Knowledge (XXG)

White Jazz

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commented on George Clooney's willingness to play an unlikable character for the first time. "He's made that very clear to me: 'I have no other desire than to play what's in that script.' And what's in that script is a pretty despicable guy at times, and pretty nefarious and nasty and selfish." Carnahan also touched upon how he trimmed down the novel's numerous subplots because "I always thought that as much as I love
1581: 784:? I heard now Nick Nolte is attached instead of George Clooney. James Ellroy: That's the first I've heard of it. Don't believe it. Stephen Conley: Have you heard of Joe Carnahan? He was supposed to be directing it. James Ellroy: I know Joe Carnahan very well. Don't believe that either. Stephen Conley: Have you seen Smokin' Aces? Did you like that movie? James Ellroy: No I didn't like that movie. 473:, I was lost by page 56—the page on which the author explicitly reveals whatever plot the novel is going to have. ("Instinct—call me bait—a bad cop sent out to draw heat," Klein correctly guesses.) For the next 300 pages it was just a matter of waiting out the body count and wishing for a more interesting variety of subject-verb combinations. Mr. Ellroy, in order to pack 1166: 1180: 584:'60s. It's a total combination of the two with a heavy, heavy voice-over narration, this kind of classic noir." Carnahan had also confirmed that the characters of Ed Exley and Dudley Smith would not be in the film version despite their presence in the book, as Regency Productions has its own plans for a sequel to 481:
pages, has developed what he clearly views as a whiplash telegraphic style. No doubt the violence done to the English language is meant to mirror the violence done to humanity by its fellow humanity (I'm being charitable here). But we can't really begin to care about characters who never even get to
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Finding himself grappling with all of his crimes and everything that is happening, Klein decides to meet Smith, who had earlier offered him a deal. Klein brings Bullock but is forced to shoot him when he attacks and maims Smith. Klein tries to flee but is soon caught. While in federal custody, Klein
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All I have is the will to remember. Time revoked/fever dreams-I wake up reaching, afraid I'll forget. Pictures keep the woman young. L.A., fall 1958. Newsprint: link the dots. Names, events-so brutal they beg to be connected. Years down-the story stays dispersed. The names are dead or too guilty to
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is still trying to prosecute Dudley Smith and begins working with him. When he meets an undercover officer, Johnny Duhamel, Klein is shot up with drugs and kills Duhamel in an act caught on film. Klein is arrested by federal agents and becomes a witness, but is given forty-eight hours before he is
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was also attached to the project at one point and was to play Glenda. The screenplay was written by Ellroy and Christopher Cleveland. After the demise of the project, Richardson said "That's why directors go absolutely crazy – the development of a project is highly unpredictable and doesn't make
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as reflecting the "kind of mid-century explosion of art and music, and really letting that be the kind of guiding force behind it, as opposed to making it like this ... all 'period suits'. I really want to try to make it as accurate a reflection of L.A. at that moment in time as I can." He also
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in its descriptions of unimaginably cruel law officers who are not merely tainted by corruption on a vast scale but pursue conventional police work as a sideline to more lucrative illegal activities that burst into the public consciousness in violent frenzies.... An undeniably artful frenzy of
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of her full-service contract. Klein learns through Cohen that Glenda has a "publicity date" with actor Rock Rockwell which violates the clause. During surveillance of Glenda, Klein finds out she, Rockwell, Touch Vecchio, and George Ainge are planning a fake
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had signed on to appear in the film. The script changes the Armenian Kafesjian family in the novel to the Mexican Magdalena family. Joe Carnahan said this of his brother's script, "It's, to me, what that book always was – the point of departure from the
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What the real Los Angeles possesses, amid all its fiery disintegration, is what Mr. Ellroy's latest novel keenly lacks: a coherent narrative line. We may not have been pleased about what was happening this spring, but we knew why it was happening. In
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revolver. In a note, Exley says he will allow Klein to kill Smith if he feels justice has not been absolute. Instead, Klein murders J. C. and Tommy Kafesjian. He spends one last night with Glenda, takes pictures to remember her by and flies to
603:, it became almost unfilmable at some point, because there are so many strands, so much, and it became so psychotic ... that's what made it such a great book, but those things would not carry over into the filmic realm, I thought, with ease." 45: 590:
and asked the director to remove Exley from his screenplay as they own the rights to the character. Instead, the Carnahans had constructed a "doppelganger" for Exley, "giving him all of traits and speech patterns."
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film. Having finished the last draft of the screenplay, Carnahan initially stated that he would still make the film and had "a couple of options in terms of other actors that I am completely over the moon for."
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tell. I'm old, afraid I'll forget: I killed innocent men. I betrayed sacred oaths. I reaped profit from horror. Fever-that time burning. I want to go with the music-spin, fall with it.
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Lieutenant David Klein is a veteran policeman who moonlights as a hitman for organized crime. When he is assigned to investigate a robbery at the home of the
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The stories of many characters that appeared in earlier L.A. Quartet novels, including Edmund Exley and Dudley Smith, have their ends tied up in
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in early 1999 due to budgetary concerns. In early December 2001, it was reported that "German-based VIF Intl. Films had come aboard to finance
392:. Klein manages to escape from custody and hide out with Pete Bondurant; Hughes has Bondurant beat him up, causing Klein to be hospitalized. 251:'s (LAPD) sanctioned heroin dealer, he uncovers a plot to bring the city's crime syndicates into collusion with the channels of justice. 1075: 1053: 1000: 508: 1640: 1625: 724: 695: 660: 171: 1615: 344:
Narcotics Squad, summons Klein to investigate a burglary at the home of J. C. Kafesjian, a drug dealer sanctioned by the LAPD.
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for the mob to cover the costs for law school. Klein has committed several murders, including the unsolved killings of
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reportedly in discussions to join them. Nolte was to play Klein, Cusack to play Junior Stemmons and Ryder to play
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violence, guilt and unappeased self-loathing. Ellroy's crime fiction represents a high mark in the genre."--
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by the film industry. He begins to aid Glenda as he continues investigating the Kafesjian burglary.
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Clooney later dropped out of starring in the film due to scheduling conflicts with other projects.
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Exley sends Klein a package in the hospital, which includes a blank passport and a silencer-fitted
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to keep crime in that area "contained". The two track down the Kafesjians' burglar, Wylie Bullock.
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operation, Klein and his partner, George "Junior" Stemmons, are ordered to protect a witness in a
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have been under development since the 1990s. But as of 2009, Ellroy said that an adaptation of "
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writes a full confession and has copies sent to various press outlets. Only the tabloid magazine
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Ellroy completed a draft of a 131-page screenplay on October 31, 1997. In 1998, cinematographer
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s prologue is told by protagonist David Douglas Klein, years after the events have taken place:
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were quite positive. "Blacker than noir... Makes most other crime novels seem naive."--
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to obtain information on an actress named Glenda Bledsoe that would violate the
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and makes it look like an accident. Later that night, Captain Wilhite, of the
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is "'In the end I possess my birthplace and I am possessed by its language.' -
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was set to star in a newly green-lit film adaptation of the novel for
360:. Klein falls for Glenda and decides not to aid Hughes in getting her 373: 325: 298: 372:
taken into custody. Klein and Exley discover that Smith is selling
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signed on for what would have been his directorial debut with
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campaign, take revenge on Carlisle and Smith and find Glenda.
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is willing to print it, but is prevented from doing so by an
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tremendous sense. It may happen, but not in my time frame."
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Fictional portrayals of the Los Angeles Police Department
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is dead. All movie adaptations of my books are dead."
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to let him go. When he refuses, Klein suffocates him.
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is dead. All movie adaptations of my books are dead.
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They put the project into 1481:The Hilliker Curse: My Pursuit of Women 1105:Abramowitz, Rachel (October 23, 2007). 890:"Bateman Joins Clooney in "White Jazz"" 633: 491:Various attempts at a film adaption of 338:throws the witness out of a high window 798: 796: 864:Goldsmith, Jill (November 29, 2006). 153:), audio cassette, and audio download 7: 1107:"Gosling and Clooney drop projects" 805:"The Stax Report: Script Review of 580:'50s to the psychedelic freakshow, 531:were set to star in the film, with 910:Faraci, Devin (October 29, 2006). 892:. Worst Previews. January 17, 2007 289:Dave Klein is a lieutenant in the 25: 1651:Books with cover art by Chip Kidd 866:"Clooney finds partners in crime" 594:Carnahan described his vision of 198:is a 1992 crime fiction novel by 161:349 pp (first edition, hardcover) 1580: 1579: 1178: 1164: 559:. The film was to be written by 336:, wants the witness dead, Klein 1074:Stewart, Ryan (April 6, 2007). 1036:Carnahan, Joe (June 29, 2007). 328:. Having been told by gangster 307:Tony Brancato and Tony Trombino 30:For white people in jazz, see 1: 316:After setting up a raid on a 249:Los Angeles Police Department 563:and directed by his brother 487:Efforts at a film adaptation 482:inhabit a complete sentence. 1056:September 29, 2007, at the 780:Stephen Conley: What about 553:Warner Independent Pictures 347:Klein gets a side job from 332:that another crime figure, 1667: 458:, reviewing the novel for 202:. It is the fourth in his 174:(first edition, hardcover) 29: 1577: 912:"James Ellroy is Getting 835:Stax (October 30, 2006). 301:attraction, and performs 224:. James Ellroy dedicated 42: 32:Jazz § Jazz and race 1641:Fiction set in the 1950s 1626:Novels set in California 1142:. Yahoo!. Archived from 745:"Giving Hate a Bad Name" 561:Matthew Michael Carnahan 324:into organized crime in 1429:Short story collections 975:Internet Movie Database 1616:Novels by James Ellroy 1357:Underworld USA Trilogy 1044:. Smokin' Joe Carnahan 711:Ellroy, James (1993). 676:Ellroy, James (1993). 641:Ellroy, James (1993). 484: 452:1992 Los Angeles riots 433:San Francisco Examiner 282: 261:Underworld USA Trilogy 1631:Alfred A. Knopf books 1621:American crime novels 1374:The Cold Six Thousand 1275:Lloyd Hopkins Trilogy 939:(December 21, 2006). 803:Stax (July 8, 2003). 466: 367:Klein discovers that 277: 27:Novel by James Ellroy 1611:1992 American novels 1500:Original screenplays 1454:Destination: Morgue! 771:. chuckpalahniuk.net 743:(October 18, 1992). 719:. Ballantine Books. 523:, co-producing with 1438:Hollywood Nocturnes 1136:"White Jazz (2004)" 1007:L.A. Confidential 2 970:Sparks Two Sequels" 450:In the wake of the 49:First edition cover 39: 1255:Killer on the Road 749:The New York Times 513:Fine Line Features 461:The New York Times 108:historical fiction 1593: 1592: 1551:L.A. Confidential 1337:L.A. Confidential 1292:Because the Night 1284:Blood on the Moon 1112:Los Angeles Times 999:(March 1, 2007). 587:L.A. Confidential 509:Robert Richardson 423:Publishers Weekly 303:contract killings 221:L.A. Confidential 191: 190: 184:L.A. Confidential 134:Publication place 129:September 1, 1992 68:Jacket design by 65:Cover artist 18:White Jazz (film) 16:(Redirected from 1658: 1646:Hollywood novels 1583: 1582: 1567:The Black Dahlia 1535:Film adaptations 1393:The L.A. Quintet 1366:American Tabloid 1321:The Black Dahlia 1263:Widespread Panic 1216: 1209: 1202: 1193: 1188: 1183: 1182: 1174: 1169: 1168: 1147: 1123: 1122: 1120: 1119: 1102: 1091: 1090: 1088: 1087: 1071: 1060: 1052: 1050: 1049: 1033: 1024: 1023: 1021: 1020: 993: 987: 986: 984: 983: 962: 956: 955: 953: 952: 933: 927: 926: 924: 923: 907: 901: 900: 898: 897: 886: 880: 879: 877: 876: 861: 855: 854: 852: 851: 837:"Carnahan Talks 832: 823: 822: 820: 819: 800: 791: 790: 777: 776: 765: 759: 758: 756: 755: 737: 731: 730: 718: 708: 702: 701: 684:Ballantine Books 673: 667: 666: 649:Ballantine Books 638: 539:starlet Glenda. 444:New York Newsday 416:The reviews for 209:The Black Dahlia 179:Preceded by 125:Publication date 47: 40: 21: 1666: 1665: 1661: 1660: 1659: 1657: 1656: 1655: 1606:Neo-noir novels 1596: 1595: 1594: 1589: 1573: 1559:Brown's Requiem 1530: 1495: 1460: 1423: 1388: 1382:Blood's a Rover 1351: 1329:The Big Nowhere 1306: 1269: 1239:Brown's Requiem 1226: 1220: 1184: 1177: 1170: 1163: 1140:Greg's Previews 1134: 1131: 1126: 1117: 1115: 1104: 1103: 1094: 1085: 1083: 1073: 1072: 1063: 1058:Wayback Machine 1047: 1045: 1035: 1034: 1027: 1018: 1016: 995: 994: 990: 981: 979: 978:. 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Quartet 59:James Ellroy 1465:Non-fiction 1247:Clandestine 1231:Stand-alone 686:. pp.  651:. pp.  541:Uma Thurman 529:John Cusack 438:Rodney King 362:blacklisted 311:Jack Dragna 273:White Jazz' 230:Helen Knode 38:White Jazz 1600:Categories 1446:Crime Wave 1409:This Storm 1345:White Jazz 1152:White Jazz 1118:2007-10-23 1086:2007-04-09 1078:White Jazz 1048:2007-07-02 1040:White Jazz 1019:2007-03-22 1003:White Jazz 982:2007-03-22 951:2014-05-23 922:2007-03-22 918:. 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Index

White Jazz (film)
Jazz § Jazz and race

James Ellroy
Chip Kidd
L.A. Quartet
Crime fiction
noir
historical fiction
Alfred A. Knopf
hardcover
paperback
ISBN
0-679-41449-5
L.A. Confidential
James Ellroy
L.A. Quartet
The Black Dahlia
The Big Nowhere
L.A. Confidential
epigraph
Ross MacDonald
Los Angeles Police Department
Underworld USA Trilogy
LAPD
vice unit
incestuous
contract killings
Tony Brancato and Tony Trombino
Jack Dragna

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