 114: 108: 71: 52:, United States 36: 24: 17: 12: 11: 5: 939: 937: 929: 928: 923: 918: 913: 908: 903: 898: 888: 887: 884: 883: 877: 864: 859: 850: 839: 838:External links 836: 834: 833: 807: 783: 757: 733: 704: 678: 652: 637: 625:Orlando Weekly 602: 568: 542: 512: 470: 468: 465: 464: 463: 460:Too Much Noise 457: 451: 445: 439: 431: 428: 427: 426: 423: 420: 417: 414: 411: 408: 403: 400: 398: 395: 394: 393: 390: 387: 384: 381: 378: 375: 372: 369: 364: 361: 353:Count in Fives 340: 337: 333:Too Much Noise 292: 291:Later releases 289: 273:South Carolina 207:Nuggets series 162: 159: 133: 132: 111: 105: 104: 101: 100: 82: 78: 77: 74: 68: 67: 58: 54: 53: 47: 43: 42: 38: 37: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 938: 927: 924: 922: 919: 917: 914: 912: 909: 907: 904: 902: 899: 897: 894: 893: 891: 881: 878: 875: 874:We the People 871: 868: 865: 863: 860: 858: 854: 853:We the People 851: 849: 845: 844:We the People 842: 841: 837: 823: 822: 817: 811: 808: 797: 793: 787: 784: 773: 772: 767: 761: 758: 747: 743: 737: 734: 723: 722: 717: 711: 709: 705: 694: 693: 688: 682: 679: 668: 667: 662: 656: 653: 649:. p. 86. 648: 641: 638: 627: 626: 621: 615: 613: 611: 609: 607: 603: 591: 585: 583: 581: 579: 577: 575: 573: 569: 558: 557: 552: 546: 543: 539:. p. 74. 538: 531: 529: 527: 525: 523: 521: 519: 517: 513: 502: 501: 496: 490: 488: 486: 484: 482: 480: 478: 476: 472: 466: 461: 458: 455: 452: 449: 446: 443: 440: 437: 434: 433: 429: 424: 421: 418: 415: 412: 409: 406: 405: 401: 396: 391: 388: 385: 382: 379: 376: 373: 370: 367: 366: 362: 360: 358: 354: 350: 346: 345:The Fuzztones 338: 336: 334: 330: 326: 322: 318: 314: 310: 306: 302: 298: 290: 288: 286: 282: 281:southern rock 278: 274: 270: 265: 261: 257: 252: 250: 249: 244: 240: 236: 231: 227: 223: 219: 215: 210: 208: 204: 199: 195: 191: 187: 181: 179: 175: 174: 168: 160: 158: 156: 151: 147: 143: 139: 138:We the People 129:Carl Chambers 121:Wayne Proctor 119: 112: 106: 102: 99: 95: 91: 87: 83: 79: 75: 69: 66: 62: 59: 55: 51: 48: 44: 39: 32: 27: 23:We the People 20: 873: 869: 825:. Retrieved 819: 810: 799:. Retrieved 786: 775:. Retrieved 769: 760: 749:. Retrieved 736: 725:. Retrieved 719: 696:. Retrieved 690: 681: 670:. Retrieved 664: 655: 646: 640: 629:. Retrieved 623: 594:. Retrieved 560:. Retrieved 554: 545: 536: 504:. Retrieved 498: 459: 453: 447: 441: 435: 363:Band members 342: 332: 328: 320: 308: 300: 297:compilations 294: 277:country rock 253: 246: 230:live concert 211: 202: 182: 171: 164: 137: 136: 131:Skip Skinner 125:Lee Ferguson 118:Tommy Talton 109:Past members 94:Collectables 72:Years active 872:profile of 870:Weekly Wire 454:In the Past 397:Discography 349:The Horrors 329:In the Past 264:RCA Records 260:Vietnam War 241:in 1968 by 209:of albums. 198:fuzz guitar 142:garage rock 113:Randy Boyte 61:Garage rock 890:Categories 827:2010-01-08 801:2010-01-08 777:2010-01-08 751:2010-01-08 727:2010-01-08 698:2010-01-08 672:2010-01-08 631:2010-01-08 596:2010-01-08 562:2010-01-08 506:2010-01-08 467:References 178:supergroup 144:band from 115:David Duff 307:in 1993. 269:Halloween 256:the draft 190:Nashville 167:frat rock 127:Terry Cox 86:Challenge 84:Hotline, 76:1966–1970 848:Allmusic 821:Allmusic 771:Allmusic 721:Allmusic 692:Allmusic 666:Allmusic 556:Allmusic 500:Allmusic 258:for the 226:mandolin 123:Tom Wynn 98:Sundazed 857:Discogs 402:Singles 239:covered 186:airplay 161:History 150:singles 882:, 2015 339:Covers 285:Cowboy 235:A-side 214:B-side 81:Labels 57:Genres 46:Origin 325:vinyl 283:band 222:sitar 317:2-CD 35:1967 846:at 357:ABC 90:RCA 892:: 818:. 794:. 768:. 744:. 718:. 707:^ 689:. 663:. 622:. 605:^ 571:^ 553:. 515:^ 497:. 474:^ 251:. 96:, 92:, 88:, 63:, 830:. 804:. 780:. 754:. 730:. 701:. 675:. 634:. 599:. 565:. 509:. 279:/

Index

1967
Orlando, Florida
Garage rock
psychedelic rock
Challenge
RCA
Collectables
Sundazed
Tommy Talton
garage rock
Orlando, Florida
singles
compilation albums
frat rock
Orlando Sentinel
supergroup
airplay
Nashville
Challenge Records
fuzz guitar
Nuggets series
B-side
musical instrument
sitar
mandolin
live concert
A-side
covered
The Chocolate Watchband
The Inner Mystique

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