389:. I'm inclined towards deleting here unless further coverage can be found. The coverage above comes from a single source which is local to the subject in question. Most local papers write short pieces about a lot of local bands and musicians at some point, without those artists coming to wider notice, and I don't think the coverage here is sufficient on its own. --
239:
website). That might be enough for notability in itself -- I'm not sure which the relevant standard would be, but I observe if Comp were deleted then he would be the only rapper in Fight for NY without an article. So adding that to his newspaper coverage I think this guy is notable. FWIW, I
227:, I'm not sure he satisfies criterion no. 1 (which he has the best shot at), having "been the subject of multiple non-trivial published works whose source is independent from the musician or ensemble itself and reliable." On the other hand, there's no denying that he was a character in
223:(it's the fifth one down). The card notes, "Comp was signed to Def Jam for three years and had little to show for it other than an appearance on a Ghostface cut and a few soundtracks before parting ways with the company last year." Looking at
157:
324:
151:
114:
118:
87:
82:
91:
172:
17:
139:
74:
268:, no, I've thought further and decided that those thinks amount to a weak keep recommendation, for whatever that's worth.
133:
438:
36:
437:
Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a
35:
Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a
129:
423:
398:
378:
341:
311:
283:
261:
200:
56:
179:
257:
228:
78:
279:
195:
419:
165:
70:
62:
411:
307:
224:
145:
361:
236:
29:
The following discussion is an archived debate of the proposed deletion of the article below.
394:
352:
294:
253:
275:
189:
415:
407:
336:
220:
303:
216:
215:. I found his 2004 writeup in the Baltimore City Paper (a free alternative weekly)
49:
108:
406:
here. The local stuff plus the IGN stuff makes him notable more or less, as per
390:
232:
332:
355:
to generate a more thorough discussion so consensus may be reached.
297:
to generate a more thorough discussion so consensus may be reached.
431:
The above discussion is preserved as an archive of the debate.
248:
as I kept looking, and have finally had to admit I think he's a
325:
list of Bands and musicians-related deletion discussions
104:
100:
96:
164:
360:Please add new comments below this notice. Thanks,
302:Please add new comments below this notice. Thanks,
39:). No further edits should be made to this page.
441:). No further edits should be made to this page.
178:
8:
319:
323:: This debate has been included in the
7:
240:started writing this response with
24:
18:Knowledge:Articles for deletion
1:
342:23:19, 26 December 2009 (UTC)
312:22:31, 26 December 2009 (UTC)
284:11:52, 21 December 2009 (UTC)
262:08:20, 19 December 2009 (UTC)
201:03:39, 19 December 2009 (UTC)
219:and his 2006 "trading card"
48:. No consensus for deletion
424:21:23, 2 January 2010 (UTC)
399:14:32, 2 January 2010 (UTC)
379:02:44, 2 January 2010 (UTC)
57:04:25, 9 January 2010 (UTC)
458:
434:Please do not modify it.
32:Please do not modify it.
229:Def Jam: Fight for NY
44:The result was
381:
344:
328:
314:
237:IGN Entertainment
231:(see his writeup
449:
436:
376:
359:
357:
340:
329:
301:
299:
274:Per the above.--
244:, changed it to
198:
192:
183:
182:
168:
112:
94:
54:
34:
457:
456:
452:
451:
450:
448:
447:
446:
445:
439:deletion review
432:
372:
368:
362:
350:
331:
292:
196:
190:
188:Non-notable MC
125:
85:
69:
66:
50:
37:deletion review
30:
22:
21:
20:
12:
11:
5:
455:
453:
444:
443:
427:
426:
401:
383:
382:
370:
366:
358:
347:
346:
345:
316:
315:
300:
289:
288:
287:
269:
186:
185:
122:
119:AfD statistics
65:
60:
42:
41:
25:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
454:
442:
440:
435:
429:
428:
425:
421:
417:
413:
409:
405:
402:
400:
396:
392:
388:
385:
384:
380:
377:
375:
374:
373:
356:
354:
349:
348:
343:
338:
334:
326:
322:
318:
317:
313:
309:
305:
298:
296:
291:
290:
285:
281:
277:
273:
270:
267:
263:
259:
255:
251:
247:
243:
238:
234:
230:
226:
222:
218:
214:
211:
210:
205:
204:
203:
202:
199:
193:
181:
177:
174:
171:
167:
163:
159:
156:
153:
150:
147:
144:
141:
138:
135:
131:
128:
127:Find sources:
123:
120:
116:
110:
106:
102:
98:
93:
89:
84:
80:
76:
72:
71:Comp (rapper)
68:
67:
64:
63:Comp (rapper)
61:
59:
58:
55:
53:
47:
40:
38:
33:
27:
26:
19:
433:
430:
403:
386:
365:
364:
363:
351:
320:
293:
271:
265:
249:
245:
241:
212:
208:
207:
187:
175:
169:
161:
154:
148:
142:
136:
126:
51:
45:
43:
31:
28:
412:WP:MUSICBIO
387:Weak delete
254:Glenfarclas
242:Weak delete
225:WP:MUSICBIO
191:Orange Mike
152:free images
369:rbitrarily
276:Epeefleche
416:Gosox5555
404:Weak keep
337:talk page
246:Weak keep
213:Weak keep
353:Relisted
304:Tim Song
295:Relisted
115:View log
408:WP:NOTE
235:at the
158:WP refs
146:scholar
88:protect
83:history
52:JForget
391:Michig
266:Update
130:Google
92:delete
272:Keep.
209:Keep'
173:JSTOR
134:books
109:views
101:watch
97:links
16:<
420:talk
410:and
395:talk
333:J04n
321:Note
308:talk
280:talk
258:talk
252:. --
250:Keep
233:here
221:here
217:here
197:Talk
166:FENS
140:news
105:logs
79:talk
75:edit
46:keep
264:.
194:|
180:TWL
117:•
113:– (
422:)
414:.
397:)
327:.
310:)
282:)
260:)
160:)
107:|
103:|
99:|
95:|
90:|
86:|
81:|
77:|
418:(
393:(
371:0
367:A
339:)
335:(
330:—
306:(
286:'
278:(
256:(
206:'
184:)
176:·
170:·
162:·
155:·
149:·
143:·
137:·
132:(
124:(
121:)
111:)
73:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.