Knowledge (XXG)

Weimar Princely Free Drawing School

Source đź“ť

290: 310: 133: 300: 36: 239:
and in the longer term to increase the quality of production in handcrafts. In order to disseminate art, taste and a sense of beauty to as wide a public as possible, the lessons and living quarters were open to all classes and both sexes. It was an important place for the discovery and promotion of
230:
The foundation of the school is a clear indication of the rising interest in arts and crafts in court circles in the second half of 18th century. Its immediate main aim was to instruct local craftsmen in drawing, to sharpen their sense of
255:
To complete its pupils' knowledge and artistic talents by comparison and copying, from 1809 the school also developed its own collection of major paintings, giving exhibitions from 1809, which were generally housed from 1824/25 in the
265:
The school's first annual exhibition, for the pupils to display their work publicly, was in 1779. The prize related to the exhibition was traditionally awarded on 3 September, the birthday of Charles Augustus.
723: 184: 53: 201: 664: 728: 100: 622:
attempted to reconstruct the early phase of Weimar Classicism on the basis of a surviving inventory made by Johann Heinrich Meyer in 1824 in the
218:
in 1807 and later moving partly to the Esplanade and partly to the Großen Jägerhaus. From 1824/25, under the oversight of custodian and painter
72: 79: 86: 119: 171:) was an art and literature educational establishment. It was set up in 1776 in Weimar by the scholar and ducal private-secretary 68: 733: 477: 206:(set up in 1860), the original version of the Weimarer Kunsthochschule. The school's classrooms were originally housed in the 640:
Christian Schuchardt was custodian of the Grand-Ducal collection of drawings and of Goethe's collection. He wrote the 3-part
57: 738: 289: 362: 355: 748: 743: 454: 46: 603: 93: 172: 538: 392: 704: 650: 543: 397: 275:, and from then until its dissolution in 1930 the school gave preparatory lessons for students entering the 198:
As Weimar's Geheimer Rat had oversight over the school from 1788 to 1832, it is not to be confused with the
654: 418: 517: 492: 334: 489:
Friedrich Preller the Elder (1804–1878), later painter, teacher and director of the school (see above)
511: 327: 176: 460: 314: 17: 432: 144: 466: 448: 369: 341: 241: 192: 180: 147:'s death in 1805, this oil painting was produced of a reading of his poems in the park of the 497: 532: 262:. From 1837 the dissolved grand-ducal art collection was also put at the school's disposal. 136: 523:
Sixtus Armin Thon (1817–1901), later painter and interim director of the school (see above)
562: 505: 247: 164: 150: 660:
Die Zeichnungen von Asmus Jacob Carstens in der Grossherzoglichen Kunstsammlung zu Weimar
348: 219: 309: 132: 717: 629: 425: 372:(1817–1901), former pupil, painter, etcher and lithographer, 1873 interim director 191:, who also taught there. Among its pupils were Charles Augustus's future mistress 526: 483: 299: 236: 35: 232: 383: 376: 337:(1760–1832), painter and artwriter, friend of Goethe, Lecturer from 1795 344:(1793-1842), Art Lecturer, Custodian of the Grand-Ducal Art Collection 188: 365:(1804–1878), former pupil, painter and etcher, lecturer from 1843 358:(1799–1870), copper engraver, former private secretary of Goethe. 351:(1805–1882), archaeologist, librarian and historian of literature 269:
The school found a competitor in 1860 with the foundation of the
413:
Besides the directors, these figures also taught at the school:
29: 222:(1786–1866), it also housed the grand-ducal art collection. 469:(1751–1802), singer and actor, central figure in Goethe's 582:
In the Second World War the middle class moved from the
508:(1806–1887), later a flower painter and medal-designer 185:
Charles Augustus, Grand Duke of Saxe-Weimar-Eisenach
240:new talent and drew many artists into the orbit of 60:. Unsourced material may be challenged and removed. 653:(1851–1871) and described the best-known work of 565:(1893–1983), later painter, sculptor and designer 389:1926-1930: Arno Metzeroth (1874-1937), painter ( 382:1917-1926: Franz Goepfart (1866-1926), painter ( 375:1896-1917: Hugo Flintzer (1862–1917), painter ( 155:. Among the listeners, to the right, is Goethe. 202:GroĂźherzoglich-Sächsischen Kunstschule Weimar 8: 724:1776 establishments in the Holy Roman Empire 702: 681: 658: 643: 623: 617: 601: 595: 589: 583: 555: 549: 470: 390: 276: 270: 257: 245: 213: 207: 199: 148: 330:(1737–1806), painter and etcher, see above 120:Learn how and when to remove this message 308: 298: 288: 131: 575: 463:(1742–1827), courtier, friend of Goethe 557:GroĂźherzoglich-Sächsischen Kunstschule 514:(1814–1889), later a landscape painter 480:(1792–1869), courtier, later a painter 444:Sorted by class, its pupils included: 457:(1749–1832) and his grandson Wolfgang 169:FĂĽrstliche freie Zeichenschule Weimar 69:"Weimar Princely Free Drawing School" 7: 58:adding citations to reliable sources 27:Former art school in Weimar, Germany 502:(1805–1859), later a flower painter 161:Weimar Princely Free Drawing School 649:(1848), a monumental biography of 25: 18:Weimar Princely Free Zeichenschule 729:1930 disestablishments in Germany 34: 313:Johann Wolfgang von Goethe; by 183:. It was financed by the young 45:needs additional citations for 141:The Weimar Court of the Muses. 1: 451:(1735–1804), singer and actor 685:Kunst und Handwerk in Weimar 535:(1848–1933), later a painter 529:(1821–1907), later a painter 520:(1814–1899), later a painter 486:(1798–1824), later a painter 272:Grossherzogliche Kunstschule 175:(1747–1822) and the painter 363:Friedrich Preller the Elder 356:Johann Christian Schuchardt 765: 705:GroĂźes Jägerhaus in Weimar 455:Johann Wolfgang von Goethe 143:– In 1860, 55 years after 682: 604:Bauhaus-University Weimar 195:. It lasted until 1930. 187:and heavily promoted by 179:(1737–1806), as part of 173:Friedrich Justin Bertuch 683:Kerrin Klinger (Hrsg): 539:Magda LangenstraĂź-Uhlig 393:KĂĽnstlerkolonie Schwaan 734:Art schools in Germany 703: 659: 644: 624: 618: 602: 596: 590: 584: 556: 550: 471: 419:Martin Gottlieb Klauer 391: 317: 306: 296: 277: 271: 258: 246: 214: 208: 200: 168: 156: 149: 625:Goethes Bildergalerie 600:— to the newly built 518:Friedrich Martersteig 478:Julie von Egloffstein 428:(1764-1807), engraver 421:(1742-1801), sculptor 335:Johann Heinrich Meyer 312: 302: 293:Georg Melchior Kraus, 292: 135: 687:, Böhlau, 2008, Köln 663:(1863 Weimar). Vgl. 655:Georg Wilhelm MĂĽller 512:Ferdinand Bellermann 435:(1780–1820), painter 328:Georg Melchior Kraus 177:Georg Melchior Kraus 54:improve this article 739:Education in Weimar 628:exhibition in 2002 616:The gallery at the 548:(1888-1965), later 461:Charlotte von Stein 349:Gustav Adolf Schöll 315:Joseph Karl Stieler 303:Ferdinand Jagemann, 591:GroĂźen Jägerhauses 493:Franziska Schultze 433:Ferdinand Jagemann 318: 307: 297: 212:, moving into the 157: 749:History of Weimar 744:Culture in Weimar 449:Caroline Jagemann 370:Sixtus Armin Thon 342:Ludwig von Schorn 259:Grossen Jägerhaus 242:Weimar Classicism 193:Karoline Jagemann 181:Weimar Classicism 130: 129: 122: 104: 16:(Redirected from 756: 708: 701: 689: 688: 680: 666: 662: 647: 638: 632: 627: 621: 619:GroĂźen Jägerhaus 614: 608: 607: 599: 593: 587: 580: 559: 553: 547: 533:Karl Hagemeister 501: 474: 472:Liebhabertheater 403: 401: 280: 274: 261: 251: 217: 211: 205: 154: 137:Theobald von Oer 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 764: 763: 759: 758: 757: 755: 754: 753: 714: 713: 699: 696: 678: 675: 670: 669: 645:Kunstsammlungen 639: 635: 615: 611: 585:Mitleidenschaft 581: 577: 572: 563:Marianne Brandt 541: 506:Angelica Facius 495: 467:Corona Schröter 442: 411: 395: 323: 304: 294: 287: 228: 151:Schloss Tiefurt 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 762: 760: 752: 751: 746: 741: 736: 731: 726: 716: 715: 710: 709: 695: 694:External links 692: 691: 690: 674: 671: 668: 667: 633: 609: 574: 573: 571: 568: 567: 566: 560: 536: 530: 524: 521: 515: 509: 503: 490: 487: 481: 475: 464: 458: 452: 441: 438: 437: 436: 429: 422: 410: 407: 406: 405: 387: 380: 373: 366: 359: 352: 345: 338: 331: 322: 319: 286: 285:Related people 283: 227: 224: 220:Louise Seidler 128: 127: 42: 40: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 761: 750: 747: 745: 742: 740: 737: 735: 732: 730: 727: 725: 722: 721: 719: 712: 707: 706: 698: 697: 693: 686: 677: 676: 672: 665: 661: 656: 652: 648: 646: 637: 634: 630: 626: 620: 613: 610: 606: 605: 598: 597:Marienstrasse 592: 586: 579: 576: 569: 564: 561: 558: 552: 545: 540: 537: 534: 531: 528: 525: 522: 519: 516: 513: 510: 507: 504: 499: 494: 491: 488: 485: 482: 479: 476: 473: 468: 465: 462: 459: 456: 453: 450: 447: 446: 445: 439: 434: 430: 427: 423: 420: 416: 415: 414: 408: 402: 399: 394: 388: 385: 381: 378: 374: 371: 367: 364: 360: 357: 353: 350: 346: 343: 339: 336: 332: 329: 325: 324: 320: 316: 311: 305:Self-portrait 301: 295:Self-portrait 291: 284: 282: 279: 273: 267: 263: 260: 253: 250: 249: 243: 238: 234: 225: 223: 221: 216: 210: 209:Roten Schloss 204: 203: 196: 194: 190: 186: 182: 178: 174: 170: 166: 162: 153: 152: 146: 142: 139:(1807–1885): 138: 134: 124: 121: 113: 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: â€“  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 711: 684: 673:Bibliography 641: 636: 612: 578: 443: 431:until 1820: 426:Konrad Horny 412: 268: 264: 254: 229: 197: 160: 158: 140: 116: 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 700:(in German) 679:(in German) 551:Absolventin 542: [ 527:Carl Hummel 496: [ 484:Franz Horny 396: [ 361:1868–1873: 354:1861–1868: 347:1842–1861: 340:1833–1842: 333:1807–1832: 326:1776–1806: 278:Kunstschule 237:consumables 215:FĂĽrstenhaus 718:Categories 233:aesthetics 110:April 2023 80:newspapers 642:Goethe's 386:'s pupil) 384:Max Thedy 379:'s pupil) 377:Max Thedy 321:Directors 244:and its " 409:Teachers 248:Musenhof 145:Schiller 651:Cranach 554:of the 94:scholar 588:— the 440:Pupils 424:1795: 417:1776: 368:1873: 189:Goethe 165:German 96:  89:  82:  75:  67:  594:in 3 570:Notes 546:] 500:] 400:] 101:JSTOR 87:books 226:Aims 159:The 73:news 657:in 252:". 235:in 56:by 720:: 544:de 498:de 398:de 281:. 167:: 631:. 404:) 163:( 123:) 117:( 112:) 108:( 98:· 91:· 84:· 77:· 50:. 20:)

Index

Weimar Princely Free Zeichenschule

verification
improve this article
adding citations to reliable sources
"Weimar Princely Free Drawing School"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

Theobald von Oer
Schiller
Schloss Tiefurt
German
Friedrich Justin Bertuch
Georg Melchior Kraus
Weimar Classicism
Charles Augustus, Grand Duke of Saxe-Weimar-Eisenach
Goethe
Karoline Jagemann
Großherzoglich-Sächsischen Kunstschule Weimar
Louise Seidler
aesthetics
consumables
Weimar Classicism
Musenhof

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑