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738:'Vashe blagorodye, gospozha Udacha'), sung by Vereschagin accompanied by a guitar, is a musical motif in the film. The lyrics talk about loneliness, humanity’s dependence on luck, and hope for love. These lyrics mirror many of the film's central themes, including Vereschagin's sadness and Sukhov's separation from Katerina. The song was written by Okudzhava on personal request by Motyl, who had worked with him in the past. A line from this song, "Nine grams into your heart, wait, don't call," is included as an homage in the script of the 1985 Soviet action film
369:, along with his wife, in a remote village. The walls of his house are covered with pictures of the military campaigns where he was awarded and wounded. The Civil War has left him without an official job and a place to go. He is a big man and a straightforward person with a tendency for alcoholism due to the nostalgia for his past. He has an arsenal of weapons that brings both conflicting parties (Sukhov and Abdullah's men) to his house at some point in the film. Initially neutral, he eventually takes the side of Sukhov.
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766:. The latter one was seen as "ideologically correct", while the first one was seen as pure entertainment, i.e., of low ideological value. In the opinion of film director Motyl the film was not allowed to film festivals abroad, because the Soviet ideologists were sure that it will receive awards there, which was ideologically inadmissible. Only in 1998 was it awarded the
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finds Sayid buried in the sand. Sukhov frees Sayid, and they strike a friendly but reticent relationship. Sayid, an austere
Central Asian, comes to Sukhov's rescue in sticky situations throughout the movie. While traveling together they are caught up in a desert fight between a Red Army cavalry unit and
685:
fortress, for example, figures prominently. The dune scenes were demanding for actors, who had to make large circles in the scorching heat to approach the shooting location without leaving telltale traces in the sand. However, the heaviest burden fell on
Mishulin, who spent in total several days in a
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The museum curator shows Sukhov an ancient underground passage that leads to the sea. Sukhov and the women of the harem attempt to escape through the passage, but on arriving at the seashore they are impelled to hide in a large empty oil tank. Abdullah discovers that and plans on setting the oil tank
308:
that he plants on
Abdullah's ship. Meanwhile, Abdullah has confronted his wives, and is preparing to punish them for their "dishonor", as they did not kill themselves when Abdullah left them. Sukhov manages to capture and lock Abdullah as a hostage, but after he leaves, Abdullah convinces Gyulchatai,
279:
Sukhov and women from
Abdullah's harem return to a nearby shore village. There, Sukhov charges the local museum's curator with protecting the women, and prepares to head home. Sukhov hopes to "modernize" the wives of the harem, and make them part of the modern society. He urges them to take off their
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film series. Although it did not perform any stunts in this film, one member of the unit died in an accident during filming. Some other accidents occurred due to poor overall discipline and security. For example, a cut is seen on
Vereschagin's face when he fights on the ship. He received this cut in
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After the first version of the film was turned down by
Mosfilm, Valentin Yezhov and Rustam Ibragimbekov were assigned to improve the script. Ibragimbekov was chosen by his nationality as an expert on the East, though in reality he was raised in Russia and never been in the region. A war veteran told
299:
Soon, looking for a seaway across the border, Abdullah and his gang come to the same village and find
Abdullah's wives. Sukhov is bound to stay. Hoping to obtain help and weapons, Sukhov and Petrukha visit Pavel Vereschagin, a former Tsar's customs official. Vereschagin warms to Petrukha who reminds
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gang leader who killed his father, robbed his family and buried him in sand for a slow death; otherwise his motives and reactions are unclear and unexpected. For example, after Sukhov dug him out, Sayid, instead of thanking him, says, "Why did you dig me out? There will be no rest while
Dzhavdet is
316:
Enraged at the cold-hearted murder of
Petrukha, Vereschagin decides to help Sukhov and takes Abdullah's ship. Sayid also helps Sukhov, and together they fend off Abdullah's gang. Vereschagin, unaware of the dynamite on the ship and not hearing Sukhov's shouted warnings, dies on the exploding ship.
259:
in
Russian Asia for a number of years. The movie opens with a panoramic shot of a bucolic Russian countryside. Katerina Matveyevna, Sukhov's beloved wife, is standing in a field. Awakening from this daydream, Sukhov is walking through the Central Asian desert – a stark contrast to his homeland. He
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on the run, which became the pivot of the new script. Further rewriting came from Motyl after he replaced Konchalovsky as director. Motyl completely reshaped and put forward the character of Vereschagin – all his dialogues, as well as about 60% of the entire script, were rewritten and improvised
703:
The film involved two dangerous stunts, the first when Abdullah's officer, supposedly thrown out by Vereschagin, breaks through a second-floor window and falls to the sand below. The other is when Sukhov jumps from an oil tank set on fire. Both stunts were performed by Valentin Faber.
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became one of the most popular movies of all time in the Soviet Union, where it has attained the status of a classic. With 34.5 million viewers, it was one of the most popular films of 1970. The film received no awards during the Soviet era. It was nominated for the 1970
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Weaponry is explicitly used to characterize and develop the characters. Sayid is found barehanded in the beginning; he acquires all his weapons through the film and uses them skillfully. Sukhov gives him a knife, which Sayid later throws to kill an attacker. He shoots a
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soldier, who returns home on foot through the desert after recovering in a hospital from wounds sustained in the war. He shows much wisdom and skill in his actions and a gentle human side in his graphical dreams, in which he mentally writes letters to his beloved
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by nationality, fit very well into the role of an Asian gang leader. However, he had never ridden a horse, while his character was supposed to be a keen horse rider. He never actually rides in the film, but only sits on a horse, or even on the shoulders of an
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actors could pull off the part of a lead role in a western, and secondly the screenplay was considered weak. Motyl also initially turned down the offer, but then found himself in a no-choice situation, as he would not be given any other film to direct.
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most of the time, they were often replaced by other women, and even by male soldiers from the military unit stationed nearby. Motyl shot a few semi-nude scenes involving some of the wives for character development, but those scenes were cut by censors.
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Its blend of action, comedy, music and drama made it highly successful at the Russian box-office and resulted in a number of memorable quotes. It retains high domestic approval. Its main theme song, "Your Noble Highness Lady Fortune"
379:. Luspekayev refused, arguing that his character should appear not as a cripple, but as a strong person who died prematurely. While filming, he walked on prosthetic legs and had to take regular rests due to pain. He died in 1970.
360:
588:. To deal with Abdullah's gang, Sukhov fetches and fixes a machine gun. Petrukha has a rifle that jams and never fires when needed. Abdullah's gang members carry carbines and long knives characteristic of the time and region.
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alive." Sayid suddenly appears every now and then to help Sukhov against bandits, but when asked why, simply replies that he has "heard shooting," giving an impression that he just seeks Dzhavdet via any armed conflict nearby.
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This was Luspekayev's last role. A World War II veteran and an experienced stage actor, both of his feet were amputated in the 1960s due to past injuries. Given Luspekayev's condition, Motyl wrote a script for a man on
573:(while helping Sukhov). His skills in riding are demonstrated when he jumps on a horse, back first, while walking backwards and keeping his enemy at gunpoint. He then slowly rides away, sitting backwards on the horse.
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box buried in sand while preparing for several takes of the opening scene. The village buildings and Vereschagin's house were temporary mockups that had to be regularly repaired due to damage from frequent winds.
580:, fights barehanded, which accentuates his brute force and straightforwardness. Both Sukhov and Abdullah use handguns rather than rifles, as appropriate to their leading, officer-like positions. Sukhov carries a
504:
421:– a cunning Basmachi leader with no respect for human life. Both he and Sayid originate from poor families, and their fathers were friends. However, contrary to Sayid, Abdullah took the path of banditry.
902:(Да гранаты у него не той системы); refers to or to comment upon any kind of excuse, particularly a pathetic one. The line wasn't scripted, but improvised by the actor. It is similar to the English "
320:
Sukhov kills Abdullah and his gang, returns the harem to Rakhimov and bids farewell to Sayid. He then begins his journey home on foot, having refused a horse since a horse is merely "a nuisance".
880:(Мне за державу обидно); used in the face of failure of the state or collapse of its institutions. This phrase, among other things, was used as the title of several books by notable writers.
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during the filming. Motyl also came up with the idea of revealing Sukhov's personality through his dreams, in which he writes letters to his beloved wife. Those letters were composed by
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All crew members boarding Russian space flights are committed to watch "White Sun of the Desert" before the launch, and the names of Abdullah's wives are assigned to craters on
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was chosen for the role, but was dismissed for a drunken brawl right before the shooting. Therefore, Motyl called for Kuznetsov, who was the second choice during the selection.
886:(Вопросы есть? Вопросов нет!); refers to the commanding tone of an officer that will not hear objections to his command. This line was reused in the 2005 Afghanistan war epic
809:
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of the Basmachi leader Abdullah, left behind by him. Rakhimov also leaves a young Red Army soldier, Petrukha, to assist Sukhov, and proceeds to pursue the fleeing Abdullah.
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in Literature and Arts, nearly 30 years after the film left the silver screen. A Russian computer game was released based on the film. Vereschagin became a symbol of a
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The film received limited attention in the West. It was shown at a Soviet film festival at the Little Carnegie Theatre in 1973, meant to tie in with
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were stolen by local thieves one night. Security was improved after Motyl hired a local criminal leader for the role of a member of Abdullah's gang.
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In contrast with Luspekayev, this was one of the first movie roles for Mishulin, although he was previously active as a TV and stage actor.
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1259:. smena.ru (4 February 2005); ".. the heat during the shooting was such that chicken eggs could be cooked in sand within 10 minutes".
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520:– the youngest and most inquisitive wife of Abdullah. She is the only wife who interacts with outsiders, i.e., Sukhov and Petrukha.
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1330:"Screen: Simplicity Marks Soviet Films in Festival:Five Premieres Held at Little Carnegie Collective-Farm Tale Is Among Features"
288:. The wives are loath to do this, though, and as Sukhov takes on the role of protector, the wives declare him their new husband.
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him of his dead son, but after discussing the matter with his nagging wife, Vereschagin refuses to help Sukhov. Sukhov finds a
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624:, were offered the film but they turned it down, Motyl claims, for two main reasons. Firstly, Konchalovsky thought only
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influenced him and he has described the film as being a "cocktail" of both an adventurous Russian folktale and a
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gun with an attached dummy cooling shroud. Abdullah's gang members carry rifles similar to the one shown on top.
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Coincidentally, Godovikov started dating Denisova (one of the actresses who played Gyulchatai) after filming.
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874:(Восток — дело тонкое); refers to any complicated or difficult matter, not necessarily "oriental" in nature.
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movie critic, classified it as an "escapist entertainment" (together with another Soviet film, a comedy
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929:(Махмуд, поджигай!); used when embarking cheerfully on some difficult potentially dangerous mission.
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1149:За год до смерти Владимир Мотыль рассказал о своей непростой кинематографической судьбе
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1370:Курганские таможенники установили памятник Павлу Верещагину из «Белого солнца пустыни»
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revolver, a personal gift from brigade commander M. N. Kovun, whereas Abdullah uses a
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445:– a young Red Army soldier. He attempts to court Gyulchatai, aiming to start a family.
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1070:"В Москве будет установлен памятник таможеннику Верещагину из "Белого солнца пустыни"
896:(Таможня дает добро!); refers to any type of approval, especially reluctant approval.
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the youngest wife of the harem, to free him and then kills Gyulchatai and Petrukha.
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A timepiece portraying the scene from the film when Sukhov sees Sayid buried in sand
264:. The cavalry unit commander, Rakhimov, leaves to Sukhov's temporary protection the
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David Gillespie (2003). "The Sounds of Music: Soundtrack and Song in Soviet Film".
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Most of Abdullah's wives were portrayed by non-professional actors. As they wore
365:– a former tsarist customs official. Vereschagin lives a lonely life as the only
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912:(Гюльчатай, открой личико); a popular Russian saying for boys to say to girls.
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1680:"I was bored, so I watched the movie that astronauts must view before launch"
855:: Зарина, Джамиля, Гюзель, Саида, Хафиза, Зухра, Лейла, Зульфия, Гюльчатай.
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Horse riding scenes were performed by the special stunt unit formed for the
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ESA – 50 years of humans in space – Gagarin's traditions – printer version
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935:(Не везёт мне в смерти, повезёт в любви); the refrain of the theme song
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1394:Памятник товарищу Сухову из "Белого солнца пустыни" появился в Самаре
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Years later, Konchalovsky praised the final script as a masterpiece.
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657:, while the bulk of the film was shot on the western shore of the
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677:, with the museum scenes filmed in the nearby ancient city of
545:(bottom), though in some scenes it is replaced by a Russian
1245:АНАТОЛИЙ КУЗНЕЦОВ: "БЕЛОЕ СОЛНЦЕ" МЕНЯ СОГРЕЛО И ОБОЖГЛО
820:
In 1998, the creators of the film were awarded the 1997
999:"White Sun of the Desert (Beloe Solntse Pustyni, 1970)"
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taken from a bandit, whom he strangled using rope as a
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867:from the film. The first is by far the best known.
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1226:Гибель советского кино. Интриги и споры. 1918–1972
959:. US: Rowman & Littlefield. pp. 745–746.
957:Historical Dictionary of Russian and Soviet Cinema
393:– a skilled man of few words. He seeks revenge on
235:before most space launches as a good luck ritual.
1601:Yezhov, Valentin and Ibragimbekov, Rustam (2001)
1588:Этнические прозвища в английском и русском языках
933:I'm unlucky in death, maybe I'll be lucky in love
231:) became a hit. The film is watched by Russian
774:, being recognized as culturally significant.
653:Sukhov's dream scenes were filmed first, near
1082:Павел Луспекаев. Верещагин – свой среди своих
8:
1382:В Луганске открыли памятник Павлу Верещагину
255:soldier Fyodor Sukhov has been fighting the
1346:1С:Коллекция игрушек "Белое солнце пустыни"
696:a drunken brawl the day before. Also, some
1537:За державу обидно: вопр. и ответы про СССР
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576:Vereschagin, despite having an arsenal of
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1317:Владимир Мотыль: в кино нужна госполитика
1144:
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840:(2011). Monuments of Sukhov are known in
828:, with monuments honoring him erected in
633:Yezhov a story of a harem abandoned by a
616:. Initially several directors, including
516:Tatiana Fedotova and Tatiana Denisova as
1319:. Kommersant. №104 (1507) (11 June 1998)
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1113:Я не догадывался, что стал знаменитым...
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1021:«Белое солнце пустыни» — рейтинг зрителя
794:Ivan Vassilyevich Changes His Profession
669:. The sand dune scenes were shot in the
1065:
1063:
944:
1408:. Esa.int. Retrieved on 18 April 2012.
884:Are there questions? No, there aren't!
863:Many popular sayings have entered the
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462:, Vereschagin's wife and a homemaker.
243:The setting is the east shore of the
7:
1358:ПАМЯТНИК ТЕМ, КОМУ ЗА ДЕРЖАВУ ОБИДНО
1853:Soviet romantic comedy-drama films
1733:1970s adventure comedy-drama films
1257:Как снимали «Белое солнце пустыни»
900:His grenades are the wrong caliber
14:
1868:Russian-language war comedy films
1748:1970s romantic comedy-drama films
770:by a special decree of President
1873:Russian-language war drama films
1788:Films shot in the North Caucasus
1674:channel (with English subtitles)
1444:American space 'nerd' blasts off
997:Heath, Roderick (4 April 2015).
910:Gyulchatai, show your sweet face
878:I feel sorry for the great state
489:and Galina Umpeleva as Dzhamilya
1723:1970s action comedy-drama films
1384:. podrobnosti.ua (21 June 2011)
1328:Roger Greenspun (23 June 1973)
872:The Orient is a delicate matter
781:'s visit to the United States.
822:Russian Federation State Prize
729:Ваше благородие, госпожа Удача
714:Your Noble Highness, Lady Luck
560:similar to that used by Sukhov
217:Ваше благородие, госпожа удача
1:
1843:Soviet war comedy-drama films
1828:Soviet adventure comedy films
1808:Soviet action adventure films
1678:Eric, Berger (8 April 2020).
1179:Yezhov and Ibragimbekov, p. 5
1124:Yezhov and Ibragimbekov, p. 4
1098:Yezhov and Ibragimbekov, p. 2
1032:Yezhov and Ibragimbekov, p. 7
894:Customs gives the green light
495:Svetlana Slivinskaya as Saida
1833:Soviet adventure drama films
1758:1970s Russian-language films
1743:1970s war comedy-drama films
1718:1970s action adventure films
1421:(in Russian). Archived from
513:Zinaida Rachmatova as Zulfia
492:Zinaida Rakhmatova as Gyuzel
1468:Nomenclature Search Results
1372:. vsesmi.ru (7 August 2007)
1199:"Владимир Мотыль interview"
1072:. Newsru (10 January 2008).
499:Velta Chebotarenok (Deglav)
203:
1889:
1838:Soviet war adventure films
1813:Soviet action comedy films
1793:Films shot in Turkmenistan
1456:ЧЕТЫРЕ СТОЛЕТИЯ АСТРОНОМИИ
1396:. ria.ru (7 December 2012)
1115:kino-teatr.ru (8 May 2006)
836:(2007), Moscow (2008) and
295:A monument to Vereshchagin
1818:Soviet action drama films
1783:Films set in Turkmenistan
1738:1970s war adventure films
921:for a Central Asian girl.
797:) and describes it as a "
728:
541:Sukhov supposedly uses a
192:
28:
917:Gyulchatai has become a
510:Lidiya Smirnova as Leila
140:March 30, 1970
1863:1970s war romance films
1858:1970 comedy-drama films
1823:Soviet action war films
1763:Russian Civil War films
1667:online on the official
1664:White Sun of the Desert
1646:White Sun of the Desert
1635:White Sun of the Desert
1360:. Trud (23 August 2001)
1247:Trud (30 December 2005)
1161:Пулемет товарища Сухова
955:Peter Rollberg (2009).
753:White Sun of the Desert
642:, a friend of Motyl's.
335:Fyodor Ivanovich Sukhov
184:White Sun of the Desert
65:Experimental Studio of
24:White Sun of the Desert
1773:Military humor in film
1728:1970s action war films
927:Mahmud, light the fire
904:The wrong type of snow
817:
813:Monument of Sukhov in
655:Luga, Leningrad Oblast
592:Development and script
561:
550:
485:Tatyana Krichevskaya,
296:
276:
204:Beloye solntse pustyni
18:1970 Soviet Union film
1624:Beloe solntse pustyni
1564:. Яуза : Эксмо.
1556:Aleksandr Kontorovich
812:
600:, said such films as
556:
540:
482:Alla Limenes – Zarina
294:
274:
1778:Films set in deserts
1603:Белое солнце пустыни
1446:. BBC (7 April 2007)
1134:Белое солнце пустыни
1055:Белое солнце пустыни
985:Белое солнце пустыни
741:The Detached Mission
193:Белое солнце пустыни
1489:За державу обидно--
1425:on 10 February 2007
1166:3 June 2013 at the
768:Russian State Prize
683:Kyz Kala (Gyz Gala)
622:Andrei Konchalovsky
470:Katerina Matveyevna
262:Basmachi guerrillas
207:) is a 1970 Soviet
56:Rustam Ibragimbekov
1753:1970s Soviet films
1561:За Державу обидно!
1513:За державу обидно!
1334:The New York Times
818:
681:. The distinctive
675:Mary, Turkmenistan
562:
551:
487:Galina Dashevskaya
297:
277:
1848:War romance films
1571:978-5-457-26138-9
1547:978-5-9717-0723-3
1523:978-5-87849-198-3
1492:. Грэгори-Пэйдж.
1458:. galspace.spb.ru
1234:978-5-699-26846-7
1023:. portal-slovo.ru
1001:. Ferdy on Films.
966:978-0-8108-6072-8
737:
437:Nikolai Godovikov
362:Pavel Vereschagin
330:Anatoly Kuznetsov
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79:Anatoly Kuznetsov
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477:Abdullah's wives
385:Spartak Mishulin
357:Pavel Luspekayev
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779:Leonid Brezhnev
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1768:Ostern films
1687:. Retrieved
1684:Ars Technica
1683:
1663:
1658:(in Russian)
1656:Final script
1645:
1634:
1623:
1602:
1596:Bibliography
1582:
1560:
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1451:
1439:
1427:. Retrieved
1423:the original
1413:
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1203:. Retrieved
1201:(in Russian)
1175:
1170:. tainy.info
1156:
1129:
1120:
1077:
1028:
1017:Neya Zorkaya
992:
987:. mosfilm.ru
956:
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801:adventure".
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582:Nagant M1895
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426:Kavsadze, a
417:
389:
361:
334:
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311:
298:
278:
251:) where the
249:Turkmenistan
242:
213:
183:
182:
181:
168:Soviet Union
156:Running time
133:Release date
66:
15:
1605:, Vagrius,
1508:Yury Mukhin
1348:. zone-x.ru
1084:. c-cafe.ru
830:Amvrosiivka
763:By the Lake
717: [
663:Makhachkala
659:Caspian Sea
302:machine gun
284:and reject
245:Caspian Sea
62:Produced by
38:Directed by
1713:1969 films
1708:1970 films
1702:Categories
1540:. Крылов.
1429:21 January
1205:23 January
940:References
799:picaresque
708:Soundtrack
603:Stagecoach
586:Mauser C96
578:small arms
518:Gyulchatai
501:as Khafiza
431:assistant.
233:cosmonauts
223:, lyrics:
144:1970-03-30
48:Written by
1299:162189615
748:Reception
609:High Noon
543:Lewis gun
507:as Zukhra
313:on fire.
257:Civil War
219:, music:
198:romanized
1651:AllMovie
1558:(2014).
1534:(2008).
1516:. Яуза.
1510:(2006).
1486:(1995).
1164:Archived
832:(2001),
667:Dagestan
626:American
460:Nastasia
442:Petrukha
428:Georgian
418:Abdullah
399:Basmachi
395:Dzhavdet
377:crutches
340:Red Army
306:dynamite
286:polygamy
253:Red Army
247:(modern
173:Language
103:Music by
75:Starring
1689:8 April
1672:YouTube
1669:Mosfilm
1291:3185802
1151:. km.ru
848:(2012)
842:Donetsk
838:Luhansk
815:Donetsk
736:
725:Russian
649:Filming
614:western
567:carbine
533:Weapons
367:Russian
200::
189:Russian
176:Russian
165:Country
142: (
126:Mosfilm
122:Lenfilm
68:Mosfilm
1661:Watch
1609:
1568:
1544:
1520:
1496:
1479:E.g.
1297:
1289:
1232:
963:
846:Samara
834:Kurgan
805:Legacy
785:, the
526:burqas
211:film.
209:Ostern
160:85 min
1295:S2CID
1287:JSTOR
853:Venus
721:]
698:props
673:near
661:near
571:lasso
390:Sayid
343:wife.
282:burqa
266:harem
1691:2020
1629:IMDb
1607:ISBN
1566:ISBN
1542:ISBN
1518:ISBN
1494:ISBN
1431:2007
1230:ISBN
1207:2007
961:ISBN
734:lit.
679:Merv
620:and
606:and
397:, a
338:– a
324:Cast
239:Plot
1649:at
1638:at
1627:at
1279:doi
723:" (
468:as
458:as
439:as
415:as
387:as
359:as
332:as
1704::
1682:.
1332:.
1307:^
1293:.
1285:.
1275:62
1273:.
1215:^
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1103:^
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1019:,
1007:^
975:^
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744:.
731:,
727::
719:ru
665:,
547:DT
195:,
191::
1693:.
1574:.
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1502:.
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1336:.
1301:.
1281::
1209:.
969:.
906:"
890:.
712:"
215:(
187:(
146:)
113:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
