Knowledge (XXG)

Whatever (novel)

Source đź“ť

190:
black guy, or rather half black". The narrator tries to convince Tisserand to embark on a career of murder by killing the young woman, but Tisserand replies that he would rather murder the black man. The young woman and the man leave the disco and drive to a secluded beach on the man's motor scooter. The narrator and Tisserand follow the couple in the narrator's car. The couple go to the sand dunes to have sex, and Tisserand follows them, holding the steak knife the narrator has given him. Tisserand soon returns, stating, "I had no wish to kill them; blood changes nothing." That night, Tisserand dies in a car accident while driving back to Paris.
275:. Morrey, however, states that Houellebecq's frequent use of "sudden exclamations, dark ironies, hyperbole and hysterical outbursts" distinguish the tone from Camus'. The novel frequently switches between literary and colloquial registers, which, according to Morrey, gives the novel a "troubling, unstable tone". Morrey states that the narrator's use of "alien, inappropriate remarks that seem to come out of nowhere" makes the reader unsure whether he should be taken seriously. 186:
impoverishment. Economic liberalism and sexual liberalism both represent "extensions of the domain of the struggle". He reflects on his former girlfriend VĂ©ronique, whom he regrets having ever met. He reflects that psychoanalysis turned her into a woman with a complete lack of moral sense and that "he regrets not taking a knife to her ovaries".
193:
Back in Paris, the narrator has a depressive episode and calls a psychiatrist. The psychiatrist treats him for depression and the narrator takes sick leave from work. The narrator admits himself into a rest home where he observes the other patients and concludes that they are not at all deranged but
173:
The narrator travels to Rouen with a male colleague named Tisserand in order to conduct training for the ministry staff there. The narrator notes that Tisserand is "extremely ugly. So ugly that his appearance repels women and he never gets to sleep with them". Tisserand tries to become friendly with
189:
The narrator buys a steak knife and convinces Tisserand to go with him to a disco on Christmas Eve. At the disco, Tisserand starts a conversation with an attractive young woman who the narrator thinks looks like VĂ©ronique. The woman, however, breaks off the conversation and starts dancing with "a
165:
He has dinner with a friend from his student days who is now a priest. His friend tells him that that the media exaggerates the role of sex in society and that this has led to "vital exhaustion". His friend advises him to re-find God or go into psychoanalysis. Later, the narrator muses that human
169:
The narrator learns that his company has sold a software program to the Ministry of Agriculture and that he will be required to train the client's staff in the software. His primary contact at the ministry is Catherine Lechardoy, a woman of about the narrator's age whom he describes as "not very
185:
to train the ministry staff there. Tisserand tells him that he is 28 years old and still a virgin. Later, the narrator muses that just as economic liberalism produces extremes of wealth and poverty, a society based on sexual liberalism also produces extremes of sexual gratification and sexual
254:
Other themes of the novel include the link between "the 'economisation' of sexuality" and violence, depression, psychiatry and euthanasia. Morrey identifies a theme of "depressive lucidity" in the face of the struggle against the rules of modern society. The narrator does not believe in
161:
is a 30-year-old analyst-programmer working for a Paris-based computer software company. He is lonely, subject to depression and has not had sex since be broke up with his girlfriend two years earlier. He also writes "animal stories", extracts from which are included in the novel.
170:
attractive". At a social function at the ministry he contemplates making a sexual advance to her. He has no desire for sex with her but "feels up to making the necessary gestures". He decides against it because he doesn't think she would have accepted.
333:
Sweeney, Carole. "'And Yet Some Free Time Remains. . . .': Post-Fordism and Writing in Michel Houellebecq's Whatever." Journal of Modern Literature, vol. 33, no. 4, 2010, pp. 41–56. JSTOR, JSTOR, www.jstor.org/stable/10.2979/jml.2010.33.4.41.
229:(thesis novel). The French title of the novel alludes to the Marxist theory of class struggle and the narrator's thesis is that the liberalisation of sexuality has led to the extension of struggle to the sexual domain. According to 1403: 694: 215:
on the intimate spaces of human affect" The novel is also a satire on late-twentieth century work culture and consumer society. According to Sweeney, "For the new middle management information class in
131:. The plot concerns a depressed and isolated computer programmer who tries to convince a colleague to murder a young woman who rejected the colleague's sexual advances. A major theme is that the 174:
an attractive female student in a train to Rouen, two "cuties" at the ministry, and several women in a restaurant and a café, but with no success. That night, the narrator is struck by acute
1472: 678: 247:
in the sexual market, that the unattractive underclass is exiled while the privileged initiates are drained by corruption, sloth, and excess." Adam Kirsch of
527: 220:
society is the comfortable frictionless round of eating ready meals, paying bills on time, attending dutiful work farewell parties, buying beds and CDs..."
839: 1467: 745: 1477: 796: 769: 370: 1332: 1285: 386: 1482: 994: 984: 883: 686: 628: 520: 1462: 1317: 832: 702: 655: 547: 166:
relationships have become "increasingly impossible" as information technology has reduced them to an exchange of information.
406: 1353: 1305: 1300: 1046: 596: 198:. He cycles into the Forest of Mazan, where he feels, "with impressive violence, the possibility of joy".    1457: 1348: 513: 271:
barely qualifies as a novel at all." The tone of the novel has been described as blank and compared to that of Camus'
259:...The consequence of Houellebecq’s (narrators’) depressive lucidity, in other words, is a chronic inability to act." 1452: 989: 825: 251:
has called the character Tisserand a "proto-incel" and states that the novel predicted the modern incel movement.
1411: 1019: 710: 604: 195: 267:
Sweeney states that the novel is "part-essay, part-satire, arguably by most principles of literary convention,
1290: 753: 933: 158: 1295: 1250: 1312: 1260: 966: 943: 729: 255:
self-improvement and social progress. According to Morrey, "he too feels sorry for his fellow humans
141: 139:
to the sexual market, creating an unattractive sexual underclass. It was adapted into the 1999 film
1179: 1164: 647: 225: 1369: 1255: 1012: 973: 954: 948: 927: 867: 612: 536: 128: 1322: 1327: 1154: 938: 920: 848: 620: 580: 500: 366: 236: 132: 70: 489: 292: 1094: 1089: 1058: 906: 788: 588: 405: 182: 1395: 1229: 1214: 1209: 1189: 1184: 1063: 804: 737: 231: 116: 1418: 1358: 1219: 1194: 1174: 1119: 1099: 1068: 1041: 877: 146: 194:
merely lacking in love. After several months he leaves the clinic and takes a trip to
1446: 1377: 1275: 1204: 1169: 1114: 1036: 862: 1423: 1280: 1159: 1144: 1139: 1129: 1124: 1104: 900: 761: 212: 175: 1270: 1234: 1224: 1199: 1149: 1109: 1084: 979: 960: 297: 124: 1265: 1134: 913: 244: 136: 872: 240: 211:
Carole Sweeney states that a major theme is the "disaggregating effects of
572: 494: 1052: 1363: 505: 817: 1404:
Make Love, Not War: The Sexual Revolution: An Unfettered History
1389: 1384: 821: 509: 407:"A French Novelist Imagined Sexual Dystopia. Now It's Arrived" 123:, literally "extension of the domain of struggle") is the 223:
Morrey states that the novel may be considered a type of
1341: 1243: 1077: 1029: 1004: 893: 855: 780: 721: 666: 639: 556: 490:
Information and links to critics' views of the film
365:. Liverpool University Press. pp. 40, 51, 53. 181:After recovering in Paris, the narrator leaves for 98: 90: 80: 60: 52: 44: 34: 26: 679:H. P. Lovecraft: Against the World, Against Life 833: 521: 363:Michel Houellbecq, humanity and its aftermath 8: 21: 1473:Literature related to the sexual revolution 840: 826: 818: 528: 514: 506: 323:. London: Serpent's Tail. pp. passim. 20: 284: 7: 797:The Kidnapping of Michel Houellebecq 387:"Michel Houellebecq: The sex export" 235:, Houellebecq's thesis is "that the 178:and is hospitalised for two weeks. 293:"Extension du domaine de la lutte" 14: 431:Morrey (2013). pp. 13, 29, 32, 33 1468:French novels adapted into films 985:Pornography in the United States 121:Extension du domaine de la lutte 67:Éditions Maurice Nadeau (France) 39:Extension du domaine de la lutte 16:1994 novel by Michel Houellebecq 1318:New Andy Warhol Garrick Theatre 703:In the Presence of Schopenhauer 656:Configuration du dernier rivage 404:Kirsch, Adam (July 12, 2018). 257:but there is nothing he can do 1: 1354:Feminist views of pornography 1047:Masters and Johnson Institute 884:Die Sexualität im Kulturkampf 1478:Novels by Michel Houellebecq 597:The Possibility of an Island 319:Houellebecq, Michel (1998). 1349:Counterculture of the 1960s 239:of the Sixties created not 145:, directed by and starring 1499: 1412:The Notorious Bettie Page 1020:The personal is political 711:Quelques mois dans ma vie 605:The Map and the Territory 543: 449:Sweeney (2010). pp. 42-43 196:Saint-Cirgues-en-Montagne 100:Published in English 770:The Elementary Particles 746:La PossibilitĂ© d'une Ă®le 458:Morrey (2013). pp. 37-38 361:Morrey, Douglas (2013). 754:To Stay Alive: A Method 1463:French-language novels 934:Divorce law by country 135:of the 1960s extended 120: 1251:55th Street Playhouse 351:Sweeney (2010). p. 49 159:first-person narrator 1483:Serpent's Tail books 1313:Mineshaft (gay club) 1261:Catacombs (sex club) 967:Obergefell v. Hodges 944:Freedom of the press 476:Morrey (2013). p. 39 467:Morrey (2013). p. 36 440:Morrey (2013). p. 45 342:Morrey (2013). p. 47 1180:Robert Mapplethorpe 648:The Art of Struggle 35:Original title 23: 1458:1994 French novels 1370:Inside Deep Throat 1256:Caldron (sex club) 1013:Make love, not war 955:Loving v. Virginia 949:Golden Age of Porn 868:Male contraceptive 690:(1998, 2009, 2020) 537:Michel Houellebecq 412:The New York Times 249:The New York Times 129:Michel Houellebecq 30:Michel Houellebecq 1453:1994 debut novels 1440: 1439: 1328:Sandstone retreat 1286:Dallas-Fort Worth 1155:Magnus Hirschfeld 939:Freedom of speech 921:Myra Breckinridge 849:Sexual revolution 815: 814: 321:Whatever, a novel 237:sexual revolution 202:Critical analysis 133:sexual revolution 127:of French writer 108: 107: 91:Publication place 1490: 1165:Virginia Johnson 1095:Aleister Crowley 1090:Marilyn Chambers 1059:Protests of 1968 907:Boys in the Sand 842: 835: 828: 819: 722:Film adaptations 530: 523: 516: 507: 477: 474: 468: 465: 459: 456: 450: 447: 441: 438: 432: 429: 423: 422: 420: 418: 409: 401: 395: 394: 383: 377: 376: 372:978-1-84631-8610 358: 352: 349: 343: 340: 334: 331: 325: 324: 316: 310: 309: 307: 306: 289: 183:La Roche-sur-Yon 82:Publication date 73:(United Kingdom) 24: 1498: 1497: 1493: 1492: 1491: 1489: 1488: 1487: 1443: 1442: 1441: 1436: 1337: 1333:South of Market 1323:Plato's Retreat 1239: 1230:Ruth Westheimer 1215:Margaret Sanger 1210:Marquis de Sade 1190:William Masters 1185:William Margold 1073: 1064:Stonewall riots 1025: 1000: 889: 851: 846: 816: 811: 776: 717: 671: 669: 662: 635: 552: 539: 534: 486: 481: 480: 475: 471: 466: 462: 457: 453: 448: 444: 439: 435: 430: 426: 416: 414: 403: 402: 398: 391:The Independent 385: 384: 380: 373: 360: 359: 355: 350: 346: 341: 337: 332: 328: 318: 317: 313: 304: 302: 291: 290: 286: 281: 265: 232:The Independent 209: 204: 155: 101: 83: 76: 17: 12: 11: 5: 1496: 1494: 1486: 1485: 1480: 1475: 1470: 1465: 1460: 1455: 1445: 1444: 1438: 1437: 1435: 1434: 1426: 1421: 1419:Peace movement 1416: 1408: 1400: 1392: 1387: 1382: 1374: 1366: 1361: 1359:Freudo-Marxism 1356: 1351: 1345: 1343: 1339: 1338: 1336: 1335: 1330: 1325: 1320: 1315: 1310: 1309: 1308: 1303: 1298: 1293: 1288: 1278: 1273: 1268: 1263: 1258: 1253: 1247: 1245: 1241: 1240: 1238: 1237: 1232: 1227: 1222: 1220:Annie Sprinkle 1217: 1212: 1207: 1202: 1197: 1195:Radley Metzger 1192: 1187: 1182: 1177: 1175:Linda Lovelace 1172: 1167: 1162: 1157: 1152: 1147: 1142: 1137: 1132: 1127: 1122: 1120:Ralph Ginzburg 1117: 1112: 1107: 1102: 1100:Gerard Damiano 1097: 1092: 1087: 1081: 1079: 1075: 1074: 1072: 1071: 1069:Summer of Love 1066: 1061: 1056: 1049: 1044: 1042:Kinsey Reports 1039: 1033: 1031: 1027: 1026: 1024: 1023: 1016: 1008: 1006: 1002: 1001: 999: 998: 992: 987: 982: 977: 970: 963: 958: 951: 946: 941: 936: 931: 924: 917: 910: 903: 897: 895: 891: 890: 888: 887: 880: 878:Gay liberation 875: 870: 865: 859: 857: 853: 852: 847: 845: 844: 837: 830: 822: 813: 812: 810: 809: 801: 793: 784: 782: 778: 777: 775: 774: 766: 758: 750: 742: 734: 725: 723: 719: 718: 716: 715: 707: 699: 695:Public Enemies 691: 683: 674: 672: 667: 664: 663: 661: 660: 652: 643: 641: 637: 636: 634: 633: 625: 617: 609: 601: 593: 585: 577: 569: 560: 558: 554: 553: 551: 550: 544: 541: 540: 535: 533: 532: 525: 518: 510: 504: 503: 492: 485: 484:External links 482: 479: 478: 469: 460: 451: 442: 433: 424: 396: 378: 371: 353: 344: 335: 326: 311: 283: 282: 280: 277: 264: 261: 208: 205: 203: 200: 154: 151: 147:Philippe Harel 106: 105: 102: 99: 96: 95: 92: 88: 87: 84: 81: 78: 77: 75: 74: 71:Serpent's Tail 68: 64: 62: 58: 57: 54: 50: 49: 46: 42: 41: 36: 32: 31: 28: 15: 13: 10: 9: 6: 4: 3: 2: 1495: 1484: 1481: 1479: 1476: 1474: 1471: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1450: 1448: 1432: 1431: 1427: 1425: 1422: 1420: 1417: 1414: 1413: 1409: 1406: 1405: 1401: 1398: 1397: 1393: 1391: 1388: 1386: 1383: 1380: 1379: 1375: 1372: 1371: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 1350: 1347: 1346: 1344: 1340: 1334: 1331: 1329: 1326: 1324: 1321: 1319: 1316: 1314: 1311: 1307: 1306:San Francisco 1304: 1302: 1301:New York City 1299: 1297: 1294: 1292: 1289: 1287: 1284: 1283: 1282: 1279: 1277: 1276:Gay bathhouse 1274: 1272: 1269: 1267: 1264: 1262: 1259: 1257: 1254: 1252: 1249: 1248: 1246: 1242: 1236: 1233: 1231: 1228: 1226: 1223: 1221: 1218: 1216: 1213: 1211: 1208: 1206: 1205:Wilhelm Reich 1203: 1201: 1198: 1196: 1193: 1191: 1188: 1186: 1183: 1181: 1178: 1176: 1173: 1171: 1170:Alfred Kinsey 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1115:Sigmund Freud 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1082: 1080: 1076: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1054: 1050: 1048: 1045: 1043: 1040: 1038: 1037:AIDS epidemic 1035: 1034: 1032: 1028: 1021: 1017: 1014: 1010: 1009: 1007: 1003: 996: 993: 991: 988: 986: 983: 981: 978: 975: 971: 969: 968: 964: 962: 959: 957: 956: 952: 950: 947: 945: 942: 940: 937: 935: 932: 930: 929: 925: 923: 922: 918: 916: 915: 911: 909: 908: 904: 902: 899: 898: 896: 892: 886: 885: 881: 879: 876: 874: 871: 869: 866: 864: 863:Birth control 861: 860: 858: 854: 850: 843: 838: 836: 831: 829: 824: 823: 820: 807: 806: 802: 799: 798: 794: 791: 790: 789:PrĂ©liminaires 786: 785: 783: 781:Miscellaneous 779: 772: 771: 767: 764: 763: 759: 756: 755: 751: 748: 747: 743: 740: 739: 735: 732: 731: 727: 726: 724: 720: 713: 712: 708: 705: 704: 700: 697: 696: 692: 689: 688: 687:Interventions 684: 681: 680: 676: 675: 673: 665: 658: 657: 653: 650: 649: 645: 644: 642: 638: 631: 630: 626: 623: 622: 618: 615: 614: 610: 607: 606: 602: 599: 598: 594: 591: 590: 586: 583: 582: 578: 575: 574: 570: 567: 566: 562: 561: 559: 555: 549: 546: 545: 542: 538: 531: 526: 524: 519: 517: 512: 511: 508: 502: 498: 497: 493: 491: 488: 487: 483: 473: 470: 464: 461: 455: 452: 446: 443: 437: 434: 428: 425: 413: 408: 400: 397: 393:. 2005-08-21. 392: 388: 382: 379: 374: 368: 364: 357: 354: 348: 345: 339: 336: 330: 327: 322: 315: 312: 300: 299: 294: 288: 285: 278: 276: 274: 270: 262: 260: 258: 252: 250: 246: 242: 238: 234: 233: 228: 227: 226:roman Ă  thèse 221: 219: 214: 206: 201: 199: 197: 191: 187: 184: 179: 177: 171: 167: 163: 160: 152: 150: 148: 144: 143: 138: 134: 130: 126: 122: 118: 114: 113: 103: 97: 93: 89: 85: 79: 72: 69: 66: 65: 63: 59: 55: 51: 47: 43: 40: 37: 33: 29: 25: 19: 1433:(1994 novel) 1429: 1428: 1424:Slut-shaming 1410: 1402: 1394: 1376: 1368: 1281:LGBT culture 1160:David Hurles 1145:Nina Hartley 1140:Fred Halsted 1130:Bob Guccione 1125:Al Goldstein 1105:Betty Dodson 1051: 965: 953: 926: 919: 912: 905: 901:Abortion law 882: 803: 795: 787: 768: 762:Unterwerfung 760: 752: 744: 736: 728: 709: 701: 693: 685: 677: 654: 646: 629:Annihilation 627: 619: 611: 603: 595: 587: 579: 571: 564: 563: 548:Bibliography 495: 472: 463: 454: 445: 436: 427: 415:. Retrieved 411: 399: 390: 381: 362: 356: 347: 338: 329: 320: 314: 303:. Retrieved 296: 287: 273:The Stranger 272: 268: 266: 256: 253: 248: 230: 224: 222: 217: 213:post-Fordism 210: 192: 188: 180: 176:pericarditis 172: 168: 164: 157:The unnamed 156: 140: 111: 110: 109: 48:Paul Hammond 38: 18: 1415:(2005 film) 1407:(2001 book) 1399:(2013 film) 1381:(2004 film) 1373:(2005 film) 1271:The Factory 1235:Oscar Wilde 1225:Andy Warhol 1200:Bettie Page 1150:Hugh Hefner 1110:Larry Flynt 1085:Pat Califia 980:Pornography 961:Miller Test 928:Deep Throat 856:Main topics 301:(in French) 125:debut novel 1447:Categories 1266:Club Baths 1135:Terri Hall 974:Porno chic 914:Blue Movie 894:Milestones 670:monographs 668:Essays and 613:Submission 417:August 19, 305:2014-07-28 279:References 245:capitalism 137:capitalism 45:Translator 873:Free love 621:Serotonin 581:Lanzarote 241:communism 61:Publisher 22:Whatever 1430:Whatever 1396:Lovelace 995:The Pill 990:Swinging 805:Thalasso 738:Atomised 730:Whatever 589:Platform 573:Atomised 565:Whatever 496:Whatever 298:AlloCinĂ© 269:Whatever 218:Whatever 142:Whatever 112:Whatever 53:Language 1342:Related 1291:Houston 1053:Playboy 1005:Slogans 1378:Kinsey 1364:Hippie 1244:Places 1078:People 1030:Events 997:(1965) 808:(2019) 800:(2014) 792:(2009) 773:(2021) 765:(2018) 757:(2016) 749:(2008) 741:(2006) 733:(1999) 714:(2023) 706:(2017) 698:(2008) 682:(1991) 659:(2013) 651:(1996) 640:Poetry 632:(2022) 624:(2019) 616:(2015) 608:(2010) 600:(2005) 592:(2001) 584:(2000) 576:(1998) 568:(1994) 557:Novels 369:  207:Themes 117:French 94:France 56:French 27:Author 1296:Miami 263:Style 1390:Lust 1385:LGBT 501:IMDb 419:2020 367:ISBN 243:but 153:Plot 104:1998 86:1994 499:at 1449:: 410:. 389:. 295:. 149:. 119:: 1022:" 1018:" 1015:" 1011:" 976:" 972:" 841:e 834:t 827:v 529:e 522:t 515:v 421:. 375:. 308:. 115:(

Index

Serpent's Tail
French
debut novel
Michel Houellebecq
sexual revolution
capitalism
Whatever
Philippe Harel
first-person narrator
pericarditis
La Roche-sur-Yon
Saint-Cirgues-en-Montagne
post-Fordism
roman à thèse
The Independent
sexual revolution
communism
capitalism
"Extension du domaine de la lutte"
AlloCiné
ISBN
978-1-84631-8610
"Michel Houellebecq: The sex export"
"A French Novelist Imagined Sexual Dystopia. Now It's Arrived"
Information and links to critics' views of the film
Whatever
IMDb
v
t
e

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑